The following artists were billed for this year's Copenhell Festival:
- JUDAS PRIEST
- KORN
- BULLET FOR MY VALENTINE
- OPETH
- KYUSS LIVES!
- ANVIL
- MAYHEM
- MORBID ANGEL
- DEICIDE
- GWAR
- PROTEST THE HERO
- BAPTIZED IN BLOOD
- DOCTOR MIDNIGHT & THE MERCY CULT
- ALL THAT REMAINS
- ROLO TOMASSI
- KVELERTAK
- THE BURNING
- BILLY BOY IN POISON
- VANIR
- HELHORSE
- PITCHBLACK
- CREMATORIA
- SOLBRUD
- THE NEW LOW
../Coffin%20Joe%28member%29.aspx" rel="nofollow - Coffin Joe and I went and here are my impressions of the shows we saw (needless to say, with such a bill, we did not catch all gigs).
Kyuss Lives!
A lot of people came to Copenhell with the only purpose of seeing
Kuyss. Unfortunately, the band were stuck in some airport in Canada
because there was a strike going on. The had to cancel, and obviously
that left a lot of people really disappointed. I was not disappointed
though, because the Copenhell people brought in the best replacement
ever, and a total surprise - namely, thrash metal legends Artillery.
Apparently, the band was asked to play at Copenhell two hours before
taking the stage. So they literally came straight from their sofas at
home - actually, one of their guitarists looked like he'd been lying on
the couch napping only to suddenly find himself on stage. But Artillery
rocked totally. They blazed through their set, which included some
tracks from the new album as well as "When Death Comes" and "1000
Devils" and some old classics like "By Inheritance", "Khomaniac",
"Terror Squad" and so on. They looked like they had a lot of fun onstage
- especially Peter Thorslund, who did a lot of pranks on his bandmates
during the show. Artillery came, saw and conquered! Now, a lot of Kyuss
fans have obviously taken up the role as detractors and given Artillery
some flak online, but it's not Artillery's fault that Kyuss get stuck in
some airport somewhere, and I think that Artillery deserve a lot of
respect for taking stage (having two hours to prepare) and delivering a
great show. Being a big Artillery fan myself, I felt like I was given a
Christmas present when they suddenly popped in on stage, and what was
the biggest let-down ever for Kuyss devotees, became the most positive
Copenhell experience to me (and, besides, I think that Artillery should
have been on the bill anyway, given that they are Denmark's thrash metal
pride).
Helhorse
I just caught a couple of songs from Helhorse, who played on the
small stage for upcoming artists. Their groovy and heavy sludgy metal
with influences from Southern rock surely moved the crowd, and they
strike me as being a very good live band. Their music, which at times
sounds like Led Zep on steroids and at times like Sabbath on speed, has
an inherent groovy quality which lends itself perfectly for live
performance, because it is really easy to headband, jump around, and
mosh to. The world should keeps its eyes on Helhorse in the future.
The Burning
A modern Danish thrash metal act, The Burning rocked the house with
their groovy brand of thrash metal, and fired up a small but very
enthusiastic crowd. It also seems that they got a number of potential
new fans that evening. I certainly noticed a lot of people standing
around, raising their eyebrows, bobbing their heads along to the groove
while exchanging gestured of approval with their friends. And this is
the ultimate victory for any band isn't it? Anyway, musically, The
Burning performed very well, playing songs from even early releases, and
their usual nonsensical stage banter and chaotic interactions on stage
added an extra layer of entertainment - I actually quite liked how this
band managed to make their audience laugh during an otherwise brutal and
moshing-inspiring metal gig (and, yes, their act was chaotic, but they
performed their songs very solidly, not missing a beat or a groove).
Opeth
Opeth took stage and delivered their dark and progressive death metal,
accompanied by Mikael �kerfelt's usual geeky stage banter. He managed to
even lecture the crowd about King Diamond. While Opeth performed
solidly and professionally, like they always do, I think that the sound
was perhaps too thin, or probably simply not loud enough. I heard some
mumbling in the back among certain people complaining how Opeth's music
lacked balls. Now, that's obviously not true, because if you know the
band and have their CDs, you will know that Opeth certainly have balls
and that there is plenty of brutality to their music, but for some
reason that brutality did not manifest itself that night to people who
were not already into the band. I actually got into Opeth after having
experienced them live some years ago myself, so I know that they are not
a weak live band - and their Copenhell performance was not weak; it was
solid and professional, as I said, and they obviously had a tight grip
on all their fans who really enjoyed experiencing Opeth's complex, dark,
progressive death metal being performed live - their sound guy, I
guess, just did not manage to capture certain aspects of their music and
translate it onto people who were not familiar with the band.
Personally, I enjoyed their show.
Baptized In Blood
I'd never heard this Canadian band before - I'd never even heard
their name - so I decided to go and check them out. And I am glad I did.
They totally delivered and, with their modern-meets-traditional thrash
metal, they really inspired some serious headbanging in the crowd. Their
sound was big, and they were not afraid to thrash about on stage
themselves. I detected similar reactions among the crows as I did with
The Burning, so I think that a bunch of people will very soon join the
ranks of Baptized In Blood fans.
Korn The kings of nu metal gave their fans a string of hits. I was never a big Korn fan, but I can see how the heavy and groovy bass lines work brilliantly live. What fascinated me the most, however, was the drummer. That guy was awesome!
Deicide
Deicide initially attracted a lot of people, but I think that most
of the crowd were just there to check out this band who, back in the
day, were known for not just musical extremities, but for Glenn Benton's
extreme personality. This is how the show went. The band got onstage
and then the massacre started. Playing one brutal blastbeat-filled song
after another, only interrupted by the occasional "Thank you", and "The
next song is called...", Deicide delivered a cold and brutal show. Now
this appealed to their hardcore fans, who enjoyed the show very much.
But the crowd slowly thinned out, as Deicide scared away people who did
not understand their brand of metal. Deicide delivered one of the most
brutal shows at Copenhell this year - and that is what their fans really
appreciate.
Judas Priest
Priest delivered. They always do. Always professional, and with a
nice varied repertoire of songs, Priest did what Priest do best. They
delivered the goods. I personally appreciate that they played tracks
from their less popular releases, such as "Turbo Lover" from "Turbo".
Interesting this song was one of the songs that elicited the most cheers
from the audience (at least the audience in the same place where I was
standing). It looked like all the members of the band enjoyed being on
stage, and the new guitarist just fit into the whole Priest machine.
With all due respect to KK Downing and all that he's done for Priest, I
did not miss him onstage that evening. Of course, it is going to be
interesting to see if his absence is felt on their next album - I hope
that the new guys will be brought into the writing process and
contribute to the Priest. I just skimmed a review of Prist's show
deriding them for being Spinal Tap-like; I think that the reviewer may
have misunderstood the whole idea of Priest's show - the very essence of
a Priest show is that larger-than-life thing, and Priest's show was
larger than life. They actually deserve praise for being Spinal
Tap-like.
Anvil
Anvil's gig was the first gig of the second day that I caught.
Unfortunately, we were stuck in public transportation, so we missed the
first 20 minutes of the show, but that's okay. We caught most of it.
This was pure rock 'n' roll energy with long guitar solos (of course
involving a dildo and what not), drum solos, stage banter, and a couple
of mistimed notes. Pure rock 'n' roll! Anvil's gig was a really
enjoyable and entertaining show, and I am really happy that I got to
experience these legends live. Later Lips and Rob appeared in the
DOX:HELL makeshift cinema to do a brief Q&A, and they appeared
totally down to earth, and, in a touching moment, they did a group hug
with a dedicated Anvil fan. Great guys. Great metal. All rock 'n' roll.
Doctor Midnight & the Mercy Cult
This new group has performed at several rock festivals all over
Scandinavia this summer, and now it was Copenhell's turn. Their songs
generally are very live concert friendly, but the chose to open the one
track that isn't - and so it took a couple of songs to get the energy
level up. But once they reached that level, they were unstoppable and
they managed to capture the unique energy that characterizes their debut
album "I Declare: Treason", and they also made it very apparent during
the show that they are very experienced musicians. All dressed in black
with punky hairdos, they have a certain kind of futuresque sophisticated
post-industrial punk look to them, which added a fitting visual aspect
to their show. I must say that I think there was way too much talk
between songs, but given that they only have one album's worth of songs,
it is understandable - maybe, there will be less talk and more playing
when they have released their next album. All in all, DMTMC did a very
good show, though, and deserve praise for their Copenhell performance.
Protest the Hero
Protest the Hero attracted quite a big crowd, and the tore the house
down with their hyper technical progressive metalcore. It was very
impressive that they could pull off that sort of technical music live. I
hadn't heard them before, but they certainly got my interest - for a
while. As their show went along, I started to suffer from the non-fan
syndrome of not being able to recognize the songs, and my attention
slowly started to drift away from their performance and towards other
features of the Copenhell landscape. But, still, I intend to check out
some of their releases, so they did leave a positive impression on me.
And most of the crowd seemed really pleased with their performance, so
Protest the Hero's mission was a success, I guess.
Kvelertak
This was another band I had never heard before. Kvelertak's style
blends punk rock, hard rock and black metal, and it worked beautifully.
Their show was characterized by great energy, and it seemed like they
were genuinely enjoying themselves onstage. The crowd obviously loved
them, and I think that this is because Kvelertak have managed to take
the best of all three worlds - that is all those things from punk, hard
rock, and black metal which work live - and combine them into
ass-kicking headbanging raw rock 'n' roll. And kick ass is what
Kvelertak did a Copenhell.
The New Low
The New Low performed on the stage for upcoming acts, and I caught a
couple of songs. Their style is a type of crossover thrash with a lot
of references to Sepultura's death-thrash and tribal-groove-metal
periods. Inheriting the simplicity and aggression of punk music, The New
Low's music emanates a primitive energy and groove, which lends itself
perfectly for live performances in front of a pumped audience. I
certainly will check out this band in the future - crossover fans should
keep an eye out for The New Low.
Mayhem
Like Deicide, Mayheme delivered an ultra brutal concert, but with
Attila's vampiric stage persona, there was a certain theatrical thing
going on (an acquaintance of mine described the band as a comic book
band on the basis of this factor). From beginning to end, Mayhem
blastbeated their way through their set - which their fans, of course,
absolutely loved. Like Deicide, Mayhem also managed to scare away most
of the uninitiated audience, and I heard one guy confess that he simply
did not understand that kind of music (that particular guys has my
respect actually, because admitting one's own failure to understand
something is a much more sympathetic reaction rather than criticizing
that something itself).
After Mayhem, we decided that we'd seen what we wanted to see, and so
that was the end of Copenhell 2011 for me. I did not see Gwar and Morbid
Angel, but I never liked Gwar anyway, and, although my review of Morbid
Angel's latest release is perhaps among the most positive reviews so
far, I also state that I am not a fan of the band, so I did not feel
compelled to stay and see them live - I am sure they both put on a great
show and pleased a lot of their fans.
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