US power metallers http://www.metalmusicarchives.com/cage.aspx" rel="nofollow - Cage released http://www.metalmusicarchives.com/cage--supremacy-of-steel.aspx" rel="nofollow - Supremacy of Steel in November this year, and with it they made a massive metal statement and effectively out both the "power" and the "metal" back in power metal. The album has received well-deserved favorable reviews and high ratings. We caught up with frontman Sean Peck, and in the interview below he discusses, among other things the label "power metal", the use of blastbeats on a power metal record, and the importance of lyrics and vocals. He also gives us an insight into the band's writing process.
First off all, congratulations on Supremacy of Steel, which is one of
the best metal albums of the year in my book. How do you guys feel
about the new album? Thanks a lot the press and the fans have really embraced this cd so far.
It feels like now that we have released 6 solid records that have
really gone well, we are getting a new level of respect or appreciation.
When you have people pointing to each album as a different favourite
you know you are on the right track.
How has the album been received so far? The reviews have been great and we have charted very high in most of the
soundchecks from the major metal magazines. We just try to make metal
songs that make you want to raise your fist in the air and say "Hell
yeah!"
Cage is typically labelled a power metal band in the media and on the
Internet. Do you agree with this genre categorization of Cage?
Yes, we embrace the label although personally I am not a fan of the 'happier' sounding stuff. We have begun as a Heavy metal band
transitioned into a power metal band and delve into the speed and thrash
areas as well. As long as the songs are good, the sub genre
classification is not as important. I feel very strongly about our
complete metal package that we deliver. We really make the sale in our
live performance and can stand toe to toe with anyone. This band has
been seriously battle tested opening for http://www.metalmusicarchives.com/dio.aspx" rel="nofollow - DIO , http://www.metalmusicarchives.com/judas-priest.aspx" rel="nofollow - Priest , and http://www.metalmusicarchives.com/iron-maiden.aspx" rel="nofollow - Maiden - you
have to have your shit together.
Supremacy of Steel is much more aggressive and heavy than what is
typical of power metal these days, as I detect a lot of thrash metal and
speed metal elements throughout the album. Is this emphasis on
heaviness and aggression a conscious choice? Not really intentional except for 'Bloodsteel' I think. That one we
really wanted to come out just on fire with the blast beats and screams
from hell. We have been playing faster and faster since Norm Leggio got
in the band and Steve now on guitars. It has to sound good no matter
what speed. The new album has got more mid tempo songs and variety
probably than the speed metal of http://www.metalmusicarchives.com/cage--science-of-annihilation.aspx" rel="nofollow - Science of Annihilation but we just
write the songs as they come. We go for a hook in each song but we have
been filling the live set with all the speedy thrashy stuff for sure.
You even include some elements from extreme metal on Supremacy of
Steel, such as the blast beats that can be heard in 'Bloodsteel'. What
inspired you guys to incorporate blast beats into your musical style?
Ha! Well we want to walk that fine line of expanding and growing from
album to album without losing our feel and signature sound. Norm is
able to really bring out the encyclopaedia of beats and he claims that
is the http://www.metalmusicarchives.com/dimmu-borgir.aspx" rel="nofollow - Dimmu Borgir blast beat right there. We thought the fans would
really be shocked from the whole approach to the intro of 'Bloodsteel' and
now we are opening the live set with that one right out of the gate!
While the Cage style strikes me as generally having more edge than most
power metal, Supremacy of Steel appears to me to be harder and heavier
than your previous releases. Would you say that Supremacy of Steel is
different from you other releases and, if yes, how is it different?
Well it has a lot of diversity especially when we decided to include
'Braindead Woman' in it. That was a bit of a risk but it was an old time
favourite we re-did from back in the mid 90's. Songs like 'The Monitor'
really have a cool mid tempo vibe and a classic metal feel which really
encapsulates where we have come from. This album is a statement album
as to the superior art form that metal music is. From the album cover
setting the theme for the music, to the song 'Metal Empire', this album
says Metal Rules! I give a big metal speech now at each show and this
album is our thank you to the genre. Harder and heavier is not really
what we went for but it is cool it sounds that way. We just wanted to
make an attempt to continue to top ourselves and make the best record
yet which is a tall task based on all the previous awards and accolades
the previous ones have received.
There is, of course, also a lot of melody on the album. How important
is melody in metal, and was it a challenge to create a balance between
melody and aggression when you guys wrote Supremacy of Steel? Yes the fine line of showing off the shredding and wailing and making a
great tune to rock out to. We go after a hook that can stick in your
mind on every song. That is how I was raised on metal and hard rock. I
loved the http://www.metalmusicarchives.com/wasp.aspx" rel="nofollow - Wasp 's and http://www.metalmusicarchives.com/dokken.aspx" rel="nofollow - Dokken , http://www.metalmusicarchives.com/ratt.aspx" rel="nofollow - Ratt , http://www.metalmusicarchives.com/keel.aspx" rel="nofollow - Keel , Black and Blue, even http://www.metalmusicarchives.com/helix.aspx" rel="nofollow - Helix .
From those bands I think I grasped the concept of some simple rocking
song structure and sing a long songs. I remember playing the Ratt song
'You're in Love' like 30 times in a row when I got it stuck in my head so
much. That to me is the testament to a great song when you have to play
the song over and over it rocks so much. That is what we strive for,
man.
Can you describe the general song writing process of Cage? We work 90% of the songs in the room as a complete band. However 3 of
us have home studios where we craft ideas and then bring them into the
room to work out for feel purposes. There is something about being in
the room as a group that cannot be duplicated sitting in front of a
computer. It gets easy just sitting at home forging shit but I need the
feel and to have a drummer instantly give different beats can take you
places you did not think of. So I will always be a proponent of the
group writing. Having 3 guys write is cool because this record came
together faster than all the others and new guitarist Steve Brogden
really fit in well and contributed a lot. Finding him was really a
blessing although he is young he has a seasoned metal soul and knows
good metal.
You are a pretty amazing singer with a wide vocal range. How
important is versatility for a vocalist in the type of music that Cage
plays? I love being able to take a different approach to each song and really
keep it fresh. I always am searching for new voices to employ with each
new record. The song 'Flying Fortress' is an example of me never trying
to sing like that before. I am very proud of our ability to have a song
that sounds like http://www.metalmusicarchives.com/sabaton.aspx" rel="nofollow - Sabaton , a song like http://www.metalmusicarchives.com/king-diamond.aspx" rel="nofollow - King Diamond , and 'Painkiller' all
on the same album. Not sure who else does that. We are not trying to
copy just entertain our fans with creative cool shades of metal.
Also, as a vocalist, how important are vocals, in your opinion, in
metal music, and how do vocals contribute to the overall sound of a rock
or metal band?
Well usually it is the signature that makes the band unique if it sounds
different enough. I think with my tone people know it is Cage right
when they hear me. Just like http://www.metalmusicarchives.com/ozzy-osbourne.aspx" rel="nofollow - Ozzy , Dio , or http://www.metalmusicarchives.com/halford.aspx" rel="nofollow - Halford or even someone
like Sting, you know from the unique tone in their voice who it is
instantly. Some so-called http://www.metalmusicarchives.com/helloween.aspx" rel="nofollow - Helloween clones sound a lot alike and of
course most hardcore and death metal does as well. The words in the
song are really important to me too so I have been making an extra
effort to enunciate much better while blasting out the strong metal
screams. The singing you cannot understand loses the impact as the
message is lost. I have continued to progress as a singer and am at the
top of my game I feel right now at this age. I keep pushing myself and
it seems to be working!
Which artists and bands serve as the main sources of inspiration for Cage? I am really picky with my metal much more so than the other guys. I
find it really hard to find an album that I like every song and put it
on and play it through like a http://www.metalmusicarchives.com/judas-priest--screaming-for-vengeance.aspx" rel="nofollow - Screaming for Vengeance or a http://www.metalmusicarchives.com/iron-maiden--the-number-of-the-beast.aspx" rel="nofollow - Number of The
Beast or a http://www.metalmusicarchives.com/scorpions.aspx" rel="nofollow - Scorpions ' http://www.metalmusicarchives.com/scorpions--blackout.aspx" rel="nofollow - Blackout . That is how we strive to make our
albums non skippable cds where all the songs rip. I am always seeking
out that song like I mentioned before where I have to replay it. http://www.metalmusicarchives.com/within-temptation.aspx" rel="nofollow - Within
Temptation 's 'The Howling' is a song I stumbled upon and kept playing over
and over for some reason for example. All the grandmasters of old we
refer to and some new thrash elements as well. We listen to everything
and are always searching for cool new sounds but I need the epic killer
song to motivate me.
How about you as a vocalist, are there any singers in particular that inspire you? Well, Halford of course, http://www.metalmusicarchives.com/owens-tim-ripper.aspx" rel="nofollow - Ripper , King Diamond and now Todd from http://www.metalmusicarchives.com/crimson-glory.aspx" rel="nofollow - Crimson Glory is pretty good.
For the benefit of those of our readers who are not familiar with that band, can you outline the history of Cage?
We started in 1992 when Grunge was shutting out all metal. We wanted to
make a band in order to keep the metal sound going in our hearts for
our own sakes. Because of the lack of bands in our genre left we were
blessed with the opportunity to open for all the metal gods and craft
our live performance. Through the years we have honed our sound to
encompass all that we love about the classic metal sound along with
thrash and speed influences as well.
Returning to Supremacy of Steel, a central theme is heavy metal music
itself. Is the album a celebration of heavy metal or are you making a
statement on today's heavy metal music? Yes, it is a testament to the superiority of metal over all other forms
of music. The people in metal are the coolest and most unified force of
all the genres I feel. The brotherhood comes from the emotion that
metal music metal gives. The feeling of positive aggression and self
empowerment is unlike that of any other music. Also the best musicians
with the most talent are in metal and this is a shout out to the world
that we live for metal and it will never let you down.
What do you think about the state of present-day heavy metal music?
I think the youth are back on board which is a very healthy thing.
There are more bands in all the metal sub genres than ever before and
the charting metal bands are also comparatively very healthy as well. I
feel metal was close to being killed but now the roots have grown deep
and it will now never die.
What is the story behind the cover artwork, and how does it fit into
the types of cover artwork that are features on your previous releases?
Well because of the title we wanted to put a cover that depicted the
metal gods overlooking the ultimate metal concert or scene. The three
characters represented Good, Evil, and Chaos of sorts in a classic
presentation. We have gotten lots of great attention from the cover and
we wanted one filled with stuff to look at while the album blasts in
the background!!
So, heavy metal music itself is a central lyrical theme. What are some of the other lyrical themes on the album? Well, 'Bloodsteel' and 'Metal Empire' are the two metal song topics. We have
some fiction like 'Doctor Doom' (another comic book theme) and 'King Of
The wasteland', some historical stuff like 'Flying Fortress' and 'The
Monitor', and some classic urban legend stuff like 'Anneliese Michel' and
'The Beast Of Bray Road'.
Are you going on tour in support of the album, and can fans outside The States experience you live in the near future? Yes there are massive plans to hit areas we have never visited before.
They are always being forged in the hottest fires of molten steel but we
never announce until it is set in stone as the rock and roll business
is crazy!!
Where can people who are interested in learning more about Cage go for information on the band? http://www.cageheavymetal.com/" rel="nofollow - www.cageheavymetal.com is our main site and facebook/cageofficial and twitter.com/cageheavymetal
In what formats is Supremacy of Steel available, and where can it be purchased? It can be found all over Europe at stores and through all major metal
distributors as well. Also on itunes and Amazon. Buying it direct from
the band is best as we always give extra goodies in the packages at http://www.cageheavymetal.com/" rel="nofollow - www.cageheavymetal.com
Thank you very much for doing this interview, and, once again,
congratulations on Supremacy of Steel, which is truly a great heavy
metal album.
Thanks so much great questions thanks to all the fans!! See you on the road please tell your friends about us!!
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