As
usual, our wonderful group of collaborators put together a list of
2012-released albums they deemed worthy to be considered "best of the
year". Up to 30 were picked from each collab's brain and put through a
rigorous grading process in which our Excel skills were put through hell
and high water. The outcome was a list that, as determined by our
collabs, embodies the absolute finest in heavy metal during the year
2012. So...
let's go!1. Enslaved - RIITIIR http://www.metalmusicarchives.com/enslaved--riitiir.aspx" rel="nofollow">
Whoever said there�s nothing new under the sun obviously
hasn�t met Enslaved. Norway�s finest
continue their seemingly never-ending evolution to release possibly their
magnum opus; the band�s 12th studio album sounds just as fresh as
most debuts, proving that the well of creativity may never run dry for those
gifted enough to find it. RIITIIR is, simply put, an album of
extraordinary craftsmanship, and overwhelmingly deserving of the top spot in MMA�s
2012 Album of the Year.
"Its rich and diverse blend of
extreme and progressive styles of black metal makes for an album that
is as heavy as it is intelligent, and a very worthy follow-up to 2010's
stunning
Axioma Ethica Odini.
RIITIIR is a powerful, innovative, and overall killer album that may be Enslaved's finest masterwork to date. Amazing."
-J-man
2. Distorted Harmony - Utopia http://www.metalmusicarchives.com/distorted-harmony--utopia.aspx" rel="nofollow">
With just their first crack at it, Israel�s Distorted
Harmony lands in 2nd place in our poll. A remarkable album considering the age of the
musicians who play on it, Utopia
draws so much attention not only because of the virtuosic instrumental work,
but the fact that the band originally released the album for free on their
SoundCloud page. Sounding right at home
next to all of your progressive rock classics from the �70s and their heavier
offspring from decades later, Utopia
is indeed a shining diamond in the rough; whoever abides by the philosophy �you
get what you pay for� may want to take a listen to this. Chances are they�ll make an exception.
"This album has it all �
complex, flowing compositions that artfully weave a tale for the
audience, instrumental wizardry, electric and symphonic soundscapes,
great vocals, and good production. It is nothing short of a masterpiece,
and easily one of the best albums of the year."
-DTGuitarFan
3. Baroness - Yellow and Green http://www.metalmusicarchives.com/baroness--yellow-and-green.aspx" rel="nofollow">
Another band that just can�t stay in one place for too long,
Baroness has struck gold with their third full-length release, Yellow & Green. While this double album may continue the
colored-title theme of previous efforts, Yellow
& Green is far and away the most eclectic of Baroness� works to date,
an impressive display of creativity that makes previous comparisons to bands
such as Mastodon and High on Fire seem far-fetched at best. While Red
Album and Blue Record were solid
in their own right, Yellow & Green
might just be the piece of work that defines Baroness as a band: sprawling,
creative, and never afraid to take a few risks.
In this case, they�re highly rewarded.
"'New musical direction' is
perhaps the scariest combination of three words to fans of any band, but
for my part Baroness' three year metamorphosis after the competent
sludgefest
Blue Record is an absolute triumph. A strange
amalgam of stoner metal and the heaviest end of psychedelia, with a few
spacier moments... the album is saved from becoming a nostalgia-fest by
taking on musical influences from much more recent subgenres."
-Warthur
4. Overkill - The Electric Age http://www.metalmusicarchives.com/overkill--the-electric-age.aspx" rel="nofollow">
It�s just another day at the office for thrash metal
veterans Overkill, who followed up the success of 2010�s Ironbound with another album of the same kind: pounding,
riff-oriented, well-produced, and professional.
Another delicious blend of thrash and groove metal for the consummate
hard workers, The Electric Age is
without a doubt deserving of a place on this list.
"
The Electric Age is
beefier. It�s darker. It�s got even more aggression and even more
attitude. Don�t think Overkill could get any better? Well, they just
did."
-Diogenes
5. Headspace - I Am Anonymous http://www.metalmusicarchives.com/headspace--i-am-anonymous.aspx" rel="nofollow">
Something of a �supergroup,� Headspace released their debut
to immediate favorable reception. With
the son of Rick Wakeman on keyboards and Damian Wilson on vocals, there�s
already plenty for progressive rock fans to indulge in, and I Am Anonymous carries such superb
musicianship throughout a lush soundscape that should be immediately pleasing
for fans of this genre.
"The way the music builds
between sections easily drags me in and I often can�t believe it when
these lengthy tracks seem over in the blink of an eye. The level of
variety between the tracks also keeps the album fresh. Each of the eight
pieces has its own feel and atmosphere."
-adg211288
6. Rush - Clockwork Angels http://www.metalmusicarchives.com/rush--clockwork-angels.aspx" rel="nofollow">
Perhaps their heaviest album yet, Rush�s Clockwork Angels takes the trio�s usually
tight musicianship into uncharted territories; the steampunk universe penned by
Neil Peart makes for quite the adventure indeed. Instrumentally, the band has never sounded
better, delivering its best hard rock riffs since the 1970s in a punchy
production. All the years of waiting
have paid off for progressive rock fans.
"
Clockwork Angels is a
strong and fresh album, it is energetic, entertaining and focused, it
is heavy rather often and has enough ideas per song to justify each
song�s length. It just sounds vital and has enough depth to reward
repeat listens."
-KingCrimsonProg
7. Meshuggah - Koloss http://www.metalmusicarchives.com/meshuggah--koloss.aspx" rel="nofollow">
No strangers to innovation, Meshuggah returns with another
brutally technical offering in Koloss. The Swedes have begun focusing more on
memorability and songwriting lately than in years past, but the end result is
still no surprise to those who have followed the band faithfully for the past couple
of decades: hard-hitting, djenty technical metal that many have replicated but
few have mastered. If there was ever any
doubt, Meshuggah are still one of the latter.
"The playing is outstanding as
ever and you�ll probably find yourself hynotized by the groove, the
razor sharp riffing and the heavy beats that these guys deliver like no
one else. So have they burned out on ideas or begun to repeat
themselves? Hell no!!!
Koloss is another high quality and
distinct sounding album by Meshuggah, showcasing that they are fully
capable of sounding unmistakably like themselves while at the same time
incorporating enough twists to their sound, to make each album they
release stand out as an individual entity in their discography. "
-UMUR
8. Threshold - March of Progress http://www.metalmusicarchives.com/threshold--march-of-progress.aspx" rel="nofollow">
In what was bound to be an instant favorite among our
collabs, Threshold released their first album since the tragic passing of
former vocalist Andrew �Mac� McDermott to a warm reception. Damian Wilson sounds confident and
charismatic as Threshold delivers their usual blend of melodic, sludgy, and
accessible progressive metal in several well-written songs.
"March of Progress
undoubtedly delivers the same goods that fans have been expecting from
Threshold for the past decade and a half. It�s classy, well-produced,
and mature; none of which should be surprising, but will be delightfully
devoured by metalheads and progheads all the same."
-Diogenes
9. Testament - Dark Roots of Earth http://www.metalmusicarchives.com/testament--dark-roots-of-earth.aspx" rel="nofollow">
After releasing one of the most critically acclaimed
�comeback� albums in thrash metal history in 2008�s The Formation of Damnation, Testament had a tall order in trying to
top it. Consider it done! Dark
Roots of Earth continues the roll Testament has been on since 2008,
incorporating even more brutal elements into the unmistakable songwriting of
guitarist Eric Peterson and vocalist Chuck Billy. Thrash metal fans would be wise to check this
one out.
"[
Dark Roots of Earth]
pretty much embodies the classic Bay Area Thrash sound, but in a way
which still comes across as fresh and modern primarily through the
excellent production job and the surprising amount of melody in the
songwriting."
-KingCrimsonProg
10. Kreator - Phantom Antichrist http://www.metalmusicarchives.com/kreator--phantom-antichrist.aspx" rel="nofollow">
Yet another remarkably consistent thrash metal band earns a
spot in our list in Kreator. Having been
on a tear since the turn of the millennium, the Germans show no signs of
slowing down with their latest slab of well-produced melodic thrash. �Professional� isn�t always a word that comes
to mind when listening to such releases, but Kreator knows damn well what
they�re doing, and as such it should be no surprise that Phantom Antichrist makes an appearance on our list.
"A return to the speedy thrash
metal riffing of the eighties but with a more melodic, almost
melodeath-like approach. In other words, a mature form of thrash metal,
that while it certainly is aggressive and hard edged, is also varied and
as mentioned melodic."
-UMUR
11. Neurosis - Honor Found in Decay http://www.metalmusicarchives.com/neurosis--honor-found-in-decay.aspx" rel="nofollow">
One of the most distinctive metal bands out there, Neurosis
returns with yet another album based around one thing: a crushing
atmosphere. It seems like they go about
this a different way with each offering, but Honor Found in Decay is vintage Neurosis; sludgy guitars, tasteful
electronic sampling and tribal drumming make this a can�t-miss release for
post-metal fans.
"While Honor Found in Decay
is probably not an album that�ll surprise fans of the band, it�s still
obvious that Neurosis are as creative and determined as ever. They not
only write intriguingly structured and damn heavy and atmospheric music,
they also deliver that music with a burning passion that�s admirable."
-UMUR
12. [TIE] Ne Obliviscaris - Portal of I http://www.metalmusicarchives.com/ne-obliviscaris--portal-of-i.aspx" rel="nofollow">
Ne Obliviscaris� debut album lives up to its pre-release
hype as a very impressive extreme prog metal release. The Australians clearly have many realms of
influenced, as this is much more than the all-too-common Opeth clone; included
in Portal of I are violins and
flamencos aside the expected growling and riffing, all delivered together with
the youthful energy of a band out to prove they belong-and belong they do.
"[Ne Obliviscaris] draws in a
lot of influences from both within and outside of the metal spectrum, so
aside from progressive and black metal expect the odd passage to put
you in mind of death metal, folk music, flamenco, and more. The band
holds nothing back. And to cut a long story short Ne Obliviscaris have
brought all of this together into what I feel is one of the most unique
sounding progressive metal releases I�ve heard for some time."
-adg211288
12. [TIE] Vaura - Selenelion http://www.metalmusicarchives.com/vaura--selenelion.aspx" rel="nofollow">
Featuring members of renowned avant-garde metal acts such as
Kayo Dot and Maudlin of the Well, it should come as no surprise that Vaura�s
debut album is hard to classify. A
musical rendition of some of director Stanley Kubrick�s most famous works,
Vaura brings together elements from countless subgenres of music to create a
group of tunes that is, quite simply, without comparison. Definitely one for the open-minded.
"On the surface,
Selenelion
is a dark, heavy, and rather quirky album, but over repeated listens,
beautiful melodies really begin to set in and leave a major impression
on the listener. That's the sign of a great album in my opinion, and
it's exactly this depth that makes Vaura such a worthwhile act."
-J-man
14. Wodensthrone - Curse http://www.metalmusicarchives.com/wodensthrone--curse.aspx" rel="nofollow">
Wodensthrone�s second full-length album features post-rock
and folk influences brought together into an atmosphere of ever-popular
�blackgaze,� so much that this would probably be closer to a classification of
atmospheric metal than black metal. In
any case, Curse displays a remarkable
knack for creating dark atmospheres for listeners to lose themselves in, and
most certainly deserves a spot on our list.
"With powerful compositions
and exceptional performances, and a lyrical slant which combines
nostalgia for olden-times paganism with a Wolves In the Throne
Room-esque reverence of mother Earth and hatred of what we humans have
done to her, the band certainly have most of the bases covered as far as
atmospheric black metal goes, and they deliver the goods with aplomb."
-Warthur
15. Drudkh - Eternal Turn of the Wheel http://www.metalmusicarchives.com/drudkh--eternal-turn-of-the-wheel.aspx" rel="nofollow">
Another high-quality atmospheric black metal release graces
our list with Drudkh�s latest offering of crushing-yet-soothing
soundscapes. Quite the prolific band,
Drudkh seemingly gets darker and darker with each release, but there�s
something powerful about listening to Eternal
Turn of the Wheel that will make it appeal to a wider fanbase. Pop this one on at night and enjoy.
"One of the darkest albums of the band,
Eternal Turn Of The Wheel
has a really intriguing, fascinating and gloomy atmosphere that reminds
of a nocturnal, spectral, and especially, sylvan sight, where ancient
ghosts roam around."
-Phonebook Eater
16. To-Mera - Exile http://www.metalmusicarchives.com/to-mera--exile.aspx" rel="nofollow">
A concept album dealing with internal struggles rather than
a series of events, Exile lands on
our list because of its unique take on the progressive metal subgenre. A talented group of musicians, To-Mera pushes
the envelope not by adding more sounds, but rather by sticking to their guns:
long songs with instrumental breaks and mood changes with lush keyboards and
guitar textures. This formula is
executed well enough to make To-Mera�s third full-length album their best yet.
"Pairing up dynamic,
aggressive and atmospheric metal with a poignant concept, newcomers will
be surprised by how well To-Mera are able to digest their influences
into something convincing and fresh. Of course, existing fans of the
band already knew to expect this!"
-Conor Fynes
17. [TIE] Ea - Ea http://www.metalmusicarchives.com/ea--ea.aspx" rel="nofollow">
Russian funeral doom metal band Ea compiles their
self-titled album with just one track, so it�s almost a forgone conclusion that
fans of long-form, atmospheric metal will find much to enjoy here. Loaded with layers of sludgy guitars and
melancholic pianos, Ea delivers an impressive piece of funeral doom that keeps
the listener engaged feeling every second of its intense atmosphere.
"Funeral doom is a pretty
difficult genre to pull off and keep entertaining and involving, but
here I think Ea have done so. It's well worth finding a copy of this
album if you're a fan of funeral doom and have 47 minutes to spare for
an involved listen."
-renkls
17. [TIE] Ihsahn - Eremita http://www.metalmusicarchives.com/ihsahn--eremita.aspx" rel="nofollow">
A rare �solo� album makes an appearance on our list thanks
to the mastermind of Norwegian black metal band Emperor. As with any solo act, Ihsahn flexes his
creative muscles, dishing out plenty of progressive black metal enhanced by a
great production and played by an impressive array of guest musicians,
including Devin Townsend and Jeff Loomis.
Ihsahn�s trademark saxophone arrangements also make an appearance.
"Once again, Ihsahn surrounds
his music with an incredible production, much cleaner and polished than
some of his previous works, and with incredible musicians; he himself
does a terrific job in every track, with both the shrieks and the clean
vocals. "
-Phonebook Eater
17. [TIE] Xandria - Neverworld's End http://www.metalmusicarchives.com/xandria--neverworlds-end.aspx" rel="nofollow">
Symphonic metal might be a subgenre that some folks are
lukewarm on, but Xandria�s fifth full-length album would be an excellent choice
to try winning those people over. Simply
put, it�s so epic, heavy, and just overall enjoyable to listen to that it makes
preconceived notions about subgenres moot.
An impeccable atmosphere and powerful female vocals add a distinct
flavor to Neverworld�s End that earns
it a spot in our list.
"It�s symphonic metal at
its finest. We�ve got heavy guitars, fuelled by the speed of power
metal, excellent use of the symphonic element to create an epic backdrop
to the metal, and a flawless performance from Manuela Kraller that adds
so much to the classical bombast of the sound, and in a couple of
places there�s even a bit of folk thrown in for good measure, and also
some surprising progressive twists. If I could only have one word to
describe the album it would be �epic'"
-adg211288
20. [TIE] Between the Buried and Me - The Parallax II: Future Sequence http://www.metalmusicarchives.com/between-the-buried-and-me--the-parallax-ii-future-sequence.aspx" rel="nofollow">
Undoubtedly a technically proficient group, Raleigh�s
Between the Buried and Me sets themselves apart from the rest of the
avant-garde metal scene with their willingness to explore numerous genres of
music (metal or not) throughout their arrangements. The
Parallax II: Future Sequence is no different, running the gamut from the
expected metalcore sections to spots of jazz fusion.
"In my opinion, BTBAM
live and die by not by their instrumental gymnastics (which are never
really lacking), but by their melodic content and willingness to fully
commit to the style of music they tackle within a particular section the
song. Factors such as this provide some of their freshest and most
enduring material since [2007's]
Colors."
-Stooge
20. [TIE] Converge - All We Love We Leave Behind http://www.metalmusicarchives.com/converge--all-we-love-we-leave-behind.aspx" rel="nofollow">
Yes, we listen to metalcore too! Converge delivers the goods on All We Love We Leave Behind with an assault
of meaty riffs that do exactly what they�re supposed to do: kick your ass. Though it�s relatively short, this album is
well-produced and should appeal to fans from most sides of the extreme metal
spectrum.
"Converge's
All We Love We Leave Behind
is utterly relentless. It simply never lets off for more than about 10
seconds at a time, which makes the relatively short 38 minute duration
fly by. But more than that, the music is well composed and superbly
executed... filled to the brim with catchy riffs, without eschewing any
of Converge's well-known brutality."
-Triceratopsoil
20. [TIE] Hail Spirit Noir - Pneuma http://www.metalmusicarchives.com/hail-spirit-noir--pneuma.aspx" rel="nofollow">
Greece�s Hair Spirit Noir makes a good first impression with
their debut Pneuma. Another progressive black metal act, Hail
Spirit Noir focuses on �70s hard rock and psychedelic influences to give their
music a distinct atmosphere. As such, it
might appeal just as much to classic prog fans (if not more so) than black
metal fans.
"Hail Spirit Noir literally
sounds like the result of a sixties' psychedelic rock group on a bad
acid trip; everything from the vintage-sounding production, retro
keyboard styles, and and progressive song structures brings us back to
the golden age of psychedelic rock... except there's something
different. Black metal-styled riffs, harsh vocals, and a twisted sense
of melancholy somehow ended up in the mix, and the end result is unlike
anything I've ever heard before." -J-man
20. [TIE] Kayo Dot - Gamma Knife http://www.metalmusicarchives.com/kayo-dot--gamma-knife.aspx" rel="nofollow">
Always an adventurous listen, Kayo Dot returns with their
fifth full-length album Gamma Knife. A relatively short album by their standards,
Kayo Dot still pushes the envelope in terms of how many ideas Toby Driver can
stuff into a given period of time, bringing back the aggressive metal edge of
his previous works while retaining the abstractness usually associated with
this project. As always, avant-garde
fans should find much to be pleased with here.
"It's not quite metal in
the traditional sense, but Kayo Dot have certainly brought back a much
heavier sound to their music. For one, the guitars are back, although
the most distinguished instrument in the sound is the saxophone. Yes,
the saxophone is there to beckon in the heaviest, darkest moments of Gamma Knife, and yes, it works."-Conor Fynes
24. Napalm Death - Utilitarian http://www.metalmusicarchives.com/napalm-death--utilitarian.aspx" rel="nofollow">
A staple in grindcore and a household name among anyone who
considers extreme metal to be a favorite of theirs, Napalm Death continues
their march of releasing the most brutal music on the planet with their latest
effort Utilitarian. Those familiar with the legendary act should
know what they�re in for: an unmistakable blend of death metal and grindcore
delivered with precision and the energy of bands half their age.
"
Six
consecutively brilliant grindcore/death metal releases with original
material since their artistic comeback with 'Enemy of the Music Business
(2000)' is not only an impressive achievement; it�s legendary." -UMUR
25. Kamelot - Silverthorn http://www.metalmusicarchives.com/kamelot--silverthorn.aspx" rel="nofollow">
Kamelot�s
latest release shows the band can still write excellent power metal songs
without the distinctive voice of Roy Khan.
Interestingly enough, Silverthorn
is the album in which Kamelot seems to finally strike the balance between
melodic power metal and symphonic metal they�ve been toying with for the past
few years, dolling out plenty of fist-pumping tunes while retaining the darker,
progressive edge on albums such as Ghost
Opera and Poetry for the Poisoned. Oh, and new vocalist Tommy Karevik is no slouch
either."
I feel
Kamelot has made a strong case both to fans and former onlookers such as
myself that they are back with a vengeance, and the result is that they
have produced one of the most exciting albums of the year."-DTGuitarFan