When you think of Willard,
two
words come to mind � identity crisis. You see, the band hails from
Seattle,
Washington � the birthplace of grunge. They emerged around 1989 � right
in the
middle of the 80�s � 90�s grunge movement. And to top it off, their
debut album
�Steel Mill� (1992) was produced by the legendary Jack
Endino �
the man responsible for Nirvana�s �Bleach�. And still, with everything
around
them screaming �grunge!�, Willard managed to deliver a sound of their
own,
compromising between the music they were surrounded by and the music
that came
from their various influences� Willard was heavier than Pearl Jam, rawer
than
Soundgarden and definitely more aggressive than say, Mudhoney. Plus they
had
this whole metal thing going on about them, making the album sound like
Pantera
meets early Nirvana. �Steel Mill� was a real treat for fans of heavy,
groove-laden music. Twelve tracks, including a cover version of Johnny
Cash�s
�Folsom�, filled with sleazy, monstrous riffs and packed with hard
rockin�
melodies � what else could you wish for?
The band remains a phantom from the
past, one of
those groups that were this close to making it big but never really got
the
golden ticket. Even after all these years �Steel Mill� is a fantastic
listen, an
album that gives a whole new perspective to the �grunge� label. Heavy
and
uncompromising, this re-release is sure to blow your speakers�
Metal Mind Productions presents a
remastered
edition of �Steel Mill�. The new digipak edition of the album is limited
to 2000
copies. Digitally remastered using 24-Bit process on a golden disc.
Release date
is scheduled for 2nd August in Europe and 5th
October
in USA (via MVD).
Willard �Steel Mill�
(remastered)
Label: Metal Mind Records Cat.
No.: MASS CD 1365 DG Barcode:
5907785036000 Format: CD Digipak (limited edition of 2000 numbered
copies) Genre: Metal / Grunge / Alternative Release date:
02.08.2010
Europe / 5.10.2010 USA
Tracklist:
1. Fifteen 2. Seasick 3. Sweet
Kali 4.
No Confession 5. Steel Mill 6. Monotony 7. Stain 8. High
Moon 9.
Hod 10. Double Dragon 11. Folsom 12. Water Sports
Bio Willard was
brought to
life by five Seattle locals � guitarists Otis P. Otis and Mark Spiders,
bassist
Darren Peters, drummer Steve Wied (who originally played in TAD) and
vocalist
Johnny Clint who joined the band last. It wasn�t really clear at first
what
musical style they wanted to explore � it seemed that Willard took
sludge, doom
and heavy metal and threw it in one bag along with some hard rock and,
yes,
grunge. The result? Pretty close to what the Melvins were known for � a
dirty,
distorted guitar sound mixed with heavy slab bass and pounding drums,
closed
altogether in one psychedelic punch in the mouth. The group released
their
self-titled EP in 1991 through Green Gel Records. The tape contained
only four
tracks (�Stain�, �Little Monkey�, �Dark Chamber� and �Never B-4�) but
this was
more than enough to catch the attention of Bruce Pavitt of Sub Pop who
was at
that time �looking for a touring machine�. Surprisingly, the group�s
guitarist
Mark Spiders refused the offer saying that he didn�t want Willard to
become a
part of the �Grunge Bandwagon�. The band made it clear that their place
was in
the underground scene and they wouldn�t change it for the world. One
particular
event seemed to confirm this statement � after playing an outdoor show
for the
�Pain In The Grass� festival at the Seattle Center, Willard got banned
by the
Seattle Police Department and the City of Seattle. Soon the group
proudly
introduced their new T-shirts saying �Banned by the SPD!�. For them,
this was a
moment of glory comparable to hitting a gold record� Willard
eventually
released their debut album �Steel Mill� throughout Roadrunner Records on
July
21st, 1992. Rumor has it that some of the band members actually worked
at a
steel mill, hence the album�s name. The critics instantly tagged the
music as
�grunge�, but Willard was heavier than Pearl Jam, rawer than Soundgarden
and
definitely more aggressive than say, Mudhoney. Plus they had this whole
metal
thing going on about them, making the album sound like Pantera meets
early
Nirvana. They owed a lot of it to the producer Jack Endino who apart
from
Nirvana�s debut, helped create a bunch of other memorable records by
such groups
as Gruntruck, Skin Yard, Screaming Trees, TAD (to whom Willard was often
compared) and later in his career � Therapy? Willard�s debut offering
was a real
treat for fans of heavy, groove-laden music. Twelve tracks, including a
cover
version of Johnny Cash�s �Folsom�, filled with sleazy, monstrous riffs
and
packed with hard rockin� melodies � what else could you wish
for? Unfortunately, Willard disbanded after recording their second
album �
�Bone Grinder� � which eventually never got released (at that time the
band
played with a new bassist, Tyson Garcia). One of the demo tracks from
that
album, �Larie�, was later found on a compilation record called �Seattle
Music
Scene Volume 2�. Otis, Mark and Johnny went on to form Ditch Witch,
where they
played with Tad Doyle of TAD. The band never managed to release any
material
(except for a couple of bootlegs) and soon was re-named to Cluster Fuck
featuring a line-up consisting of Doyle on drums and vocals, Garcia on
bass and
Spiders along with Martin Chandler (ex-Hog Molly) on guitars.
-------------------------------------- Metal
Mind
Productions - Promo Dept.
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