aglasshouse
With nu metal, the quality can go one of too very polar-ended ways: either it is structurally basic, repetitive, laughably edgy, or just plain uninteresting, or it's surprisingly competent and able to incorporate more interesting elements than the genre is known to allow. This is not an original observation by any means, but it is important to keep in mind as to distinguish quality nu metal releases from the mountains of drivel that also occupies the genre. And this pile of drivel is enormous- so enormous that I wouldn't really put it past someone to dismiss the medium in it's entirety. In my case when I find something actually good that happens to be golden-age nu metal, it is surprisingly and extremely refreshing. Today's pick is Nothingface, an act arising from the surprisingly vivacious hotpot of Washington D.C. They were rather early to the scene with their 1993 emergence and shot a slew of well-judged bullets through their 90's career, and didn't even end of up petering out by the time An Audio Guide to Everyday Atrocity came out in '98.
Then came Violence. This breakout disc was the band's second to last release but also happens to be their most caustic, interesting, and violent. Right off the bat it's clear from the title and the minimalist cover bearing only the album and band's titles and a strip of a Roy Lichtenstein-esque illustration that Violence is about as blunt as a ball-bearing cosh swinging at your skull at 25 mph. Fear not, the music certainly reflects that. Thematically it is very reflective of the era's newly born alternative metal scene with somber and often times volcanically pugnacious lyrics, which blend very well with Matt Holt's low-pitched and melancholic self-harmonizations. The raw aggression is conveyed through snarling guitar licks and barely-restrained yet pretty complex at-times drum fills from Chris Houck (who has probably become one of my favorite nu metal drummers of all time). Also, some of the hooks on this album in particular are extremely catchy at times either with the vocals or the guitar. I think 'Can't Wait For Violence''s chorus had been stuck in my head for several days after listening all the way through the album. Going back to Matt Holt; harmonizations are present but something that really brings the apoplectic rage is his extremely raw vocal screams, which would likely not sound out of place on any other more respected metal album. Not only are these screams very well done and do well to get my heart kicked up a few notches at some points, the unapologetic use of juvenile curse words is a good motif and a conveyance of a sort of loss of humanity amidst the animalistic fury that is used on this record. I think the line: "FUCK! SCRAPE OUT HIS EYES!!" from 'Hidden Hands' will go down in my books as one of the unabashed incitements of ultra-violence I've heard in music.
Violence, as well as Nothingface in general, is a real diamond in the rough and I hope they do get more recognition, especially considering Matt Holt's horribly unfortunate death a few months ago. Even nu-metal naysayers I believe are safe near this record.