SCARS ON BROADWAY

Alternative Metal • United States
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Scars On Broadway (also known as Daron Malakian and Scars On Broadway) is an alternative metal / alternative hard rock band from Los Angeles in California, formed in 2003.

Scars On Broadway is the brainchild of Daron Malakian, the guitarist, vocalist and main songwriter of the alternative metal band System of a Down. Originally Malakian toyed around with this title for a side project demo tape he recorded with John Dolmayan on drums, Casey Chaos on vocals and Greg Kelso on rhythm guitar in 2003, but this project was soon buried. When System of a Down went on hiatus after the Hypnotize tour in 2006 Malakian announced working on a new project called Scars on Broadway, which eventually resulted in a self titled album in 2008. Malakian handled vocals, all string instruments and keyboards while SOAD bandmate John Dolmayan played the drums.

For the following tour they assembled a band consisting
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Thanks to Pekka for the addition and graphix, Bosh66 for the updates

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SCARS ON BROADWAY albums / top albums

SCARS ON BROADWAY Scars On Broadway album cover 3.88 | 4 ratings
Scars On Broadway
Alternative Metal 2008
SCARS ON BROADWAY Dictator album cover 4.00 | 1 ratings
Dictator
Alternative Metal 2018

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SCARS ON BROADWAY demos, promos, fans club and other releases (no bootlegs)

SCARS ON BROADWAY Generic Interview album cover 0.00 | 0 ratings
Generic Interview
Non-Metal 2008

SCARS ON BROADWAY re-issues & compilations

SCARS ON BROADWAY singles (7)

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They Say
Alternative Metal 2008
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World Long Gone
Alternative Metal 2008
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Chemicals
Alternative Metal 2008
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Fucking
Alternative Metal 2010
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Lives
Alternative Metal 2018
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Dictator
Alternative Metal 2018
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Guns Are Loaded
Alternative Metal 2018

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SCARS ON BROADWAY Reviews

SCARS ON BROADWAY Scars On Broadway

Album · 2008 · Alternative Metal
Cover art Buy this album from MMA partners
Pekka
As years went by Daron Malakian kept taking a bigger and bigger role in the songwriting and sound of System of a Down, so when the main band's hiatus was announced it was natural to expect a solo album. That's very much what this album is, even though it's released under another band moniker. Excluding the drum parts played by SOAD partner John Dolmayan Malakian produces every single note heard on this album.

Mezmerize and Hypnotize took SOAD's music to a more melodic direction with a bit less emphasis on pounding metal riffage and on this album Malakian continues that evolution in his writing. Though opening with the full-on blast of Serious and containing some other chugging pieces like Stoner Hate the album focuses more on a lighter, more rock based approach alternating between faster, heavier and slower, calmer numbers. One of the definite highlights of the album is the second song Funny with its hugely rich melodies and the opening line "funny, how you turned red, when I first said, let's join the dead" which makes one wonder if it's directed towards one or more SOAD bandmates and if the hiatus was mainly Daron's idea.

There isn't one single filler among these 15 songs, but very rarely do they rise to the same level as the flashes of absolute genius that SOAD often showed. From the opening attack of Serious to the closer They Say with its simple unstoppable train-like chord pattern and the dissonant guitar stings the quality is high throughout. Imagine a Serjless SOAD with a somewhat lighter approach and you've got the picture. Malakian has a great singing voice but rather a love-or-hate kind of, so I can understand if some find it a bit tiring when heard for the duration of an entire album. The dynamic interplay between Daron and Serj's voices was one of the biggest merits of the later SOAD albums, and I too do miss it sometimes when listening to this one. Because the sound is after all so close to the main band one automatically makes some comparisons.

If you liked the direction that SOAD was going towards with their latest albums, have a look at this piece of work. It's not quite as good, but nevertheless an excellent proof of Daron Malakian's songwriting and performance abilities. He doesn't need a band around him to make good music.

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