SEVEN THORNS

Power Metal • Denmark
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Seven Thorns, or alternatively 7Thorns, are a Danish power metal band, formed in 1998 in the town of Køge. They've gone through several lineup changes over the years, including four different singers, but they've always remained a melodic power metal band with neoclassical elements. They've released three albums to date: Glow of Dawn in 2007, Return to the Past in 2010, and II in 2013.

Updated by DippoMagoo, October 2014
Thanks to Time Signature for the addition and DippoMagoo for the updates

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SEVEN THORNS Discography

SEVEN THORNS albums / top albums

SEVEN THORNS Glow of Dawn album cover 4.00 | 1 ratings
Glow of Dawn
Power Metal 2007
SEVEN THORNS Return to the Past album cover 3.56 | 4 ratings
Return to the Past
Power Metal 2010
SEVEN THORNS II album cover 4.00 | 1 ratings
II
Power Metal 2014

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SEVEN THORNS Artificial Night album cover 0.00 | 0 ratings
Artificial Night
Power Metal 2005

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.. Album Cover
0.00 | 0 ratings
Forest Majesty
Power Metal 2009

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SEVEN THORNS Reviews

SEVEN THORNS II

Album · 2014 · Power Metal
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DippoMagoo
Despite the misleading name, II is actually the third full length album by Danish power metal band Seven Thorns. Actually, the name does make sense because drummer Lars Borup is the only original member left in the band, while vocalist Gustav Blide is the only current member who wasn't also in the lineup for their 2010 album Return To The Past, so it really is the second album for most of this lineup. There was a self-released promotional edition in 2013, but the album was officially released in March 2014 by German label Sonic Revolution.

I had seen their previous work described as being similar to German band Freedom Call, though I honestly don't hear many similarities between the two, at least not on this album. True, this album definitely comes from the more epic side of the genre, and keyboards are certainly prominent throughout, but the guitars pack more of a punch than on anything the aforementioned band has done, and on a technical level the instrumental sections here are far more complicated and more impressive. There's a very strong neoclassical influence to the music, both from the guitars and especially the keyboards, and there are many extended solo sections which are all fantastic. In fact, the keyboard solos in particular often remind me of Stratovarius keyboardist Jens Johansson, which is certainly not a compliment to be taken lightly.

Aside from being very technically proficient for a power metal band, Seven Thorns are also very good at writing catchy songs. As much as I can praise the solo sections, fans of simple, straight-forward power metal are likely to love this album, as with one exception the songs are all very fast paced, with a focus on epic, catchy melodies above complex arrangements. In fact, there are times when I feel the band is capable of doing a little more and going a bit further with their instrumental sections, maybe even adding some progressive elements, but the choruses are all so memorable, and the performances so energetic that I can't fault them for sticking to a simple power metal sound. At the same time, even I have to admit the instrumental sections are often the highlights of the songs.

One thing that stands out about II is Gustav Blide's vocals. He has a very distinct low pitched voice, with just a slight growl to it at points. There are some occasions where he seems to be having a hard time hitting the notes, but for the most part he gives a very powerful and very energetic performance, plus his voice is so awesome that even if he isn't technically the greatest singer, he's still a lot of fun to listen to. Songs like Eye Of The Storm and Queen Of Swords do the best job of showing off his voice, without exposing any of his weaknesses.

Those two songs are probably my favorites, though Redemption has a fantastic chorus, and Night Of Temptation has some insane keyboard work at the beginning, in a section which especially reminds me of something Jens Johansson would do. Even the 82 second intro track has some impressive instrumental work. The only weak track here is the ballad You're Not Brave (If You Are Not Scared). I tend to like ballads more than most metal fans, but even I think this song is just way too cheesy, and some of the lyrics are downright cringe inducing, though Gustav does his best to make it work, and the guitar solo is of course excellent, so even though it's the weak link of the album, it still isn't too bad.

Aside from one misstep and a production job that feels a bit rough around the edges, II is an excellent power metal album, and Seven Thorns are certainly a band to watch out for, both for fans of catchy, melodic power metal and fans of great neoclassical instrumental sections. A high tier 4.0 rating is well deserved.

83/100

(Originally written for Heavy Metal Haven: http://metaltube.freeforums.org/seven-thorns-ii-t3406.html)

SEVEN THORNS Return to the Past

Album · 2010 · Power Metal
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J-Man
Spread Your Wings

Every now and again you come across an album where the title describes the music in a nutshell - Return to the Past is one of these albums. Everything about this album just transports you back to the heyday of European power metal; back when Helloween was the biggest name in German metal and Blind Guardian were the new kids on the block. Grandiose keyboards, fast double bass pedal rhythms, melodic choruses, and light-speed arpeggios are the name of the game here, and Seven Thorns delivers this style with confidence and dignity. Calling Return to the Past a forward-thinking album is far from the truth, but that doesn't affect the fun and memorable experience that Seven Thorns has created here. Power metal fans will undoubtedly get a kick out of Return to the Past, even though it's not an essential purchase for those who more casually enjoy the genre.

As previously mentioned, Return to the Past is an early-European-styled power metal album. I'm especially reminded of Helloween, Sonata Arctica, and early Blind Guardian. Seven Thorns uses a formula that many power metal bands have been following for the past 25 years, but they display the sound through great compositions and generally outstanding arrangements. The very symphonic and occasionally cheesy keyboards will most likely get on some people's nerves, though they rarely detract from my listening experience. My only complaint is the "samey" feeling that I get about halfway through the album. Although there is definitely variation in Seven Thorns' music, the verse-chorus-verse structure every track can get a bit repetitive after 5 or 6 songs. Most of the album is high-quality, so it's a bit unfortunate that the album loses a bit of its luster after the first half. If there were a bit more variation in the song structures, there's no doubt I'd be more enthusiastic about this release. Aside from that knock, I have few complaints about the rest of the album. Despite the couple of moments that scream "cheesefest", the majority of the songs here are great. My favorite is probably the opener, "Liberty", which features a great chorus and solid musicianship across the board. The production also sounds great and suits Return to the Past perfectly.

Conclusion:

Although Return to the Past isn't a must-have masterpiece, it's a high-quality modern power metal album that's head and shoulders above most of the competition. Seven Thorns deserve much more recognition than the small amount they are given - they are among the better modern power metal bands for sure. For this good (often great) album, 3.5 stars are well-earned. People who like European-styled power metal with symphonic keyboards and soaring melodies should certainly track this one down.

SEVEN THORNS Return to the Past

Album · 2010 · Power Metal
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Time Signature
Metal majesty...

Genre: power metal

Seven Thorns offers pure power metal on this album - and pure European power metal, to be more specific, in the vein of Sonata Arctica and Helloween. Seven Thorns follow the formula for successful power metal to the point here, which means loads of melodic choruses and hooklines, neoclassicisms, fast but also melodic guitar riffs and double bass drums galore. In addition, as is typical of power metal these days, the ban make use of keyboards to add an extra dimension of epicness.

A track like the opener "Liberty" is very much the epitome of European power metal.

Seven Thorns do it well, I think, and tracks like the Helloween-inspired "Liberty" and "Countdown", the neoclassical "Through the Mirror", Return to the Past", and "Freedom Call" are pretty good songs which, seen from a Danish perspective, can compete with many compositions by the bigger international European power metal names.

The downside to me is the use of keyboards, which at times makes my cheesometer react violently. The intros of "The End of the Road" and "Forest Majesty" are just too much for me, and "Spread Your Wings" is cheesy all the way through. I do like the choir effects in "Fires and Storms" though.

On the Seven Thorns do a fine job on this album, and they deserve an international career on par with the bigger European power metal acts out there.

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