THE STOOGES

Proto-Metal / Hard Rock • United States
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The Stooges are one of the most influential bands in rock though in thier brief existence in the late '60's/early 70's they were more of an underground sensation and the group's legacy grew the next few decades and Iggy Pop had become a pop icon.

Formed in 1967 by James Osterberg in Ann Arbour, Michigan who gained the nickname "Iggy" from an earlier band he played in, The Iquanas and saw his favourite band Doors play in Chicago and became inspired and latter the three members of The Stooges added the nickname "Pop" after a local street character thus took "Iggy Pop" as his stage name. The rest of the band consisted of the Asheton brothers, Ron on guitar and Scott on drums with bassist Dave Alexander rounding out the line up.

After seeing the MC5 in concert in Ann Arbour the band took on a raw grimy, noisy proto-punk style and
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THE STOOGES Discography

THE STOOGES albums / top albums

THE STOOGES The Stooges album cover 3.46 | 8 ratings
The Stooges
Proto-Metal 1969
THE STOOGES Fun House album cover 4.08 | 14 ratings
Fun House
Proto-Metal 1970
THE STOOGES Raw Power album cover 4.37 | 6 ratings
Raw Power
Proto-Metal 1973
THE STOOGES The Weirdness album cover 1.83 | 2 ratings
The Weirdness
Proto-Metal 2007
THE STOOGES READY TO DIE album cover 3.00 | 1 ratings
READY TO DIE
Hard Rock 2013

THE STOOGES EPs & splits

THE STOOGES I'm Sick Of You album cover 5.00 | 1 ratings
I'm Sick Of You
Proto-Metal 1977
THE STOOGES Jesus Loves The Stooges album cover 0.00 | 0 ratings
Jesus Loves The Stooges
Proto-Metal 1977

THE STOOGES live albums

THE STOOGES Metallic K.O. album cover 1.50 | 1 ratings
Metallic K.O.
Proto-Metal 1976
THE STOOGES Metallic2xKO album cover 3.00 | 1 ratings
Metallic2xKO
Proto-Metal 1988
THE STOOGES Telluric Chaos album cover 0.00 | 0 ratings
Telluric Chaos
Proto-Metal 2005

THE STOOGES demos, promos, fans club and other releases (no bootlegs)

THE STOOGES re-issues & compilations

THE STOOGES No Fun album cover 0.00 | 0 ratings
No Fun
Proto-Metal 1980
THE STOOGES 1970: The Complete Fun House album cover 0.00 | 0 ratings
1970: The Complete Fun House
Proto-Metal 1999

THE STOOGES singles (0)

THE STOOGES movies (DVD, Blu-Ray or VHS)

THE STOOGES Reviews

THE STOOGES READY TO DIE

Album · 2013 · Hard Rock
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UMUR
"Ready to Die" is the fifth full-lengthh studio album by US hard rock/proto punk act The Stooges. The album was released through Fat Possum Records in April 2013. It´s the successor to "The Weirdness" from March 2007. Guitarist Ron Asheton died in January 2009 and has been replaced by former The Stooges guitarist James Williamson, and "Ready to Die" also sees the return of saxophonist Steve Mackay, who was brifly a member of The Stooges in 1970. Asheton´s death paved the way for a return of Williamson, as the two didn´t have a great relationship and couldn´t play together, after the former several times through the years accused the latter of stealing his position as the the band´s guitarist and main composer on The Stooges third album "Raw Power" (1973). Asheton felt relegated as he didn´t have much say in how the songs were written and arranged on "Raw Power" (1973) and he was left playing bass instead of guitar.

Judging on the quality of the material and the performances on "Ready to Die" compared to the material and performances on The Stooges 2007 comeback album "The Weirdness", where Asheton was the main composer and guitarist, Williamson comes out on top through, as the quality of the tracks is higher on "Ready to Die" and the performances have more bite and attitude. I don´t want to disrespect the dead, but that´s just how it is...

There´s the right rawness, power, and energy in the 2013 garage rock version of The Stooges, and Iggy Pop sounds more potent here than on the 2007 album, and even (mostly) hits the notes. The occasional Use of saxophone is also a great addition to the band´s sound (although it only appears on a few tracks). It´s of course obvious that The Stooges aren´t young men anymore and the wildman energy of the early releases aren´t present here, although some tracks still rock pretty hard, but with maturity comes experience and songwriting variation ("Sex & Money", "Unfriendly World", "The Departed" are examples of tracks which stick out), and "Ready to Die" is overall a both well written, well performed, and well produced release (produced by Williamson). A 3 - 3.5 star (65%) rating is warranted.

THE STOOGES The Weirdness

Album · 2007 · Proto-Metal
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UMUR
"The Weirdness" is the fourth full-length studio album by US hard rock/proto punk act The Stooges. The album was released through Virgin Records in March 2007. It´s the first material from The Stooges since the release of "Raw Power" (1973) and the band´s initial break-up on 1974. The lineup consists of original members Iggy Pop (vocals), Ron Asheton (guitars), and Scott Asheton (drums). New in the lineup is bassist Mike Watt. The album was recorded during October 2006 with producer Steve Albini.

Stylistically the material on "The Weirdness" is garage rock/hard rock and in that respect it´s fully in line with the band´s previous output. Unfortunately the years seem to have taken the wildman aestethics out of the band, and especially Pop sounds tame (and a bit out of key too). So this is predominantly the sound of an aging rock band playing it safe and delivering some pretty predictable vers/chorus based rock songs. It´s not bad by any means, but don´t expect this to feature the fierce energy of snarling attitude of the 70s The Stooges releases. This is a domesticated version of the band.

"The Weirdness" features a relatively raw, "to the bone", and hard rocking sound production, which suits the material well. So upon conclusion "The Weirdness" is a decent quality hard rock release from The Stooges, but it´s impossible not to compare it to what came before, and in that regard this album doesn´t hold up. A 2.5 - 3 star (55%) rating is warranted.

THE STOOGES Metallic K.O.

Live album · 1976 · Proto-Metal
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Warthur
Buyer beware - the original release of Metallic KO, the one whose track list is reflected above, was mislabelled, with only the second side actually coming from the final Stooges show and the first side hailing from a worse-sounding gig at the same venue from some four months earlier. So for this purpose, my rating of this will be based on that issue - go look at my review of Metallic 2xKO, one of several versions of the release to include the full final show (and, in its 2CD configurations, the full version of the earlier show too), for my thoughts on that.

Really, though, if you are enough of a collector to want this material, the best way to get it these days is on Cherry Red's You Think You're Bad, Man? box - a modestly-priced 5CD collection which will get you both those shows, plus three others, coming to about as much Raw Power-era live Stooges as anyone could possibly want.

THE STOOGES I'm Sick Of You

EP · 1977 · Proto-Metal
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Warthur
The I'm Sick of You sessions have been released in various formats now - the definitive one being that offered on the first disc of the Heavy Liquid boxed set (rereleased more recently on the Born In A Trailer boxed set), from which you can take whichever version of I Got a Right and Gimme Some Skin you prefer, add a brilliantly filthy Louie Louie, Money, Scene of the Crime and of course the brilliant I'm Sick of You itself to get a definitive version of the set. Punk rock in all but name, these aggressive, stripped down, and angry as hell garage rock numbers rank among the very best of the Stooges' output.

THE STOOGES The Stooges

Album · 1969 · Proto-Metal
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siLLy puPPy
Quite a hard rocking album for 1969. To me this sounds like THE STOOGES are using The Rolling Stones as their blues rock template but ramping up the adrenoline with a harder edge and a tasty wah-wah lead guitar. This debut album was a commercial flop at the time but the balls-to-the-wall rock they were delivering became a cult hit and would eventually catch on almost a decade later in the form of punk and metal. In particular I tend to hear influences on Alice Cooper and AC/DC.

This first album is a strange mix as it drifts from hard rock to psychedelia and back again. They originally only had five songs but needed more and actually had to lie to get the record deal by telling them they had needed to record them. The three tracks "Real Cool Time", "Not Right" and "Little Doll" were written overnight and improvised on the spot in the studio. This album feels a little controlled compared to the next one where they unleash their aggressive energy and capture the raw live performance vibe. Despite the material varying in quality this is a decent debut that certainly has made more of an impact in retrospect than it ever did when it was released.

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