Grindcore

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Grindcore is an extreme metal genre formed in the mid 1980's from a marriage of Hardcore Punk, Crust Punk, Thrashcore and the then embryonic Death Metal genre.

Grindcore took Hardcore and Crust Punk's drive for blistering speed and short song format and Death Metal's meatier and heavier sound, as well as taking some influence from Industrial and Noise. A typical Grindcore song on average is about 30 seconds to two minutes long, and usually features downtuned and overdriven guitars and bass with fairly simple punk styled riffs alternating between lightning fast and slower groovier passages. Grindcore drumming usually consists of inhumanly fast blast beating and sometimes slower d-beats. Vocals range from Death Metal growls and grunts to high pitched shrieks, with some bands employing a more Hardcore style of shouted vocals.

Lyrically Grindcore bands usually fall into two camps, ones with political lyrics and messages of many Hardcore bands and the Gore obsessed bands that permeate Death Metal.

The first bands that usually take credit with creating the typical Grindcore sound are the United Kingdom's Napalm Death, formed in 1982, and first releasing the From Enslavement To Obliteration demo in 1986, and the full studio album Scum in 1987, the American band Regurgitation formed in 1986, and releasing the Organic Backwash demo in 1986, before changing their name to O.L.D. and recording the Old Lady Drivers album in 1988, and the United States' Genocide formed in 1985, who would record three demos in 1986, before changing their name to Repulsion and recording the Horrified studio album, which wouldn't be released until 1989 after the group had split up for the first time. Other notable early Grindcore acts include the United Kingdom's Extreme Noise Terror formed in 1985 (though they consider themselves as Hardcore punk), the United States' Terrorizer formed in 1987 featuring many members who would go on to be in other well-known and influential acts, Belgium's Agathocles formed in 1985 who dub their style of Grindcore 'Mincecore', United Kingdom's Unseen Terror formed in 1986 featuring members of Napalm Death, Italy's Cripple Bastards formed originally under the name of Grimcorpses before changing sound and name, Japan's legendary group S.O.B. formed in 1983, and others.

Some bands that must be mentioned for being highly influential to the development of Grindcore, include the Hardcore Punk of Siege, Deep Wound, Discharge, GISM, Amebix, Larm, Asocial, as well as Industrial/No Wave group Swans, and the Industrial group Throbbing Gristle.

Grindcore has also spawned many sub genres.

• Deathgrind.

Deathgrind is a genre mixing Death Metal and Grindcore. Bands that play in this style typically are heavier sounding and more technical in playing and song structure than your average Grindcore band. Deathgrind is closely related to both Goregrind and Pornogrind stylistically. Notable Deathgrind bands include the United States' Brutal Truth formed in 1990, the United States Cephalic Carnage formed in 1992, the United Kingdom's Defecation formed in 1987, Germany's Blood formed in 1986, and the United States' Righteous Pigs formed in 1987. Bands that play Deathgrind can be found on MMA under both Grindcore and Death Metal, depending on where the emphasis lies.

• Goregrind.

Goregrind is a genre mixing Death Metal and Grindcore. Bands playing in this style feature extremely violent or medical terminology for lyrics, extreme, and for artwork (often times very real pictures), a deviation from the political messages of most Hardcore bands, and many bands make use of pitch shifted or extremely low guttural vocals. The credit for the first Goregrind band goes the United Kingdom's Carcass, formed in 1985 who's debut Reek Of Putrefaction became a favourite of DJ John Peel. Other notable early Goregrind acts include Sweden's General Surgery formed in 1988, United States' Impetigo formed in 1987, and the Netherland's Last Days Of Humanity formed in 1989.

• Pornogrind.

Pornogrind is a genre mixing Death Metal and Grindcore. Bands playing in this style feature the use of porn obsessed imagery and lyrics, extremely distorted and pitch shifted vocals, and often times incorporate much slower and groovy sections within songs. Notable Pornogrind bands include the United States' Meat Shits formed in 1989, and Germany's Gut formed in 1991.

• Cybergrind.

Cybergrind is a genre mixing Electronic and Grindcore. Bands that play this style make use of synths, computers, and drum machines in addition to the usual guitars and bass, while some bands use synths, MIDI files, and drum machines exclusively. Many Cybergrind bands tend to have little to no influence or relation to metal. Japan's Catasexual Urge Motivation formed in 1992 is generally considered the first Cybergrind group with a drum machine nicknamed Cyber E.M.F. Other notable Cybergrind bands include the United States Agoraphobic Nosebleed formed in 1994, and Australia's The Berzerker formed in 1995.

• Noisecore.

Noisecore is a genre mixing Hardcore, Noise Rock, and early Grindcore. Bands that play this style of Hardcore/Grindcore usually eschew any form of song structure, in favour of rapid blast beats or fast random playing with riff-less guitar and bass noise, and indecipherable vocal growls and shrieks. Many Noisecore songs don't even hit the 30 second mark, being short blasts and explosions of chaotic sound. Notable Noisecore bands include Australia's Seven Minutes Of Nausea formed in 1985, United States Anal Cunt formed in 1988, United Kingdom's Sore Throat formed in 1987, Switzerland's Fear Of God formed in 1988, and Japan's The Gerogerigegege formed in 1985. Bands that play Noisecore can be found on MMA under both Grindcore and Hardcore, depending on which style is ascendant.

• Fastcore/Thrashcore.

Thrashcore is a genre of Hardcore and early Grindcore. Bands that play in this style of Hardcore/Grindcore are discernible for making use of shorter song structures, faster tempos, and blast beating, more than regular Hardcore bands, and for this Thrashcore can be considered a forerunner to Grindcore and Powerviolence, As many early Grindcore bands took influence from early D.R.I., Deep Wound, and Septic Death. While many Thrashcore artists are labelled as Hardcore here on MMA, some can be considered closer to Grindcore, these bands include Japan's S.O.B. formed in 1983, and the United States' Siege formed in 1981, and Britain's Atavistic formed in 1985. Bands that play Thrashcore can be found on MMA under both Grindcore and Hardcore, depending on where the emphasis rests.

• Powerviolence.

Powerviolence is a genre of Hardcore and early Grindcore. Bands that play in this style are distinguishable from Grindcore and Hardcore for extremely short song lengths with often and sudden tempo changes, and shouted Hardcore vocals. Powerviolence bands draw on early Thrashcore, Hardcore, and Grindcore for inspiration, such as Scum era Napalm Death, Siege, Deep Wound, Cryptic Slaughter, and early D.R.I. Notable Powerviolence bands include the United States' Infest formed in 1986, the United States' Plutocracy formed in 1988, the United States' Hellnation formed in 1988, the United States' Capitalist Casualties formed in 1987, Germany's Yacopsae formed in 1990, and the United States' Man Is The Bastard formed in 1990. Bands that play Powerviolence can be found on MMA under both Grindcore and Hardcore, depending on which is closer to the band's sound.

Sub-genre collaborators (+ child sub-genres):
  • Vim Fuego (leader)

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grindcore Music Reviews

VISCERA INFEST Teratoma

Album · 2024 · Goregrind
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siLLy puPPy
Heavily influenced by the band Disgorge (the Mexican band not the similar ones from the USA, Sweden, Netherlands, Australia, Norway or Argentina), the Japanese band VISCERA INFEST started out 25 years ago forming in 1999 in Oita, Japan yet has only released three albums of their nasty mix of goregrind and brutal death metal. Having gone through two major lineups only 朝倉栄蔵 [Eizo Asakura] (guitar, vocals) has been the consistent member but the brutal delivery of the system has remained faithful to the caustic unhinged chaos-fest that the band has become synomous with.

The band was last heard from in 2015 with its second release “Verrucous Carcinoma” and returns in 2024 with its third album TERATOMA (a type of nasty tumor) which is another disgusting mix of blastbeat laced goregrind and death metal influences turned up to lethal doses of maximum volume. While a typical goregrind band in many ways with the expected incessantly adrenalized guitar riffs, atmospheric distortion and percussion frenzies coupled with anatomical disorders that are grunted like animalesque vocals emerging from the incessant din, VISCERA INFEST seems to have found the right recipe to make this type of music palatable for an album’s run by keeping manageable chugs from spiraling out of control and finding a sense of true musicality.

The album features ten tracks at 33 1/2 minutes with spoken word samples (in Japanese) which reminds a bit of classic Pig Destroyer. Lots of nerdy death metal maniacal riffing alternates with classic grindcore simplicity and monotonous robotic blastbeats have no problem switching to more demanding variations of technical display. VISCERA INFEST has done what few such hybrid bands have accomplished and that is to make the music streamlined and easy to follow rather than simply dishing out chaotic swirls of indecipherable noisy outbursts. The music is so frenetically competent that its hard to believe sometimes it only consists of three members but the trio of Eizo Asakura (guitar), Yuya Yakushiji (drums) and Harufumi Nomiyana (bass) show that this kind of music can be intricate and interesting no matter how brutal.

While grind dominated metal isn’t usually my go to style of music as a lot of it tends to be fairly generic and rather boring with nothing beyond grotesque themes and pointless chaos forging the soundscapes, VISCERA INFEST Is one of those rare bands that puts a bit more effort into the compositions all without sacrificing the brutal horrific nature of the grind elements and adding the impressive technical displays of death metal. Overall this is an excellent album of modern goregrind / death metal that is in the top tier of what i’ve experienced in recent years. The musicians sound like seasoned musicians and not just angsty teenagers looking to make as much noise in their garage as is humanly possible. Nice atmospheres bleed through and the occasional effects to add just a tinge of contrast. Nice!

CEPHALIC CARNAGE Conforming to Abnormality

Album · 1998 · Deathgrind
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UMUR
"Conforming to Abnormality" is the debut full-length studio album by US, Colorado based technical deathgrind/death metal act Cephalic Carnage. The album was released through Headfucker Records in 1998. The original version of the album features 8 tracks (and a total playing time of 26:15 minutes), while the 2008 Earache Records reissue features no less than 20 bonus tracks. Cephalic Carnage formed in 1992 and released three demos and a split with Deprayved, before releasing "Conforming to Abnormality".

The album features a technical deathgrind style which in nature is relatively varied and eclectic. It´s extreme alright, but Cephalic Carnage are obviously incredibly skilled musicians, and even the most regular blasting grindcore parts are pretty sophisticated and technically well played. The tracks often change pace and feature breakdowns, dissonance, and at times some almost avant-garde sounding experiments. The tracks can feel a bit incoherent, as if the band throw all sorts of riffs and rhythm changes at the listener with no regard for song structures or hooks, but it´s pretty surely a deliberate songwriting approach, meant to keep the listener on his/her toes... and it works.

The vocals are varied and ranges from high pitched screaming, to aggressive growling, to unintelligible effect laden growling, to all sorts of other extreme metal vocal styles. Often layered and contantly shifting, which suits the constantly shifting beats and riff styles of the instrumental part of the music well. Other than a few shorter tracks, all tracks on the album are regular length compositions (3-5 minutes). "Conforming to Abnormality" is arguably a different take on the deathgrind sound, and Cephalic Carnage instantly set out to challenge conventions. Wether you find this constantly shifting technical deathgrind style rewarding or have a hard time appreciated it, it´s arguably both well performed and well produced, and to my ears Cephalic Carnage are on to a great start with this release, although they would get better with time. A 3 - 3.5 star (65%) rating is warranted.

AGORAPHOBIC NOSEBLEED Split Seven Inch Record

Split · 1998 · Cybergrind
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UMUR
"Split Seven Inch Record" is a split release between US, Nevada based hardcore/grindcore act Gob and US, Massachusetts based grindcore act Agoraphobic Nosebleed. The split was released through Bad Card Records in 1998.

The split features 10 tracks and a total playing time of 7:01 minutes. Agoraphobic Nosebleed are featured with 7 tracks and Gob are featured with 3 tracks. Stylistically the Agoraphobic Nosebleed material is powerviolence/grindcore while the Gob tracks are dissonant and chaotic sounding hardcore/grindcore.

The Agoraphobic Nosebleed tracks are worth a listen and they are quite interesting because they are from a very short period of their career when they adopted an ultra aggressive powerviolence style, which is pretty different from the grindcore style they are usually known for. The Gob tracks are a bit hard on the ears and a difficult listen, and I´m not sure who the audience is.

Upon conclusion "Split Seven Inch Record" is a decent split release and although my ears don´t agree to the sound of Gob, their music is still well performed. A 3 star (60%) rating is warranted.

ENEMY SOIL Enemy Soil / Agoraphobic

Split · 1997 · Grindcore
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UMUR
"Enemy Soil / Agoraphobic Nosebleed" is a split release between US, Virginia based grindcore/hardcore act Enemy Soil and US, Massachusetts based grindcore act Agoraphobic Nosebleed. The split was released through Bovine Records in 1997.

Enemy Soil are only featured with 3 tracks on the split, while Agoraphobic Nosebleed are featured with 10 tracks, but the latter´s tracks are very short, so the two artists pretty much divide the 8:45 minutes long playing time between them. Enemy Soil play a fast-paced hardcore (not quite grindcore) style with aggressive shouting vocals. It´s well played and effective, but nothing out of the ordinary for the genre.

Agoraphobic Nosebleed deliver their trademark caustic grindcore attack. It´s violent, noisy, and brutal grindcore played using drum programming. It´s a more varied split contribution than the band´s contibution to the 1997 split with Cattle Press, and this is pretty great grindcore entertainment while it plays.

So upon conclusion the split is worth a listen or two. It´s not the most well produced release, but it´s decent enough. A 3 star (60%) rating is warranted.

AGORAPHOBIC NOSEBLEED Directions In Music By Cattle Press / Agoraphobic Nosebleed

Split · 1997 · Cybergrind
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UMUR
"Directions In Music" / Agoraphobic Nosebleed" is a split release between US New York sludge/hardcore act Cattle Press and US, Massachusetts based grindcore act Agoraphobic Nosebleed. The split was released through Bovine Records in 1997. It features around 15 minutes of music from both artists, and features 24 tracks and a total playing time of 31:17 minutes.

The 6 Cattle Press tracks are aggressive and heavy sludge/hardcore and often sounds like the most savage and raw Eyehategod releases (minus the stoner metal element). It´s pretty far removed from the heavy and brutal post-hardcore sound Cattle Press would play on their 2000 debut full-length studio album "Hordes to Abolish the Divine" only a few years down the line, but it´s consistent in style with the other minor releases from Cattle Press during their early years.

The 18 Agoraphobic Nosebleed tracks are high velocity, noisy, and aggressive grindcore. It´s like being put through a grinder. It´s such an intense and chaotic listening experience that it´s impossible not to have some sort of reaction listening to it. Personally I think they´ve released much better material, but this is still decent grindcore featuring drum programming.

30 minutes of music is quite a lot for a split release, and if that shouldn´t be a selling point in itself (which it of course shouldn´t if the music was shit...), especially the Cattle Press part of the split is worth the price of admission. A 3 star (60%) rating is warranted.

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