The Angry Scotsman Drudkh, but with a more post influenced sound and cleaner guitar tone.

That is the simple review of this album. While the change in style was detectable on "Microcosmos" it really takes shape on "Handful of Stars". Much of the black metal is jettisoned and replaced with a much cleaner guitar sound, (there is still some distortion but not close to previous levels) and a more atmospheric, post rock structure, similar to Alcest. Some double bass thrashing and blast beats exist, and strictly harsh vocals, but that's about it. Obviously, the production is much improved, letting you hear every drum hit perfectly, and even bass!

This album has dense, drifty, subtlely changing walls of sound, subdued segments, and some great melodies. Even a guitar solo or two! All pushed forward with simple, yet effective drumming and topped off with gruff screams. They are not the most abrasive thing however, and work with the music.

Always glad to see a band change it up, (especially one from the dark depths of black metal) and this a great output from the obscure Ukrainian metal masters of Drudkh. Great songwriting that is truly moving, and ranging from hypnotic to powerful. Atmospheric metal.

Four Stars

Conor Fynes 'Handful Of Stars' - Drudkh (7/10)

In the early years of the new millennium, the Ukrainian black metal band Drudkh made their first steps with the LP 'Forgotten Legends,' which while essentially a stylistic tribute to genre legend Burzum, is now considered by some aficionados to be a modern classic of black metal. As their music progressed, as did their sound; a folk influence could begin to be heard from the second album onwards, as well as some increasingly progressive approaches to their style. Seven years since the release of 'Forgotten Legends' now comes Drudkh's latest album to cap off the decade, 'Handful Of Stars.' Keeping in mind that Drudkh began as a much more straightforward black metal act, the scent of progress here is very strong, to the point where Drudkh's latest sounds very little like the grim and blistering sound of yesteryear. Now having finally adopted overt senses of post-rock and a little added polish to their mix, Drudkh's 'Handful Of Stars' will certainly alienate the black metal purists in their fanbase, but also opens them up to a new style, and a world of possibility for this metal group.

With 'Handful Of Stars,' Drudkh now sounds more alike Alcest, or fellow pagan-metal act Agalloch, than any pure black metal affair. However, despite this change, Drudkh has retained their melancholic, beautiful mood and flair. Although very different in terms of sound, the album structure here reminds me of their second album (and arguable defining masterpiece) 'Autumn Aurora,' beginning with a short intro before driving into the metal body of the album. After a pretty lulling and admittedly lackluster piano introduction to the album, 'Handful Of Stars' throws us the highlight right away; 'Downfall Of The Epoch.' Beginning as a very laid-back and surprisingly mellow piece of metal, the music does build gradually, before finally letting in the screamed vocals, which while not out of place in the sound, aren't particularly endearing or effective when contrasted to more dynamic growling elsewhere. From 'Downfall' onwards, each of the songs until the quiet outro generally follows a similar sound, using plenty of guitar harmonies, some use of repetition and a drawn out, yet fresh sound to the songwriting.

Of special note here is the incredible percussion work by the drummer listed only as Vlad. While many black metal drummers generally only focus on the ferocity of their blastbeats over anything else, the drumwork here is very intricate, always managing to put some very exquisite details into the performance, and at times playing very technical material even in the most mellow moments of 'Handful Of Stars.' Surprisingly enough however, nothing is ever overdone and it works perfectly.

While 'Downfall Of The Epoch' and the third track 'Towards The Light' are both excellent pieces of blackened post-metal, the album ends up feeling as if it drags on too long without throwing in enough musical ideas to warrant the length of the songs. This is a big development for Drudkh, but while they were masters of the nature-influenced black metal sound, they don't seem to have grasped enough of this new sound to compete with the masters of post-metal... yet.

Time Signature Towards the light...

Genre: alternative (black) metal

I hope I will not offend any Drudkh fans or black metal fans in general with this statement, but I don't think that this is black metal at all. Apart from a couple of slow blastbeats and a slight underproduction, and perhaps the vocal style, I do not detect any black metal here (at least, I cannot fit this release into my stereotypical conception of what black metal sounds like - so, yes, maybe it's time for me to change my music prejudice).

It sounds to me as if Drudkh are drawing much more extensively on a more type of sludgy approach and also on the alternative rock and alternative metal of the 1990s. I certainly hear a lot of elements that remind me of the alternative rock bands of the 1990s such as the use of 8/8 and 16/16 octave chords flowing in harmony, and sometimes disharmony, with the underlying rhythm guitars. Actually, Drudkh are very good at using two guitars on this album, and I like the tension and dynamics between the guitars (that's probably my favorite aspect of this album). There is thus a lot of melancholic melody and atmosphere to this album which makes it quite pleasing to listen to musically.

The tracks are generally long and the listener may easily lose him- or herself in the music, which is not a bad thing at all.

A very interesting album which may, perhaps to their big surprise, appeal to fans of 1990s alternative rock of various types.