Crust Punk

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Crust Punk is a form of hardcore punk that was born out of the English anarcho-punk movement in the mid-1980s with the bands Amebix and Antisect.

In its original form, crust punk (or simply crust) is very metallic, with strong elements of speed metal (Motörhead's style is noticeably present) and, more recently, extreme metal styles such as black and death metal.

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ICTUS Imperivm Album Cover Imperivm
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THE MAKAI Embracing The Shroud Of A Blackened Sky Album Cover Embracing The Shroud Of A Blackened Sky
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NUCLEAR DEATH TERROR Nuclear Death Terror Album Cover Nuclear Death Terror
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EXTREME NOISE TERROR Retro-Bution Album Cover Retro-Bution
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3.75 | 6 ratings
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DEVIATED INSTINCT Rock 'n' Roll Conformity

Album · 1988 · Crust Punk
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siLLy puPPy
Considered one of the early pioneers of crust punk and death metal, England’s DEVIATED INSTINCT formed in Norwich in 1984 and forged that early strain of noisy crust punk that infused heavier doses of thrash metal, death metal and heavy metal which now has retroactively earned the tagging of stenchcore. This band’s initial existence lasted from 1984 to 1991 but has reformed in 2007 and still active with only guitarist / vocalist Rob Middleton and bassist Steve Harvey as the only original members still rockin’ the house.

The band released a series of demos, splits and EPs before arriving at what’s considered its debut album ROCK ’N’ROLL CONFORMITY which at a running time of only about 29 minutes makes you wonder if it really an album after all but this is punk, baby so brevity is the name of the game. Despite the short running time the album features 12 tracks with each side of the vinyl sporting its own subtitle. Side A is known as the Windy Side whereas Side B is called Winston Side. The album was only once released on vinyl and remains one of those underground collectibles but can be found on CD as a part of the “Definitive Instinct” compilation released in 1990.

Following in the footsteps of early pioneers Amoebix and Discharge, DEVIATED INSTINCT delivered a more brutal and heavier form of crust punk which is now known as stenchcore. This is one of those truly underground filthy raw releases with a lo-fi production suitable for an early black metal release and all the irreverent grime and passion to match. This album delivers a thundering cacophonous roar of guitar din on full distortion mode while the bantering bass practically blurs into the mix. The riffing is somewhat rooted in thrash metal and although there is a crossover thrash effect going on, the overall presentation is much more rooted in the early crust punk sounds with the last track “Miniature Railways” even being a Discharge cover.

The song structures are very much derived from the anarcho-punk playbook however the delivery system is firing on full pistons with angsty riffing at death metal speed and a raging vocal style courtesy of Leggo that is very similar to some of the early thrash metal vocalists of the 1980s when the genre was less popular and more brutal in its approach. Some of the lightning fast guitar riffs are also right out of the early thrash metal world courtesy of speed addicted bands like Possessed or Sadus. The drumming however remains faithful to the world of punk rock and never demonstrates the same virtuosity as the guitar and bass which overall gives DEVIATED INSTINCT a very bizarre hybridizing sound that wasn’t so common in the 1980s quite yet as this ugly stepchild of crust punk was very much an underground sensation.

This is the kind of murky lo-fi metal that suits the underground so well. With no ambitions for crossover appeal, DEVIATED INSTINCT really delivered the goods with a no nonsense balls to the wall infusion of its metal / punk Frankenstein. This is an adrenaline ride all the way through with no breaks, no ballads and no time for anything cute and relaxing to emerge. This is an angry aggressive display of chaotic distortion and raw energetic angst delivered in top form. While those averse to lo-fi production of any kind will find this abysmal, it’s important to be reminded this this is indeed music for the abyss and in that regard it delivers quite well. I love the murky muddied tones and Leggo’s vocals are well above average in comparison to anything remotely considered crust punk of the day. A very strong effort from one of the UK’s most legendary underground noise acts of the 1980s.

ENTRAPPED Pohřebiště Popela

Album · 2022 · Crust Punk
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siLLy puPPy
A modern band with an old school fetishism, ENTRAPPED hails from České Budějovice in the Czech Republic and is one of those newer bands that is fascinated by the sounds of yore so much so that it has taken upon itself to fuse a couple two disparate old school styles of extreme metal into its power packed tirade of ten tracks that will banter you for about 32 minutes.

A four piece featuring Lukáš (drums), Mirža (guitar), Dušek (guitar and Růžena (vocals), ENTRAPPED delivers a dynamic deathened crust punk sound in the vein of other 21st century acts that have ventured into the same territory which includes Black Breath, Stormcrow, AHNA and Mammoth Grinder. Although virtually unknown outside of its native land, ENTRAPPED is finding a loyal cult following in its few years together.

The album starts off with a short instrumental that builds the momentum for the speedy tempo based crust punk infused noisefest that follows. Blurring the distinctions between the more technically infused world of death metal with the more streamlined compositional simplicity of crust punk, ENTRAPPED’s debut delivers a powerful display of extreme decibelage turned up to the max with kick ass murky guitar tones and declarative shouts from underneath the delirious din. Although no bassist is credited, there are clear moments when the bass guitar is present so i would imagine one of the guitarists is really a bassist.

While a deathened crust punk ethos is the name of the game here, ENTRAPPED also fortifies some of its snappy most short deliveries of punk infused death metal other elements such as moments of dirging doom metal on the title track. The band is extremely energetic and there are no moments of slow down as this is pretty much a full throttle attack from beginning to end which is exactly the way a hardcore punk-infused band should act. All the tracks are infused with a vim and vigor that displays a youthful passion that unleashes all the rage and pent up angst that many of us build up.

The musicianship on this is off the chart. While crust punk is usually a less demanding style of metal, the death metal elements are fully implemented with crazy fast guitar riffing and bombastic percussion that alternates from a more standard crusty affair to full-on technical rolls. In other words it’s a near perfect hybridization of the two styles where it’s somewhat hard to tell where one ends and the other begins. A short and energizing set of tracks here that are quite satisfying! The production is also decent as it finds that perfect balance between the raw and ugly nature of the music and the ability to hear all the instruments do their own thing. The final burst of drumming action that ends the album is icing on the cake. Nice!

EXTREME NOISE TERROR A Holocaust In Your Head

Album · 1989 · Crust Punk
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DamoXt7942
Their extreme sound is cool, also like the sleeve.

EXTREME NOISE TERROR aka ENT have made their own way in the grindcore world together with British grindcore pioneers NAPALM DEATH or CARCASS. Guess everybody would say "A Holocaust In Your Head", released in 1989 as their debut full-length album, has already been a traditional, classic creation (34 years ago!), but we could feel this 'classic' sounds neither aged nor antique. The twin vocals shout quite loudly, distortedly, and vivaciously, based upon crazy expeditious melody lines and rhythm foundations.

It's also great that their 'melody lines' are not broken nor randomized but extremely tight and strict. Interestingly they do not forget unique tips like the beginning of "Conned Through Life" but basically their sound groundwork is swiftness, loudness, distortion, and energetics. Their instrumental technique is outstanding too. It's incredible that there is no turbulence in their playing at all, and enchanting that their melodic position is not messy but acceptable. Even the shortest track "We The Helpless" notifies us of their muddy mad-dy intention for striking their extreme noise terror into our inner mind.

Blimey.

TRAGEDY (TN) Nerve Damage

Album · 2006 · Crust Punk
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Warthur
Remember Tragedy's debut? Remember Vengeance? Want a take on them without some of the interesting instrumental bits or the other characterful parts? Well, you're in luck pard, because Nerve Damage basically finds their sound not evolving at all and all the imaginative extra little trappings of their previous albums absent. As a more straight-ahead no-nonsense number it's fun enough - and certainly, crust punk is a genre where "straight-ahead, no-nonsense, no frills" is a more viable prospect than others. At the same time, the comparative lack of musical development doesn't bode well for Tragedy having much left in the tank going forwards.

TRAGEDY (TN) Vengeance

Album · 2002 · Crust Punk
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Warthur
Did you like Tragedy's pessimistic, furious, hopeless howl of fury at a world they evidently fully believe has totally gone to shit as expressed on their debut album? Then you'll probably enjoy it when they offer up the exact same thing here.

But then again, if you already heard it there, do you need to hear it again? If you are very keen on crust punk, perhaps, but for a punk band who go for short albums (this one's under 40 minutes, debut was under 30) and short-ish songs Tragedy are kind of bad at editing. From the way the opening track here, Conflicting Ideas, lets its intro section play out for just a bit too long to the general sameiness of all the tracks, there's a certain repetitiveness here which makes this feel just a little disposable. When the album's done I can't remember how a single damn song went.

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