Thrash Metal

MetalMusicArchives.com — the ultimate metal music online community, from the creators of progarchives.com

Thrash metal is a subgenre of heavy metal that is characterized by its fast tempo and aggression. Thrash metal songs typically use fast, percussive and low-register guitar riffs, overlaid with shredding-style lead work. Thrash metal lyrics often deal with social issues using direct and denunciatory language, an approach which partially overlaps with the hardcore genre. The "Big Four" bands of thrash metal are Anthrax, Megadeth, Metallica, and Slayer, who simultaneously created and popularized the genre in the early 1980s.

The origins of thrash metal are generally traced to the late 1970s and early 1980s, when a number of bands began incorporating the sound of the New Wave of British Heavy Metal, creating a new genre and developing into a separate movement from punk rock and hardcore. This genre is more aggressive compared to its relative, speed metal, and can be seen in part to be a reaction to the lighter, more widely acceptable sounds and themes of glam metal.

Thrash metal generally features fast tempos, low-register, complex guitar riffs, high-register guitar solos, double bass drumming, and aggressive vocals. Most thrash guitar solos are played at high speed, as they are usually characterized by shredding, and use techniques such as sweep picking, legato phrasing, alternate picking, string skipping, and two-hand tapping. Thrash lead guitarists are often influenced by the New Wave of British Heavy Metal movement. Thrash guitar riffs often use chromatic scales and emphasize the tritone and diminished intervals, instead of using conventional single scale based riffing. For example, the main riff of Metallica's "Master of Puppets" is a chromatic descent, followed by a chromatic ascent based on the tritone. Rhythm guitar playing is characterized by extensive palm muting and down picking to give the riffs a chugging sound, along with extensive use of the pedal point technique (creating what can be considered a distinctive, 'thrashy' sound). Speed, pacing, and time-changes also define thrash metal. Thrash tends to have an accelerating feel which may be due in large part to its aggressive drumming style. For example, thrash drummers often use two bass drums, or a double-bass pedal, in order to create a relentless, driving beat. Cymbal stops/chokes are often used to transition from one riff to another or to precede an acceleration in tempo. To keep up with the other instruments, many thrash bassists use a pick. However, some prominent thrash metal bassists have used their fingers, such as Frank Bello, Greg Christian, Jack Gibson, Steve DiGiorgio, Robert Trujillo and the late Cliff Burton. Several bassists use a distorted bass tone, an approach popularized by Burton and Motörhead's Lemmy.

Lyrical themes in thrash metal include isolation, alienation, corruption, injustice, addiction, suicide, murder, warfare, and other maladies that afflict the individual and society. Humor and irony can occasionally be found, but they are limited, and are the exception rather than the rule.

Inclusive thrash metal music subgenres:
  • Crossover thrash, often abbreviated to crossover, is a form of thrash metal that contains more hardcore punk elements than standard thrash. It is sometimes referred to as punk metal, though this is generally incorrect due to the existence of other music genres that combine forms of punk rock and heavy metal, such as grunge, crust punk, and more recently metalcore and its subgenres. While thrash metal is heavily influenced by hardcore punk, the overall sound of crossover thrash is more punk-influenced yet more metal-sounding and aggressive than traditional hardcore punk and thrashcore. The term was coined by the band D.R.I. with their album Crossover, released in 1987. The term 'crossover' is based on the metaphor of crossing over from one genre into the other, thus capturing artists the operate within the transition zone between thrash metal and hardcore punk. With the metaphor comes the conception of directionality, such that the genre is applied to hardcore and crust punk artists who have crossed over into thrash metal territory, such as D.R.I., Discharge, The Exploited, The Accüsed, Agnostic Front and Suicidal Tendencies (who eventually ventured into alternative metal), and thrash metal artists who crossed over into hardcore punk territory, such as Nuclear Assault and S.O.D. A number of death metal bands (especially those of the first wave of Swedish death metal) draw on hardcore punk, mainly because their members listen to crossover thrash - these bands are included under the death metal subgenre here at the MMA.
  • Death-thrash combines elements from thrash metal and death metal. The most common type of death-thrash is based on thrash metal music (often played a bit faster than standard thrash metal) with growled vocals. Sepultura's "Schizophrenia", "Beneath the Remains", and "Arise" are considered examples of death-thrash. Given that death metal is derived from thrash metal, many early death metal bands played a style that was anchored thrash metal and could be considered death-thrash. Many of those artists are included under the death metal genre here on MMA.
  • Technical/progressive (or tech/prog) thrash metal is considered a legitimate genre by some (or even two legitimate genres), while others argue that it is a pseudo-genre. Bands included in this genre take emphasize technicality in their music, in the form of complex riffs and/or complex song structures, while others apply the ethos of progressive music more broadly without straying from their basic thrash metal sound. Examples of artists that are sometimes considered tech/prog thrash metal acts are Dark Angel, Death Angel (especially on "Act III"), Annihilator, Artillery (especially on "By Inheritance", "When Death Comes", and "My Blood"), and Invocator. Releases like "Master of Puppets" and "...And Justice For All" by Metallica are quite progressively oriented with complex song structures and numerous sections per song. Some bands like Voivod, Antithesis and Watchtower took the progressive approach so far that they are primarily considered progressive metal artists rather than thrash metal artists.
  • Blackened thrash metal is thrash metal with black metal elements. Its thrash metal basis is more primitive and akin to early German thrash metal. Examples of blackened thrash metal bands are Assaulter, Aura Noir, and The Metaphor. It should be mentioned that much early black metal, such as Venom and Hellhammer/Celtic Frost actually had its roots in thrash metal.


Source: http://en.wikipedia.org/wiki/Thrash_metal

Written by Time Signature.

Sub-genre collaborators (+ child sub-genres & shared with Speed Metal and Groove Metal):
  • Vim Fuego (leader)
  • Nightfly

thrash metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

METALLICA Master of Puppets Album Cover Master of Puppets
METALLICA
4.53 | 301 ratings
Buy this album from MMA partners
MEGADETH Rust in Peace Album Cover Rust in Peace
MEGADETH
4.47 | 250 ratings
Buy this album from MMA partners
METALLICA Ride the Lightning Album Cover Ride the Lightning
METALLICA
4.44 | 246 ratings
Buy this album from MMA partners
ANNIHILATOR Never, Neverland Album Cover Never, Neverland
ANNIHILATOR
4.39 | 85 ratings
Buy this album from MMA partners
FORBIDDEN Twisted Into Form Album Cover Twisted Into Form
FORBIDDEN
4.51 | 27 ratings
Buy this album from MMA partners
SEPULTURA Beneath the Remains Album Cover Beneath the Remains
SEPULTURA
4.38 | 106 ratings
Buy this album from MMA partners
SEPULTURA Arise Album Cover Arise
SEPULTURA
4.36 | 109 ratings
Buy this album from MMA partners
ANNIHILATOR Alice in Hell Album Cover Alice in Hell
ANNIHILATOR
4.37 | 73 ratings
Buy this album from MMA partners
ANTHRAX Among The Living Album Cover Among The Living
ANTHRAX
4.35 | 95 ratings
Buy this album from MMA partners
METALLICA ...And Justice for All Album Cover ...And Justice for All
METALLICA
4.31 | 233 ratings
Buy this album from MMA partners
FLOTSAM AND JETSAM Doomsday for the Deceiver Album Cover Doomsday for the Deceiver
FLOTSAM AND JETSAM
4.38 | 46 ratings
Buy this album from MMA partners
VOIVOD Dimension Hatröss Album Cover Dimension Hatröss
VOIVOD
4.37 | 54 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

thrash metal online videos

thrash metal New Releases

.. Album Cover
Te Rā
Album
ALIEN WEAPONRY
Buy this album from MMA partners
.. Album Cover
Faster than Death
Album
HIRAX
Buy this album from MMA partners

thrash metal Music Reviews

SEXTRASH XXX

EP · 1989 · Thrash Metal
Cover art Buy this album from MMA partners
UMUR
"XXX" is an EP release by Brazilian thrash metal act Sextrash. The EP was released through Maggot Records in 1989. Sextrash formed in 1987 in Belo Horizonte and released a couple of demos in the late 80s, before being signed for the release of "XXX".

Stylistically the material on the 3 tracks, 8:49 minutes long EP is aggressive and brutal thrash metal, which at times borders proto black and death metal. "XXX" has that ferocious primal edge that many South American thrash metal releases from the 1980s are known for and it´s almost like Sextrash go out of their way to deliver the most savage and caustic attack commited to tape. It sounds authentic and nicely raw though, so they definitely succeed in delivering said attack.

The murky, loud, and raw sounding production job further enhances the brutality and aggression of the material, and while the songwriting isn´t the most original you´ll hear in the genre, "XXX" is still a decent quality release and a nice addition to your collection of 1980s thrash/blackened speed metal releases from South America. A 3 star (60%) rating is warranted.

SODOM Get What You Deserve

Album · 1994 · Thrash Metal
Cover art Buy this album from MMA partners
UMUR
"Get What You Deserve" is the sixth full-length studio album by German thrash metal act Sodom. The album was released through Steamhammer Records in January 1994. It´s the successor to "Tapping the Vein" from 1992 and there´s been one lineup change since the predecessor a drummer Chris Witchhunter has left, leaving bassist/lead vocalist Tom Angelripper the only remaining founding member. Witchhunter has been replaced by former Living Death/Holy Moses drummer Atomic Steif (real name: Guido Richter). Guitarist Andy Brings completes the trio lineup.

Stylistically the material on "Get What You Deserve" is a continuation of the dark and brutal thrash metal sound of "Tapping the Vein" (1992). Just like the case was with the predecessor Sodom have opted for a more raw and brutal sound and Angelripper sounds seriously pissed, delivering his caustic raw snarl. It´s not quite death metal growling, but listeners who hear a death metal influence are excused. Most tracks are relatively short (2-3 minutes in length), and they are effective brutal thrash metal tunes. There are however a few exceptions from the predominantly fast-paced and furious thrash metal assault, as Sodom have also included a couple of mid-paced heavy tracks, the instrumental "Tribute to Moby Dick", a couple of German language tracks, and the occassional hardcore punk and traditional heavy metal influenced section. There´s also some humour in the lyrics department, which is a deviation from the usual death and destruction themes of the lyrics. So upon conclusion "Get What You Deserve" is a bit more varied than what it may initially appear to be. Highlights include the opening title track, "Jabba the Hut", and the above mentioned "Tribute to Moby Dick", but all tracks on the album have something to offer.

The album features a raw, brutal, and at times slightly murky sounding production job, which suits the material well. The rawness of the production provides the material with the right ferocious edge, although a few details are lost in the gloom of the mix. "Get What You Deserve" is in many ways a sibling release to "Tapping the Vein" (1992), and those who enjoyed the predecessor will pretty surely also greatly appreciate this album. A 3.5 - 4 star (75%) rating is deserved.

INERTIA Inertia

Demo · 2005 · Thrash Metal
Cover art Buy this album from MMA partners
Vim Fuego
Back in the 1980s, teens who had been raised on big doses of Iron Maiden, Metallica and Megadeth got together to form their own bands. While most of these bands disappeared without trace, a few became big names in the Metal scene, like Pantera, Flotsam and Jetsam, Death Angel and New Zealand’s own Shihad. In their original incarnations, these bands combined the aggression and high level of musicianship of their idols, while injecting an element of melody and subtlety not seen before in such intense music. World domination beckoned.

Of course, we know now, in perfect 20/20 hindsight, it didn’t happen. Sure, Pantera made it big, but lost their melody. Flotsam and Jetsam lost bassist and main songwriter Jason Newstead to Metallica. Death Angel disintegrated, and Shihad abandoned Metal for a successful career in Alternative land.

However, there is hope. Growing up on large doses of Megadeth, Metallica and Iron Maiden, Ashburton, New Zealand’s Inertia have come up with a sound something like a 21st century version of Flotsam and Jetsam, Death Angel and Shihad. What’s more, the members of Inertia were in nappies when these bands were making their names. A happy coincidence? Most certainly, because this band hadn’t even heard Flotsam and Jetsam, Death Angel and early Shihad when they recorded this five song demo.

Opening track “Judgement Day” starts with an acoustic intro, before blasting in to the main body of the song, which bears a passing resemblance to Flotsam and Jetsam’s “No Place For Disgrace”. The interplay of the rhythm guitar and bass is particularly impressive, particularly for such young musicians.

Second track “Comets” is a longer song, showing a potential for future epics from this band. The song clocks up a high riff count, without just throwing them together aimlessly, and shows a good understanding of song dynamics. The solos are great air guitar material too.

“Cold Night Air” changes the pace completely, starting as a dreamy ballad, hinting at full on power, but never fully unleashing. While attempting such a track on a demo could have been risky, Inertia pulls it off almost effortlessly.

“Waking The Dead” and “No-Mans Land” are a strong pair of songs to finish with, showing off how much fun old school melodic Thrash actually was.

As far as the sound quality goes, this is an excellent first demo. The instruments are well defined. Singer Adam Willis has a strong voice, at times reminiscent of Iron Maiden’s Bruce Dickinson, or Flotsam And Jetsam’s Eric AK. With more experience, he will develop into a powerful melodic vocalist.

This demo is a great start, from which this band will undoubtedly grow. It is a fresh shine on a once glorious, but much tarnished, brand of Heavy Metal.

METAL DUCK Mower Liberation Front / Quack 'Em All

Split · 1988 · Crossover Thrash
Cover art Buy this album from MMA partners
Vim Fuego
All you really need to know about Lawnmower Deth and Metal Duck is that both bands were seriously funny.

This split album was the debut release for both bands. It is now hard to find in any format, but the fact that fans are still desperate to get their hands on the album attests to the enduring attraction of a sense of humour and good fun thrash tunes. Part of the attraction is the self-effacing humour. Neither band took themselves terribly seriously at a time when thrash was generally a very earnest business. Some bands, like Sacred Reich took on serious issues, like politics and prejudice, successfully. Others, like Testament, Flotsam and Jetsam, and even Nuclear Assault just came off sounding cheesy.

But really, who cares about nuclear war or environmental problems when you can have songs with lyrics as classy as “Watch out Grandma, here comes a lawnmower/Gonna rip your face off” repeated over and over. Lawnmower Deth tackled the odd issue later in their career, but back when they recorded ‘M.L.F.’ their only concern was liberating repressed lawnmowers everywhere. There is not a serious moment on the entire album, but you wouldn’t expect it with song titles like “I Got the Clap and My Knob Fell Off” and “Drink To Be Sick”. Yep, if Lawnmower Deth were going to get called crap, they were going to have fun doing it.

Musically though, they were not crap at all. Filtering through the decidedly dodgy production, there are some excellent riffs surfacing, and a more than competent rhythm section. If Lawnmower Deth had taken themselves seriously, they could easily have outperformed Xentrix, Re-Animator or even Acid Reign as far as British thrash goes.

Metal Duck shared the same type of humour lyrically (“Cheese Puff Death Squad”, “March of the Metal Duck to the Duck Ponds of Hell”), but trod different ground musically. Rather than the UKAC (United Kingdom Apple Core) style thrash of Lawnmower Deth, their brand of urine extraction was accompanied by a rougher, faster style, at times verging on old school grindcore. In places, it is possible to believe you are listening to old Extreme Noise Terror, dual vocals and all. Of course, ENT didn’t usually play songs whose lyrics consisted of counting to 12.

This is a short split album, even though there are 24 tracks. Both bands took great delight in peppering their recordings with hyperblast micro-songs. At times hard to comprehend, but always funny when you can grasp what’s going on, this split album achieves something very important. It leaves you wanting more.

MEGADETH Endgame

Album · 2009 · Thrash Metal
Cover art Buy this album from MMA partners
martindavey87
By 2009, it’d been five years since Megadeth’s “return”, after Dave Mustaine had split the band up and retired following a well-documented injury. Upon their comeback, they unleashed two albums, 2004’s ‘The System Has Failed’ and 2007’s ‘United Abominations’. Both albums were a sure throwback to the bands earlier thrash days, with intense guitar riffs, lyrics full of distain and hatred, spewed out by a voice oozing of political unrest. This was the Megadeth of old!

However, with 2009’s ‘Endgame’, it just feels a tad repetitive already. Like the band are on autopilot and just repeating the previous two albums.

That’s not to say ‘Endgame’ is bad. It’s got its moments. It’s got all the ingredients of classic Megadeth. The playing is insanely fast, and the riffs are as intricate and intense as they were in the ‘Rust in Peace’ days. But after having this on my playlist for what feels like forever, I’m just struggling to really feel like I’d ever come back to any of these songs by choice.

And that may seem harsher than I intend it to, because there are some decent tracks on here, they just don’t, in my opinion, hold up as well to Megadeth’s previous output. ’44 Minutes’, ‘Head Crusher’ and ‘The Hardest Part of Letting Go… Sealed With a Kiss’ are all good tracks, and are worth a listen or two, but personally, I’d rather listen to anything from ‘Cryptic Writings’, ‘Youthanasia’, ‘Rust in Peace’ or even, *gulp*… ‘Risk’.

thrash metal movie reviews

METALLICA Quebec Magnetic

Movie · 2012 · Thrash Metal
Cover art Buy this album from MMA partners
martindavey87
Pretty standard Metallica live DVD here. Great set, fantastic sound and visuals, and the band all on top form as always (even Lars does alright!). The metal legends, touring to promote 2008’s ‘Death Magnetic’ have gone back to their old-school way of having the stage in the middle of the venue, kind of making this feel like ‘Cunning Stunts’ all over again, except, ten years wiser and more mature. And while they may not have the same drive and ambition as they did in the 90’s, it’s clear to see that this is an alcohol and drug-free band, who are just having the time of their lives up on stage.

Featuring all the hits you’d come to expect, such as ‘One’, ‘Enter Sandman’, ‘Sad But True’, ‘Broken, Beat and Scarred’, ‘Battery’ and a whole host of others, including some “bonus track” surprises, such as ‘Turn the Page’, ‘Holier Than Thou’ and ‘Breadfan’, this is a great DVD that may not stand out in the bands discography as much as previous releases ‘Live Shit: Binge & Purge’, ‘Cunning Stunts’ or ‘S&M’, but is still plenty worthwhile owning, and certainly enough to satisfy any Metallica fan.

METALLICA Metallica Through The Never

Movie · 2013 · Thrash Metal
Cover art Buy this album from MMA partners
martindavey87
Regardless of the results, I’ll always give Metallica credit for not being afraid to try new things. Going from thrash metal to alternative rock, playing with an orchestra, side projects with Lou Reed and now this… a concert movie?

And the results here, as expected, are pretty mixed. The actual movie aspect doesn’t make much sense. With a daft storyline interspersed with the concert footage, and at times tying into the show itself. Sometimes with the band actually even doing little choreographed bits on stage, this all comes across as a bit awkward at times, and is probably more of a detriment than anything.

However, the concert footage itself is absolutely gorgeous! The visuals are fantastic and the high-definition video really gives it a crystal-clear picture, with some very cool camera angles and some awesome close-ups. Along with all the usual Metallica pyrotechnics and on-stage stunts and props, this is like ‘Cunning Stunts’ on steroids.

But sadly, that’s pretty much the only highlight. There’s a whole hoard of extras, including behind-the-scenes documentaries, Q&A sessions, trailers, music videos, and a whole bunch more, but it’s mostly all pretty bland and generic, with the only saving grace being that live footage. I wish they’d just done an entire concert DVD recorded like this, because that part, really is THAT damn good!

METALLICA Français Pour Une Nuit

Movie · 2009 · Thrash Metal
Cover art Buy this album from MMA partners
martindavey87
‘Francais...’ is one of three Metallica DVD’s that all seemed to pop up around a close time-frame of each other (the others being similar concerts from Mexico and Quebec). Released in 2009, it features Metallica touring to promote their fairly new release, ‘Death Magnetic’, from the previous year. On this concert DVD, the set list is solid, the playing is fantastic, and the visuals are excellent. The setting is an old amphitheatre that looks absolutely beautiful as a music venue. The only setback was that this lacks a lot of the pyrotechnics and effects that their arena shows afforded them. So unless you’re a huge fan, it might get a bit boring just sitting here and watching them, well, just play for over two hours.

Still, it’s a great DVD, and the band is on top form, with boundless energy and enthusiasm, we even see quite a few songs that hadn’t been played live in a long time! And with a few added extras (interviews, extra footage etc), this makes for a worthy addition to any Metallica fans collection.

MEGADETH That One Night - Live in Buenos Aires

Movie · 2007 · Thrash Metal
Cover art Buy this album from MMA partners
martindavey87
It’s an alright DVD, the picture is fine, the sound is fine, the playing is fantastic, the set is fantastic, Mustaine’s vocals are a bit naff, but in fairness I’ve never really thought he sounded too good live anyway. The main feature is about 90 minutes long, and interspersed with random clips of Mustaine and Drover playing acoustically. It’s watchable, but a little disjointed. Overall, this release is simply “good”. It’s not mind-blowing, but it’s worth watching, and certainly if you’re a fan, then it’s nice to own. I think previous live DVD ‘Rude Awakening’ is much better though, and has more extras on it too. And what is up with the cover?

MEGADETH Megadeth - VH-1 Behind the Music Extended

Movie · 2001 · Thrash Metal
Cover art Buy this album from MMA partners
martindavey87
The Megadeth episode of VH1’s ‘Behind the Music’ series is pretty much exactly what it says it is; a look at the history of one of heavy metal’s most beloved bands. The VH1 name gives this a bit more credibility and authenticity than your typical unofficial band biography, and as such, this features interviews with band members past and present, as well as other people associated with the band at one point or another.

Looking candidly at Dave Mustaine’s expulsion from Metallica, the bands early days and their later attempts to break into mainstream territory, as well as Mustaine’s endless battles with addictions, other than being a bit outdated now, (being released in 2001), this is overall a very interesting watch, and a worthy addition to any Megadeth fan’s collection.

Artists with Thrash Metal release(s)

MMA TOP 5 Metal ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Master of Puppets Thrash Metal
METALLICA
Buy this album from our partners
Paranoid Heavy Metal
BLACK SABBATH
Buy this album from our partners
Moving Pictures Hard Rock
RUSH
Buy this album from our partners
Powerslave NWoBHM
IRON MAIDEN
Buy this album from our partners
Rising Heavy Metal
RAINBOW
Buy this album from our partners

New Metal Artists

New Metal Releases

Wretched Rite Death Metal
WRETCHED RITE
Buy this album from MMA partners
Fertile Void Deathcore
HAINE
Buy this album from MMA partners
Mortualis Metalcore
CONCRETE (NY)
Buy this album from MMA partners
Lost Shores Melodic Metalcore
SWEPT TO SEA
Buy this album from MMA partners
Colossal Metalcore
TITAN RAGE
Buy this album from MMA partners
More new releases

New Metal Online Videos

More videos

New MMA Metal Forum Topics

More in the forums

New Site interactions

More...

Latest Metal News

members-submitted

More in the forums

Social Media

Follow us