Heavy Metal

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Heavy metal (often referred to simply as metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and the United States. With roots in blues-rock and psychedelic rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are generally associated with masculinity and machismo.

The first heavy metal bands (Proto) such as Led Zeppelin, Black Sabbath and Deep Purple attracted large audiences, though they were often critically reviled, a status common throughout the history of the genre. In the mid-1970s Judas Priest helped spur the genre’s evolution by discarding much of its blues influence; Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Bands in the New Wave of British Heavy Metal (NWoBHM) such as Iron Maiden followed in a similar vein. Before the end of the decade, heavy metal had attracted a worldwide following of fans known as “metalheads” or “headbangers”.

Visit the NWoBHM sub-genre page for more details on this particular music movement.

Source: http://en.wikipedia.org/wiki/Traditional_Heavy_Metal

Inclusive Traditional Heavy Metal Genres

Melodic Metal is often short for Melodic Heavy Metal and as such is usually included under Traditional Heavy Metal on the MMA. On rare occasions Melodic Metal releases may also be included under Power Metal however, such as Arven's Black is the Colour (2013).

Sub-genre collaborators (+ child sub-genres & shared with Hard Rock and Glam Metal):
  • 666sharon666 (Leader)

heavy metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

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heavy metal Music Reviews

THEM Sweet Hollow

Album · 2016 · Heavy Metal
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UMUR
"Sweet Hollow" is the debut full-length studio album by international heavy metal act Them. The album was released through Empire Records in September 2016. Them was formed in 2008 by lead vocalist Troy Norr (Coldsteel) as a King Diamond tribute band (hence the band monicker which is the title of King Diamond´s 1988 third full-length studio album). Them played many shows in the next 3 years, before entering a hiatus until 2014, when Norr started working on a band and album concept.

Stylistically the material on "Sweet Hollow" is a powerful, theatrical/horror themed, and melodic type of heavy metal greatly influenced by King Diamond. So in many ways Them is still a tribute band, although they now play their own King Diamond influenced material. Norr is a skilled vocalist with a wide varity of vocal styles and he delivers both high pitched, mid-range, and lower gruff type vocals. He has a voice and vocal style not terribly far from King Diamond. Norr has enlisted a crew of skilled musicians for the project and they all deliver strong and professional performances. Some of the involved musicians are relatively prolific like drummer Kevin Talley (Dååth, Misery Index, Dying Fetus, Suffocation, Six Feet Under...etc.) and bassist Mike LePond (Symphony X, Death Dealer, Mike LePond's Silent Assassins...etc.), so "Sweet Hollow" is definitely a high level musicianship album.

The material is well written, catchy, and powerful (featuring elements of both heavy metal, US power metal, and occasionally thrash metal). The concept horror story works relatively well with themes like demonic possession, a woman burned at the stake by a priest, and a haunted house. If that sounds familiar to you, it´s not that strange as all those elements have also been featured on various King Diamond albums. So the King Diamond connection is impossible to ignore and to my ears "Sweet Hollow" have a lot in common with the post-2000 King Diamond releases, although "Sweet Hollow" features a better sounding production than anything their heroes have released in many years.

So if you´re a fan of the post-2000 King Diamond releases and aren´t bothered by the fact that Them are basically a tribute band playing material which are very similar to the latter day material of King Diamond, "Sweet Hollow" may be the a release for you. To my ears it´s a release predominantly of interest to the all consuming King Diamond fan, who just can´t get enough of music that sounds even remotely like King Diamond. To the rest of us the output of the original band is probably enough. Quality wise there´s however nothing wrong with "Sweet Hollow" and therefore a 3.5 star (70%) rating is deserved.

PORTRAIT Burn the World

Album · 2017 · Heavy Metal
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UMUR
"Burn the World" is the fourth full-length studio album by Swedish heavy metal act Portrait. The album was released through Metal Blade Records in August 2017. It´s the successor to "Crossroads" from 2014. The band are down to the trio of Anders Persson (drums), Christian Lindell (guitars, bass), and Per Lengstedt (vocals) after guitarist David Olofsson and bassist Mikael Castervall have jumped ship.

The material on "Burn the World" pretty much continue in the Mercyful Fate/King Diamond influenced heavy metal style of the preceding releases, but Lengstedt do have other things in his vocal repetoire than sounding like a clone of King Diamond. So while the music certainly features enough high pitched vocals and harmonies to keep the King Diamond fanboys happy, Lengstedt´s mid-range vocals and some of his screams are slightly more unique sounding. The tracks feature very traditional sounding heavy metal riffs, solos, harmonies, and rhythm work, although some of the tracks are more adventurous in nature than just consisting of vers/chorus sections. Best examplified by the 8:49 minutes long closing track "Pure of Heart".

"Burn the World" is a well produced release, featuring a powerful, organic, and detailed sound production, which suits the material well. It´s not an album which is much better or much different than what they have released before, but it´s another solid album release and Portrait can be proud of what they´ve produced here. A 3.5 star (70%) rating is deserved.

METAL CHURCH Generation Nothing

Album · 2013 · Heavy Metal
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UMUR
"Generation Nothing" is the tenth full-length studio album by US power/heavy metal act Metal Church. The album was released through Body of Work Recordings in October 2013. It´s the successor to "This Present Wasteland" from September 2008. After touring in support of "This Present Wasteland" (2008), Metal Church split-up in July 2009 (their second split-up). The band however opted to reunite in October 2012 in the same quintet lineup who recorded the predecessor (although former guitarist Jay Reynolds was shortly a part of the reunited lineup, but was soon replaced by Rick Van Zandt). It would be the fourth and last Metal Church album to feature lead vocalist Ronny Munroe.

Stylistically "Generation Nothing" continues the US power/heavy metal style of the many preceding releases by Metal Church. Not much has happened with the band´s style and sound since they released their eponymously titled debut album back in 1984, although there have been many lineup changes along the way. Including three different lead vocalists. Metal Church have always stood for powerful, melodic, and at times relatively hard edged (meaning occasionally leaning on thrash) US power/heavy metal, and they continue that style and sound on "Generation Nothing". Artists like contemporary Metallica, the most hard rock influenced Iron Maiden, and Flotsam and Jetsam are valid references in my book.

Munroe is a skilled vocalist with a strong voice, able to sing both melodic and more raw. He sometimes sounds like a more rough and angry Bruce Dickinson (Iron Maiden). The remaining part of the band are exceptionally well playing too, and after so many years Metal Church can still hold their own and deliver their music with great passion and bite. The songwriting is decent to good, and a few of the tracks are even great, but that´s been the picture on most of the Munroe-led Metal Church releases. "Generation Nothing" features a powerful and well sounding production, so it´s a good quality US power/heavy metal release and a 3.5 star (70%) rating is deserved.

IRON MAIDEN Seventh Son Of A Seventh Son

Album · 1988 · Heavy Metal
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martindavey87
‘Seventh Son of a Seventh Son’, the seventh studio album by metal legends Iron Maiden, has been on my playlist for well over a year by now. Not sure what to score it, it’s been an album I’ve constantly come back to over and over. It’s good. Sometimes it’s really good. But sometimes it’s regarded as one of Iron Maiden’s best releases, and I think that’s where it hasn’t quite met my expectations.

It’s famously referred to as the album where Maiden went more progressive and experimental, not only in song structure but by the use of keyboards. But for me, I don’t know. I just can’t get into this as easily as I could ‘Powerslave’ or ‘Somewhere in Time’. The commonly referenced keyboards are really nothing more than some backing chords over the guitar harmonies.

Regardless of that however, the musicianship is still of a high standard, and as always, praise goes to Bruce Dickinson’s soaring vocals. Despite my thoughts on the album as a whole, there are still some bangers here. In particular, ‘Infinite Dreams’, ‘The Clairvoyant’, ‘The Evil That Men Do’ and closing track ‘Only the Good Die Young’ are all classic Maiden tracks.

And at barely 45 minutes in length, it’s an easy enough album to listen to in one sitting. It’s just really not the album I’d choose to listen to in the first place. Sorry Maiden fans. I love the band, and I DO like this album, just not as much as I feel I’m supposed to.

SLOUGH FEG The Lord Weird Slough Feg

Album · 1996 · Heavy Metal
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UMUR
"The Lord Weird Slough Feg" is the eponymously titled debut full-length studio album by US heavy metal act The Lord Weird Slough Feg (the band later changed their name to only Slough Feg, but changed it back to The Lord Weird Slough Feg in 2019). The album was released through Beef Rock Records in May 1996. The Lord Weird Slough Feg formed in 1990 and released no less than five demos in the years between 1990 and the release of this debut album in 1996.

Stylistically the music on the album is traditional heavy metal featuring a strong and organic playing rhythm section, hard edged and melodic guitar riffs, lead, and harmonies, and a well sounding (albeit rather eccentric) vocalist in front. The musicianship is on a high level on all posts, and you´ll notice instantly how well playing/singing a band The Lord Weird Slough Feg are. The vocals by Mike Scalzi take some getting used to, and I´d say they are the least enjoyable feature of the music, but that´s probably an aquired taste. In addition to the strong 70s/early 80s heavy metal/NWOBHM influences (artists like Iron Maiden and Thin Lizzy are valid references as well as Black Sabbath), The Lord Weird Slough Feg also include celtic/folk influenced melodies and lyrics, and tracks like "The Red Branch" and "High Season III" and "High Season IV" feature strong traditional celtic elements. In that respect they have much in common with an artist like Skyclad, who also combine some of the same elements.

The sound production and the structure of the material can feel a bit chaotic and at times even a little random, but it´s actually the anarchistic organic playing style and performances, which are the greatest assets of the music. There´s a real nerve here and an obvious love for playing which shine through, and although the whole thing sometimes sounds like it´s about to derail, it should not be understood as if The Lord Weird Slough Feg aren´t a skilled and well playing unit, because they certainly are. A 3.5 star (70%) rating is deserved.

heavy metal movie reviews

BLACK SABBATH Never Say Die: Live In 1978

Movie · 2003 · Heavy Metal
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martindavey87
This DVD is basically a quick and easy, one hour run through of some of Sabbath’s biggest hits. Short and sweet. Originally filmed in 1978, and you can tell, the picture is rough around the edges, and the sound is audible, but certainly not great. Overall though, I find the band pretty boring live. Maybe it’s just that I didn’t grow up with Sabbath, but they literally play their hits and that’s the end of it. You don’t really see the audience, and the visuals are very dated. It’s cool to see them perform some classics though, such as ‘Snowblind’, ‘Paranoid, ‘War Pigs’ and ‘Black Sabbath’, but seeing as this is such a short performance and there’s no extras on the DVD, I’d say this is best left to the die-hard fans and collectors.

IRON MAIDEN Visions Of The Beast

Movie · 2003 · Heavy Metal
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martindavey87
‘Visions of the Beast’ is a pretty extensive compilation of videos by British heavy metal icons Iron Maiden. Featuring over 30 music videos, as well as alternative, animated versions, and a number of interesting extras, there’s plenty of material here for fans to sink their teeth into.

Of course, the problem with such DVD’s is that they become outdated, with pretty much all of the material here being available on YouTube. But there’s no denying the quality of the music. I mean, at the end of the day, it’s Iron Maiden! One of the greatest metal bands of all time.

Featuring some classic metal anthems, such as ‘Run to the Hills’, ‘Aces High’, ‘The Trooper’, ‘Fear of the Dark’, ‘The Number of the Beast’, ‘Can I Play With Madness’, and countless others, despite being outdated, this is no-doubt a worthy addition to the collection.

ANVIL Anvil! The Story of Anvil

Movie · 2009 · Heavy Metal
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martindavey87
I can’t deny, I’d never heard of Anvil until this came out. Sure, okay, MAYBE I’d heard the name mentioned once or twice, without really giving it any attention. But regardless, this DVD was an eye-opener for me, and introduced me to one of the most influential, albeit, not very commercially successful, metal bands of the 1980’s.

Sadly, the tale of rock bands going from playing stadiums and arenas to working in school kitchens and call centres is commonplace these days. That’s just the sad reality of the music industry today. But with that said, this is a heartfelt story of a band, and in particular, a man (frontman Steve ‘Lips’ Kudlow) who continues to persevere and not give up. Touring the world and playing to thous… well, dozens of people.

It’s this sincerity and persistence that makes this such an interesting, and heartbreaking, watch. I’ve since delved into the bands discography and would consider myself a fan, so the film has done its job, if nothing else, of getting the name Anvil out there to a wider audience.

FOZZY Unleashed, Uncensored, Unknown

Movie · 2003 · Heavy Metal
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martindavey87
I’m totally unashamed about my love for this band and this DVD! Released in Fozzy’s early days when they were playing mostly covers, this is complete rock ‘n’ roll nonsense documenting how Fozzy created heavy metal and then signed a dodgy contract that left them stranded in Japan for twenty years!

The main documentary is hilarious. You can tell everyone is just having a blast filming it, and the added cameos from the likes of Zakk Wylde, Sebastian Bach and Mike Portnoy just add to this. And at barely a half an hour in duration, this main feature has plenty of replay value.

There’s an abundance of extras too, including more daft early Fozzy shenanigans as well as sincere and out-of-character footage too, showing that even in their early days this band possessed unlimited potential, but then, what would you expect when rap metal pioneers Stuck Mojo joined forces with wrestling icon Chris Jericho?

ACCEPT Restless & Live

Movie · 2017 · Heavy Metal
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Kingcrimsonprog
Restless & Live is a concert release from the veteran German Heavy Metal legends Accept. It was released on Nuclear Blast Records in 2017 on several formats; such as a CD set with tracks taken from different concerts across the touring cycle for Blind Rage (their third studio album since being reinvigorated by the joining of new singer Mark Tornillo). It was also released as a Blu Ray of a single entire performance at 2015’s Bang Your Head Festival. If you’ve got a bit more money to splash out you can get a set with the Blu Ray and CD versions, or if you prefer DVDs that’s also an option.

My personal preference for concert movies or albums is that they come from on single concert not a mix of shows, and if available preferably on Blu Ray, so for me this was the version I went for and am most happy with. (which this review will be focusing on).

In terms of specs: The Blu Ray version is in 1080p with PCM Stereo and DTS HD Master 5.1 options, Region:All. There aren’t any bonus features. There’s a booklet with some photos but no linear notes.

So the main reason you are buying this disc is for the concert; which is about an hour and forty-five minutes of blistering classic Heavy Metal. The 18-song tracklisting is pretty heavily focused on the three Tornillo-era albums, with a few of the classic ’80s crowdpleasing tunes added in as well. So if you’ve already got the DVD that came with Blind Rage its still worth checking this out for the different tracklisting and higher production values. (The CD version of Restless & Wild contains 27 songs and more of a mix of material).

The tracklisting is: 1. Stampede 2. Stalingrad 3. London Leatherboys 4. Restless & Wild 5. Dying Breed 6. Final Journey 7. Shadow Soldiers 8. Losers & Winners 9. 200 Years 10. Midnite Mover 11. No Shelter 12. Princess Of The Dawn 14. Pandemic 15. Fast As A Shark 16. Metal Heart 17. Teutonic Terror 18. Balls To The Wall

The performance is tight and professional but still has that ‘live’ feeling and energy, it isn’t all sterile but it isn’t loose and sloppy either, its just right. They all give it gusto and look pretty into it. There’s no complaints on vocals, musicianship or song selection for me. Wolf Hoffman’s guitar solos are as entertaining as you would expect and there’s a fun bass versus guitar trade off section at one point. The camera work, editing, sound and mix are all solid. Nothing jarring or out of place, no sync issues, all instruments audible and in correct balance. The songs sound clear and yet muscular.

Its a pretty simple and honest affair. There’s no gimmicks here; no big show with giant robot crabs on stage or band members catching fire or shooting lazers out of their eyes, and there’s no life changing documentary, no animations weaved into the concert or anything… but if you want to buy an Accept live concert and watch songs like ‘Fast As A Shark’ and ‘Balls To The Wall’ played well by the new line-up and competently captured and prepared for home viewing then it is an absolutely fine product and I highly recommend it to fans of the band, especially to fans of the newer three albums. For me, watching songs like ‘No Shelter,’ ‘Stalingrad’ and ‘Pandemic’ belted out enthusiastically are worth the money.

If you are new to the band, this is a very strong starting place, (if not entirely representative of the overall discography) and if you are a fan already its a worthy addition to your collection.

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