Heavy Metal

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Heavy metal (often referred to simply as metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and the United States. With roots in blues-rock and psychedelic rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are generally associated with masculinity and machismo.

The first heavy metal bands (Proto) such as Led Zeppelin, Black Sabbath and Deep Purple attracted large audiences, though they were often critically reviled, a status common throughout the history of the genre. In the mid-1970s Judas Priest helped spur the genre’s evolution by discarding much of its blues influence; Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Bands in the New Wave of British Heavy Metal (NWoBHM) such as Iron Maiden followed in a similar vein. Before the end of the decade, heavy metal had attracted a worldwide following of fans known as “metalheads” or “headbangers”.

Visit the NWoBHM sub-genre page for more details on this particular music movement.

Source: http://en.wikipedia.org/wiki/Traditional_Heavy_Metal

Inclusive Traditional Heavy Metal Genres

Melodic Metal is often short for Melodic Heavy Metal and as such is usually included under Traditional Heavy Metal on the MMA. On rare occasions Melodic Metal releases may also be included under Power Metal however, such as Arven's Black is the Colour (2013).

Sub-genre collaborators (+ child sub-genres & shared with Hard Rock and Glam Metal):
  • 666sharon666 (Leader)

heavy metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

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heavy metal Music Reviews

METAL CHURCH This Present Wasteland

Album · 2008 · Heavy Metal
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UMUR
"This Present Wasteland" is the ninth full-length studio album by US power/heavy metal act Metal Church. The album was released through Steamhammer Records in September 2008. After touring in support of the album Metal Church disbanded in July 2009, which was their second split. They reunited in October 2012. "This Present Wasteland" is the successor to "A Light in the Dark" from 2006 and features one lineup change since the predecessor as guitarist Jay Reynolds has left and has been replaced by Rick Van Zandt.

Lineup changes never had much impact on the sound of Metal Church though, and the material on "This Present Wasteland" continues the US power/heavy metal style of the preceding releases as if the band haven´t noticed that almost 25 years have passed since the release of their debut album. Metal Church are incredibly consistent in the style and quality of their material, and while there have been minor fluctuations in quality over the years, they have been just that...minor.

So once again the listener is treated to hard rocking heavy metal riffs (and the occasional more thrashy riff), brilliant lead guitar work, an organic and powerful playing rhythm section, and lead vocalist Ronny Munroe delivering both rough and more melodic and higher pitched vocals (he sometimes sounds like the US power metal version of Bruce Dickinson). Pure class on all posts. "The Company of Sorrow" opens the album and sounds a little like contemporary Metallica. Heavy metal/US power metal with thrash metal leanings. And that´s more or less how the remainder of the album continues. It´s a consistent quality release in terms of memorable songwriting, a powerful and well sounding production job, and high level musical performances. A 3.5 star (70%) rating is deserved.

VIRGIN STEELE Virgin Steele

Album · 1982 · Heavy Metal
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UMUR
"Virgin Steele" is the eponymously titled debut full-length studio album by US heavy/power metal act Virgin Steele. The album was released through V.S.Records (the band´s own label) in December 1982. Virgin Steele was formed in 1981 by guitarist Jack Starr and most of the year was spend auditioning members for the lineup and writing material. By the end of 1981 the band´s first lineup was complete with Jack Starr on guitars, David Defeis on vocals and keyboards/piano, Joe O'Reilly on bass, and Joey Ayvazian on drums. The band debuted in 1982 with the track "Children of the Storm" on the "U.S. Metal Vol. II" various artists compilation album.

"Children of the Storm" also appears on the tracklist here, while the remaining tracks on the album all appeared on the band´s 1982 demo tape in early demo versions. Stylistically Virgin Steele play a hard rocking heavy metal style, which sometimes becomes a little harder edged. Opening track "Minuet In G Minor/Danger Zone" is for example one of the most aggressive and hard edged tracks on the album as is "Children of the Storm" (early Savatage is a valid reference), while many of the other tracks are closer in style to late 70s hard rocking Van Halen. "Still In Love With You" is a ballad type track and honestly the band (at least at this point) didn´t have the songwriting skills to pull that off. The closing title track features the most prominent use of keyboards, which provides that track with a slightly epic atmosphere.

The musicianship is on a high level on all posts. The rhythm section is tight, organic, and hard rocking, Starr is a skilled guitarist delivering a constant attack of heavy/hard rock riffs, licks, and solos (and occasionally showcasing a neo-classical influence), while Defeis quickly establishes that he is a both skilled and versatile vocalist. He can hit some ridiculously high notes and does it frequently, but he can also deliver more hard rocking mid-range vocals. Usually with a swagger that Bon Scott would have been proud of. Of course Defeis is more of a heavy/power metal style vocalist, but there´s attitude here that not all vocalist in that genre can deliver.

The album is not the most well produced release, but taking into consideration that this is a self-produced and self-released affair it´s actually decently produced. It´s a bit thin (trembly) sounding, but that wasn´t unusual for albums in this style from the early- to mid 80s. Upon conclusion "Virgin Steele" is an entertaining debut album by Virgin Steele. It´s a bit too much all over the place to be a successful coherent release, but there is certainly promise enough here to warrant a 3 star (60%) rating.

METALLICA Sad but True

Single · 1993 · Heavy Metal
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martindavey87
I know CD singles are obsolete today, but regardless, this one is pretty damn good. ‘Sad But True’ is a kickass song, with its heavy groove and catchy lyrics, it’s one of the more memorable tracks from 1991’s ‘Black Album’. There’s an acoustic/orchestral version of ‘Nothing Else Matters’, an insanely energetic live version of ‘Creeping Death’ (honestly, the energy in this recording is crazy), and finally, a demo version of the title track.

A pointless frisbee for most people, but for collectors, this is everything a single should be. Title track, alternative version, live track, and demo track. Spot on.

BLACK LABEL SOCIETY Sonic Brew

Album · 1998 · Heavy Metal
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SilentScream213
Southern Metal is one of those Metal genres that just doesn’t have much appeal to me. The strong Blues influence ensures the riffs are simple and boring, and ditto for the rhythm section. Vocals are usually yarled, twang-tinged tough guy grunts, and the lyrics are typically about simple pleasures like alcohol, sex, and other drugs (or oddly enough, Christianity). It’s basically Stoner Metal, except replace the weed with alcohol. Alcoholic Metal.

Sonic Brew is not Black Label Society’s most iconic album, but it’s a great overall display of the genre. One of the reasons is that across its hour-long, 14 track runtime, the band explore every nook and cranny of the genre (that had been established by the turn of the century). It has a decent amount of variety for almost always sticking to the core sound of Southern Metal. Most of it is lead by Grungy vocals and Bluesy, Sludgy riffs. But there are acoustic passages, Southern Rock-esque guitar solos, some anthemic choruses in places, and odd moments of experimentation in sound effects.

And after my trip around the Southern Metal tour multiple times, it’s difficult to remember much of anything because the genre is just pretty… boring. And in fact, the most memorable (and my favorite) tracks are the ones that stray furthest from the style. Spoke in Wheel is a standout… as a Contemporary Country ballad.

It’s the kind of music that can be fun and groovy, but offers almost nothing in the way of depth, emotion, etc. Not quite “Bored to Tears,” but certainly nothing I’d ever come back to.

ATTIC Sanctimonious

Album · 2017 · Heavy Metal
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UMUR
"Sanctimonious" is the second full-length studio album by German heavy metal act Attic. The album was released through Ván Records in August 2017. It´s the successor to "The Invocation" from 2012 and there´s been one lineup change since the debut album as drummer Roman Bittner has been replaced by J.P..

Stylisically "Sanctimonious" continues the strongly Mercyful Fate/King Diamond influenced heavy metal style of the debut album. Lead vocalist Meister Cagliostro has a voice and high pitched vocal style which are almost one to one like King Diamond´s ditto, and therefore it´s nearly impossible not to see Attic as a worship act. Thankfully they are an incredibly well playing band and the songwriting is also of a high quality. It´s 80s influenced heavy metal with the occassional nod towards faster-paced speed metal, filled to the brim with hard rocking heavy metal riffs and rhythms, blistering leads and clever harmonies.

"Sanctimonious" is a concept album telling a gruesome story of a convent and the abuse and murders among the nuns. It´s a different story, but not completely unlike the story told on "The Eye" (1990) by King Diamond. The lyrics are well written and the story is engaging. If I have to make one critique the album is maybe slightly too long for its own good featuring a total playing time of 64:04 minutes.

"Sanctimonious" features an organic, raw, and detailed sound production, which suits the material perfectly, and upon conclusion it´s a high quality release through and through. I still think it´s a bit odd to dedicate your music career to imitating another artist as much as Attic do, but when the quality is as high as it is here, I´m a bit more inclined to let the clone factor slide and just enjoy the music for what it is. A 3.5 - 4 star (75%) rating is deserved.

heavy metal movie reviews

ANVIL Anvil! The Story of Anvil

Movie · 2009 · Heavy Metal
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martindavey87
I can’t deny, I’d never heard of Anvil until this came out. Sure, okay, MAYBE I’d heard the name mentioned once or twice, without really giving it any attention. But regardless, this DVD was an eye-opener for me, and introduced me to one of the most influential, albeit, not very commercially successful, metal bands of the 1980’s.

Sadly, the tale of rock bands going from playing stadiums and arenas to working in school kitchens and call centres is commonplace these days. That’s just the sad reality of the music industry today. But with that said, this is a heartfelt story of a band, and in particular, a man (frontman Steve ‘Lips’ Kudlow) who continues to persevere and not give up. Touring the world and playing to thous… well, dozens of people.

It’s this sincerity and persistence that makes this such an interesting, and heartbreaking, watch. I’ve since delved into the bands discography and would consider myself a fan, so the film has done its job, if nothing else, of getting the name Anvil out there to a wider audience.

FOZZY Unleashed, Uncensored, Unknown

Movie · 2003 · Heavy Metal
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martindavey87
I’m totally unashamed about my love for this band and this DVD! Released in Fozzy’s early days when they were playing mostly covers, this is complete rock ‘n’ roll nonsense documenting how Fozzy created heavy metal and then signed a dodgy contract that left them stranded in Japan for twenty years!

The main documentary is hilarious. You can tell everyone is just having a blast filming it, and the added cameos from the likes of Zakk Wylde, Sebastian Bach and Mike Portnoy just add to this. And at barely a half an hour in duration, this main feature has plenty of replay value.

There’s an abundance of extras too, including more daft early Fozzy shenanigans as well as sincere and out-of-character footage too, showing that even in their early days this band possessed unlimited potential, but then, what would you expect when rap metal pioneers Stuck Mojo joined forces with wrestling icon Chris Jericho?

ACCEPT Restless & Live

Movie · 2017 · Heavy Metal
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Kingcrimsonprog
Restless & Live is a concert release from the veteran German Heavy Metal legends Accept. It was released on Nuclear Blast Records in 2017 on several formats; such as a CD set with tracks taken from different concerts across the touring cycle for Blind Rage (their third studio album since being reinvigorated by the joining of new singer Mark Tornillo). It was also released as a Blu Ray of a single entire performance at 2015’s Bang Your Head Festival. If you’ve got a bit more money to splash out you can get a set with the Blu Ray and CD versions, or if you prefer DVDs that’s also an option.

My personal preference for concert movies or albums is that they come from on single concert not a mix of shows, and if available preferably on Blu Ray, so for me this was the version I went for and am most happy with. (which this review will be focusing on).

In terms of specs: The Blu Ray version is in 1080p with PCM Stereo and DTS HD Master 5.1 options, Region:All. There aren’t any bonus features. There’s a booklet with some photos but no linear notes.

So the main reason you are buying this disc is for the concert; which is about an hour and forty-five minutes of blistering classic Heavy Metal. The 18-song tracklisting is pretty heavily focused on the three Tornillo-era albums, with a few of the classic ’80s crowdpleasing tunes added in as well. So if you’ve already got the DVD that came with Blind Rage its still worth checking this out for the different tracklisting and higher production values. (The CD version of Restless & Wild contains 27 songs and more of a mix of material).

The tracklisting is: 1. Stampede 2. Stalingrad 3. London Leatherboys 4. Restless & Wild 5. Dying Breed 6. Final Journey 7. Shadow Soldiers 8. Losers & Winners 9. 200 Years 10. Midnite Mover 11. No Shelter 12. Princess Of The Dawn 14. Pandemic 15. Fast As A Shark 16. Metal Heart 17. Teutonic Terror 18. Balls To The Wall

The performance is tight and professional but still has that ‘live’ feeling and energy, it isn’t all sterile but it isn’t loose and sloppy either, its just right. They all give it gusto and look pretty into it. There’s no complaints on vocals, musicianship or song selection for me. Wolf Hoffman’s guitar solos are as entertaining as you would expect and there’s a fun bass versus guitar trade off section at one point. The camera work, editing, sound and mix are all solid. Nothing jarring or out of place, no sync issues, all instruments audible and in correct balance. The songs sound clear and yet muscular.

Its a pretty simple and honest affair. There’s no gimmicks here; no big show with giant robot crabs on stage or band members catching fire or shooting lazers out of their eyes, and there’s no life changing documentary, no animations weaved into the concert or anything… but if you want to buy an Accept live concert and watch songs like ‘Fast As A Shark’ and ‘Balls To The Wall’ played well by the new line-up and competently captured and prepared for home viewing then it is an absolutely fine product and I highly recommend it to fans of the band, especially to fans of the newer three albums. For me, watching songs like ‘No Shelter,’ ‘Stalingrad’ and ‘Pandemic’ belted out enthusiastically are worth the money.

If you are new to the band, this is a very strong starting place, (if not entirely representative of the overall discography) and if you are a fan already its a worthy addition to your collection.

IRON MAIDEN Live After Death

Movie · 1985 · NWoBHM
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siLLy puPPy
Universally cited as one of the absolute best live albums of all time, LIVE AFTER DEATH is the first live album / video release of IRON MAIDEN’s classic early Bruce Dickinson years and was recorded during their “World Slavery Tour.” Despite lasting a whopping 331 days, this double LP album only took two venues as their source for representing their electric live performances. The first 13 tracks were recorded at the Long Beach Arena in California, USA and the remaining five tracks were taken from a night at Hammersmith Odeon in London. While LIVE AFTER DEATH was released both as audio LP and video VHS in 1985, the two aren’t exactly identical in content. The audio LP originally contained 18 tracks (one of which is “Intro: Churchill’s Speech”) but the VHS visual experience only had 14 tracks. Unfortunately when LIVE AFTER DEATH was originally released on CD it was too long for a single disc and instead of simply issuing a double disc, EMI unwisely decided to cut the last five tracks which included the Odeon performance, therefore it is highly advisable to obtain the Sanctuary remastered version which was released as a double disc and retains the entire run of one classic song after another.

LIVE AFTER DEATH is the absolute perfect live album. I very rarely put live albums high on my list of favorites because more often than not something or many things prevent them from capturing my attention and worthiness as essential. If it’s not the weak production values then it is the inability of the band to capture the magic that is manufactured in the studio. That is not the case here. IRON MAIDEN was at the pinnacle of their creative prowess at this point and after several outstanding and classic albums to mine for material, they perfectly execute these live performances and offer every little ounce of excitement heard on the studio releases. Bruce Dickinson nails the vocals and the thundering trio of Steve Harris’ bass and the guitar synergy of Dave Murray and Adrian Smith accompanied by Nikko McBrain’s stellar drumming style doesn’t get any better. While most of the tracks are performed rather faithfully to their studio versions, there is plenty of live improvisation taking places as well. Standout moments include Bruce’s attempt to get audience participation on “Running Free” and another great difference can be heard on “Revelations” where the tempo is upped and Bruce changes the vocal phrasing to make the track sound different and refreshed.

The video release offers all the theatrical visuals of the tour. The “Powerslave” album was based on ancient Egypt and likewise the stage was Egyptified to the max with sarcophagi, hieroglyphs and a mummified Eddie embellished with ridiculous amounts of pyrotechnics. The tour was a smashing success and this release whether it be audio or video is the perfect testimony to the genius that went into every single detail. The sound and mixing is perfect as well as Martin Birch found the perfect balance of every cast member and delivered one of the most satisfying production jobs for a live release that i have ever heard. In the visual department Jim Yukich perfectly captured two nights in Long Beach showing a great band doing great things at the peak of their game. Another piece of perfection with this one is the brilliant cover art of Derek Riggs surpassing previous album themes of Eddie as the mascot by incorporating those themes of previous albums covers and then putting it all on steroids. The spread of the album is breathtaking in content and color with the boldness of the yellows and blues. Every aspect of talent on board with this release guarantees to wake the dead. I cannot find one negative thing to say about it. It is true that Bruce doesn’t hit every note exactly as on the studio version every single time but when he doesn’t he offers interesting new ways of interpreting the classics. This is simply one of the most perfect live releases i have ever encountered and even MAIDEN themselves haven’t even come close to achieving similar results. Masterpiece.

OZZY OSBOURNE God Bless Ozzy Osbourne

Movie · 2011 · Heavy Metal
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progshine
It is an interesting documentary that tries to focus on his personal life. But it stays in the middle of the road in the end.

You have this big and interesting chunk talking about Sabbath then when it comes to his solo career they talk about 2 albums and... that's it.

Look, if you're doing a documentary or you focus on the music or in the person, every documentary that tries to do both end up staying in the middle of the fail road.

This is interesting, it gives you an idea how Ozzy was really in bad shape for so many years and how he turned things around, but it's far away from being a great and complete documentary.

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