Heavy Metal

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Heavy metal (often referred to simply as metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and the United States. With roots in blues-rock and psychedelic rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are generally associated with masculinity and machismo.

The first heavy metal bands (Proto) such as Led Zeppelin, Black Sabbath and Deep Purple attracted large audiences, though they were often critically reviled, a status common throughout the history of the genre. In the mid-1970s Judas Priest helped spur the genre’s evolution by discarding much of its blues influence; Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Bands in the New Wave of British Heavy Metal (NWoBHM) such as Iron Maiden followed in a similar vein. Before the end of the decade, heavy metal had attracted a worldwide following of fans known as “metalheads” or “headbangers”.

Visit the NWoBHM sub-genre page for more details on this particular music movement.

Source: http://en.wikipedia.org/wiki/Traditional_Heavy_Metal

Inclusive Traditional Heavy Metal Genres

Melodic Metal is often short for Melodic Heavy Metal and as such is usually included under Traditional Heavy Metal on the MMA. On rare occasions Melodic Metal releases may also be included under Power Metal however, such as Arven's Black is the Colour (2013).

Sub-genre collaborators (+ child sub-genres & shared with Hard Rock and Glam Metal):
  • 666sharon666 (Leader)

heavy metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

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SAVATAGE From The Gutter To The Stage: The Best Of 1981 - 1995

Boxset / Compilation · 1995 · Heavy Metal
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martindavey87
Released in 1995 (the clue’s in the name of the album!), ‘From the Gutter to the Stage’ is a compilation album by progressive metal band Savatage, one of my all-time favourite groups.

I mention that little fact, because even though they’ve been one of my favourite bands for a long time, I find this compilation a bit of a mixed bag. Don’t get me wrong, the songs are absolute bangers, but as is the case with any “best of” CD, firstly, they become dated over time, and secondly, there’s always a case for songs that should have been included or excluded. And in this case, yeah, there’s a number of songs I feel shouldn’t have been left out, and likewise, there’s some here that I feel take up the space of what otherwise could have been one of the ‘Tage’s main compositions.

There’s a second disc, which I guess is some kind of “rare” tracks or something. But they’ve all since seen the light of day on the 2002 re-issues, or elsewhere, so listening back to it now, they’re nothing new, and also, there’s only four of them, which is kind of a waste of a disc! First world problems, I suppose.

Anyway, all negativity aside, this IS Savatage, and Savatage are awesome. You’ve got ‘Edge of Thorns’, ‘Gutter Ballet’, ‘Hall of the Mountain King’, ‘Chance’ and ‘Power of the Night’, all of which are absolutely fantastic tracks. So overall, this is a good disc to own, and certainly makes for a great introduction to newcomers, but ultimately, it’s dated, and by this point there’s better, more well-rounded compilations out there.

METALLICA Lulu (with Lou Reed)

Album · 2011 · Heavy Metal
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martindavey87
I loved ‘Load’. I loved ‘Reload’. I didn’t mind when they did a covers album, or played with an orchestra. And I was one of the 17 people (including the band themselves… maybe) who actually liked ‘St. Anger’. But with ‘Lulu’, Metallica (and Lou Reed, for that matter), have finally achieved their goal of making one of, if not THE, absolute worst album in music history.

The collaborative project between musical giants Metallica and Lou Reed, ‘Lulu’ is a 2011 concept double-album, and while the project initially sparked people’s interest, the results very quickly became the subject of universal criticism.

And rightfully so.

I always give every album a fair number of listens, even ones I don’t enjoy, hoping that something might just click or pique my interest after multiple listens. I listened to ‘Lulu’ three times, and it’s been the three most tedious experiences I’ve had to endure. The songs are boring, the lyrics are awful, and the mash-up between Metallica’s heavy metal and Lou Reed’s weird style of talk-singing, or sing-talking, just don’t work.

Musically, the album COULD have been okay. If James Hetfield was singing and this was another Metallica foray into alternative or art rock, it might have been listenable. But it’s not. There’s lyrical gems like “I would cut my legs and tits off when I think of Boris Karloff”, and a song where Reed spends eight minutes asking “why do you cheat on me”, and the whole time I hearing this, I’m picturing Lars Ulrich at some art gallery, trying to be all deep and introspective. But in reality, this is all an absolute pile of nonsense.

Nothing can redeem this album, and the only reason I have to keep it in my collection is because it’s Metallica, and I have some rubbish OCD collector thing going on, that makes me need to keep it. Just don’t even bother.

BLACK KNIGHT Master of Disaster

EP · 1985 · Heavy Metal
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UMUR
"Master of Disaster" is an EP release by Canadian heavy metal act Black Knight. The EP was independently released in 1985. Black Knight formed in 1981 and released a 1984 demo before recording and self-releasing this EP. They disbanded some time after releasing "Master of Disaster", and it would be their only release (save for the 1984 demo).

Stylistically the 5 tracks on the 24:16 minutes long EP are powerful, energetic, and raw heavy metal (with a slight touch of early US power metal). Hard rocking, sharp riffs, melodic lead- and harmony guitar work, and an incredibly well singing lead vocalist in front. I was shocked to learn that the vocals are performed by a woman (Lori "The Scream Queen" Wilde), because the are very raw and if I didn´t know I would never have guessed that it was a woman singing (an artist like Chastain is a valid reference). Especially the vocal performance on the slow and epic "Aaraigathor (Metal Anthem)" makes me wonder if the vocalist credits are correct (I´ve read some sources saying that, that particular track was performed by a male vocalist). Well...under any circumstances the vocals are absolutely fantastic.

The songwriting is of a high quality, the performances are on a high level on all posts, and "Master of Disaster" also features a powerful, detailed, and sharp sounding production job, making it a high quality release from Black Knight. I would have loved to have heard a follow-up to this release, but unfortunately that wasn´t to be. To my ears this one is a gem and I can highly recommend it. Sure it´s not the most unique release in this style from 1985, but there´s so much quality here to enjoy that it´s a minor issue. A 3.5 - 4 star (75%) rating is deserved.

PARASITE Parasite

EP · 1984 · Heavy Metal
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UMUR
"Parasite" is an eponymously titled EP release by Swedish heavy metal act Parasite. The EP was released through the Hellrec Records label in 1984. The EP has been reissued many times since. Roadrunner Records for example picked it up for a European reissue release in 1985. Parasite formed in 1981 and released two demos in 1983 before being signed for the release of this EP. It´s the only label release by Parasite as they would disband in 1985 without further releases under their belts. Drummer Johan Billerhaug would subsequently perform with both Hexenhaus and Memento Mori.

The EP features five tracks and a total playing time of 18:34 minutes. The music style is heavy metal with both melodic moments and a rare nod towards speed metal. It´s pretty effective and energetic material and lead vocalist/bassist Paul Zanichelli has a pretty strong voice and a convincing delivery. The two guitarists often play harmony parts and the band are generally well playing. The material is relatively standard for the style. Parasite don´t carve their own style with this release, but they do what they do with the right attitudes, skills, and songwriting craft. The EP also features a decent (for the time) sound production and a 3 star (60%) rating isn´t all wrong.

STEELER Steeler

Album · 1983 · Heavy Metal
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UMUR
"Steeler" is the debut full-length studio album by US heavy metal act Steeler. The album was released through Shrapnel Records in September 1983. Steeler formed in 1981 and had their beginnings in Nashville, Tennessee. They soon relocated to the thriving heavy rock/metal scene of the early 80s Los Angeles, California. Steeler only released this debut album and disbanded in 1984, when lead vocalist/guitarist Ron Keel formed his own band Keel. Swedish guitarist Yngwie Malmsteen (who would later have a prolific solo career) had already left to join Alcatrazz in late 1983.

Stylistically the material on the 9 tracks, 36:54 minutes long album is relatively standard heavy rock/metal (contemporary artists like W.A.S.P. and Quiet Riot aren´t the worst comparisons) and while the songs are well composed, it´s predominantly an album worth listening to because Keel has a strong voice and a skilled delivery and of course for the blistering lead guitar work from Malmsteen, who already this early on (he was only 19 when he recorded this album) showed great skills and occasionally the neo-classical touch to his playing, that he would later be known for. He even gets his own "Eruption" moment during the first three minutes of "Hot on Your Heels", which is more than anything a showcase for his considerable skills.

The album features a relatively thin but not completely powerless production job, which is decent enough and in any case this type of sound production isn´t unusual for the time and music style. Upon conclusion this debut (and sole album) release from Steeler is a decent quality heavy rock/metal album but it´s not exactly a seminal album in the style. A 3 star (60%) rating is warranted.

heavy metal movie reviews

BLACK SABBATH Never Say Die: Live In 1978

Movie · 2003 · Heavy Metal
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martindavey87
This DVD is basically a quick and easy, one hour run through of some of Sabbath’s biggest hits. Short and sweet. Originally filmed in 1978, and you can tell, the picture is rough around the edges, and the sound is audible, but certainly not great. Overall though, I find the band pretty boring live. Maybe it’s just that I didn’t grow up with Sabbath, but they literally play their hits and that’s the end of it. You don’t really see the audience, and the visuals are very dated. It’s cool to see them perform some classics though, such as ‘Snowblind’, ‘Paranoid, ‘War Pigs’ and ‘Black Sabbath’, but seeing as this is such a short performance and there’s no extras on the DVD, I’d say this is best left to the die-hard fans and collectors.

IRON MAIDEN Visions Of The Beast

Movie · 2003 · Heavy Metal
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martindavey87
‘Visions of the Beast’ is a pretty extensive compilation of videos by British heavy metal icons Iron Maiden. Featuring over 30 music videos, as well as alternative, animated versions, and a number of interesting extras, there’s plenty of material here for fans to sink their teeth into.

Of course, the problem with such DVD’s is that they become outdated, with pretty much all of the material here being available on YouTube. But there’s no denying the quality of the music. I mean, at the end of the day, it’s Iron Maiden! One of the greatest metal bands of all time.

Featuring some classic metal anthems, such as ‘Run to the Hills’, ‘Aces High’, ‘The Trooper’, ‘Fear of the Dark’, ‘The Number of the Beast’, ‘Can I Play With Madness’, and countless others, despite being outdated, this is no-doubt a worthy addition to the collection.

ANVIL Anvil! The Story of Anvil

Movie · 2009 · Heavy Metal
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martindavey87
I can’t deny, I’d never heard of Anvil until this came out. Sure, okay, MAYBE I’d heard the name mentioned once or twice, without really giving it any attention. But regardless, this DVD was an eye-opener for me, and introduced me to one of the most influential, albeit, not very commercially successful, metal bands of the 1980’s.

Sadly, the tale of rock bands going from playing stadiums and arenas to working in school kitchens and call centres is commonplace these days. That’s just the sad reality of the music industry today. But with that said, this is a heartfelt story of a band, and in particular, a man (frontman Steve ‘Lips’ Kudlow) who continues to persevere and not give up. Touring the world and playing to thous… well, dozens of people.

It’s this sincerity and persistence that makes this such an interesting, and heartbreaking, watch. I’ve since delved into the bands discography and would consider myself a fan, so the film has done its job, if nothing else, of getting the name Anvil out there to a wider audience.

FOZZY Unleashed, Uncensored, Unknown

Movie · 2003 · Heavy Metal
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martindavey87
I’m totally unashamed about my love for this band and this DVD! Released in Fozzy’s early days when they were playing mostly covers, this is complete rock ‘n’ roll nonsense documenting how Fozzy created heavy metal and then signed a dodgy contract that left them stranded in Japan for twenty years!

The main documentary is hilarious. You can tell everyone is just having a blast filming it, and the added cameos from the likes of Zakk Wylde, Sebastian Bach and Mike Portnoy just add to this. And at barely a half an hour in duration, this main feature has plenty of replay value.

There’s an abundance of extras too, including more daft early Fozzy shenanigans as well as sincere and out-of-character footage too, showing that even in their early days this band possessed unlimited potential, but then, what would you expect when rap metal pioneers Stuck Mojo joined forces with wrestling icon Chris Jericho?

ACCEPT Restless & Live

Movie · 2017 · Heavy Metal
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Kingcrimsonprog
Restless & Live is a concert release from the veteran German Heavy Metal legends Accept. It was released on Nuclear Blast Records in 2017 on several formats; such as a CD set with tracks taken from different concerts across the touring cycle for Blind Rage (their third studio album since being reinvigorated by the joining of new singer Mark Tornillo). It was also released as a Blu Ray of a single entire performance at 2015’s Bang Your Head Festival. If you’ve got a bit more money to splash out you can get a set with the Blu Ray and CD versions, or if you prefer DVDs that’s also an option.

My personal preference for concert movies or albums is that they come from on single concert not a mix of shows, and if available preferably on Blu Ray, so for me this was the version I went for and am most happy with. (which this review will be focusing on).

In terms of specs: The Blu Ray version is in 1080p with PCM Stereo and DTS HD Master 5.1 options, Region:All. There aren’t any bonus features. There’s a booklet with some photos but no linear notes.

So the main reason you are buying this disc is for the concert; which is about an hour and forty-five minutes of blistering classic Heavy Metal. The 18-song tracklisting is pretty heavily focused on the three Tornillo-era albums, with a few of the classic ’80s crowdpleasing tunes added in as well. So if you’ve already got the DVD that came with Blind Rage its still worth checking this out for the different tracklisting and higher production values. (The CD version of Restless & Wild contains 27 songs and more of a mix of material).

The tracklisting is: 1. Stampede 2. Stalingrad 3. London Leatherboys 4. Restless & Wild 5. Dying Breed 6. Final Journey 7. Shadow Soldiers 8. Losers & Winners 9. 200 Years 10. Midnite Mover 11. No Shelter 12. Princess Of The Dawn 14. Pandemic 15. Fast As A Shark 16. Metal Heart 17. Teutonic Terror 18. Balls To The Wall

The performance is tight and professional but still has that ‘live’ feeling and energy, it isn’t all sterile but it isn’t loose and sloppy either, its just right. They all give it gusto and look pretty into it. There’s no complaints on vocals, musicianship or song selection for me. Wolf Hoffman’s guitar solos are as entertaining as you would expect and there’s a fun bass versus guitar trade off section at one point. The camera work, editing, sound and mix are all solid. Nothing jarring or out of place, no sync issues, all instruments audible and in correct balance. The songs sound clear and yet muscular.

Its a pretty simple and honest affair. There’s no gimmicks here; no big show with giant robot crabs on stage or band members catching fire or shooting lazers out of their eyes, and there’s no life changing documentary, no animations weaved into the concert or anything… but if you want to buy an Accept live concert and watch songs like ‘Fast As A Shark’ and ‘Balls To The Wall’ played well by the new line-up and competently captured and prepared for home viewing then it is an absolutely fine product and I highly recommend it to fans of the band, especially to fans of the newer three albums. For me, watching songs like ‘No Shelter,’ ‘Stalingrad’ and ‘Pandemic’ belted out enthusiastically are worth the money.

If you are new to the band, this is a very strong starting place, (if not entirely representative of the overall discography) and if you are a fan already its a worthy addition to your collection.

Artists with Heavy Metal release(s)

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