Heavy Metal

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Heavy metal (often referred to simply as metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and the United States. With roots in blues-rock and psychedelic rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are generally associated with masculinity and machismo.

The first heavy metal bands (Proto) such as Led Zeppelin, Black Sabbath and Deep Purple attracted large audiences, though they were often critically reviled, a status common throughout the history of the genre. In the mid-1970s Judas Priest helped spur the genre’s evolution by discarding much of its blues influence; Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Bands in the New Wave of British Heavy Metal (NWoBHM) such as Iron Maiden followed in a similar vein. Before the end of the decade, heavy metal had attracted a worldwide following of fans known as “metalheads” or “headbangers”.

Visit the NWoBHM sub-genre page for more details on this particular music movement.

Source: http://en.wikipedia.org/wiki/Traditional_Heavy_Metal

Inclusive Traditional Heavy Metal Genres

Melodic Metal is often short for Melodic Heavy Metal and as such is usually included under Traditional Heavy Metal on the MMA. On rare occasions Melodic Metal releases may also be included under Power Metal however, such as Arven's Black is the Colour (2013).

Sub-genre collaborators (+ child sub-genres & shared with Hard Rock and Glam Metal):
  • 666sharon666 (Leader)

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Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

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heavy metal Music Reviews

IRON MAIDEN The Number Of The Beast

Album · 1982 · NWoBHM
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UMUR
"The Number Of The Beast" is the third full-length studio album by UK heavy metal act Iron Maiden. The album was released through EMI Records in March 1982. It´s the successor to "Killers" from 1981 and features one major lineup change as lead vocalist Paul Di'Anno was fired from Iron Maiden and replaced by Bruce Dickinson (Samson) following several episodes where the rest of the band felt that he didn´t perform well on stage (alledgedly as a result of his cocaine and alcohol abuse). There´s no arguing that changing their lead singer, at this still early stage of their career, was a risky move, but their choice ultimately paid off as "The Number Of The Beast" was a major commercial and artistic success, and a major leap forward in terms of being counted among the premier league heavy metal act on the scene. The cover artwork and the title of the album sparked quite a bit of controversy among religious groups (especially in the USA), but that probably only helped the album become even more commercially successful (the heavy metal counterculture audience, have always stood up for their heroes in situations like that).

9 tracks were recorded during the recording sessions, but only 8 tracks were included on the album because of time restraints on the vinyl media. "Total Eclipse", which was left off would appear as the B-Side to the "Run to the Hills" single. Later reissues of "The Number Of The Beast" includes "Total Eclipse" on the tracklist.

Stylistically Iron Maiden continue the heavy metal style of their previous releases, but with a more epic and at times even progressive touch. Dickinson is a more skilled and diverse vocalist (almost theatrical in his delivery) than Di'Anno and his addition to the lineup has resulted in a more refined, less raw, yet still powerful and energetic heavy metal sound. Main composer/bassist Steve Harris felt increased inspiration by the addition of Dickinson and the possiblities his more versatile voice and singing skills provided when composing the material. A pounding busy bass, powerful drumming, and loads of harmony lead guitar themes and blistering melodic guitar work are still the main ingredients of Iron Maiden´s sound, but the diversity and progressive rock influences of tracks like "22 Acacia Avenue" and especially "Hallowed Be Thy Name" make "The Number Of The Beast" a much more varied listen than the two preceding album releases (although those albums also featured their fair share of intriguing moments and progressive rock influences).

The above mentioned "Hallowed Be Thy Name", which closes the album is arguably among the highlights of "The Number Of The Beast", but tracks like "Run To The Hills" and the title track are also Iron Maiden classics. Deeper cuts like "Children Of The Damned" and "The Prisoner" are also high quality compositions though, but all tracks on the album are well written and effective heavy metal tunes. "Invaders" and "Gangland" are maybe the least memorable tracks on the tracklist but even those two tracks are good quality songs, which have a place on the album. Producer Martin Birch have created a powerful, organic, and detailed sound production, which suits the material well, and upon conclusion "The Number Of The Beast" is through and through a high quality heavy metal release. A 4 star (80%) rating is deserved.

DEF LEPPARD On Through The Night

Album · 1980 · NWoBHM
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martindavey87
Released in 1980, ‘On Through the Night’ is the debut album by legendary British metal band, Def Leppard. It thrust the Sheffield rockers into the upper echelon of what was known as the New Wave of British Heavy Metal, and along with bands such as Iron Maiden and Saxon, helped revitalise the stagnating metal genre and carry it into the 80’s, where it would reach all new heights of success and popularity.

This however, is a very different band to the one that would become worldwide megastars just a few years later. Switching stadium anthems for a more traditional heavy metal sound, the writing here is raw, but the energy and passion amongst the members is very palpable. From one intense hard rocker to the next, this album doesn’t let up with its blistering, nonstop guitar riffs and early precursors to what will become the bands trademark sing-along choruses.

Highlights include some early Def Lep classics, such as ‘Rock Brigade’, ‘Rocks Off’, ‘Hello America’, ‘It Could Be You’, ‘Sorrow is a Woman’ and ‘Answer to the Master’, each one giving us a taste of what this band is truly capable of. With a great production and its iconic cover art, there’s no doubting this is a solid debut album, and while it may not be the bands best or most famous work, it’s still a worthy addition to any rock or metal collection.

SMOULDER Violent Creed of Vengeance

Album · 2023 · Heavy Metal
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Warthur
Smoulder further refine their excellent Epic Doom/US Power Metal/Heavy Metal blend on this second album, in which Sarah Ann's valkyrie vocals deliver high fantasy lyrics against a blistering instrumental backing. Michael Moorcock even pops in to provide a touch of narration on one track, making the band join an elite circle of bands to not merely draw inspiration from Moorcock's seminal 1960s and 1970s sword and sorcery works but also benefit from his creative contributions (others in the club including Hawkwind and Blue Oyster Cult). They richly merit it too, with an engaging, energetic sound which can't help but get your blood pumping. If you have any tolerance for cheesy fun in your metal at all, give this a try.

ABSOLUTE POWER Absolute Power

Album · 2011 · Heavy Metal
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UMUR
"Absolute Power" is the eponymously titled debut full-length studio album by UK heavy metal act Absolute Power. The album was released through FETO Records in May 2011. Absolute Power was formed in 2006 by a prolific bunch of UK heavy metal scene musicians/producers. It´s a supergroup featuring bassist Shane Embury (Napalm rhythm guitarist Mitch Harris (Napalm Death, Bent Sea, Brujeria, Venomous Concept...etc.), Brave the Cold, Defecation, Righteous Pigs...etc.), rhythm guitarst John Walker (Cancer, Liquid Graveyard), rhythm guitarist Russ Russell (Tronos), lead guitarist Paul Harrington (Danmaku, Terrible Claw...etc.), drummer Iean Treacy (Benediction, Meathook Seed), and lead vocalist Simon Efemey (producer & engineer who has worked with among others Napalm Death, Paradise Lost, and Pitchshifter).

Most of the guys involved are predominantly known for their involvement in the UK extreme metal scene and most of the above mentioned artists fall into that catagory, but "Absolute Power" is something far removed from the extreme metal scene, as it´s instead an old school 80s influenced heavy metal release greatly influenced by artists like Saxon and especially Judas Priest (take a listen to "Raging Pursuer", which could just as well have been a Judas Priest song). It´s all well performed and especially Efemey stands out as a capable vocalist performing raw heavy metal singing (and choirs/harmonies) and he is occasionally flanked by previous Judas Priest vocalist Tim "Ripper" Owens who delivers high pitched screaming vocals. Harrington deserves a mention too for his blistering lead work.

The songwriting is solid and the listener is treated to both raging heavy metal tracks and heavier mid-paced epic tracks. You won´t hear anything here you haven´t heard before, but I´m pretty sure that´s part of the plan. These guys just wanted to make a traditional heavy metal album and if that was the purpose they succeed pretty well. To my ears the sound production is maybe a bit too polished and clear and some parts lacking a bit of power and rawness, but if you enjoy your traditional heavy metal with a clear and polished sound production and featuring a melodic orientation "Absolute Power" could be your poison. A 3 star (60%) rating is warranted.

W.A.S.P. Inside the Electric Circus

Album · 1986 · Heavy Metal
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UMUR
"Inside the Electric Circus" is the third full-length studio album by US heavy metal act W.A.S.P.. The album was released through Capitol Records in November 1986. It´s the successor to "The Last Command" from November 1985 and features one lineup change as guitarist and founding member Randy Piper has left to join L.A. Guns. Lead vocalist Blackie Lawless has taken over the rhythm guitar role, giving up his bassist role to new member Johnny Rod.

Stylistically the material on "Inside the Electric Circus" are a direct successor the hard rock/heavy rock sound of the two preceding albums. Not much have been changed here and it´s still lead vocalist Blackie Lawless and his rough voice and screaming delivery which take center stage in the soundscape...and that´s a good thing, because the instrumental part of the music really isn´t that interesting. The hard rocking riffs are relatively uninspired and the vers/chorus format of the songs make them predictable and formulaic. That is not unusual for this type of music, but when the riffs aren´t more memorable and sharp than they are here, the vers/chorus format becomes tedious and the songs a little hard to get through. It has often been said by the band themselves that they were burnt out and not particularly inspired while writing and recording the material for "Inside the Electric Circus", but while it may not be their most inspired effort, the quality of this album isn´t far behind the two preceding albums. So that probably says more about the general quality of W.A.S.P.´s music from this era, than it does about this particular release.

For the time it was released "Inside the Electric Circus" features a relatively well sounding production job. It could have been more powerful and more heavy, and they could have chosen a better sounding drum production and less reverb on everything, but I write that down to the production choices of the day, as many other releases from this era sounds a lot like this one. So upon conclusion "Inside the Electric Circus" may be a bit of a run-of-the-mill type album from W.A.S.P., where they didn´t mess around with the successful formula of the first two albums, but it´s still a decent quality release and a 3 star (60%) rating isn´t all wrong.

heavy metal movie reviews

BLACK SABBATH Never Say Die: Live In 1978

Movie · 2003 · Heavy Metal
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martindavey87
This DVD is basically a quick and easy, one hour run through of some of Sabbath’s biggest hits. Short and sweet. Originally filmed in 1978, and you can tell, the picture is rough around the edges, and the sound is audible, but certainly not great. Overall though, I find the band pretty boring live. Maybe it’s just that I didn’t grow up with Sabbath, but they literally play their hits and that’s the end of it. You don’t really see the audience, and the visuals are very dated. It’s cool to see them perform some classics though, such as ‘Snowblind’, ‘Paranoid, ‘War Pigs’ and ‘Black Sabbath’, but seeing as this is such a short performance and there’s no extras on the DVD, I’d say this is best left to the die-hard fans and collectors.

IRON MAIDEN Visions Of The Beast

Movie · 2003 · Heavy Metal
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martindavey87
‘Visions of the Beast’ is a pretty extensive compilation of videos by British heavy metal icons Iron Maiden. Featuring over 30 music videos, as well as alternative, animated versions, and a number of interesting extras, there’s plenty of material here for fans to sink their teeth into.

Of course, the problem with such DVD’s is that they become outdated, with pretty much all of the material here being available on YouTube. But there’s no denying the quality of the music. I mean, at the end of the day, it’s Iron Maiden! One of the greatest metal bands of all time.

Featuring some classic metal anthems, such as ‘Run to the Hills’, ‘Aces High’, ‘The Trooper’, ‘Fear of the Dark’, ‘The Number of the Beast’, ‘Can I Play With Madness’, and countless others, despite being outdated, this is no-doubt a worthy addition to the collection.

ANVIL Anvil! The Story of Anvil

Movie · 2009 · Heavy Metal
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martindavey87
I can’t deny, I’d never heard of Anvil until this came out. Sure, okay, MAYBE I’d heard the name mentioned once or twice, without really giving it any attention. But regardless, this DVD was an eye-opener for me, and introduced me to one of the most influential, albeit, not very commercially successful, metal bands of the 1980’s.

Sadly, the tale of rock bands going from playing stadiums and arenas to working in school kitchens and call centres is commonplace these days. That’s just the sad reality of the music industry today. But with that said, this is a heartfelt story of a band, and in particular, a man (frontman Steve ‘Lips’ Kudlow) who continues to persevere and not give up. Touring the world and playing to thous… well, dozens of people.

It’s this sincerity and persistence that makes this such an interesting, and heartbreaking, watch. I’ve since delved into the bands discography and would consider myself a fan, so the film has done its job, if nothing else, of getting the name Anvil out there to a wider audience.

FOZZY Unleashed, Uncensored, Unknown

Movie · 2003 · Heavy Metal
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martindavey87
I’m totally unashamed about my love for this band and this DVD! Released in Fozzy’s early days when they were playing mostly covers, this is complete rock ‘n’ roll nonsense documenting how Fozzy created heavy metal and then signed a dodgy contract that left them stranded in Japan for twenty years!

The main documentary is hilarious. You can tell everyone is just having a blast filming it, and the added cameos from the likes of Zakk Wylde, Sebastian Bach and Mike Portnoy just add to this. And at barely a half an hour in duration, this main feature has plenty of replay value.

There’s an abundance of extras too, including more daft early Fozzy shenanigans as well as sincere and out-of-character footage too, showing that even in their early days this band possessed unlimited potential, but then, what would you expect when rap metal pioneers Stuck Mojo joined forces with wrestling icon Chris Jericho?

ACCEPT Restless & Live

Movie · 2017 · Heavy Metal
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Kingcrimsonprog
Restless & Live is a concert release from the veteran German Heavy Metal legends Accept. It was released on Nuclear Blast Records in 2017 on several formats; such as a CD set with tracks taken from different concerts across the touring cycle for Blind Rage (their third studio album since being reinvigorated by the joining of new singer Mark Tornillo). It was also released as a Blu Ray of a single entire performance at 2015’s Bang Your Head Festival. If you’ve got a bit more money to splash out you can get a set with the Blu Ray and CD versions, or if you prefer DVDs that’s also an option.

My personal preference for concert movies or albums is that they come from on single concert not a mix of shows, and if available preferably on Blu Ray, so for me this was the version I went for and am most happy with. (which this review will be focusing on).

In terms of specs: The Blu Ray version is in 1080p with PCM Stereo and DTS HD Master 5.1 options, Region:All. There aren’t any bonus features. There’s a booklet with some photos but no linear notes.

So the main reason you are buying this disc is for the concert; which is about an hour and forty-five minutes of blistering classic Heavy Metal. The 18-song tracklisting is pretty heavily focused on the three Tornillo-era albums, with a few of the classic ’80s crowdpleasing tunes added in as well. So if you’ve already got the DVD that came with Blind Rage its still worth checking this out for the different tracklisting and higher production values. (The CD version of Restless & Wild contains 27 songs and more of a mix of material).

The tracklisting is: 1. Stampede 2. Stalingrad 3. London Leatherboys 4. Restless & Wild 5. Dying Breed 6. Final Journey 7. Shadow Soldiers 8. Losers & Winners 9. 200 Years 10. Midnite Mover 11. No Shelter 12. Princess Of The Dawn 14. Pandemic 15. Fast As A Shark 16. Metal Heart 17. Teutonic Terror 18. Balls To The Wall

The performance is tight and professional but still has that ‘live’ feeling and energy, it isn’t all sterile but it isn’t loose and sloppy either, its just right. They all give it gusto and look pretty into it. There’s no complaints on vocals, musicianship or song selection for me. Wolf Hoffman’s guitar solos are as entertaining as you would expect and there’s a fun bass versus guitar trade off section at one point. The camera work, editing, sound and mix are all solid. Nothing jarring or out of place, no sync issues, all instruments audible and in correct balance. The songs sound clear and yet muscular.

Its a pretty simple and honest affair. There’s no gimmicks here; no big show with giant robot crabs on stage or band members catching fire or shooting lazers out of their eyes, and there’s no life changing documentary, no animations weaved into the concert or anything… but if you want to buy an Accept live concert and watch songs like ‘Fast As A Shark’ and ‘Balls To The Wall’ played well by the new line-up and competently captured and prepared for home viewing then it is an absolutely fine product and I highly recommend it to fans of the band, especially to fans of the newer three albums. For me, watching songs like ‘No Shelter,’ ‘Stalingrad’ and ‘Pandemic’ belted out enthusiastically are worth the money.

If you are new to the band, this is a very strong starting place, (if not entirely representative of the overall discography) and if you are a fan already its a worthy addition to your collection.

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