Metal Related

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Metal Related is a term used on Metal Music Archives (MMA) to describe artists and releases that, although not metal enough to be placed under any of the MMA metal sub-genres, still contain a reasonable amount of metal elements.

While this tag will often be applied to releases by artists who do indeed have more fully-fledged metal releases such as Opeth's Heritage or most releases by A.C.T. after their debut, the site will often take in artists that have no releases in metal sub-genres, as Metal Related artists due to the metal elements on some or all of their releases. Examples of such artists are Neal Morse for his 2007 album Sola Scriptura, Galahad for their later releases and Beardfish for their 2012 album The Void.

As such the actual music on releases with the Metal Related sub-genre can vary greatly, both in terms of the main style and the metal elements that flavour the music.

- Written by adg211288 (August 2015)

Sub-genre collaborators:

The Metal Related team is always the same as the standing admin team. Currently:

  • adg211288
  • Bosh66
  • 666sharon666
  • Vim Fuego
  • Nightfly


Click for Full Sub-Genre Chart

metal related top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

SPOCK'S BEARD V Album Cover V
SPOCK'S BEARD
4.92 | 11 ratings
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NEAL MORSE Sola Scriptura Album Cover Sola Scriptura
NEAL MORSE
4.48 | 36 ratings
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TRANSATLANTIC Bridge Across Forever Album Cover Bridge Across Forever
TRANSATLANTIC
4.55 | 23 ratings
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PORCUPINE TREE Deadwing Album Cover Deadwing
PORCUPINE TREE
4.37 | 76 ratings
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NEAL MORSE One Album Cover One
NEAL MORSE
4.62 | 14 ratings
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PORCUPINE TREE In Absentia Album Cover In Absentia
PORCUPINE TREE
4.34 | 91 ratings
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KATATONIA Last Fair Deal Gone Down Album Cover Last Fair Deal Gone Down
KATATONIA
4.40 | 33 ratings
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RIVERSIDE Second Life Syndrome Album Cover Second Life Syndrome
RIVERSIDE
4.31 | 96 ratings
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THE NEAL MORSE BAND The Great Adventure Album Cover The Great Adventure
THE NEAL MORSE BAND
4.76 | 8 ratings
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COHEED AND CAMBRIA The Afterman: Ascension Album Cover The Afterman: Ascension
COHEED AND CAMBRIA
4.54 | 12 ratings
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AYREON The Theory of Everything Album Cover The Theory of Everything
AYREON
4.30 | 44 ratings
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TRANSATLANTIC The Whirlwind Album Cover The Whirlwind
TRANSATLANTIC
4.38 | 22 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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PRESTO BALLET The Lost Art of Time Travel

Album · 2008 · Metal Related
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UMUR
"The Lost Art of Time Travel" is the second full-length studio album by US progressive rock act Presto Ballet. The album was released through Progrock Records in July 2008. It´s the successor to "Peace Among the Ruins" from 2005. There have been quite a lot of lineup changes since the debut album and only lead vocalist Scott Albright and guitarist/keyboard player Kurdt Vanderhoof remain. New in the lineup are Ryan McPherson (organ, piano, synthesizers, lead- and backing vocals), Bill Raymond (drums, percussion), and Izzy Rehaume (bass, backing vocals).

Stylistically Presto Ballet continue the hard rocking progressive rock style of their debut album. In many ways they remind me of Kansas, because they have the hard rock riffs and AOR leaning pop/rock choruses, but they also have the complex playing and symphonic approach to songwriting which characterized many of the European progressive rock acts from the 70s...and yes while this is contemporary progressive rock, almost all elements of this release are influenced by 70s hard rock and progressive rock, including the choice of keyboards like mellotron and hammond organ. It´s interesting to hear Vanderhoof in another setting than his other band Metal Church, and it´s obvious that he has made sure that the two acts are not musically connected. Presto Ballet can play some heavy parts here and there, but they are never heavy metal oriented. The same can be said about Metal Church which occasionally flirt with progressive rock, but never fully cross the line.

"The Lost Art of Time Travel" is a well produced release, and everthing you hear and experience while listening to the album scream high level professionalism. To my ears Presto Ballet are best when they are at their most progressive, while I appreciate them less when they are leaning towards their hard rock/AOE side, but the balance is pretty equal here, and it´s therefore fans who enjoy both styles who´ll find this an interesting release. A 3.5 star (70%) rating is deserved.

PEEPING TOM Peeping Tom

Album · 2006 · Metal Related
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UMUR
"Peeping Tom" is the eponymously titled debut full-length studio album by electronic pop/rock act Peeping Tom. The album was released through Ipecac Recordings in May 2006. Peeping Tom is a project founded around the turn of the millenium by singer Mike Patton (Faith No More, Mr. Bungle, Fantômas, Tomahawk...etc.) and it´s in his own words his vision of how pop music could be...

...let´s establish right away though, that the material on "Peeping Tom" is not what most people would perceive as pop music. It´s accessible, vers/chorus structured, and for the most part relatively memorable electronic pop/rock with strong hip hop and trip hop leanings, but it´s not the kind of music you´ll normally hear on mainstream radio. At least not in this format. Patton can create smooth and melodic song lines and choruses, but he can´t help himself incorporating experimental ideas and noise, which would prevent mainstream radio from ever playing this. Which is of course great for those of us who crave our pop/rock with a twist.

The material was created by Patton in his home studio with specific guests in mind, and when he had finished writing a tune, digital files were send to the guest musician (mostly singers/rappers and DJs), who then recorded their parts, which were send back to Patton, who could then complete the track. Some of the guest musicians on the album include Norah Jones, Massive Attack, and Dan the Automator.

Lead single "Mojo" is an infectiously catchy and melodic song, with a soaring memorable chorus. It´s definitely a standout track on the album, and also the most accessible and melodic track here. The remaining tracks range from great to a little more standard in quality in terms of memorable songwriting. The musicianship is on a high level and the tracks are relatively well produced too. I say relatively here, because some of the drum programming sounds used, do sound a little dated today (in 2024), but if you enjoy 90s albums by artists like Massive Attack, Tricky, and Unkle I´m sure the sound production won´t bother you. Overall it´s a good quality release and a 3 - 3.5 star (65%) rating is fair.

PAPANGU Lampião Rei

Album · 2024 · Metal Related
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siLLy puPPy
The Brazilian act PAPANGU made quite the splash in 2021 with its eccentric and eclectic metalized zeuhl contributions to the prog universe. “Holoceno” embraced all the workings of a 21st century prog act forging ahead in a crowded room with the entire history of prog, metal and Brazilian homegrown influences to stew in a cauldron of its own making. The album was an amazing blend of over the top brutal prog and sludge metal all kept nice and orderly with the bubbling rhythms of Magma inspired zeuhl. The prog and avant-metal world has anxiously awaited a proper followup and in the calendar year 2024, this João Pessoa based band has unleashed its newest stylistic approach on its sophomore release LAMPIÃO REI, uh, Portuguese for “Lamp King?” Hmmm. No, don’t worry this isn’t a concept album about electrical apparatuses but rather the name LAMPIÃO refers to the nickname of the 20th century Brazilian bandit Virgulino Ferreira da Silva who could fire a rifle so lightning fast that the gun release made a fire that resembled a lamp.

This album while in Portuguese actually narrates the dark history of Brazil’s underclass and socio-political activism but lyrics and storytelling set aside for those who comprehend like zero Portuguese, LAMPIÃO REI is quite a musical departure from its predecessor with less focus on the sludgy Mastodon styled metal and much more emphasis on knotty avant-prog, jazz fusion and local Brazilian folk musical styles ranging from udigrudi and forró to other local flavors of Northeastern Brazil. While the hardcore metalheads will scratch their heads with this one, the hardened proggers will absolutely love the wild mix of styles that permeate each and every one of the album’s nine varied tracks which seamlessly blend moments of avant-prog, jazz fusion, zeuhl and Brazilian cheerfulness as they hop, skip and jump through varying styles. That includes a few moments of metal as well since the band has not abandoned the metallic oomph altogether however the addition of moments of Canterbury jazz and more demanding time signatures certainly gives LAMPIÃO REI a completely different vibe.

Add to that the production is much clearer this time around. If “Holoceno” was all about crafting darkened soundscapes that were murky and gravelly as to amplify the effects of the metal mojo, this second offering is more about crafting a warm inviting feel for the most part although the tracks differ so much in style that often it sounds like a completely different band. While “Boitat? (Incidente na pia batismal da Capela de Bom Jesus dos Aflitos)” features a loud and obnoxious growled vocal style with heavy guitars and busy psychedelic atmospheres, the track “Sol Raiar (Caminhando na Manh? Bonita)” exhibits Canterbury jazz warmth with Mike Ratledge styled keys along with cheerful traditional Brazilian musical accompaniments. A very strange mix and not one that i’ve ever heard! The band also offers touches of Gentle Giant knottiness (“Ruínas”) and pure samba jazz moments reminiscent of the late great Antônio Carlos Jobim. For all its wild experimentalism though, unfortunately the album fails to find a cohesion of any sort as it seems like a free-for-all which is something that may alienate a lot of fans who lapped up the debut album (such as myself!)

I’m never one to diss a band for experimenting and moving onto something out of its comfort zone but perhaps for PAPANGU the bold change of style on LAMPIÃO REI may have come a little too soon as the fanbase was most certainly expecting a similarly styled followup to the more metallic “Holoceno,” at least i was! Musically this album is quite brilliant and the musicians clearly have demonstrated their ability to pretty much tackle the entire prog universe in one sitting however as an album this one just doesn’t seem to jive well from beginning to end as the continuity is out of whack and it just seems unfocused in so many ways. It’s definitely an interestingly unique album with many interesting prog hybridization going on and i’ve been told by the band personally that this album is somewhat of an anomaly as the more familiar metal sounds will return on album #3. While i’ve tried to embrace this one at the same level of “Holoceno,” it just doesn’t come across as an album that actually can convey a concept from start to finish. Definitely a really good album but just not as much so as “Holoceno.”

CHROME HOOF Beyond Zade

EP · 2006 · Metal Related
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siLLy puPPy
Ignoring the self-titled debut which is impossible to find the experimental chamber rock orchestra that calls itself CHROME HOOF released this three track EP between the debut and the better known second offering “Pre-Emptive False Rapture.” With an album as wild as that i’ve never gone back to find out what came before and this little gem BEYOND ZADE dishes out all the wild and unhinged avant-prog meets electronic minimalism, math rock and occasional bursts of sludge metal.

“Krunching Down on the Skull of a Newt” opens with jingle jangles of bells or something but after nearly a minute finds a punkish guitar stomp joining in but then it disappears and then replaced by a hypnotizing Krautrock styled repetitive guitar and bass groove with only the intermittent drumming offering variation. The slowly build up introduces swing jazz horns and crazed female vocals that end up screaming as the music becomes louder and more cacophonous. After a deviation from the main groove, a new one is established only with avant-prog time signature angularity and then the original returns and bombastically carries on.

“Year Ram” delves straight into sludge metal territory with heavy distorted guitar riffs that slow down to doom metal pace. It slowly turns into a chamber rock track with the guitars dropping out and the oboe becoming the prominent sound but the doom metal aspects awake from their slumber and usher the track out with a thundering roar with increased volume, faster tempos and busy note stuffing of each increment of the repetitive cyclical loops. And then a head banging metal grand finale. Overall this short but sweet EP showcases CHROME HOOF’s wild and unhinged beginnings where they fused metal and punk bombast with pretty much everything they could think of!

SECRET CHIEFS 3 Book of Horizons

Album · 2004 · Metal Related
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siLLy puPPy
SECRET CHIEFS 3 may have begun as a mere side project of Trey Spruance while still in Mr Bungle but once the Bunglers called it quits, Spruance steered this unique musical collaborative effort into the realms of the esoteric and spiritual occult. While the first two albums showcased the band’s eclectic mix of surf rock, Middle Eastern and Indian folk musical styles, electronica, film score techniques and Spaghetti Westerns and hinted at such esoterica, as the band evolved it began to adopt the abstruse teachings of Sufism, the Kabbalah, Hermeticism, alchemy and other occult knowledge systems and forged a veritable new cult of esoterica that incorporated concepts, patterns, sounds, musical scales and tones and timbres into a strange new musical connection to the divine.

While “Book Of M” first showcased Spruance’s obsession with detail and featured the first ambitious trilogy effort that merged the world of sound and spirituality, the following BOOK OF HORIZON took things a few steps further and revealed that SECRET CHIEFS 3 was actually a collection of seven distinct bands that collaborate like long lost metaphysical tribes congregating to share revelations from this world and beyond. On this fourth studio album Spruance debuted the identity of the bands as The Electromagnetic Azoth, UR, Ishraqiyun, Traditionalists, Holy Vehm and FORMS and yet one other called NT Fan that was not featured on the album at all. Taking on the role of high priest with the goal of connecting the listener to the higher realms of ascension through the ancient sounds amalgamated into an album’s journey into the spiritual realms, BOOK OF HORIZONS proved to be as heady of a concept as it was a bedazzling journey through musical genres.

Evoking the depths of the esoteric as revealed to those who condition themselves to receive it, BOOK OF HORIZONS wends and winds its way through the labyrinthine musical approach already established on previous albums only taken to even greater extremes. Fortified with dozens of instruments from around the world and a lineup of eighteen musicians to bring these ascension sounds to fruition, BOOK OF HORIZONS expanded not only its conceptual approach into the limitless realms of the spiritual but also delved into an increasing diverse of array of musical genres hitherto unexplored. While the opening FORMS track “The End Times” evoked the by then classic SECRET CHIEFS sounds of the past with ancient desert rhythms colluding with theremin sounds and modernized production techniques followed by Ishraqiyun’s “The 4” which adopts a similar yet more energetic blast of the past, SC3 soon tackles unexplored territories with the ethereally avant-garde sounds of Traditionalists and “The Indestructible Drop” which evokes a sacred Tibetan ritual only interpreted by Persian druids or something of the sort.

Immediately followed by the cosmic bombast of Holy Vehm, SC3 unleashes its own bizarre hybrid of death metal and grindcore accompanied by unorthodox chanting, percussive drive and truly frightening growling and screaming session delivered by Jesse Quattro. FORMS makes its second appearance with the avant-weirdness of “Owl In Daylight” inspired by an unfinished novel of Philip K Dick and every bit as bizarre as Dick’s sci-fi subject matter. The album continues with a roller coaster ride of the band’s taking turns offering their most unorthodox hybridization effects that range from anthemic epic soundtrack quality tunes to the usual surf rock meets Spaghetti Western scenarios of past albums. Each satellite band is represented at least twice with FORMS playing teacher’s pet with a third track that ends the album’s epic expansive mind-altering breadth of thematic infusions that find themselves teased out into a staggering variety of musical motifs and seemingly unrelated presentations.

A hard pill to swallow for the casual listener as this is one of those albums that requires a great deal of years to really sink in due to the depth and cosmic nature of its ambitiousness. To think you can grasp this one on a single listening experience or two is tantamount to claiming you have experienced the entirety of the nation of Russia simply by having a layover at the Moscow airport. On the contrary, this is an album that forces you to reckon with the spiritual depths of ancient philosophies and how they are conveyed through the arsenal of sounds that emirate a cosmic connection to the holiness and the divinity of the universe itself. Perhaps it all sounds a little snooty but for those who hunger for the musical equivalent of a the deepest teachings from the mystery schools that reveal the true nature of reality, this album as with most SC3 releases offers that opportunity to receive an activation through the patterns, scales, tones and timbres that are constructed like an aural codex which unlocks blocked energetic portals to the higher realms. A fascinating journey into a tapestry of complexity and not one for the faint hearted as this will surely go over the head of all but the most dedicated to its craft.

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PORCUPINE TREE Anesthetize

Movie · 2010 · Metal Related
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Warthur
Porcupine Tree's live performances in the wake of Fear of a Blank Planet are pretty well-documented - as well as this live release you also have live albums like Atlanta, Ilosaarirock, and We Lost the Skyline from this era - but Anesthetize deserves to stand head and shoulders above all but Atlanta, which is close to the same standard but a mite shorter. Released both as audio and as a DVD of the performance, it's a stunning performance which sees them offering a host of compelling tracks from what at this point was a very rich repertoire indeed. After this would come the Incident and then the hiatus, but for my money this perhaps represents the peak of what Porcupine Tree were doing in the 2000s.

NEAL MORSE Morsefest! 5015

Movie · 2017 · Metal Related
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adg211288
Morsefest! 2015 is a live release by US musician Neal Morse. Morsefest! shows are without a doubt the most special Neal Morse shows that a fan could attend – a two day event with a different Neal Morse set each night. Morsefest! 2015 was released on either a 2x blu-ray or 4 x CD/2x DVD package in 2017. Strictly speaking it is The Neal Morse Band playing on the release – Neal Morse, Mike Portnoy, Randy George, Eric Gillette & Bill Hubauer – but Morsefest! 2015 was released under just Neal Morse's name likely due to the event's focus on his albums ? (2005) and Sola Scriptura (2007).

While the focus is indeed on those albums, with ? played in full on night one and Sola Scriptura in full on night two, the set is varied with various extra tracks. The Neal Morse Band had released their debut album The Grand Experiment earlier in 2015 and that album also gets a fair airing across the two nights, particularly in the first half of night one with The Call, the title track and the limited edition bonus track New Jerusalem gets played, while Waterfall was featured on night two complete with some instrument changes for various band members. Three Spock's Beard songs are also brought out, Go the Way You Go on night one and At the End of the Day and Wind at My Back on night two, the latter two featuring Nick D'Virgilio first on drums then co-lead vocals. An edited version of Transatlantic's near eighty minute whole album epic The Whirlwind closes the second night, with further guest vocals by D'Virgilio and guitar by Phil Keaggy, who also makes an appearance on night one and was the support act for the event. Finally the band brings to the live stage for the first time a lesser known Neal Morse epic called A Whole Nother Trip, which appeared on his first solo album while still a member of Spock's Beard amongst what was otherwise a bunch of pop songs. There is also a cover of the song MacArthur Park, originally released by Richard Harris, which has been given the prog treatment by Bill Hubauer on challenge from Mike Portnoy. Neal Morse hates the song apparently and always swore he'd never cover it, but there you go. Hubauer sings lead on it.

The main draw to the Morsefest! 2015 live release is of course the full performance of two of Neal Morse's best known albums. ? is basically one long song in and of itself and is treated like the crowning piece of what Morse describes as a night of epics – a fair description when the shortest song is about seven and a half minutes long. For me personally the performance of Sola Scriptura is the key focal point of the two night show though. That's my personal favourite Neal Morse album, not to mention the one that really got me into his music. It's also one of his heaviest and most metal works which along with various parts of The Neal Morse Band's music gives a metallic edge to those otherwise symphonic progressive rock fuelled double concert.

Morsefest! 2015 is one heck of a show if you're into progressive rock. The scope is tremendous not just through the double show but each night's set is over two hours a pop as well. The amount of musicians on stage at one time goes far beyond the core band – far too many to recite in a review. Suffice to say there's a lot of people involved to pull this off. The sound and picture quality of the blu-ray release is excellent and you certainly get a lot of music for your money. The only fault with the set is that one listed bonus feature called Prog Jeopardy is completely missing from the release. Not sure what the story is there, perhaps it was planned and had to be cut for some reason and they forget to change the inserts before going to the press, who knows? But you weren't buying this for the bonus features anyway right?

There are several of the Morsefest shows released by the time of writing this review in September 2020 so which one holds the most appeal to each fan will of course be different. 2015 was a no brainer for me due to my particular love of Sola Scriptura. Someone else may think 2014's focus on Testimony (2003) and One (2004) or 2017's Testimony 2 (2011) and The Similitude of a Dream (2016) to be better options for them. Regardless any Neal Morse fan owns it to themselves to pick up at least one of these releases for his most special and exclusive concerts.

PORCUPINE TREE Arriving Somewhere...

Movie · 2006 · Metal Related
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Warthur
Focusing on the more metal-oriented material from Deadwing and In Absentia - though notably steering it back in a more rock-oriented direction in order to allow this material to sit a little more comfortably beside the "indie prog rock" stylings of Stupid Dream, Lightbulb Sun and Recordings (picks from all of which surface here). Fans of their earlier psychedelic and space rock styles might be disappointed that those aren't represented, but on the plus side there's a liberal sprinkling of rarities here such as the glorious Buying New Soul as well as Revenant, So-Called Friend and Mother and Child Divided, those three songs having only appeared on various special editions of Deadwing. Not the definitive Porcupine Tree live experience, but a pretty decent one nonetheless.

RIVERSIDE Reality Dream

Movie · 2009 · Metal Related
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progshine
My polish girlfriend gave me this DVD on my anniversary in May, I really didn't know what to expect of the band live cause I only knew their studio recordings. Like I always do, I watched the bonus DVD first, I like to see backstage footage, interviews and extras much more than the proper live presentations on most of the time (maybe the only exception is Live At Wembley by QUEEN).

The first DVD is the show itself, and it's a very good recording, both audio and video, and seeing them live male me wonder how good is Mariusz Duda, cause as a bass player myself, I know how hard is to play some lines while you sing, Mariusz dows a fantastic work live, as the whole band.

I think it's a great buy for any prog rock fan, this polish band deserves more light on our '70's' world.

NEAL MORSE Live Momentum

Movie · 2013 · Metal Related
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Kev Rowland
One of the disadvantages of living at the end of the world is that these days I get most of my promos as downloads, which generally isn’t too much of a pain but here I find myself reviewing a DVD set where I haven’t actually seen the DVDs! Okay, so this has been released as a double DVD (more than 4 hours), along with a triple CD set and it is the latter that I am reviewing. This recording took place on October 11th, 2012 at The High Line Ballroom, New York, and captures the band in incredible form. I have no idea how many live recordings of Neal there are in my collection, from duetting with NDV through Spock’s Beard and Transatlantic and of course his solo work, but there are one or two. I have seen him in concert with SB as well as on the ‘Testimony’ tour and have had the privilege of interviewing him a few times as well, so I guess you can say that I am a fan.

I greatly respect the way that he decided to stand up for what he believed in (even though I don’t share those beliefs), although I still regret that SB never had the chance to tour ‘Snow’ which is easily their finest work. I have never given anything that he has been involved with a bad review, and there is no reason at all to start now as this triple CD set (2 hours 45 minutes) is as close to perfection as one could hope to hear. When it came to choosing the musicians to form the band he brought in close friends Mike Portnoy and Randy George and then used YouTube for the audition process! He ought to do that more often, as during “Sing It High” he gets it right when he says that the guys are “Sick”. Adson Sodré (guitar, vocals), Eric Gillette (guitar, keyboards, percussion, vocals) and Bill Hubauer (keyboards, violin, sax, vocals) do a stunning job. Mind you, it’s handy when you have three multi-instrumentalists in a band as it does mean that you can spread the wings. Vocally they are all in fine voice as well, just listen to “Author Of Confusion” to see what I mean.

Both Adson and Eric really riff and shred as the need requires, and this is probably the heaviest that Neal has ever sounded as he works his way through material from throughout his career: this is much more than just a live rendition of the latest album. The suites from ‘Testimony’ and ‘?’ work incredibly well and it is the longer sections that really allow Neal and the guys to shine. There are four songs more than twenty minutes long and one more than thirty!

But, for me one of the major highlights sees Neal taking a back seat, literally. One of my favourite live albums that feature Neal is ‘One Night in New York City’ by Yellow Matter Custard. This was a band put together by Mike Portnoy to play Beatles’ numbers, and the line-up was completed by Neal, Paul Gilbert and Matt Bissonette. The whole purpose of that band was to provide a new take on classic numbers and have fun at the same time. Well, on “Crazy Horses” Neal takes over on drums while Mike becomes the frontman, and everyone has an absolute blast. Mike says that when he first heard the song when he was five years old that it was the heaviest song that he had ever heard, and the band certainly do it justice. I defy you to listen to this and not smile throughout. There are some people who don’t enjoy what Neal does, and feel that he hasn’t dramatically changed since he left SB, but I sincerely hope he keeps going in this vein for the rest of his very long career as I love it.

So there you have it, a five star review for a DVD set that I haven’t even seen. But to me they are just an added bonus as this triple CD set is just mindblowing. www.insideout.de

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