Groove Metal

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Groove metal is also known as neo-thrash, post-thrash, or power groove, groove metal consists of slow or mid-tempo and down tuned thrash riffs, bluesy guitar solos, greatly emphasized drum work and harsh vocals. Pantera is considered the most important groove metal act and very much revolutionized the thrash metal genre, and were followed by other influential acts like Machine Head. So great was the impact on thrash metal by groove acts like Pantera and Machine Head that already established thrash metal acts changed their style in a more groovy direction. For example, speed metal veterans Overkill took a more groove metal oriented direction on "I Hear Black", as did Exodus on "Force of Habit" and Sacred Reich on "Independent". While these would quickly return to their roots, other bands, such as Anthrax, continued to explore groove metal to the extent that their music was not even considered as thrash metal anymore. In their exploration of groove metal on "Chaos A.D." and "Roots", Sepultura gave rise to the sub-subgenre of tribal metal, whose central feature is primitive and groovy riffage. Many alternative metal bands, especially those belonging to the nu metal wave, would draw on groove metal, and perhaps that is why many post-1993 releases by acts like Anthrax and Sepultura are considered alternative metal releases. Groove metal also found its way into death metal, giving birth to the subgenre of death 'n' roll, which is included under death metal on the MMA.

Sub-genre collaborators (shared with Speed Metal and Thrash Metal):
  • Vim Fuego (leader)
  • Nightfly

groove metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

FIGHT War of Words Album Cover War of Words
FIGHT
4.33 | 22 ratings
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SEPULTURA Machine Messiah Album Cover Machine Messiah
SEPULTURA
4.23 | 25 ratings
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PANTERA Cowboys From Hell Album Cover Cowboys From Hell
PANTERA
4.10 | 122 ratings
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WHITE ZOMBIE La Sexorcisto: Devil Music, Volume 1 Album Cover La Sexorcisto: Devil Music, Volume 1
WHITE ZOMBIE
4.19 | 26 ratings
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LAMB OF GOD Sacrament Album Cover Sacrament
LAMB OF GOD
4.09 | 28 ratings
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SOULFLY Dark Ages Album Cover Dark Ages
SOULFLY
4.12 | 17 ratings
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CAVALERA CONSPIRACY Inflikted Album Cover Inflikted
CAVALERA CONSPIRACY
4.12 | 16 ratings
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MACHINE HEAD Bloodstone & Diamonds Album Cover Bloodstone & Diamonds
MACHINE HEAD
4.10 | 17 ratings
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PANTERA Vulgar Display of Power Album Cover Vulgar Display of Power
PANTERA
3.96 | 90 ratings
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MACHINE HEAD The Blackening Album Cover The Blackening
MACHINE HEAD
3.99 | 41 ratings
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SOULFLY Prophecy Album Cover Prophecy
SOULFLY
4.08 | 16 ratings
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LAMB OF GOD Ashes of the Wake Album Cover Ashes of the Wake
LAMB OF GOD
3.99 | 35 ratings
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VICIOUS RUMORS Something Burning

Album · 1996 · Groove Metal
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UMUR
"Something Burning" is the sixth full-length studio album by US, California based power/heavy metal act Vicious Rumors. The album was released through Massacre Records in September 1996. It´s the successor to "Word Of Mouth" from 1994 and features a couple of lineup changes since the predecessor as guitarist Mark McGhee has been replaced by Steve Smyth, and as lead vocalist Carl Albert sadly died from injuries sustained in a car accident in April 1995, guitarist Geoff Thorpe has taken on the lead vocal duties on the album, making Vicious Rumors a quartet on "Something Burning".

"Something Burning" did not only mark a major lineup change on the lead vocalist spot, but also a major change in musical style. Up until then every Vicious Rumors had been heavy metal/US power metal styled and with a world class singer like Carl Albert fronting the band, some of those releases were among the seminal albums in the US power metal style. "Something Burning" is almost the sound of a completely different band. Thorpe has a more raw voice and aggressive singing style, although still relatively melodic, but it´s actually not the vocals which are the most significant change. It´s the instrumental part of the music which is now made up of heavy groove laden riffs and rhythms. I don´t know if it was the terrible loss of Albert or maybe just the shifting musical tides of the early- mid 90s, but Vicious Rumors arguably play groove metal on "Something Burning".

As a starting point I have nothing against groove metal or groove thrash or whatever you want to label it, but I´m afraid this sounds a lot like a desperate attempt to stay relevant and honestly it comes off a bit insincere. The vers/chorus songwriting isn´t terribly interesting either and there´s a pedestrian atmosphere surrounding the whole project. The sound production is of a good quality, but not exactly the type of production I´d expect to hear on a Vicious Rumors album. This would have fit much better on an early 90s Seattle rock release.

I wouldn´t call "Something Burning" a terrible release, but it´s certainly not a great one either. If you want to hear music in this style, there are loads of other contemporary groove metal albums of there, which are much better and more interesting. Vicious Rumors should have stuck to their heavy metal/US power metal guns, have ridden through the storm of the heavy metal/US power metal unkind 90s, and they would have come out on top without losing fans and face, like they did with this release. A 2.5 - 3 star (55%) rating is warranted.

ANTHRAX Stomp 442

Album · 1995 · Groove Metal
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UMUR
"Stomp 442" is he seventh full-length studio album by US, New York based thrash/heavy metal act Anthrax. The album was released through Elektra Records in October 1995. It´s the successor to "Sound of White Noise" from 1993 and it´s the second Anthrax album featuring lead vocalist John Bush. There´s been one lineup change since the predecessor as lead guitarist Dan Spitz has left. Spitz wasn´t permanently replaced, but his guitar tech Paul Crook did session work on "Stomp 442", playing most lead guitars, and subsequently also toured in support of the album. Dimebag Darrell (Pantera) has a few guest lead guitar solos on the album on "Riding Shotgun" and "King Size".

Stylistically "Stomp 442" bears some resemblence to the melodic heavy/thrash metal of "Sound of White Noise" (1993), but it´s not quite as sophisticated nor as varied as the predecessor. The focus is on heavy hard rocking riffs and loads of heavy grooves, and on the best songs of the album, Anthrax actually hit a good balance between hard rock and groove metal. The album for example opens strong with "Random Acts Of Senseless Violence" and "Fueled", but unfortunately "Stomp 442" soon loses steam, and only a few of the remaining tracks are particularly memorable beyond their playing time. The closing ballad/power ballad "Bare" does not in any way compare to the greatness of "Black Lodge" from "Sound of White Noise" (1993), which in every way is a superior attempt at writing a ballad/power ballad type track.

Anthrax are as always well playing and Bush again shows how great a vocalist he is. Unfortunately much of the material he gets to work with makes him sound less inspired and powerful, which is a real shame, considering his powerhouse performance on "Sound of White Noise" (1993). The Butcher Bros. have created a decent sounding production, but at the end of the day, too many songs sound the same, and some of the blame has to be given to the production choices made, and not just the sub par songwriting. So upon conclusion "Stomp 442" is not a worthy follow up to "Sound of White Noise" (1993), and I remember thinking back then, that this had to be the end of Anthrax. History fortunately proved my fears unfounded, as they soldiered on, but that doesn´t change the fact that "Stomp 442" is one of the least interesting releases in the Anthrax´s discography. I´ll play nice with a 3 - 3.5 star (65%) rating, but I´m not impressed...

DAMAGEPLAN New Found Power

Album · 2004 · Groove Metal
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UMUR
"New Found Power" is the debut full-length studio album by US, Texas based groove metal act Damageplan. The album was released through Elektra Records in February 2004. Damageplan was founded in 2003 under the New Found Power monicker but changed to the current band name in early 2004. Damageplan was formed by the Abbott brothers, Dimebag Darrell (guitars) and Vinnie Paul (drums) after the demise of Pantera. The lineup on "New Found Power" is completed by lead vocalist Patrick Lachman (ex-guitarist for Halford) and bassist Bob Kahaha. Damageplan would be a short-lived affair as Dimebag Darrell was shot dead in a Columbus, Ohio nightclub in December 2004, while performing with Damageplan. A tragic episode which meant the end of the band.

Stylistically the 14 tracks on the 61:39 minutes long album are vers/chorus structured groove metal, featuring heavy groove laden riffs and rhythms, and a raw and angry sounding vocalist in front, who occasionally sings clean vocal parts too ("Save Me" is an example of that). The performances are tight and the sound production relatively well sounding, but the material is generally a bit generic and feel uninspired. Other than a couple of sharp groovy riffs here and a pitch shifter effect laden lead guitar part there, and a drum sound that is somewhat similar to Vinnie Paul´s distinct sounding drum production on Pantera´s releases, there aren´t much on this album which reveal that the Abbott brothers are involved. To hear a guitarist of Dimebag´s caliber play one anonymous and generic groove metal riff after another is almost a tragedy when you know what he is capable of producing.

While this is of course a made up story, I picture the Abbott brothers playing these songs to Phil Anselmo, asking him to sing on them on the new Pantera album, and Phil crying out in disbelief at what he has just heard..."hell no! I ain´t going to sing on those generic groove metal tunes"... "and by the way...I´m done with Pantera, if this is all you can muster". Back to reality Lachman is actually a decent vocalist, who does a good job with the material he has to work with, but it really isn´t much. "New Found Power" isn´t a terrible release, but it´s a mediocre one and considering the musicians involved it´s hard not to be disappointed by the quality of the songwriting in particular. Don´t expect anything near the quality of the Abbott brothers former act. A 2.5 star (50%) rating is warranted.

SLAPDASH 240.25 'Actual Reality'

Album · 1996 · Groove Metal
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UMUR
"240.25 'Actual Reality'" is the debut full-length studio album by Swedish groove/thrash metal act Slapdash. The album was released through MNW Records in October 1996. Four out of the five members of the lineup played in Swedish thrash metal act Rosicrucian (and released two full-length studio albums under that monicker before forming Slapdash), and only lead vocalist Jens Mortensen is therefore new in the lineup since the Rosicrucian days (which actually isn´t entirely true as he performed vocals on stage with the band at their last show before changing their name).

Stylistically Slapdash is groove oriented thrash metal and it´s contemporary Machine Head, Pantera, Meshuggah (before they went completely nuts with time signature changes), and similar artists which are the source of inspiration. I also think the contemporary groove oriented releases by Forbidden and Testament are valid references. Slapdash are obviosly skilled musicians and they deliver a both tight and convinving performance. Mortensen is audibly influenced greatly by Phil Anselmo and there are several moments throughout the album which are in a similar style to the American band. Slapdash don´t quite reach the quality or uniqueness of Pantera though, but that doesn´t mean this isn´t some relatively entertaining groove thrash.

"240.25 'Actual Reality'" features a pretty well sounding production, and there is a good balance between clarity and power. Upon conclusion "240.25 'Actual Reality'" probably isn´t more than a footnote in the history of groove thrash, and I can´t say that I feel much different about the album, but it is pretty enteraining while it plays, and a 2.5 - 3 star (55%) rating isn´t all wrong.

SEPULTURA Revolusongs

EP · 2002 · Groove Metal
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UMUR
"Revolusongs" is an EP release by Brazilian thrash/groove metal act Sepultura. The EP was released through SPV Records in March 2003 and bridges the gap between the band´s eighth and ninth full-length studio albums "Nation" from March 2001 and "Roorback" from May 2003. "Revolusongs" originally featured 7 cover tracks and it was exclusively released in Brazil and Japan. The digipack and limited edition versions of "Roorback (2003)" includes the material from the EP and the cover of U2's "Bullet the Blue Sky", which was originally released as a single, has been latched on at the end. The Metallica medley cover "Enter Sandman/Fight Fire with Fire Medley" is only featured on the original release though, and is not featured as bonus material on the digipack and limited edition versions of "Roorback (2003)".

While the covers of "Piranha" by Exodus and "Messiah" by Hellhammer are pretty much the type of cover material you´d expect from Sepultura, "Revolusongs" also features a couple of surprises, as Sepultura have fortunately opted to cover material a bit more out of their comfort zone, and they successfully manage to put their own spin on tracks like "Angel" by Massive Attack, "Black Steel in the Hour of Chaos" by Public Enemy, and "Mongoloid" by Devo.

"Revolusongs" is a well produced affair and the musicianship is strong. Derrick Green gets to show that he is a pretty versatile vocalist too, and it all just sounds like the band were having great fun playing these songs. As mentioned above the song selection is relatively varied with both covers of metal tracks, rock songs, and trip/hop and rap tunes. Sepultura can do it all with ease and they sound confortable handling all styles of music featured on the EP. A 3.5 star (70%) rating is deserved.

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SEPULTURA Sepultura - Live in Sao Paulo

Movie · 2005 · Groove Metal
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Kingcrimsonprog
Sepultura have a good few options if you are into live material. There is the Chaos DVD with the Under Siege video on it with the band touring Arise and playing all their Thrash era songs. There is the Under A Pale Grey Sky cd with the last ever gig of the Max Cavelera line-up on it, playing a lot of material off of Roots and Chaos AD. There is the newer Rock In Rio DVD with the Les Tambors Du Bronx percussion group augmenting them. There’s also plenty of live material on bonus tracks and compilations.

Best of all however, is Sepultura Live In Sao Paulo. It was the first video album with the Derick Green line-up, the first time you got to see and not just hear live versions of material from Roots and Chaos AD and its the only place to hear straight up unaltered versions of material off the Derick Green albums. It was released in 2005 when they were touring Roorback, back when they were still a Gold-selling band.

You get to hear an amazing blend (21 songs!) of material all the way from their earliest EPs and albums with early material like ‘Necromancer’ and ‘Troops Of Doom’ beside the mega-hits from the ’90s like ‘Territory’ and ‘Roots Bloody Roots’ mixed in with more modern gems like ‘Choke’ and what has to be one of the band’s best ever songs in ‘Sepulnation.’ (For me, its in the top 5 songs they ever recorded, any era).

Visually, the album is great. Its really well shot and edited, with no fancy distracting weird camera angels or lenses and no too-fast music video style choppy cuts. The stage set up and tasteful circle of lighting around their tribal ‘S’ logo banner looks really great, and the soundjob and mix are perfect. Sometimes the guitars or the vocals can be too quiet in a live recording, or some times the drums have way too much reverb, or sometimes you can’t hear the crowd’s energy; but here everything is perfectly balanced hear and it all sounds thick and chunky.

The band’s performances are excellent and it really shows off what great musicians they are. I never ‘got’ how good a drummer Igor is until I saw this! I didn’t much care for Derrick Green as a frontman before I saw this an it utterly changed my mind.

It looks great, it sounds great, the tracklist is great and the band play great. What more could you possibly want? Oh well, if you still do want more there is an absolute tonne of extras, with music videos, more live songs, a short making of documentary and biography, a bigger documentary about the band from 1998–2005 and other stuff as well (photogalleries etc.)

Overall; this is a damn strong release from a very important band, and there’s so much on it its great value for money. If like me you were skeptical on them without Max in the band, go on youtube and check out live versions of tracks like ‘Chaos AD’ and especially ‘Sepulnation’ off of this and just try not to be converted! If you are new to the band altogether this is a great starting point blending the best parts of all the eras together.

LAMB OF GOD Walk With Me In Hell

Movie · 2008 · Groove Metal
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Kingcrimsonprog
Walk With Me In Hell is a fantastic DVD for fans of Lamb Of God, full of honest and informative interviews, storming live performances and footage from all around the world.

The DVD features four and a half hours of content; including The main feature, the 117 minute documentary `Walk With Me In Hell ,' as well as six entire live songs from various tours that were featured in the documentary. The Second disc features the fantastic 77 minute `Making of The Sacrament,' documentary,' and an entire 40 minute Set from Download and lastly the music video for Redneck.

The main documentary is brilliant, following the band from just having finished recording their fantastic Sacrament album and embarking on a world tour full of interesting encounters, mishaps and mild adventures. Interviews unravel a tale of ups and downs, of bad luck and of increasing success and really give you an idea of what life is like for a touring metal band. From adjusting to foreign food, being cut of from your family and living in a cramped bus with band and crew members for months on end to photo shoots merch signing sessions and radio interview obligations.

The band are both really candid and entertaining, giving honest impressions of situations and not being afraid to look bad, while also cracking many jokes or playing a few childish pranks that never fail to raise a few laughs. Where some band DVDs may over emphasize the comedy aspects, Walk With Me In Hell is very tasteful and has the balance just right. The whole documentary is full of Lamb of God music, both recorded versions playing over footage of busses or set ups, and snippets of excellently shot concert footage that can last up to a minute or two.

Redneck, Again We Rise, Walk With Me in Hell, Now You've Got Something To Die For, Blacken The Cursed Sun, and Pathetic can be seen in full from these various performances featured in the documentary, a nice way to augment Killadelphia without repeating it.

`Making of The Sacrament,' documentary is of the same very high standard, and features a lot of the decision making processes, actual song writing and much footage of practicing and perfecting songs that would eventually make up the album. The band also talk a lot about their place in the world of metal, their music and how each album differs from the last, very interesting stuff for a fan to watch.

The Download set is a real highlight here, the excellent audio and visual quality and extremely energetic performance by the band make for an amazing show. The track list is: Laid To Rest, Again We Rise, Walk With Me in Hell, Pathetic, Now You've Got Something To Die For, Blacken The Cursed Sun, Redneck, and Black Label.

Overall this DVD is highly recommended to fans of the band, featuring tones of content, really interesting documentaries and very well shot, edited and performed live material focusing heavily on The Sacrament album so as not to just repeat the band's previous two DVDs.

LAMB OF GOD Killadelphia

Movie · 2005 · Groove Metal
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Kingcrimsonprog
Killadelphia is a fantastic DVD that captures Lamb Of God in 2005 just as they were really breaking into the big time, with a mixture of documentary segments and a sixteen track concert that has a total playtime of almost two hours.

The concert is of very high quality, the band deliver music from New American Gospel in a clear and professional way and give tracks from Ashes of the Wake an energy and rawness that improves them similarly. The band are brilliant performers and know how to command an audiences attention, when to play up to the crowd and also crucially when not to, in order to preserve the spirit of the written songs.

Randy is the type of singer who you may expect might not be able to pull it off live, given the intensity, speed and complexity of what he delivers on record; but in reality his live performances are astounding, if anything better than on record.

Performance is only one quality on which a live concert stands or falls, and thankfully a very strong performance is not the only thing which Killadelphia has to offer, the sound is terrific, with a very clear drum and vocal sound, heavy guitar tones and a good clear mix which gives each instrument a fair chance to shine without sacrificing much in the way of heaviness.

Furthermore, the camera work, direction and editing, in addition to the lighting and stage show are excellent bringing a real excitement to the video without having to resort to cheesy wipes or frequent quick cuts like other concert DVDs sometimes do, but which only ever give the illusion of energy.

On top of all this, the track list is excellent with tracks from each of the band's early albums together and performed to the highest quality. Then as if the concert wasn't interesting enough (and there is an option to play only the concert, plus a CD copy of the concert for added value) you get a really candid and informative set of documentary segments which are of the same tone as those on the band's Walk With Me in Hell DVD, and include the infamous fist fight which fans always seem to love.

Overall, Killadelphia is a brilliant DVD, honestly one of the best metal DVDs on the market and an absolute must buy for Lamb Of God fans.

MACHINE HEAD Elegies

Movie · 2005 · Groove Metal
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Kingcrimsonprog
Elegies was the first live DVD from Machine Head; recorded, just like their Hellalive album at the Brixton Academy in London, three years later in 2004 and released in 2005.

Like with Hellalive, the band play a mixture of material from all of their studio albums up until that point to an excited british crowd, but this time the band were riding high on the critical success of Through The Ashes Of Empires. Their performance is very strong indeed, with new guitarist Phil Demmel giving the band an additional edge. The dual guitar sections from Through The Ashes Of Empires sound amazing on this DVD, they really take on a life of their own in the live environment.

The tracklisting is excellent, presenting the very best of Machine Head, new songs like ‘Imperium,’ and ‘Seasons Wither,’ sound fantastic alongside the all time classics like ‘Ten Ton Hammer,’ and ‘Davidian.’

The band aren’t afraid to drop some of the more emotional, sophisticated music like ‘Descend The Shades Of Night,’ and the title track from ‘The Burning Red,’ confidently bringing the evening to a chilling standstill, before returning to the blistering metal that made them famous.

Visually and in terms of audio, the DVD is pretty great. I personally would’ve preferred if the film grain filters hadn’t been used so often and that the concert was shown in a straight beginning to end session, without the non-live footage in between songs, but ignoring that, the look and sound is great and when you add that to the incendiary performance you have a really great concert recording overall.

The extras feature a short but interesting history on the making of Through The Ashes Of Empires in addition to some music videos.

To summarize, the Elegies DVD is a must have release that no Machine Head fan should be without.

SOULFLY The Song Remains Insane

Movie · 2005 · Groove Metal
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Kingcrimsonprog
Soulfly’s DVD The Song Remains Insane from 2005 is a pretty strong release; consisting of all the bands music videos, assorted live footage from various sources, an entire concert and a fantastic documentary about the band.

The music videos are nice to have, but not what anyone would buy this for and the assorted live footage (featuring a cameo apperance from Biohazard during a tribal drum solo) is a great addition which contains host of songs not in the main concert and a DVD-highlight where Chino Marino joins the band on stage to perform ‘Pain,’ from the band’s ‘Primitive,’ album.

The main concert is well filmed, but unfortunately the sound is out of synch with the video and it is therfore pretty annoying, but if you just listen to it in the background the concert is still fantastic, this out of synch problem is a pretty large disappointment for the real meat of the DVD. If you want a full length pro shot Soulfly concert from the Prophecy era that is properly synched, one is available with Digpak editions of the band’s sixth album Conquer.

Thankfully this DVD is saved by an excellent Documentary, which is informative, interesting and well edited. The DVD is still a real good buy at the price, and would be worth five stars if the audio in the main concert was in synch with the video.

Even with that flaw in the main feature, the collection of music videos, a great documentary and the other excellent (and in synch) live material are well worth the interest of Soulfly fans. It may not wholly stand up visually to modern metal DVDs but is still worth exploration for fans.

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