Melodic Death Metal

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Melodic death metal, also referred to as melodeath, combines elements from death metal with elements from thrash metal, more traditional heavy metal and even hard rock. A typical feature of melodic death metal is the use of Iron Maiden-like twin guitar harmonies, melodic guitar leads and inherently melodic upbeat thrash riffage, and the guitars are often downtuned to B; sometimes synths and electronica elements occur in melodic death metal, too. The vocals are typically growled, shrieked or screamed, but some artists combine these harsh vocals with clean singing. Swedish artists in and around the city of Gothenburg have been especially influential in melodic death metal, leading to the establishment of the Gothenburg sound which has also made its way into metalcore and, more recently, power metal and progressive metal. Here on MMA, metalcore artists who make use of the Gothenburg sound, such as Nothing Divine, are included under metalcore, and power metal artists that make us of the Gothenburg sound, such as Raintime and Amaranthe, are included under power metal, while progressive metal artists that make use of the Gothenburg sound, such as James Labrie, are included under progressive metal. Sometimes a division is made between “melodeath” as a genre term referring specifically to melodic death metal based on the Gothenburg sound and “melodic death metal” as a term referring to more traditional death metal which emphasizes melody, as in the case of Terra Tenebrae, Arkan, and late Bolt Thrower. Carcass’ “Heartwork” is considered to be among the first melodic death metal releases, while artists like At the Gates, In Flames, Dark Tranquility, and Arch Enemy are among the most influential melodic death metal artists, and other examples are late Illdisposed, Deadlock, Amon Amarth, Omnium Gatherum, and Blood Stain Child.

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melodic death metal top albums

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EDGE OF SANITY Crimson Album Cover Crimson
EDGE OF SANITY
4.38 | 119 ratings
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CARCASS Heartwork Album Cover Heartwork
CARCASS
4.38 | 85 ratings
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DARK TRANQUILLITY The Gallery Album Cover The Gallery
DARK TRANQUILLITY
4.43 | 41 ratings
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AMORPHIS Tales From the Thousand Lakes Album Cover Tales From the Thousand Lakes
AMORPHIS
4.32 | 79 ratings
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INSOMNIUM Heart Like A Grave Album Cover Heart Like A Grave
INSOMNIUM
4.44 | 13 ratings
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CARCASS Torn Arteries Album Cover Torn Arteries
CARCASS
4.35 | 20 ratings
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INSOMNIUM Winter's Gate Album Cover Winter's Gate
INSOMNIUM
4.34 | 15 ratings
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AT THE GATES Slaughter of the Soul Album Cover Slaughter of the Soul
AT THE GATES
4.20 | 44 ratings
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DARK TRANQUILLITY Fiction Album Cover Fiction
DARK TRANQUILLITY
4.22 | 28 ratings
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OMNIUM GATHERUM Beyond Album Cover Beyond
OMNIUM GATHERUM
4.37 | 11 ratings
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IN FLAMES Colony Album Cover Colony
IN FLAMES
4.17 | 48 ratings
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DARK TRANQUILLITY Moment Album Cover Moment
DARK TRANQUILLITY
4.44 | 8 ratings
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melodic death metal Music Reviews

AT THE GATES Slaughter of the Soul

Album · 1995 · Melodic Death Metal
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UMUR
"Slaughter of the Soul" is the fourth full-length studio album by Swedish death metal act At the Gates. The album was released through Earache Records in November 1995. It´s the successor to "Terminal Spirit Disease" from 1994 and it would be the last album release by At the Gates before their split-up in 1996. The band were at the height of their success and had their international breakthrough with "Slaughter of the Soul", but after touring heavily in support of the album (including a couple of US tours), the Björler brothers (Anders on guitars and Jonas on bass) decided to leave At the Gates, and the remaining members didn´t feel they could continue without them. The Björler brothers and drummer Adrian Erlandsson would soon after form The Haunted.

Stylistically the material on "Slaughter of the Soul" is the most powerful, trimmed, and mature version of At the Gates. Gone are the odd musical experiments of the first two albums, and the material inconsistency of "Terminal Spirit Disease" (1994), and what´s left is the sharpest, most melodic, rewarding, and intriguing release of their original run. Lead vocalist Tomas Lindberg still sounds like he has just swallowed a plateful of broken glass with his high pitched almost desperate sounding growling vocal style and the band are very well playing delivering one death/thrashy riff after another, and loads of melodic leads and harmonies. The rhythm section drive the music forward in a powerful energetic fashion, and it´s definitely one of those albums where it´s audible that the band members felt they had composed something special, and that they needed to convey that in the most intense way possible.

This may first and foremost be a melodic death metal release, but many of the riffs on the album actually belong in thrash metal territory, making "Slaughter of the Soul" quite the interesting release in terms of the fast-paced rhythm guitar riffs. While the tracks are not exactly experimental or anything in that ballpark, At the Gates still manage to incorporate enough non vers/chorus parts to keep the songs interesting, which is also helped along by the many tempo changes during the tracks. "Slaughter of the Soul" also features atmospheric parts and while it may not initially sound like it, the tracks are varied and memorable and have the potential to grow on you.

"Slaughter of the Soul" features a powerful, detailed, and well sounding production, which suits the material perfectly, and upon conclusion it´s a high quality release by At the Gates. a 4.5 star (90%) rating is deserved.

AUTUMN LEAVES As Night Conquers Day

Album · 1999 · Melodic Death Metal
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UMUR
"As Night Conquers Day" is the second full-length studio album by Danish death metal act Autumn Leaves. The album was released through Serious Entertainment in early 1999. It´s the successor to "Embraced by the Absolute" from 1997. It would be the band´s last album before disbanding in 2001. Some of the members subsequently formed The Arcane Order.

Stylistically "As Night Conquers Day" continues the melodic death metal style with blackened vocals, which was introduced on "Embraced by the Absolute (1997)". It´s highly melodic death metal with loads of guitar leads, solos, and harmonies, but I wouldn´t call it 100% melodeath. The music on "As Night Conquers Day" has as much in common with the blackened melodic death metal of Swedish artists like Unanimated, Necrophobic, and Dissection, as it has to artists like Dark Tranquillity and In Flames. But the scale tips both ways.

Autumn Leaves are a well playing unit, and everything is delivered with tight precision, but still with the right organic touch. Lead vocalist Torsten Madsen has a powerful voice and a commanding delivery. Sometimes delivering death metal growling, and other times delivering higher pitched blackened snarling. The material on the album are well written and effective and as "As Night Conquers Day" also features a raw, detailed, and powerful sounding production job, it´s a quality release on all parameters. A 3.5 star (70%) rating is deserved.

AT THE GATES Terminal Spirit Disease

Album · 1994 · Melodic Death Metal
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UMUR
"Terminal Spirit Disease" is the third full-length studio album by Swedish death metal act At the Gates. The album was released through Peaceville Records in July 1994. It´s the successor to "With Fear I Kiss the Burning Darkness" from 1993 and features one lineup change since the predecessor as guitarist Alf Svensson has been replaced by Martin Larsson. "Terminal Spirit Disease" was originally intented to be released as an EP, but label pressure meant it ended up being released as a full-length album. It´s a combined studio and live release though, as the first six tracks are new studio recordings and the three closing tracks are live recordings of "All Life Ends", "The Burning Darkness", and "Kingdom Gone". All three previously appeared in studio versions on the band´s first two albums. So calling "Terminal Spirit Disease" a full-length studio album is a bit of a stretch, but that´s how it´s catalogued.

Stylistically the listener is treated to melodic death metal with the distinct sounding high pitched snarling/growling vocals of Tomas Lindberg in front. At the Gates display a more streamlined and tuned version of their style on this release, and the experiments of the first two albums are nowhere to be found. At the Gates hit a good balance between aggression/brutality and melody and catchiness on this release. While it´s not ideal with three live tracks of previously released material on what is tagged a studio release, the live tracks are well performed and also feature a well sounding production.

So upon conclusion "Terminal Spirit Disease" is quality melodic death metal release, and the studio tracks show a slightly more mature version of At the Gates. Not all issues from the previous releases have been weeded out, and personally I could for example have wished for a more varied vocal approach (a deeper growl here and there wouldn´t have hurt). Lindberg´s tortured screaming vocal style can be a bit hard on the ears. It´s a subjective opinion though, and a 3.5 star (70%) rating is still deserved.

THE BLACK DAHLIA MURDER Servitude

Album · 2024 · Melodic Death Metal
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UMUR
"Servitude" is the tenth full-length studio album by US death metal at The Black Dahlia Murder. The album was released through Metal Blade Records in September 2024. It´s the successor to "Verminous" from 2020 and there have been a few lineup changes since the release of the predecessor. Firstly guitarist Ryan Knight has returned to the fold, having originally departed in 2016 after an eight year stint with the band. Secondly and on a more sad note lead vocalist/founding member Trevor Strnad took his own life in May 2022. A huge force on the post-2000 death metal scene Strnad could not be easily replaced, but guitarist and main composer (and co-founder) Brian Eschbach took up the challenge and performs the vocals on "Servitude" (Eschbach does not perform guitars on this release).

So it´s of course the number one question when listening to "Servitude", if Eschbach brings the goods like Strnad did on so many albums before this one...and the answer is yes. Strnad was a very unique vocalist and of course Eschbach can´t replace him one-to-one, but I think he steps up to the plate and brings his own version of the high pitched blackened snarling/deep growling death metal vocal style with success. Regarding the instrumental part of the music there´s nothing negative to say about it. This is more or less The Black Dahlia Murder as they have sounded since day one. Predominantly fast-paced, melodic (often neo-classical influenced) death metal with horror themed lyrics performed by an incredibly skilled band. The rhythm section deliver sharp, precise, and powerful drumming and bass playing, the guitarists play one fast-paced and sharp riff after another and deliver loads and loads of melodic lead themes and solos, and on top of it all Eschbach´s high pitched blackened snarling/deep growling death metal vocals.

"Servitude" still stands out a bit from the last couple of releases though, as The Black Dahlia Murder have gone for a slighly less polished and a generally more stripped-down production style, which I personally think suits the material well. It´s a more immediate and instantly effective release than anything they´ve released in the last 15 years. And that´s not a criticism of the releases which came before this one, because they are all great in their own right, but "Servitude" is just a bit more direct and in-your-face.

Faced with an immense tragedy The Black Dahlia Murder never wavered (at least not publicly) and almost immediately vowed to return with a new lineup and keep the band going, and "Servitude" is the proof that they did the right thing. I´m sure Strnad would have been proud of the result. A 4 star (80%) rating is deserved.

SOILWORK Sworn to a Great Divide

Album · 2007 · Melodic Death Metal
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UMUR
"Sworn to a Great Divide" is the seventh full-length studio album by Swedish metal act Soilwork. The album was released through Nuclear Blast Records in October 2007. It´s the successor to "Stabbing the Drama" from 2005 and features one lineup change as guitarist and founding member Peter Wichers has been replaced by Daniel Antonsson.

The material on "Sworn to a Great Divide" more or less continue the melodic death metal/metalcore style of "Stabbing the Drama", although I´d say the metalcore leanings are stronger on this album compared to the predecessor. This is still in some way melodic death metal too though but it´s in the most polished and melodic end of the spectrum. The vocals alternate between screaming raw vocals (sometimes hardcore influenced and sometimes semi-growling) and clean vocals. Typically with raw vocals on the verses of the songs and clean vocals on the melodic and anthemic choruses.

"Sworn to a Great Divide" doesn´t offer much Soilwork´s fans haven´t already heard on the previous releases and if development of sound has to be discussed, the development is towards a more metalcore oriented sound, with heavy chugging riffs, use of electronics/keyboards, and Björn Strid´s hardcore influenced screaming vocals. I´ve heard the album described as commercial, and while I woudn´t go that far, I´d go as far as to call it accessible.

"Sworn to a Great Divide" is relatively well produced, although to my ears the music could have prospered from a more raw and punchy sound production. It all becomes a bit too polished and nice at times, and even the heavy riffs and screaming vocals won´t offend many. It´s all simply a bit too formulaic and predictable, and it would seem at this point that Soilwork had lost their edge or maybe just wanted to pursue a more accessible direction. I´m probably being a bit too harsh here, as "Sworn to a Great Divide" is still a quality release by a prolific and hard working act, but upon conclusion it´s just not among their greatest achievements and a 3 - 3.5 star (65%) rating isn´t all wrong.

melodic death metal movie reviews

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

Artists with Melodic Death Metal release(s)

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