Metal Related Genres

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Metal Related is a term used on Metal Music Archives (MMA) in regard to artists that, although they do not play metal themselves, still have a place within the metal scene.

On MMA the aim is to build up a complete picture of the metal music genre and its associated scene, and the Metal Related Genres umbrella sub allows the inclusion of related bands and side projects of metal musicians to be included in the site database, along with artists that exist on the fringes of the metal scene by including elements of metal in their music, but haven't ever made a fully fledged metal album. There are also sections for some of the more closely related genres to metal.

There are five sections to the metal related section on MMA: Hard Rock (encompasses heavy psych and heavier progressive rock and more), Hardcore & Crust (punk genres that can sometimes be metallic), Metal Related (releases with metal elements), Non-Metal (mostly a catch all for releases that don't otherwise fit, but also sometimes used for related bands and side-projects to be included on MMA) and Proto-Metal (artists involved in the early development of the metal genre). Each sub-genre is governed by its own rules and policies, some with dedicated teams and some handled by the site admins. More can be learned about each by listing their individual sub-genre pages.

Nothing is ever added directly to the parent Metal Related Genres page. It is merely an umbrella sub used to group the five child sub-genres in one place.

metal related genres top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

SPOCK'S BEARD V Album Cover V
SPOCK'S BEARD
4.92 | 11 ratings
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WISHBONE ASH Argus Album Cover Argus
WISHBONE ASH
4.54 | 35 ratings
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JIMI HENDRIX Are You Experienced? Album Cover Are You Experienced?
JIMI HENDRIX
4.49 | 48 ratings
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THE WHO Who's Next Album Cover Who's Next
THE WHO
4.48 | 40 ratings
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NEAL MORSE Sola Scriptura Album Cover Sola Scriptura
NEAL MORSE
4.48 | 37 ratings
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TRANSATLANTIC Bridge Across Forever Album Cover Bridge Across Forever
TRANSATLANTIC
4.55 | 23 ratings
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QUEEN Queen II Album Cover Queen II
QUEEN
4.42 | 67 ratings
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KING CRIMSON Red Album Cover Red
KING CRIMSON
4.38 | 102 ratings
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KING CRIMSON Larks' Tongues In Aspic Album Cover Larks' Tongues In Aspic
KING CRIMSON
4.37 | 94 ratings
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NEAL MORSE One Album Cover One
NEAL MORSE
4.62 | 15 ratings
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JIMI HENDRIX Axis: Bold As Love Album Cover Axis: Bold As Love
JIMI HENDRIX
4.44 | 35 ratings
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KING CRIMSON In The Court Of The Crimson King Album Cover In The Court Of The Crimson King
KING CRIMSON
4.36 | 101 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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Master of the Nebulous Reach
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metal related genres Music Reviews

STORM CORROSION Storm Corrosion

Album · 2012 · Non-Metal
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Warthur
Intriguing prog collaboration between Mikael Åkerfeldt of Opeth and Steven Wilson of Porcupine Tree. With those creative minds involved, you might expect something like Opeth's Damnation, which they both worked on, and whilst this feels like it's in similarly haunting territory, it's not quite the same. Somehow, it simultaneously manages to be more ambient and more folk-oriented than that album, taking the duo's music into meditative realms far from the energetic tumult both their regular bands are known for evoking. Weighing in at just under 48 minutes, it wisely doesn't outstay its welcome, and represents a fascinating experiment in two prolific musicians crafting something which clearly has both of their fingerprints on it - there'll be moments which remind you of the quieter passages in your favourite Opeth or Porcupine Tree albums - but at the same time lands somewhere neither of them would have arrived at on their own.

BLOOD INCANTATION Timewave Zero

EP · 2022 · Non-Metal
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UMUR
"Timewave Zero" is an album length EP release by US, Colorado based music act Blood Incantation. The EP was released through Century Media Records in February 2022. It bridges the gap between Blood Incantation´s second- and third full-length studio albums "Hidden History of the Human Race" (2019) and "Absolute Elsewhere" (2024). Blood Incantation are known for flirting with progressive rock, space rock, and psychedelic rock which they mix with their old school but still technically well played type of death metal. On this particular release though, they have opted to release something which is pretty far from their core sound.

"Timewave Zero" sees all four members of Blood Incantation switching to synthesizers and produce an ambient, atmospheric, and minimalistic sound, which isn´t far removed from some of the most well known 70s releases from Tangerine Dream. There is minimal use of guitars (they are for example heard during the third movement of the "Ea" track) and percussion during the playing time, and zero death metal or in fact any type of heavy metal related elements. The regular version of the EP features two 21 and 19 minutes long tracks, while some editions also feature the 27:37 minutes long "Chronophagia" bonus track. The digital version of the EP splits the two longer tracks from the regular version of the EP into eight sub-division tracks.

Considering the fact that Blood Incantation are usually a very creative band, it´s no surprise that they felt the need to release an ambient music release too, but while "Timewave Zero" is a pleasant and atmospheric ambient release, which transports my mind to the loneliness and coldness of space, it´s still overall a slightly tedious and uneventful listen. Everything is build on slow and sustained synth chords/notes with only little development throughout the tracks and honestly this is best listened to as background music or maybe for meditation purposes. It´s not a bad quality product, I just expect a bit more from a band like Blood Incantation. A 2.5 star (50%) rating is warranted.

LUX OCCULTA Kołysanki

Album · 2014 · Non-Metal
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UMUR
"Kołysanki" is the fifth full-length studio album by Polish music act Lux Occulta. The album was released through the Trzecie Ucho label in March 2014. Lux Occulta were originally active from 1994 until 2002, but in 2012 it was announced by guitarist Wacław "Vogg" Kiełtyka (Decapitated, Vader, Machine Head, Sceptic) that Lux Occulta were working on a new album. That album became "Kołysanki". Only Kiełtyka (who in addition to playing guitars also plays accordion on this release), lead vocalist Jarosław Szubrycht and keyboard player Jerzy Głód remain from the lineup who recorded "The Mother and the Enemy" (Lux Occulta´s fourth full-length studio album from November 2001). New in the lineup is guitarist Maciej Tomczyk.

If you´re familiar with the avant-garde extreme metal sound of "The Mother and the Enemy", you´ll know that Lux Occulta occasionally toyed with both jazz, electronic music, and trip-hop parts during that otherwise quite extreme and black/death metal oriented release ("Yet Another Armageddon" is for example a fully fledged female vocal-led trip-hop track) and on "Kołysanki" those elements are the dominant ones. You´ll find metal oriented sections here and there, but "Kołysanki" is predominantly not a heavy metal oriented release (although raw shouted vocals and a few distorted guitar riffs do appear on occasion). The tracks are quite experimental and feature a lot of interesting vocals (often in Polish) and effects. Regular vers/chorus structures aren´t really Lux Occulta´s thing. It´s not easy listening music by any means and it´s some of the more experimental works of an artist like Ulver I´m reminded of and also 70s progressive/experimental music artists like Robert Wyatt and Hugh Hopper (of course in a more contemporary setting).

It´s definitely an interesting, darkly atmospheric, and avant-garde oriented music release and it´s quite bold considering that Lux Occulta after all released four metal oriented albums before this one. I guess you could say that you were warned after listening to "The Mother and the Enemy", but "Kołysanki" does after all take the experimental ideas in a completely different direction and add other textures and jazzy electronic elements to them, so you are excused if you find this a confusing album. Confusing in this case means great, bold, and adventurous, and it´s obvious from the sound production, to the performances, and the intriguing compositions that Luc Occulta have struck gold and a 4 star (80%) rating is deserved.

NINE INCH NAILS Pretty Hate Machine

Album · 1989 · Non-Metal
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martindavey87
Released in 1989, ‘Pretty Hate Machine’ is the debut album by American industrial rock band Nine Inch Nails. Mostly written and recorded by singer and instrumentalist Trent Reznor during down-time whilst working at a studio, it would become an influential and pivotal album in the early days of industrial rock, and in particular, industrial metal.

Seemingly years ahead of its time, ‘Pretty Hate Machine’ sees a blend of rock and electronic elements fused to create a very harsh, gritty and bleak-sounding album. The angst-ridden vocals convey despair and anguish, while atmospheric keyboards create moods of desperation and isolation. This album is heavy, yet danceable!

With early hits including the infectious ‘Head Like a Hole’, ‘Terrible Lie’, ‘Sin’, ‘Kinda I Want To’, ‘Sanctified’ and ‘Down in It’, there is no shortage of potential here, and it’s easy to hear that even on early releases, you know that Nine Inch Nails are destined for bigger things.

YUREI Working Class Demon

Album · 2010 · Metal Related
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UMUR
"Working Class Demon" is the debut full-length studio album by Norwegian avant-garde rock artist Yurei. The album was released through the Adversum label in 2010. Yurei is a one-man project created by Bjeima (real name: Bjørge Eide Martinsen), who performs all instruments and vocals on the album. Bjeima is also involved in several other avant-garde/black metal projects like Alfa Obscura, Delirium Bound, and Manimalism.

Stylistically the material on "Working Class Demon" is carved from the same wood as the dissonant, dark and gloomy avant-garde rock/metal of fellow Norwegians in Virus. It´s a sound pionered by Ved Buens Ende, but stripped from the black metal elements of that group. The atmosphere is depressive, dense, and often abstract, which is also reflected in the lyrics. It´s relatively minimalistic music featuring only guitar, bass, drums, and haunting/deranged dark clean vocals (and the occassional sparse use of keyboards and xylophone). There´s a dark semi-jazzy touch to some of the tracks too. Artists like Bauhaus, Holy Toy, and Joy Division could also be mentioned among the influences, although it´s clearly Virus who has served as the major influence on Yurei.

So it´s safe to say that Yurei won´t win any competitions if the goal was to release something unique sounding, because I´d argue that Virus has already released albums which sound a lot like "Working Class Demon", and there are actually a lot of other contemporary artists playing a similar style too, although some of them add a metallic black metal element to the core dissonant, abstract, avant-garde rock style (artists like Whirling, Kailash, and Apocryphal Voice).

"Working Class Demon" is a relatively long album featuring 11 tracks and a total playing time of 60:39 minutes, and considering the one-dimensional and generally minimalistic nature of music, it could have felt like a listening experience which was a bit too long, if Bjeima hadn´t included tracks like "Velvet Demon" and "Suicide Shitcom", which are slightly different in style and provide some needed variation to the album. Upon conclusion I´m a bit biased towards "Working Class Demon". On one hand it´s an almost blatant clone of Virus music style, but on the other hand the quality of the material is high throughout and the album also features strong musicianship and a well sounding production. I´ll let you decide if you can live with the clone factor and rate this with a 3.5 star (70%) rating, which is what I deem it deserves based on the overall quality of the release.

metal related genres movie reviews

PORCUPINE TREE Anesthetize

Movie · 2010 · Metal Related
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Warthur
Porcupine Tree's live performances in the wake of Fear of a Blank Planet are pretty well-documented - as well as this live release you also have live albums like Atlanta, Ilosaarirock, and We Lost the Skyline from this era - but Anesthetize deserves to stand head and shoulders above all but Atlanta, which is close to the same standard but a mite shorter. Released both as audio and as a DVD of the performance, it's a stunning performance which sees them offering a host of compelling tracks from what at this point was a very rich repertoire indeed. After this would come the Incident and then the hiatus, but for my money this perhaps represents the peak of what Porcupine Tree were doing in the 2000s.

PENDRAGON Past And Presence

Movie · 2007 · Non-Metal
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Warthur
Pendragon's Past and Presence captures a very special concert put on by Pendragon in celebration of the band's history. Recorded in Poland as a special treat for their very appreciative Polish fanbase, the concert saw a host of past members of the band making special guest appearances - with all the current and ex-Pendragon members present taking to the stage for show closer Stan and Ollie (a good call, since the song was essentially written as a goof-off piece to round off the band's sets with a happy party number, much like Marillion's Margaret).

Aside from 2AM from Kowtow (present as one of several encores), the songs here are all vintage Pendragon from their very earliest days - you have all the tracks from The Jewel and the Fly High Fall Far EP here, plus some delicious rarities otherwise only available in inferior versions on the Once Upon a Time In England compilations. Two decades have come and gone since the band recorded the versions of the songs we're most familiar with, and the additional experience really does show. Many of the songs here blow the original studio versions out of the water - even songs which sounded pretty decent on the original recordings, such as The Black Knight.

I'd go so far as to say that this show is, perhaps, the best way to experience Pendragon's material from before The World came out. Certainly, I would strongly encourage people to pick up the limited edition version which comes with a 2CD audio version of the show, because the audio stands up really well on there and I actually find I listen to the CD more than I watch the actual show. The main limitation here is that the material in question is a bit rough and naive, but the band couldn't really fix that without abandoning the idea of a nostalgia show.

NEAL MORSE Morsefest! 5015

Movie · 2017 · Metal Related
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adg211288
Morsefest! 2015 is a live release by US musician Neal Morse. Morsefest! shows are without a doubt the most special Neal Morse shows that a fan could attend – a two day event with a different Neal Morse set each night. Morsefest! 2015 was released on either a 2x blu-ray or 4 x CD/2x DVD package in 2017. Strictly speaking it is The Neal Morse Band playing on the release – Neal Morse, Mike Portnoy, Randy George, Eric Gillette & Bill Hubauer – but Morsefest! 2015 was released under just Neal Morse's name likely due to the event's focus on his albums ? (2005) and Sola Scriptura (2007).

While the focus is indeed on those albums, with ? played in full on night one and Sola Scriptura in full on night two, the set is varied with various extra tracks. The Neal Morse Band had released their debut album The Grand Experiment earlier in 2015 and that album also gets a fair airing across the two nights, particularly in the first half of night one with The Call, the title track and the limited edition bonus track New Jerusalem gets played, while Waterfall was featured on night two complete with some instrument changes for various band members. Three Spock's Beard songs are also brought out, Go the Way You Go on night one and At the End of the Day and Wind at My Back on night two, the latter two featuring Nick D'Virgilio first on drums then co-lead vocals. An edited version of Transatlantic's near eighty minute whole album epic The Whirlwind closes the second night, with further guest vocals by D'Virgilio and guitar by Phil Keaggy, who also makes an appearance on night one and was the support act for the event. Finally the band brings to the live stage for the first time a lesser known Neal Morse epic called A Whole Nother Trip, which appeared on his first solo album while still a member of Spock's Beard amongst what was otherwise a bunch of pop songs. There is also a cover of the song MacArthur Park, originally released by Richard Harris, which has been given the prog treatment by Bill Hubauer on challenge from Mike Portnoy. Neal Morse hates the song apparently and always swore he'd never cover it, but there you go. Hubauer sings lead on it.

The main draw to the Morsefest! 2015 live release is of course the full performance of two of Neal Morse's best known albums. ? is basically one long song in and of itself and is treated like the crowning piece of what Morse describes as a night of epics – a fair description when the shortest song is about seven and a half minutes long. For me personally the performance of Sola Scriptura is the key focal point of the two night show though. That's my personal favourite Neal Morse album, not to mention the one that really got me into his music. It's also one of his heaviest and most metal works which along with various parts of The Neal Morse Band's music gives a metallic edge to those otherwise symphonic progressive rock fuelled double concert.

Morsefest! 2015 is one heck of a show if you're into progressive rock. The scope is tremendous not just through the double show but each night's set is over two hours a pop as well. The amount of musicians on stage at one time goes far beyond the core band – far too many to recite in a review. Suffice to say there's a lot of people involved to pull this off. The sound and picture quality of the blu-ray release is excellent and you certainly get a lot of music for your money. The only fault with the set is that one listed bonus feature called Prog Jeopardy is completely missing from the release. Not sure what the story is there, perhaps it was planned and had to be cut for some reason and they forget to change the inserts before going to the press, who knows? But you weren't buying this for the bonus features anyway right?

There are several of the Morsefest shows released by the time of writing this review in September 2020 so which one holds the most appeal to each fan will of course be different. 2015 was a no brainer for me due to my particular love of Sola Scriptura. Someone else may think 2014's focus on Testimony (2003) and One (2004) or 2017's Testimony 2 (2011) and The Similitude of a Dream (2016) to be better options for them. Regardless any Neal Morse fan owns it to themselves to pick up at least one of these releases for his most special and exclusive concerts.

PORCUPINE TREE Arriving Somewhere...

Movie · 2006 · Metal Related
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Warthur
Focusing on the more metal-oriented material from Deadwing and In Absentia - though notably steering it back in a more rock-oriented direction in order to allow this material to sit a little more comfortably beside the "indie prog rock" stylings of Stupid Dream, Lightbulb Sun and Recordings (picks from all of which surface here). Fans of their earlier psychedelic and space rock styles might be disappointed that those aren't represented, but on the plus side there's a liberal sprinkling of rarities here such as the glorious Buying New Soul as well as Revenant, So-Called Friend and Mother and Child Divided, those three songs having only appeared on various special editions of Deadwing. Not the definitive Porcupine Tree live experience, but a pretty decent one nonetheless.

BLIND FAITH London Hyde Park 1969

Movie · 2006 · Proto-Metal
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stefanbedna
Blind Faith -London Hyde Park 1969 dvd. An excellent concert.Quite simple concert.A beautiful day and a hundred thousand people in London´s central Hyde Park listens Blind Faith in their first big gig.Absolutely wonderful.For me the historic value of this concert.Rating 4,0 stars for me.Concert will be held 07/06/1969.Performers lineup eric clapton lead guitar,steve winwood phenomenal vocal and keyboards, rick grech on bass and of course phenomenal ginger baker on drums.This is an example of the unique combination of two large groups of Cream and Traffic rights in the Great introducetd in London´s Hyde Park.Really very interesting concert series watch it again on dvd.I highly recommend.

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