Doom Metal

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Doom metal is an extreme form of heavy metal music that typically uses slower tempos, low-tuned guitars and a much 'thicker' or 'heavier' sound than other metal genres. Both the music and the lyrics intend to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal with songs such as "Black Sabbath" and "Into the Void". During the first half of the 1980s, a number of bands from England (Pagan Altar, Witchfinder General) and the United States (Pentagram, Saint Vitus, Trouble) defined doom metal as a distinct genre.

Source: http://en.wikipedia.org/wiki/Doom_metal

Sub-genre collaborators (+ child sub-genres and shared with Stoner Metal and Drone Metal):
  • Nightfly (leader)
  • MorniumGoatahl

doom metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

TRIPTYKON Melana Chasmata Album Cover Melana Chasmata
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4.53 | 18 ratings
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SAINT VITUS Die Healing Album Cover Die Healing
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4.54 | 14 ratings
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MY DYING BRIDE The Dreadful Hours Album Cover The Dreadful Hours
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THE RUINS OF BEVERAST Exuvia Album Cover Exuvia
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4.52 | 13 ratings
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TROUBLE Run to the Light Album Cover Run to the Light
TROUBLE
4.48 | 14 ratings
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KHEMMIS Hunted Album Cover Hunted
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4.65 | 6 ratings
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PARADISE LOST Medusa Album Cover Medusa
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4.37 | 26 ratings
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CELTIC FROST Monotheist Album Cover Monotheist
CELTIC FROST
4.33 | 44 ratings
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SPECTRAL VOICE Eroded Corridors of Unbeing Album Cover Eroded Corridors of Unbeing
SPECTRAL VOICE
4.47 | 11 ratings
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TRIPTYKON Eparistera Daimones Album Cover Eparistera Daimones
TRIPTYKON
4.35 | 25 ratings
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WARNING Watching From a Distance Album Cover Watching From a Distance
WARNING
4.45 | 11 ratings
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ESOTERIC The Maniacal Vale Album Cover The Maniacal Vale
ESOTERIC
4.36 | 20 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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Lightning In A Bottle
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doom metal Music Reviews

DRAGGED INTO SUNLIGHT Hatred for Mankind

Album · 2009 · Death-Doom Metal
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UMUR
"Hatred for Mankind" is the debut full-length studio album by UK blackened death/doom/sludge metal act Dragged Into Sunlight. The album was released through the Mordgrimm label in September 2009. Dragged Into Sunlight formed in 2006 and their first release was a collaboration EP/mini-album with Kas Mana titled "Terminal Aggressor" which was released in March 2009.

If the unnerving and vile cover artwork (which is somehow made even more eerie by the fact that it almost looks like it´s made by a child) doesn´t tell you that this will be an incredibly dark, savage, and hateful listening experience, the "Hatred for Mankind" album title definitely should...and here´s one of those cases where album title, cover artwork, lyrics, and music go hand in hand. This is gloomy, bleak, and hateful blackened death/doom/sludge metal, featuring an oppressive and claustrophobic atmosphere (helped along by eerie voice samples from movies), which feels like it´s designed to cause you harm.

The music is relatively varied in pace and Dragged Into Sunlight master both fast-paced brutal and aggressive death metal and slower doom/sludgy parts (which sometimes remind me of what Eyehategod would sound like it they went all-in on a blackened death metal sound) with the same confidence and conviction. The vocals are brutal and caustic aggressive growling and screaming, and they are generally very well performed, adding another caustic angry element to the already vicious assault on your ears.

So this is overall a highly aggressive and brutal sounding release, but the strength of "Hatred for Mankind" is actually the balance Dragged Into Sunlight are able to create with some atmospheric (still dark and morbid) sounding parts (like the clean singins choir part on "I, Aurora"), which means the tracks never feel long or like they outstay their welcome even though most of them are actually pretty long. "Hatred for Mankind" features six tracks and a total playing time of 51:37 minutes and four out of those six tracks are either close to being 10 minutes long or exceed 10 minutes in length.

The filthy, organic, and savage sounding production values are to my ears a stroke of genius. "Hatred for Mankind" sounds crushingly heavy and brutal, but still features enough clarity for the listener to be able to hear all details of the music. It´s a perfect production job for this type of music. So upon conclusion "Hatred for Mankind" is a high quality debut album from Dragged Into Sunlight. This does not sound like a debut album at all. These guys sound like they know exactly what they want to do with their music and everything on this album works well together. There´s nothing here which doesn´t fit or which sounds awkward. It´s a perfect bleak, brutal, and savage listening experience and a 4.5 star (90%) rating is deserved.

1914 Eschatology Of War

Album · 2015 · Death-Doom Metal
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UMUR
"Eschatology Of War" is the debut full-length studio album by Ukrainian, Lviv based black/doom/death metal act 1914. The album was released through Archaic Sound in December 2015. 1914 formed in 2014, which is rather symbolic as that year marks the 100-year anniversary since the start of World War I, which serves as the band´s primary lyrical focus, and also their band name. Singing about war is nothing new and artists like Bolt Thrower and Hail of Bullets (and quite a few others) have made whole careers out of it, but off the top of my head I can´t name another artist solely basing their lyrics on World War I (WWI) (I just remembered Kanonenfieber though, so some do exist). The band image, their band photos, and even their performer names reflect the WWI theme. So these guys mean business and their extreme dedication to the project is arguably fascinating.

The lyrics are well written and it´s obvious that the topics are well researched. The band take us through various periods and episodes of WWI, telling stories of mustard gas attacks, the horror, disease, and dread of the trenches, Zeppelin air attacks, machine gun fire, and some historical facts thrown in, which provide the whole thing with the right amount of authenticity and gloom. Needless to say that the lyrics provide the album with a dark and unpleasant atmosphere. Another atmosphere enhancer are the sampled intro and outro tracks "War In" and "War Out", which feature WWI contemporary recording artists Billy Murray and the American Quartet and Charles Harrison respectively performing "It's a Long Way to Tipperary" and "The Last Long Mile". Both tracks are considered compositions related to WWI. The former was often used as a marching song for soldiers during the war.

Stylistically the material on the album is a combination of black metal, doom metal, and death metal. It´s hard to say which of the styles is the dominant one, so my best description of the music would be an equal share of all three. The riffs are sinister, brutal, and heavy, but sometimes faster and more black metal tremolo styled. The pace is predominantly slow and doomy though, but there are also heavy mid-paced death metal styled riffs and rhythms featured on the album (those sections aren´t completely unlike some of Bolt Thrower´s output). The vocals are snarling blackened growling. They are very well performed, intelligible, and passionate, and generally a great asset to the album.

"Eschatology Of War" features a powerful, brutal, and detailed sounding production job, suiting the material perfectly. I personally wouldn´t have minded if the production had been a little more filthy and raw, but the production values are arguably both well sounding and professional. Upon conclusion "Eschatology Of War" is a high quality debut album by 1914. Hitting the right balance between the doom, death, and black metal influences could have proven difficult, but 1914 seamlessly combine the influences and create a sound of their own. The many vintage war themed samples and music snippets combined with the cruel lyrical subjects and the dark and heavy music make "Eschatology Of War" a great listen. A 4 star (80%) rating is fully deserved.

MOUNTAIN WITCH Extinct Cults

Album · 2020 · Doom Metal
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Warthur
Brief, fairly straight-ahead doom metal effort with strong trad doom and hard rock influences. The cover art is neat and the production helps evoke an early doom sound, but precisely because the imitation of the early doom style is so close, if you're into the likes of Pentagram or Saint Vitus or Trouble then you've probably heard plenty of heavier, doomier takes on very similar material before. I could have done with a touch more psych in the balance here; as it stands, this is the sort of thing I can have in the background happily and enjoy myself when it's there, but don't really remember much compelling about once the music stops playing.

COFFINS Beyond the Circular Demise

Album · 2019 · Death-Doom Metal
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Warthur
"Middle of the road death metal" is something of a contradiction in terms, especially when it comes to stuff which captures the aura of the 1990s pioneers as deftly as Coffins do on Beyond the Circular Demise. It's solid, entertaining stuff for sure - but it's also so straight-down-the-line as to be unmemorable, without much distinguishing it from the output of other old school death metal practitioners beyond the odd touch of death-doom influences here and there, such as on Impuritious Minds. The production also isn't quite at the level it needs to be to get the best out of the more intricate material, and I can't help but think it'd be more memorable and more rewarding on repeated listens if there were a bit more clarity on that front.

ESTATIC FEAR A Sombre Dance

Album · 1999 · Doom Metal
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SilentScream213
Estatic Fear released just two masterpiece albums in their short career, both of them lush with folky acoustic passages, flutes and strings mixed in with crushing Doom/Death Doom. A Sombre Dance features one long suite split up into much shorter tracks (as opposed to the first album, which featured two primary tracks totaling over 50 minutes). The shorter tracks make for a much more digestible album, and the Dark Folk passages are intelligently mixed into the songs rather than being cut into quick interlude tracks.

This album features more clean female vocals, and more Neoclassical Darkwave keywork which gives it a slightly Gothic flavor. The Death Doom is still as strong as ever, driven by liberal double bass drumming and tremolo lead guitars. A great variety in power, heaviness, and speed across even individual tracks makes it an incredible joy to listen to (despite how sombre and melancholic it is). Insecure listeners beware, for what one might call “cheese” permeates every corner, as a fantastical, dramatic showing is the name of the game for this Doom album.

And yet, to me, “cheesy” would be the wrong word. How about “classy”? The strings and melodrama here sound nothing of Power Metal or regular Symphonic Metal taste; rather, it evokes true Classical moods and compositions somewhere between the Medieval era and the Baroque era. Basically, unless you want to call Classical Music cheesy, there’s really nothing cheesy about this! Put on your best palace suit or dress and get ready to attend this funeral in a fairytale garden.

doom metal movie reviews

PARADISE LOST Live Death

Movie · 2004 · Death-Doom Metal
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martindavey87
Considering this was actually released on VHS in 1990, Paradise Lost must surely overestimate the passion and loyalty of their fan club. Filmed in Bradford in 1989 to coincide with the band’s debut album, this is a 30-minute video of the band playing on stage. They barely move around, you barely see glimpses of the crowd, and in fact, you barely see vocalist Nick Holmes’ face due to his shaggy hair constantly covering it.

I’m not really a fan of their earlier, death metal growly material anyway, but even if I was, this video isn’t enjoyable or interesting to watch at all. Re-released in 2004 on DVD, this isn’t worth the 50p I spent on it if not for the fact that I do, in fact, actually like this band, and have a compulsive obsession to own everything a band puts out.

Artists with Doom Metal release(s)

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