Death-Doom Metal

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Death doom as the name suggests is an extreme metal sub-genre that incorporates elements of death metal into doom. It typically incorporates death growl vocals and aggressive down-tuned guitar parts into slower doom tempos though double kick drum patterns may be used. Its roots can be traced back to the eighties when thrash and early death metal bands started to incorporate doom into their sound. Dream Death are an early example which can be heard on their debut album Journey Into Mystery from 1987 along with bands such as My Dying Bride, Paradise Lost and Autopsy.

Death doom also had an influence on Gothic metal and played a large part in establishing the funeral doom sub-genre in the nineties.

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death-doom metal top albums

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MY DYING BRIDE The Dreadful Hours Album Cover The Dreadful Hours
MY DYING BRIDE
4.43 | 36 ratings
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THE RUINS OF BEVERAST Exuvia Album Cover Exuvia
THE RUINS OF BEVERAST
4.52 | 13 ratings
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PARADISE LOST Medusa Album Cover Medusa
PARADISE LOST
4.37 | 26 ratings
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SPECTRAL VOICE Eroded Corridors of Unbeing Album Cover Eroded Corridors of Unbeing
SPECTRAL VOICE
4.47 | 11 ratings
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NOVEMBERS DOOM The Knowing Album Cover The Knowing
NOVEMBERS DOOM
4.42 | 9 ratings
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KATATONIA Brave Murder Day Album Cover Brave Murder Day
KATATONIA
4.21 | 40 ratings
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MY DYING BRIDE Turn Loose the Swans Album Cover Turn Loose the Swans
MY DYING BRIDE
4.18 | 40 ratings
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MY DYING BRIDE Songs of Darkness, Words of Light Album Cover Songs of Darkness, Words of Light
MY DYING BRIDE
4.21 | 25 ratings
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OCTOBER TIDE Rain Without End Album Cover Rain Without End
OCTOBER TIDE
4.30 | 10 ratings
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NOVEMBERS DOOM The Novella Reservoir Album Cover The Novella Reservoir
NOVEMBERS DOOM
4.33 | 6 ratings
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NOVEMBERS DOOM The Pale Haunt Departure Album Cover The Pale Haunt Departure
NOVEMBERS DOOM
4.25 | 8 ratings
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THE RUINS OF BEVERAST The Thule Grimoires Album Cover The Thule Grimoires
THE RUINS OF BEVERAST
4.23 | 7 ratings
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death-doom metal Music Reviews

1914 Eschatology Of War

Album · 2015 · Death-Doom Metal
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UMUR
"Eschatology Of War" is the debut full-length studio album by Ukrainian, Lviv based black/doom/death metal act 1914. The album was released through Archaic Sound in December 2015. 1914 formed in 2014, which is rather symbolic as that year marks the 100-year anniversary since the start of World War I, which serves as the band´s primary lyrical focus, and also their band name. Singing about war is nothing new and artists like Bolt Thrower and Hail of Bullets (and quite a few others) have made whole careers out of it, but off the top of my head I can´t name another artist solely basing their lyrics on World War I (WWI) (I just remembered Kanonenfieber though, so some do exist). The band image, their band photos, and even their performer names reflect the WWI theme. So these guys mean business and their extreme dedication to the project is arguably fascinating.

The lyrics are well written and it´s obvious that the topics are well researched. The band take us through various periods and episodes of WWI, telling stories of mustard gas attacks, the horror, disease, and dread of the trenches, Zeppelin air attacks, machine gun fire, and some historical facts thrown in, which provide the whole thing with the right amount of authenticity and gloom. Needless to say that the lyrics provide the album with a dark and unpleasant atmosphere. Another atmosphere enhancer are the sampled intro and outro tracks "War In" and "War Out", which feature WWI contemporary recording artists Billy Murray and the American Quartet and Charles Harrison respectively performing "It's a Long Way to Tipperary" and "The Last Long Mile". Both tracks are considered compositions related to WWI. The former was often used as a marching song for soldiers during the war.

Stylistically the material on the album is a combination of black metal, doom metal, and death metal. It´s hard to say which of the styles is the dominant one, so my best description of the music would be an equal share of all three. The riffs are sinister, brutal, and heavy, but sometimes faster and more black metal tremolo styled. The pace is predominantly slow and doomy though, but there are also heavy mid-paced death metal styled riffs and rhythms featured on the album (those sections aren´t completely unlike some of Bolt Thrower´s output). The vocals are snarling blackened growling. They are very well performed, intelligible, and passionate, and generally a great asset to the album.

"Eschatology Of War" features a powerful, brutal, and detailed sounding production job, suiting the material perfectly. I personally wouldn´t have minded if the production had been a little more filthy and raw, but the production values are arguably both well sounding and professional. Upon conclusion "Eschatology Of War" is a high quality debut album by 1914. Hitting the right balance between the doom, death, and black metal influences could have proven difficult, but 1914 seamlessly combine the influences and create a sound of their own. The many vintage war themed samples and music snippets combined with the cruel lyrical subjects and the dark and heavy music make "Eschatology Of War" a great listen. A 4 star (80%) rating is fully deserved.

COFFINS Beyond the Circular Demise

Album · 2019 · Death-Doom Metal
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Warthur
"Middle of the road death metal" is something of a contradiction in terms, especially when it comes to stuff which captures the aura of the 1990s pioneers as deftly as Coffins do on Beyond the Circular Demise. It's solid, entertaining stuff for sure - but it's also so straight-down-the-line as to be unmemorable, without much distinguishing it from the output of other old school death metal practitioners beyond the odd touch of death-doom influences here and there, such as on Impuritious Minds. The production also isn't quite at the level it needs to be to get the best out of the more intricate material, and I can't help but think it'd be more memorable and more rewarding on repeated listens if there were a bit more clarity on that front.

OCTOBER TIDE Grey Dawn

Album · 1999 · Death-Doom Metal
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UMUR
"Grey Dawn" is the second full-length studio album by Swedish doom/death metal act October Tide. The album was released through Avantgarde Music in November 1999. It´s the successor to "Rain Without End" from 1997 and there´s been one lineup change as lead vocalist Mårten Hansen has been added to the ranks, making October Tide a trio on "Grey Dawn". Band founders Fredrik Norrman (guitars, bass) and Jonas Renkse (drums, guitars) are still present. The latter has completely abandoned performing vocals (which he performed on the debut album), so Hansen is the sole vocalist on "Grey Dawn".

"Rain Without End (1997)" sounded pretty similar to early Katatonia (Renkse´s and Norrman´s other contemporary band), featuring a melodic and melancholic doom/death metal style with growling vocals. That music style is more or less continued on "Grey Dawn", but Hansen has a slightly more blackened type growl than Renkse´s ditto on the predecessor. The quality of the material is decent, but "Grey Dawn" is not the most memorable album in the genre, and a few more catchy moments would have made this a stronger release.

The musicianship is strong, although Renkse´s simplistic and one-dimensional approach to drumming is hard to appreciate. It´s the dark and melancholic atmosphere and the heavy riffs and guitar lead themes which are the assets of the album. The sound production is professional and detailed, and upon conclusion "Grey Dawn" is a quality doom/death metal release by October Tide. To my ears the debut album was just a little more interesting and a little more memorable too, but this one is entertaining enough while it plays. A 3 star (60%) rating is warranted.

REEFER Bow Before the Altar of the Drugs

Demo · 2013 · Death-Doom Metal
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UMUR
"Bow Before the Altar of the Drugs" is the first demeo recording by Danish death/doom/stoner metal act Reefer. The demo was released through Smokedd Productions in February 2013. Reefer was formed in 2010 by drummer Inhalator (real name Eik B. Sørensen) and lead vocalist/guitarist Grim Reefer (real name David Buch Mikkelsen). The latter is quite prolific on the Danish death metal scene and is also known for his work with death metal acts Undergang and Phrenelith (among other projects). Bassist Weed Wizard joined in 2013, completing the trio lineup who recorded "Bow Before the Altar of the Drugs".

As expected from reading the title of demo this is some fuzzed out, crushingly heavy stoner doom metal but with brutal unintelligible growling vocals. It´s like listening to the bastard child of Electric Wizard and Mikkelsen´s Undergang. The latter influence is however only heard in the sleazy, gritty, and morbid sounding atmosphere and the vocals, as the instrumental part of the music is repetitive and slow stoner doom metal, of course with lyrics centered around Marijuana. It´s only a few times during the playing time that Reefer play some noisy fast parts, but they only last for a few seconds when they occur.

Featuring three tracks and a total playing time of 25:40 "Bow Before the Altar of the Drugs" is a relatively long demo and all tracks are 7-9 minutes long, giving the band plenty of time to play their ultra heavy riffs and rhythms over and over again. The sound production is of a good quality considering that this is a demo recording, and upon conclusion "Bow Before the Altar of the Drugs" is a decent quality release. There´s nothing here you haven´t heard before and Reefer won´t win any prices for innovation or for being the most intriguing stoner doom metal act on the scene, but they aren´t the worst either. A 3 star (60%) rating is warranted.

THE GATHERING Always...

Album · 1992 · Death-Doom Metal
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UMUR
"Always..." is the debut full-length studio album by Dutch death/doom metal (later atmospheric rock) act The Gathering. The album was released through the Foundation 2000 label in June 1992. The Gathering formed in 1989 and are widely considered one of the seminal death/doom metal acts from The Netherlands, although they would later considerably change their music style. Before being signed by Foundation 2000 for the release of "Always...", The Gathering recorded and released the two demos "An Imaginary Symphony" (October 1990) and "Moonlight Archer" (April 1991). The tracks from the latter have been re-recorded and included on "Always..." ("Second Sunrise", "Subzero", and "In Sickness and Health").

Stylistically The Gathering play a relatively unique death/doom metal style, which have some similarities to artists like My Dying Bride and Paradise Lost, but because they use keyboards/piano as a dominant instrument in the music still sounds vastly different from the early releases from other contemporary death/doom metal artists. I´ll mention the articulate and brutal growling vocals from Bart Smits as one of the great assets of the this album. They are very well performed and provide the music with some death metal authenticity. The rare spoken word sections provide the music with a slight gothic edge. "Always..." also features the occasional female clean vocal part performed by Marike Groot. They are in no way a dominant part of the soundscape but primarely used to color the music and provide some variation and an epic atmosphere.

The whole thing reeks melancholy but also a strange romantic and epic atmosphere (in the case of "The Mirror Waters" there´s even a few nods towards middle eastern music). An atmosphere often created by the omnipresent keyboards/piano. The guitars play slow- to mid-paced doomy riffs and are complimented by the heavy drumming. The bass is quite audible which isn´t always the case on death metal oriented releases, but here it´s audible and makes a difference. There are lead guitar parts on the album but they are actually not a dominant element of The Gathering´s sound as most lead parts and atmosphere enhancing parts are created by the keyboards/piano. It´s quite unusual for the time, and definitely what makes The Gathering stand out on the early 90s death/doom metal scene.

The tracks are generally interesting and feature enough sections and ideas (other than regular vers/chorus parts) to keep the listener entertained and intrigued throughout. The sound production is decent but not great. There are some issues with the balance between the instruments with especially the guitars often being drowned in the soundscape and the keyboards being very loud. It´s not a major issue and "Always..." is still a listenable release, but it could arguably have been better sounding.

So that minor issue out of the way "Always..." is overall a good quality death/doom metal release and it´s quite unique too because of how dominant the keyboards/piano are. Not all artists are able to create such a unique sound on their first album. The Gathering were of course far from being finished developing their sound and style and the next many albums (including this one) can be viewed as transitional releases. A 3.5 star (70%) rating is deserved.

death-doom metal movie reviews

PARADISE LOST Live Death

Movie · 2004 · Death-Doom Metal
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martindavey87
Considering this was actually released on VHS in 1990, Paradise Lost must surely overestimate the passion and loyalty of their fan club. Filmed in Bradford in 1989 to coincide with the band’s debut album, this is a 30-minute video of the band playing on stage. They barely move around, you barely see glimpses of the crowd, and in fact, you barely see vocalist Nick Holmes’ face due to his shaggy hair constantly covering it.

I’m not really a fan of their earlier, death metal growly material anyway, but even if I was, this video isn’t enjoyable or interesting to watch at all. Re-released in 2004 on DVD, this isn’t worth the 50p I spent on it if not for the fact that I do, in fact, actually like this band, and have a compulsive obsession to own everything a band puts out.

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