Progressive Metal

MetalMusicArchives.com — the ultimate metal music online community, with discographies, reviews and forums

Progressive metal, more commonly know as prog metal, is characterized by genre transgression and instrumental virtuosity. Its signature features are guitar driven songs that have complex time signatures and very intricate playing.

Progressive metal as a genre is associated with acts such as Dream Theater, Fates Warning and Queensrÿche, who had their heyday in the early 1990s, but progressive elements have been fused into metal virtually since the inception of metal. For instance, on their early releases, Black Sabbath would incorporate jazzy passages into their compositions, while also drawing on other genres, and many proto-metal acts also had backgrounds in progressive rock and heavy psychedelic rock. In the early to mid 1980s, some NWoBHM groups, such as Iron Maiden would find direct inspiration in progressive rock acts like Genesis, Yes, and King Crimson and incorporate progressive elements, such as complex song structures, twin guitars and changes in time and tempo into their style, while the cult band Mercyful Fate were known for blatantly disregarding the conventions of composition in popular music, opting for complex and unusual song structures.

So, progressiveness was a part of metal since the inception of the genre, but it was not until the late 1980s and mid 1990s as bands like Watchtower, Fates Warning, Queensrÿche, Psychotic Waltz, and Dream Theater that progressive metal became established as an independent subgenre. These bands would draw both on previously established metal genres, like NWOBHM, and progressive rock acts of the 1960s, 70s and 80s. Especially Dream Theater would become iconic of the genre, and their instrumentation, which includes prominent keyboards, became the blueprint for many progressive metal bands to follow. The music that came out was very diverse and even symphonic at times. Not all of it was overly technical, though some bands such as Dream Theater were very technical, while others, like Fates Warning and Watchtower emphasized odd time signature. Psychotic Waltz incorporated psychedelia into their sound, and Queensrÿche began to operate with complex lyrical themes.

After progressive metal had been somewhat popular for some time, it began to take on more extreme forms such as progressive death metal, and so on. Bands such as Edge of Sanity and Atheist took prog metal to greater heights with their infusion of prog and death metal. Atheist also added a jazz/fusion sound to their music to make it true progressive death metal, as did Pestilence on their jazz-influenced Spheres. Also during this time, bands such as Opeth and Voivod changed their style to a more progressive sound. While Voivod changed in the early 1990’s, Opeth became a more progressive metal band in the late 1990’s which was probably an effect of the progressive metal movement that was going on at the time. Some already established metal acts in other genres would similarly cross over into progressive metal territory, such as Savatage, who - although having a background in traditional metal and power metal - released several progressive metal albums. In parallel with the development of progressive extreme metal genres, many power metal acts would take their music in a more progressive direction, resulting in the subgenre of progressive power metal (which is included under power metal here at the MMA) some of which, like Kamelot and Savatage, would eventually become fully fledged progressive metal acts.

Most bands in the progressive metal genre have their own unique style; whether it is more spacey, more symphonic, or more technical while others follow the Dream Theater configuration to a smaller or greater extent (these are sometimes referred to as 'traditional progressive metal' bands), but they all have an equal balance between the influences. Over the years progressive metal has gained the title of having longer songs then regular metal, and while this is mostly true, it isn’t always.

These bands are here because they are different, in a sense, than regular metal bands because they not only include metal but different genres as well, such as jazz/fusion, prog rock, and classical music, and put them all together to make an enjoyable sound. Bands and releases who include progressive elements in their music, but whose central sound is more firmly anchored in another genre are placed in that genre - for instance, Enslaved, whose style is progressive and experimental but still quite firmly based in their black metal roots, are placed in the black metal category, while mathcore and progressive metalcore bands are placed in metalcore.

Sub-genre collaborators (shared with Avant-Garde Metal):
  • siLLy puPPy
  • DippoMagoo
  • Sisslith
  • adg211288

progressive metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

THRESHOLD Legends Of The Shires Album Cover Legends Of The Shires
THRESHOLD
4.76 | 19 ratings
Buy this album from MMA partners
OPETH Still Life Album Cover Still Life
OPETH
4.46 | 208 ratings
Buy this album from MMA partners
DREAM THEATER Images and Words Album Cover Images and Words
DREAM THEATER
4.45 | 251 ratings
Buy this album from MMA partners
ANUBIS GATE Horizons Album Cover Horizons
ANUBIS GATE
4.60 | 23 ratings
Buy this album from MMA partners
QUEENSRŸCHE Operation: Mindcrime Album Cover Operation: Mindcrime
QUEENSRŸCHE
4.43 | 181 ratings
Buy this album from MMA partners
HAKEN The Mountain Album Cover The Mountain
HAKEN
4.45 | 82 ratings
Buy this album from MMA partners
MESHUGGAH I Album Cover I
MESHUGGAH
4.45 | 49 ratings
Buy this album from MMA partners
RIVERSIDE Anno Domini High Definition Album Cover Anno Domini High Definition
RIVERSIDE
4.40 | 90 ratings
Buy this album from MMA partners
TOOL Lateralus Album Cover Lateralus
TOOL
4.38 | 145 ratings
Buy this album from MMA partners
JOHN ARCH A Twist of Fate Album Cover A Twist of Fate
JOHN ARCH
4.53 | 21 ratings
Buy this album from MMA partners
AMORPHIS Under The Red Cloud Album Cover Under The Red Cloud
AMORPHIS
4.46 | 32 ratings
Buy this album from MMA partners
AYREON The Human Equation Album Cover The Human Equation
AYREON
4.37 | 98 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

progressive metal online videos

progressive metal New Releases

.. Album Cover
Duél
Album
JINJER
Buy this album from MMA partners
.. Album Cover
Duél
Single
JINJER
Buy this album from MMA partners
.. Album Cover
Ascension
Album
MIRAR
Buy this album from MMA partners
.. Album Cover
Parasomnia
Album
DREAM THEATER
Buy this album from MMA partners

progressive metal Music Reviews

DREAM THEATER Parasomnia

Album · 2025 · Progressive Metal
Cover art Buy this album from MMA partners
Warthur
Talk about your dramatic turns of events! With Mike Portnoy returning to Dream Theater out of the blue and Mike Mangini bowing out with good grace (so far as we can tell), expectations where high for this album. It's not that the Mangini era of the band is outright bad, so much as it's rather mixed; A Dramatic Turn of Events was pretty solid, but their self-titled album was less celebrated and The Astonishing met with a serious backlash.

Notably, with the latter they abandoned their usual full-band collaborative approach to songwriting, Petrucci and Rudess handling all the music themselves and Petrucci writing the lyrics solo, further contributing to the sense that the well-honed Dream Theater creative engine wasn't quite working as it should. Then again, Distance Over Time and A View From the Top of the World seemed to find the band back on an upward swing - the question was, would the return of Portnoy reinvigorate the band or disrupt them just as their creative process was recovering from the weird experiment of The Astonishing?

Before you even get to the music here, you're confronted with cover art that seems designed specifically to build high expectations. Sure, it's a spookier, gloomier image than we've become used to from Dream Theater (though not so much that it feels completely uncharacteristic), but what really jumps out about it is that it's a big riff on the Images and Words cover; we've got an older girl stood next to her bed, and whilst the surreal features of the Images and Words cover suggested the colourful imagery of dream, here we're stepping more into the realm of nightmare.

So not only is this Portnoy's big comeback, but it's being set up as this big thematic sequel to the band's breakthrough album - if Images and Words was Songs of Innocence, this is Songs of Experience. Lyrically and thematically, this continues right into the album itself; "Parasomnia" is a term for a particular category of sleep disorders, and the songs here are all about sleep paralysis, nightmares, and other things of that nature. It's not a narrative concept album so far as I can tell, but it's definitely a thematic one, with the band taking us all on a thrilling trip through the realm of nightmare.

If the album's cover and lyrics showcase thematic unity, the credits suggest the return of the fivefold creative partnership responsible for the success of this lineup's successful run from Metropolis Part II to Black Clouds & Silver Linings. To the extent that Mangini got credits for songwriting, he did because Dream Theater typically share the credit for all of their musical compositions and generally only go for individual credits when it comes to song lyrics - which Mangini notably contributed much less of than Portnoy had. Portnoy's back on the lyrics again here, and one can only assume that he's settled back into making contributions to the musical compositions too, since all five men in this lineup had become well-used to workshopping ideas with each other.

All of this show of unity and co-operation would come to nothing if the music didn't hold together of course, and I'm happy to report that this is a decidedly strong Dream Theater album. It's not on the level of albums I'd personally put on the absolute tippy-top tier of the band's output - Images & Words, Metropolis Part II, and Octavarium - but it's a decidedly solid effort which refreshes their customary style with the combination of a well-defined and tightly targeted atmosphere and mood on the one hand, and on the other an injection of a few more gleeful retro-prog influences into the mix than we've heard on recent albums from the group.

One suspects Portnoy may have had a hand in that, given that he'd spent much of his time away from the group working with Neal Morse (both on Morse's own projects as bandleader and in more collaborative contexts like Transatlantics), and anyone who's that keen to keep contributing to Neal's prog projects probably has a healthy appetite for old-school prog stuff, but at the same time this isn't so much of a divergence from A View From the Top of the World as to represent an outright repudiation of that album, or the Mangini era as a whole.

Really, my biggest criticism of it is the needless Images and Words nod on the front cover - I think it's silly of the band to implicitly invite such comparisons when this isn't really a throwback to that era. The group aren't rewinding the clock here or pretending the last few albums didn't happen - they aren't hopping back to a pre-Mangini period, it's more like Mangini tagging out and Portnoy tagging in back in, the group carrying the lessons learned forward. It remains to be seen whether this new era of the band will have the staying power of the last time this particular lineup was all together - like I said, the Mangini era did start strong before it got into the weeds a little - but whilst this isn't a revolution in the band's sound, it's still a promising start.

RED CIRCUIT Haze of Nemesis

Album · 2014 · Progressive Metal
Cover art Buy this album from MMA partners
martindavey87
‘Haze of Nemesis’ is the third album by German progressive metal band Red Circuit. It was released in 2014, five years after its predecessor, and follows on exactly where the band left off, with plenty of explosive, high-energy tracks, centred around massive sounding guitar riffs, atmospheric keyboards and the incredibly powerful voice of renowned Sri Lankan singer, Chity Somapala.

Unlike the bands previous two outings though, ‘Haze…’ does seem a bit samey after a while. That’s not to say it’s bad, but this sounds almost identical to everything the band has done before, and the seeming lack of variety does get a repetitive.

Still, it’s not all bad, as there are some absolute bangers here. ‘Oceans Apart’, ‘My Lonely Heaven’, ‘Serpent’s Smile’, ‘Believing a Lie’ and a cover of Peter Gabriel’s ‘Digging in the Dirt’ are all fantastic reasons to give this album a chance. And with a great production that really makes every song sound absolutely huge, there’s no denying that, although the band stick to their established formula, they do it very well. So why change what isn’t broken?

PAIN OF SALVATION The Perfect Element, Part 1

Album · 2000 · Progressive Metal
Cover art Buy this album from MMA partners
SilentScream213
Used is an enigmatic album opener that commences with what can only be described as almost spoken-word rapped Nu Metal. Right from there, I was a bit turned off. Not that I dislike Nu Metal, but it was the last thing I was expecting on a Pain of Salvation album, and it wasn’t particularly good Nu Metal either. The song changes style multiple times, and each time it shifts back to Nu Metal, I’m like “what the heck.” It just sounds… ugly.

I listened to the album passively a few times, and while the rest was quite good and lush Progressive Metal (with not even an iota of Nu Metal beyond the first track), it still wasn’t really grabbing me. It was settling as another one of those “good, but not great” sort of albums that so often pass us by.

Then I listened to it during my bike ride to work (frigid cold November), which is a great opportunity to really focus on the music. The first track comes on again, and I’m really hearing the lyrics this time… holy moly, is this about child sexual abuse? That’s… really dark. The second track comes on… again, I’m hearing it. This is when I register this album is not only far darker and more serious than I had thought, but it was also most likely a concept album. I continued following the lyrics, and it is hard to follow without knowing the layout beforehand, but yes, this was certainly a tale of abused children growing into damaged humans…

Everything came together for me on that bike ride. It’s hard to explain, but every single song became this incredibly moving piece, full of deftly written lyricism, passionate delivery, and of course, beautifully layered instrumentation. I think the reason it works just so is because the music is very intertwined with the story, the music changing at the drop of a hat to fit the exact mood driven by the narrative. On unfocused listens, perhaps the songs sound a bit fragmented, perhaps the vocals are a bit difficult to follow because of the occasional odd-timed delivery… or maybe it was just a total miss on my part. Anyway, a focused listen fixed that.

I still think the Nu Metal in the first song sounds ugly. It still sounds out of place. And now, I love it for that. To display the vile horror of child abuse through the angry and damaged child, the music should be ugly, it should be disturbing, it should be fragmented. And the fact this album has so much beauty in it – the persevering innocence and longing of the inner child – it makes the ugly parts stand out even more, balancing the whole package. It’s a masterpiece, an engaging and evocative story from start to finish, and a treasure trove of magnificent musicianship.

BONUS

I really haven’t been able to find a good narrative online for the concept story, so I’ve taken it upon myself to lay it out as best as I can for anyone wanting a clearer perception of the events. Based on a combination of what I have read in various places and my own interpretation of the lyrics (at the end of the day, this is not Word of God, but my opinion).

The story follows He and She, two children (and later adults) who were horrifically abused. The concept deals with their trauma bonding and disturbed development due to their past.

Used: Details how His experience of child sexual and physical abuse has lead to a life of youth violence and drug use to escape His pain.

In the Flesh: Details how Her experience of incestuous child sexual abuse lead to Her running from home, engaging in prostitution, and dissociating to escape Her pain.

Ashes: He and She trauma bond over their experiences and develop a bittersweet relationship in which they finally feel a kinship, but are held back by unresolved trauma and toxicity as they feed off one another’s pain.

Morning on Earth: His need for violence and misanthropy is not ignited around Her, and he feels himself seeing the world for the first time by experiencing her love. The song explores how deep down, they are still just wounded children, longing to love and be loved, but the horrors of the world keep them shut out.

Idioglossia: Him engaging in violence to escape his pain – though it’s unclear if this is current or a flashback. The song explores Him finally realizing that he was damaged and hurt as a child, and trying to figure out what is wrong with him.

Her Voices: He begins to see Her face in all of those He commits violence against, essentially gaining empathy through His love for Her. She develops mental illness due to Her unresolved trauma. This could be literal voices a la schizophrenia, or something closer to paranoid personality disorder, borderline personality disorder, or any mental illness warping her view of reality, and She begins to distrust Him. The cycle of abuse continues through Him as He ends up being abusive (whether physically or verbally/mentally, is unclear) and becoming a contributing factor to “Her Voices.”

Dedication: He experiences the death of his grandfather, the first real loss in His life. The grandfather is never mentioned before or after this song, but it’s apparent here that he was an admirable and safe figure in His life growing up – perhaps the only positive one in His whole life.

King of Loss: Probably the most difficult to decipher song. Could very easily be interpreted as the alienation and victimization of He and She at the hands of those in charge of the world. However, I prefer to take this as Him actually finding a successful career as some soulless politician or other figure of power – making money, acquiring possessions, yet nothing being enough, nothing filling the hole of loss and pain within him.

Reconciliation: He finally “wakes up” and realizes what He’s become. An abuser and user of others, just like those who hurt Him. In this moment of clarity, He tells Her to run from Him and find help.

Song for the Innocent: The inner longing of an innocent child for peace and happiness traded for an adult life of violence, abuse, drugs, corruption…

Falling: The moment of “peace” before He commits suicide. It’s an often-documented phenomenon that when a person is near suicide, they will appear carefree and lighter than normal, likely because they know all burdens will no longer matter soon; this is likely why the song is a short and soft, calming instrumental.

The Perfect Element: Him commits suicide in order to free Her from Him. As he bleeds out on the floor, His life essentially flashes before His eyes. We are given references to previously seen moments, as well as memories never explored here (“Once he would run through the summer days, catching memories for ages to come” – perhaps there were yet times when he was truly just a happy, innocent child?).

ANGRA Temple of Shadows

Album · 2004 · Progressive Metal
Cover art Buy this album from MMA partners
Landovers
This is Angra's best album, the band showcasing a mature, technically excellent sound that's full of heart, creativity and the band's traditional blend of Brazilian styles, in the form of acoustic guitars and chords full of tasty extensions. Every musician is at the top of their game, the compositions distant from the often hard to avoid power metal trappings into uncharted, progressive territory. There's never a dull moment here, not one throw away song. Felipe's bass tone is loud and clear, playing tastefully off the two guitarists Kiko and Rafael who are on a mission here, weaving in and out of solos and harmonies, all backed by Aquiles's tight drumming. Edu's voice matches the instruments in how expressive, dynamic and powerful it is. My favorite songs have evolved over the 20 years since this came out, but the odd time signatures in Angels and Demons, the melodic emotional weight of Waiting Silence, the epic chorus of No Pain for the Dead have stuck as highlights over time. If you like more straightforward melodic power metal, you'll also be very well served by songs like Spread Your Fire, Temple of Hate and Wings of Destination.

AYREON The Human Equation

Album · 2004 · Progressive Metal
Cover art Buy this album from MMA partners
Landovers
This is Ayreon's best album in my book, which is saying a lot. It has the best concept, a ridiculously talented and varied selection of guest singers, and a ton of heart. Absolutely essential to be consumed as an album, in order, the story starts with the protagonist in a coma, wrestling with his emotions (every emotion a different singer, before Pixar's Inside Out had the same idea) to understand what happened to him. Can you spoil a music album? Turns out you can. I urge you to listen for yourself. It's an almost theatrical experience. Great guitar riffs, old school organs and acoustic guitars, a lot of folky moments, and insane vocal harmonies take this album to the stratosphere. I'd say my favorite songs are Day 5 (Voices), Day 11 (Love) and the final trio, but that's pointless: you just have to get there by listening to the whole thing. You won't regret it.

progressive metal movie reviews

DREAM THEATER Score: 20th Anniversary World Tour Live with the Octavarium Orchestra

Movie · 2006 · Progressive Metal
Cover art Buy this album from MMA partners
martindavey87
Following on very closely to the format of 2004’s ‘Live At Budokan’, ‘Score: 20th Anniversary Tour’ is a fantastic DVD for fans of progressive metal icons, Dream Theater.

The first disc features an almost three-hour concert. Beautifully shot, with excellent sound and clear visuals, the band are on top form as always. The set is interesting in that, while touring in support of their ‘Octavarium’ album, (represented here five times), the band also go through various tracks throughout their discography in chronological order. Ending with an orchestra and treating us to ‘Octavarium’, ‘Six Degrees of Inner Turbulence’ and ‘Metropolis Pt. 1’, the set list is fantastic, and certainly differs to other live releases.

Amidst a number of bonus tracks and animated visuals, the true gem on the second disc is an hour-long documentary on the history of the band. While it’s a lot to cram into 60-minutes, this is still an interesting and enjoyable watch, and includes plenty of live footage, interviews and photos.

Rounding up the perfect trilogy of live albums/DVD’s, along with ‘Metropolis 2000…’, and ‘Budokan…’, ‘Score’ is an exceptional release, sure to please fans, and is an absolutely essential addition to every prog collection.

DREAM THEATER Images and Words Live in Tokyo / 5 Years in a LIVEtime

Movie · 2004 · Progressive Metal
Cover art Buy this album from MMA partners
martindavey87
Compiling two previously released Dream Theater VHS’s (they were the days!), this DVD is around three and a half hours of various music videos, live footage and tour diaries. ‘Images and Words…’ focuses on the bands first visit to Japan way back in the early 90’s, while ‘Five Years…’ follows the bands career from around 1994 to 1998, covering the making of the ‘Awake’ and ‘Falling Into Infinity’ albums, as well as the subsequent tours.

There’s plenty of highlights on both discs, besides the abundance of live concert footage, seeing the band members loitering the streets of Japan, in the studio writing, recording, and dilly-dallying, as well as playing covers with guest appearances, there’s a lot here for fans to enjoy.

An added bonus for the dedicated fans are the commentaries for both discs, where the guys are absolutely hilarious in their ability to poke fun at themselves (and each other), and not take anything too seriously. Overall, two fantastic discs in fantastic package, definitely worth owning for any Dream Theater fans.

DREAM THEATER When Dream And Day Reunite

Movie · 2005 · Progressive Metal
Cover art Buy this album from MMA partners
martindavey87
Filmed and released in 2004, ‘When Dream and Day Reunite’ was the first DVD to come out from Dream Theater’s Official Bootlegs series. Paying tribute to the band’s debut album, ‘When Dream and Day Unite’, on its 15th anniversary, this is an interesting look back at the bands first official album. An album which they no longer own the rights to, therefore meaning this is as good as a remix, remaster or re-release that we’ll ever get.

The concert footage is fantastic! Playing their debut album in its entirety, and featuring guest appearances by Derek Sherinian and Charlie Dominici, this is excellent stuff, and well worth watching. The sound and picture are great, and as expected, the performers are all on top form. As well as rehearsal footage and behind-the-scenes commentary, this is all great material for Dream Theater fans.

Then the icing on the cake, a 70-minute “home video” documentary compiled by Mike Portnoy, featuring concert footage and the band discussing their album, all in their early days. This is super interesting to watch, especially seeing them at such a young age. For an “official bootleg”, this DVD has an absolute wealth of material, and is truly a must-have for Dream Theater fans.

DREAM THEATER Live at Budokan

Movie · 2004 · Progressive Metal
Cover art Buy this album from MMA partners
martindavey87
In my opinion, this is without a doubt one of the best live DVD’s ever!

The concert is spot on. The picture and sound are fantastic, the camera angles capture everything perfectly, and the set list, while no doubt being somewhat “dated” now, is still incredible. As you’d expect with Dream Theater, the performances are all breath-taking, not only in the songs themselves, but all the extra jams, solos and whatever else they might throw in during the near-three hour set.

On top of that, there’s a whole wealth of incredible extras that should please anyone who’s ever considered themselves a fan of the progressive metal pioneers. A look at John Petrucci and Jordan Rudess’ gear, a Mike Portnoy drum solo that goes beyond mindless bashing, but fully entertains the audience, a highlights video, a multi-angle version of arguably the most insane instrumental song you’ll ever hear, and the true highlight, a 30-minute documentary of the Japanese tour.

I got this when it first came out, and it totally blew me away back then, as much as it does now. Without any doubt in my mind, this release is absolutely perfect, and definitely one of the all-time greatest live concert DVD’s.

DREAM THEATER Metropolis 2000: Scenes from New York

Movie · 2001 · Progressive Metal
Cover art Buy this album from MMA partners
martindavey87
Promoting their 1999 concept album, ‘Metropolis Pt. 2: Scenes From a Memory’, ‘Metropolis 2000: Scenes From New York’ sees progressive metal giants Dream Theater perform the album in its entirety on stage, coincidentally, in New York! The video and audio are a little dated, but still sounds good regardless, and the visuals are pretty cheesy by today’s standards. But overall, the performances are fantastic and fans of the band will definitely enjoy this!

Included is a 25-minute documentary, an hour of “deleted scenes” (basically, more songs!), as well as a photo gallery and a hidden video, this is an excellent release brimming with material. And while the band would go on to perfect this formula with later DVD’s such as ‘Live At Budokan’ and ‘Score’, ‘Metropolis 2000…’ is still an essential addition to the collection of any prog fan.

Artists with Progressive Metal release(s)

MMA TOP 5 Metal ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Master of Puppets Thrash Metal
METALLICA
Buy this album from our partners
Paranoid Heavy Metal
BLACK SABBATH
Buy this album from our partners
Moving Pictures Hard Rock
RUSH
Buy this album from our partners
Powerslave NWoBHM
IRON MAIDEN
Buy this album from our partners
Rising Heavy Metal
RAINBOW
Buy this album from our partners

New Metal Artists

New Metal Releases

Chapter IV Power Metal
TWINS CREW
Buy this album from MMA partners
Fear Fades, Regret Remains Metalcore
RUNNING WITH SCISSORS
Buy this album from MMA partners
The Sky, The Earth & All Between Metalcore
ARCHITECTS
Buy this album from MMA partners
Everything You Never Wanted To See Deathcore
BODY PRISON
Buy this album from MMA partners
This World Is Of Blood Deathcore
BIND THE SACRIFICE
Buy this album from MMA partners
More new releases

New Metal Online Videos

Mirrors - Running With Scissors (Official)
RUNNING WITH SCISSORS
Bosh66· 1 day ago
More videos

New MMA Metal Forum Topics

More in the forums

New Site interactions

More...

Latest Metal News

members-submitted

More in the forums

Social Media

Follow us