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Progressive metal, more commonly know as prog metal, is characterized by genre transgression and instrumental virtuosity. Its signature features are guitar driven songs that have complex time signatures and very intricate playing.
Progressive metal as a genre is associated with acts such as Dream Theater, Fates Warning and Queensrÿche, who had their heyday in the early 1990s, but progressive elements have been fused into metal virtually since the inception of metal. For instance, on their early releases, Black Sabbath would incorporate jazzy passages into their compositions, while also drawing on other genres, and many proto-metal acts also had backgrounds in progressive rock and heavy psychedelic rock. In the early to mid 1980s, some NWoBHM groups, such as Iron Maiden would find direct inspiration in progressive rock acts like Genesis, Yes, and King Crimson and incorporate progressive elements, such as complex song structures, twin guitars and changes in time and tempo into their style, while the cult band Mercyful Fate were known for blatantly disregarding the conventions of composition in popular music, opting for complex and unusual song structures.
So, progressiveness was a part of metal since the inception of the genre, but it was not until the late 1980s and mid 1990s as bands like Watchtower, Fates Warning, Queensrÿche, Psychotic Waltz, and Dream Theater that progressive metal became established as an independent subgenre. These bands would draw both on previously established metal genres, like NWOBHM, and progressive rock acts of the 1960s, 70s and 80s. Especially Dream Theater would become iconic of the genre, and their instrumentation, which includes prominent keyboards, became the blueprint for many progressive metal bands to follow. The music that came out was very diverse and even symphonic at times. Not all of it was overly technical, though some bands such as Dream Theater were very technical, while others, like Fates Warning and Watchtower emphasized odd time signature. Psychotic Waltz incorporated psychedelia into their sound, and Queensrÿche began to operate with complex lyrical themes.
After progressive metal had been somewhat popular for some time, it began to take on more extreme forms such as progressive death metal, and so on. Bands such as Edge of Sanity and Atheist took prog metal to greater heights with their infusion of prog and death metal. Atheist also added a jazz/fusion sound to their music to make it true progressive death metal, as did Pestilence on their jazz-influenced Spheres. Also during this time, bands such as Opeth and Voivod changed their style to a more progressive sound. While Voivod changed in the early 1990’s, Opeth became a more progressive metal band in the late 1990’s which was probably an effect of the progressive metal movement that was going on at the time. Some already established metal acts in other genres would similarly cross over into progressive metal territory, such as Savatage, who - although having a background in traditional metal and power metal - released several progressive metal albums. In parallel with the development of progressive extreme metal genres, many power metal acts would take their music in a more progressive direction, resulting in the subgenre of progressive power metal (which is included under power metal here at the MMA) some of which, like Kamelot and Savatage, would eventually become fully fledged progressive metal acts.
Most bands in the progressive metal genre have their own unique style; whether it is more spacey, more symphonic, or more technical while others follow the Dream Theater configuration to a smaller or greater extent (these are sometimes referred to as 'traditional progressive metal' bands), but they all have an equal balance between the influences. Over the years progressive metal has gained the title of having longer songs then regular metal, and while this is mostly true, it isn’t always.
These bands are here because they are different, in a sense, than regular metal bands because they not only include metal but different genres as well, such as jazz/fusion, prog rock, and classical music, and put them all together to make an enjoyable sound. Bands and releases who include progressive elements in their music, but whose central sound is more firmly anchored in another genre are placed in that genre - for instance, Enslaved, whose style is progressive and experimental but still quite firmly based in their black metal roots, are placed in the black metal category, while mathcore and progressive metalcore bands are placed in metalcore.
Sub-genre collaborators (shared with Avant-Garde Metal): - siLLy puPPy
- DippoMagoo
- Sisslith
- adg211288
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Album · 2018 ·
Progressive Metal
UMUR
"Imperium" is the third full-length studio album by Swedish metal act Memfis. The album was independently released in November 2018. It´s the successor to "Vertigo" from 2011, although the two full-length studio albums are bridged by the 2013 "Silva" EP. "Imperium" is a concept release featuring lyrics which are stories describing different stages of a civilization.
Stylistically Memfis continue to play a progressive post-hardcore/metalcore style, with both nods toward artists like Burst, Mastodon, Gojira, and Metallica, as well nods toward 70s progressive rock. They operate in a musical area which isn´t just described with a single genre tag. So, "Imperium" is for the musically adventurous listener. Those who enjoy their music dynamic and featuring both heavy aggressive parts and mellow/atmospheric progressive rock parts presented within reasonably assessible song structures. Memfis have been building towards this sound throughout their discography and "Imperium" is the culmination of that development.
"Imperium" features a well sounding, powerful, and detailed production, which suits the material well. The band are well playing too and the vocal part of the sound is pretty varied, ranging from aggressive hardcore screaming, to semi-death metal growling, to clean vocals (all male). Memfis have included a session saxophone player to a couple of tracks, which is quite effectful and adds even more variation to their already eclectic sound (which in addition to vocals, guitar, bass, and drums also features synths, piano, and mellotron). "Imperium" is upon conclusion a high quality release from Memfis and a 3.5 star (70%) rating is deserved.
Album · 2011 ·
Progressive Metal
UMUR
"Vertigo" is the second full-length studio album by Swedish metal act Memfis. The album was independently released in October 2011. It´s the successor to "The Wind-Up" from 2006. There have been two lineup changes since the predecessor as guitarist/vocalist Johan Boqvist has been replaced by Daniel Götstedt and bassist Christian Öhberg has been replaced by Henrik Hedelund. "Vertigo" was actually recorded in 2008, but as a consequence of a longer legal battle with Memfis former label, they weren´t able to release "Vertigo" until 2011. At that point they were done with record labels, and therefore opted to self-release "Vertigo".
Just as the case was on "The Wind-Up", Memfis play a pretty eclectic type of hardcore/metal on "Vertigo". Post-hardcore, metalcore, technical death/sludge (not completely unlike listening to early Mastodon), and progressive metal songwriting coplexity are some of the ingredients of the band´s sound. Contemporary Swedish act Burst is the most valid reference to my ears, but Memfis as described take influences from a lot of different sources. The vocals are predominantly aggressive hardcore shouting/screaming, but the album also features clean vocal sections. The musicianship is on a high level on all posts and it´s audible that Memfis is a well playing and skilled unit.
The diversity of the output and the intriguing songwriting, which make the music a bit difficult to properly describe, are great assets of "Vertigo" and keep the listener on his/her toes for the duration of the album. The unpredictability within otherwise relatively regular length songs is not the least bit confusing though, as Memfis seamlessly weave all the elements together into a cohesive musical style. Featuring a professional, powerful, and detailed sound production that part of the album is also an asset. A 3.5 star (70%) rating is deserved.
Album · 2024 ·
Progressive Metal
UMUR
"Memoria Viva" is the third full-length studio album by Spanish, Barcelona based progressive death metal act White Stones. The album was released through Reigning Phoenix Music in June 2024. It´s the successor to "Dancing into Oblivion" from August 2021 and features the same quartet lineup who recorded the predecessor. Bassist Martín Méndez (who also plays rhythm guitars on this release) is known as the long-standing bassist in Swedish progressive death metal band Opeth (only Mikael Åkerfeldt has been with the band longer than Méndez), and Méndez involvement in White Stones has of course provided the band with publicity other similar artists maybe haven´t had the opportunity to receive.
When that is said White Stones fully deserves to be mentioned as an interesting and worthwhile progressive death metal act regardless of Méndez involvement with the project. White Stones of course can´t escape some comparisons to Opeth, but although both Opeth and White Stones are at their core progressive death metal artists and some of Méndez playing style and Opeth involvement shine through here and there while listening to "Memoria Viva" (and on the two preceding album releases from White Stones), White Stones actually sound very little like the more well known and prolific Swedish act (despite Opeth keyboard player Joakim Svalberg also guesting, making the Opeth connection even stronger).
One of the core elements of White Stones' sound are the heavy organic grooves of the music. There´s an earthy, at times psychedelic, and quite creative touch to the band´s songwriting, and although heavy death metal riffs and growling/harsh Spanish lyric vocals are part of said sound, "Memoria Viva" is actually more an atmospheric and experimental progressive metal album than a death metal/black metal ditto. 70s hard rock and progressive rock, and 60s psychedelic heavy rock are all music styles which have influenced the sound of "Memoria Viva". Paired with the extreme metal elements it makes for an interesting and relatively unique listen. Maybe Enslaved at their most space rock/progressive metal mood could be mentioned as a reference. The tracks will take you through different musical landscapes and dynamics and although they are reasonably accessible, they do take a few listens to sink in. A good example of the diversity of the album is a track like the 6:58 minutes long "Humanoides". But even before we reach the halfway point of the album "D-Generación" has introduced a melodic aspect of the band´s sound and "Zamba de Orun" showcase flute playing (courtesy of session musician José Ignacio Lagos) and both classical music influences as well as an obvious nod towards Jethro Tull.
"Memoria Viva" features a powerful, organic, and detailed sound production, which suits the material perfectly. This is a high quality release through and through. The songwriting is intriguing and varied, the musicianship is on a high level, and topped off with a well sounding production job like this one, "Memoria Viva" continues the streak of high quality musicial output and fans of adventurous progressive metal with growling/snarling vocals should take note of this album. A 4 star (80%) rating is deserved.
Movie · 2006 ·
Progressive Metal
martindavey87
Following on very closely to the format of 2004’s ‘Live At Budokan’, ‘Score: 20th Anniversary Tour’ is a fantastic DVD for fans of progressive metal icons, Dream Theater.
The first disc features an almost three-hour concert. Beautifully shot, with excellent sound and clear visuals, the band are on top form as always. The set is interesting in that, while touring in support of their ‘Octavarium’ album, (represented here five times), the band also go through various tracks throughout their discography in chronological order. Ending with an orchestra and treating us to ‘Octavarium’, ‘Six Degrees of Inner Turbulence’ and ‘Metropolis Pt. 1’, the set list is fantastic, and certainly differs to other live releases.
Amidst a number of bonus tracks and animated visuals, the true gem on the second disc is an hour-long documentary on the history of the band. While it’s a lot to cram into 60-minutes, this is still an interesting and enjoyable watch, and includes plenty of live footage, interviews and photos.
Rounding up the perfect trilogy of live albums/DVD’s, along with ‘Metropolis 2000…’, and ‘Budokan…’, ‘Score’ is an exceptional release, sure to please fans, and is an absolutely essential addition to every prog collection.
Movie · 2004 ·
Progressive Metal
martindavey87
Compiling two previously released Dream Theater VHS’s (they were the days!), this DVD is around three and a half hours of various music videos, live footage and tour diaries. ‘Images and Words…’ focuses on the bands first visit to Japan way back in the early 90’s, while ‘Five Years…’ follows the bands career from around 1994 to 1998, covering the making of the ‘Awake’ and ‘Falling Into Infinity’ albums, as well as the subsequent tours.
There’s plenty of highlights on both discs, besides the abundance of live concert footage, seeing the band members loitering the streets of Japan, in the studio writing, recording, and dilly-dallying, as well as playing covers with guest appearances, there’s a lot here for fans to enjoy.
An added bonus for the dedicated fans are the commentaries for both discs, where the guys are absolutely hilarious in their ability to poke fun at themselves (and each other), and not take anything too seriously. Overall, two fantastic discs in fantastic package, definitely worth owning for any Dream Theater fans.
Movie · 2005 ·
Progressive Metal
martindavey87
Filmed and released in 2004, ‘When Dream and Day Reunite’ was the first DVD to come out from Dream Theater’s Official Bootlegs series. Paying tribute to the band’s debut album, ‘When Dream and Day Unite’, on its 15th anniversary, this is an interesting look back at the bands first official album. An album which they no longer own the rights to, therefore meaning this is as good as a remix, remaster or re-release that we’ll ever get.
The concert footage is fantastic! Playing their debut album in its entirety, and featuring guest appearances by Derek Sherinian and Charlie Dominici, this is excellent stuff, and well worth watching. The sound and picture are great, and as expected, the performers are all on top form. As well as rehearsal footage and behind-the-scenes commentary, this is all great material for Dream Theater fans.
Then the icing on the cake, a 70-minute “home video” documentary compiled by Mike Portnoy, featuring concert footage and the band discussing their album, all in their early days. This is super interesting to watch, especially seeing them at such a young age. For an “official bootleg”, this DVD has an absolute wealth of material, and is truly a must-have for Dream Theater fans.
Movie · 2004 ·
Progressive Metal
martindavey87
In my opinion, this is without a doubt one of the best live DVD’s ever!
The concert is spot on. The picture and sound are fantastic, the camera angles capture everything perfectly, and the set list, while no doubt being somewhat “dated” now, is still incredible. As you’d expect with Dream Theater, the performances are all breath-taking, not only in the songs themselves, but all the extra jams, solos and whatever else they might throw in during the near-three hour set.
On top of that, there’s a whole wealth of incredible extras that should please anyone who’s ever considered themselves a fan of the progressive metal pioneers. A look at John Petrucci and Jordan Rudess’ gear, a Mike Portnoy drum solo that goes beyond mindless bashing, but fully entertains the audience, a highlights video, a multi-angle version of arguably the most insane instrumental song you’ll ever hear, and the true highlight, a 30-minute documentary of the Japanese tour.
I got this when it first came out, and it totally blew me away back then, as much as it does now. Without any doubt in my mind, this release is absolutely perfect, and definitely one of the all-time greatest live concert DVD’s.
