Non-Metal

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Not every band on Metal Music Archives exclusively plays within a metal or metal related sub-genre. Some start as such only to later leave their old sound behind, others become relevant to the site later in their careers. Some bands like to release one-off experiments. The Non-Metal tag on MMA is used to cover releases that are completely removed from metal music in style, so in a sense is a catch-all sub-genre for releases that don't fit anywhere else.

Sometimes, artists will be added under non-metal exclusively due to being related to the metal genre and scene by association with metal artists, such as the symphonic prog act Transatlantic who feature the former Dream Theater drummer Mike Portnoy, the ambient project Neptune Towers by Darkthrone's Fenriz or the folk band Fejd, who have members who are/have been with a couple of different metal bands (Fejd later became metal themselves, but were accepted on MMA long before that). Such artists are typically covered by the metal media due to this association with the scene, and are as such included on MMA for the same reasons.

Mostly however this tag will be used for releases belonging to other genres by metal (or other metal related) artists, such as Opeth's progressive rock albums Damnation and Pale Communion or Elvenking's folk/folk rock album Two Tragedy Poets.

- Written by adg211288 (August 2015).

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non-metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

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BEARDFISH Sleeping in Traffic: Part Two Album Cover Sleeping in Traffic: Part Two
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SPOCK'S BEARD Brief Nocturnes and Dreamless Sleep Album Cover Brief Nocturnes and Dreamless Sleep
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KILLING JOKE Night Time Album Cover Night Time
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SPOCK'S BEARD The Light Album Cover The Light
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KILLING JOKE Killing Joke (Debut) Album Cover Killing Joke (Debut)
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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non-metal Music Reviews

SEIGMEN Metropolis

Album · 1995 · Non-Metal
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UMUR
"Metropolis" is the third full-length studio album by Norwegian rock act Seigmen. The album was released through the 1:70 label in October 1995. It´s the successor to "Total" from 1994. The original album release features Norwegian language lyrics, but the band released an English language version of the album in February 1996 titled "Metropolis – The Grandmaster Recordings". Probably as an attempt to have a breakthrough outside of Scandinavia. "Metropolis" is Seigmen´s most commercially successful release and although it´s not a mainstrean seeking rock album, it is overall more accessible than the two albums which precede it.

Stylistically the music is dark, heavy (not in a heavy metal fashion), and melancholic rock and although this is generally a bit more harder edged and energetic, I´m often reminded of The Cure albeit with Norwegian lyrics. Lead vocalist Alex Møklebust, whispers, sings emotional parts, and at times a bit more raw, and his voice and singing style are great for this style of music. The bass is a prominent instrument in Seigmen´s music and along with the two guitars create a gloomy and depressive atmosphere. The drums are dynamic and perfectly compliment both the softer parts of the music as well as the louder and more hard rocking sections.

Among the highlights on the 11 track, 57:38 minutes long album are the opening title track, the anthemic "Slaver av solen", the beatiful instrumental "Circus", and the 11:47 minutes long closing track "Nemesis" (which does end with 3 minutes of annoying feedback noise, but is otherwise a great track). Every track on the album is worth a mention though, and "Metropolis" is through and through a quality release. That feeling is further enhanced by the incredibly well sounding production job, which is both powerful, detailed, and suiting the music perfectly. A 4 star (80%) rating is deserved.

KING GIZZARD AND THE LIZARD WIZARD Willoughby's Beach

EP · 2011 · Non-Metal
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UMUR
"Willoughby's Beach" is the second EP recording by Australian, Melbourne based experimental music act King Gizzard & The Lizard Wizard. The EP was independently released in October 2011. Featuring 9 tracks and a total playing time of 22:52 it´s King Gizzard & The Lizard Wizard´s first longer release and it´s obviously also a more professional and varied release than the earlier recordings by the band.

Stylistically the material on "Willoughby's Beach" however follows in the footsteps of the psychedelic/garage/surf rock style of the preceding releases. The sound production on the EP is just of a slightly better sound quality than the rehearsal room quality recordings of the earlier releases, although definitely still a bit on the lo-fi side of recordings. The material is nothing out of the ordinary for the genre, and although King Gizzard & The Lizard Wizard are obviously a well playing band, they didn´t produce music at this point which made them stand out or be noticed. A 2.5 (50%) rating is warranted.

HAIL SPIRIT NOIR Mannequins

Album · 2021 · Non-Metal
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UMUR
"Mannequins" is the fifth full-length studio album by Greek progressive metal act Hail Spirit Noir. The album was released through Agonia Records in September 2021. It´s the successor to "Eden in Reverse" from 2020. "Mannequins" is an experimental release from Hail Spirit Noir as it only features half the sextet lineup who recorded "Eden in Reverse". Not because the other half of the lineup has quit Hail Spirit Noir, but because keyboardists Haris and Sakis Bandis, and lead vocalist Cons Marg have recorded "Mannequins" as a trio using only keyboards/synths and vocals.

So "Mannequins" features no regular rock instrumentation and no ties to the band´s black metal past or even their more recent psychedelic/progressive/space rock output. The band have stated in interviews that this is probably a one-off experimental release, and that they´ll most likely return to more familiar territories on the next album release (which they did with "Fossil Gardens" from June 2024). The idea to release a synthwave release was probably born during the COVID-19 lockdown, and it makes sense that this sort of release could be conceived under such circumstances.

The band had a self-made 80s influenced slasher/horror story script in mind while writing the music featured on "Mannequins" and it´s to be listened to as a soundtrack album to that sort of movie. Keeping in mind that it´s the premise of the music, Hail Spirit Noir succeed very well in that mission. This is John Carpenter and Goblin type synth horror music, which is predominantly instrumental. The title track and the synth disco beat track "Enter Disco Inferno" feature vocals though, and both are among the highlights of the album. The remaining tracks are great too with simple eerie synth melodies and programmed drum beats. Although not completely similar it´s interesting to note that Ulver released their horror movie themed synthwave album "Scary Muzak" just a month after "Mannequins" came out. It may just be a coincidence, but maybe it´s a contemporary trend.

"Mannequins" is a well produced release and while it´s sometimes almost a bit too simple and one-dimensional, it´s still a well-made, well performed, and interesting release. At least Hail spirit Noir hit all the right notes to trigger my imagination in terms of visioning how the imaginary movie scenes play out during the various tracks, and I guess when that´s possible the band have done something right. This may not be a release for the "regular" fans of Hail Spirit Noir, but to those who enjoy horror movie synthwave soundtrack music, this one is definitely worth a listen. A 3.5 star (70%) rating is deserved.

KING GIZZARD AND THE LIZARD WIZARD Teenage Gizzard

Boxset / Compilation · 2020 · Non-Metal
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UMUR
"Teenage Gizzard" is a compilation album by Australian, Melbourne based experimental music act King Gizzard & The Lizard Wizard. The compilation was independently released in December 2020. It features 10 tracks and a total playing time of 29:17 minutes. All tracks are culled from the earliest releases by King Gizzard & The Lizard Wizard. All material from Their two 2010 singles, the material from the 2011 "Anglesea" EP, the non-album single track "Trench Foot", and the previously unreleased song "Life is Cool".

All tracks are stylistically psychedelic/garage/surf rock featuring a great energy and rock swagger, but also a relatively lo-fi rehearsal room sound production, which is authentic and provides the material with a raw live energy but also makes it all sound a bit chaotic and simple. The idea to release these rare early recordings is still a good one though, but just be aware that King Gizzard & The Lizard Wizard have evolved a lot since these early recordings. A 2.5 star (50%) rating is warranted.

KING GIZZARD AND THE LIZARD WIZARD Anglesea

EP · 2011 · Non-Metal
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UMUR
"Anglesea" is the first EP recording by Australian, Melbourne based experimental music act King Gizzard & The Lizard Wizard. The EP was independently released in May 2011. King Gizzard & The Lizard Wizard formed in 2010 and released two singles the same year. The title of the EP refers to the name of hometown of lead vocalist/guitarist Stu Mackenzie.

Stylistically the four tracks on "Anglesea" more or less sound like they were recorded at the same sessions as the material found on the two 2010 singles. It´s a similar style of psychedelic/garage/surf rock, played with great energy and skill, and packed in a relatively raw and lo-fi sounding production job. It´s neither the most unique nor the most interesting music in the genre, but like the case was with the preceding single releases, there´s promise here and a 2.5 star (50%) rating is warranted.

non-metal movie reviews

PENDRAGON Past And Presence

Movie · 2007 · Non-Metal
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Warthur
Pendragon's Past and Presence captures a very special concert put on by Pendragon in celebration of the band's history. Recorded in Poland as a special treat for their very appreciative Polish fanbase, the concert saw a host of past members of the band making special guest appearances - with all the current and ex-Pendragon members present taking to the stage for show closer Stan and Ollie (a good call, since the song was essentially written as a goof-off piece to round off the band's sets with a happy party number, much like Marillion's Margaret).

Aside from 2AM from Kowtow (present as one of several encores), the songs here are all vintage Pendragon from their very earliest days - you have all the tracks from The Jewel and the Fly High Fall Far EP here, plus some delicious rarities otherwise only available in inferior versions on the Once Upon a Time In England compilations. Two decades have come and gone since the band recorded the versions of the songs we're most familiar with, and the additional experience really does show. Many of the songs here blow the original studio versions out of the water - even songs which sounded pretty decent on the original recordings, such as The Black Knight.

I'd go so far as to say that this show is, perhaps, the best way to experience Pendragon's material from before The World came out. Certainly, I would strongly encourage people to pick up the limited edition version which comes with a 2CD audio version of the show, because the audio stands up really well on there and I actually find I listen to the CD more than I watch the actual show. The main limitation here is that the material in question is a bit rough and naive, but the band couldn't really fix that without abandoning the idea of a nostalgia show.

ANATHEMA A Moment in Time

Movie · 2006 · Non-Metal
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Conor Fynes
'A Moment In Time' - Anathema (5/10)

First off, might I say that the rating for this work is not based on the music itself. 'A Moment In Time' is being rated here for what it is; a piece of visual media. The songs themselves are amazing, and have been commended as such on other reviews. As far as being a vessel for such beautiful music however, this DVD really comes up short. There are so many errors that make it a sloppy creation, that could have been avoided and corrected had extra care been given.

As far as the musical arrangement goes, things are really good. As well as the band performing, there is a string quartet that plays throughout, as well as a guest appearance from a talented female vocalist. The vocal passion I generally expect from Vincent Cavanagh is a bit lacking here, but that can be forgiven. There's a nice setup here, a beautiful selection of songs, so what could go wrong?

Throughout watching 'A Moment In Time,' I find myself increasingly agitated over the camera work. The camera is fixated on the vocalist, and fails to give a visual mention to either the bass player or rhythm guitarist almost at all!

Another issue is the recording of the sound. For example, during the climax of 'Empty,' the vocals drown out completely for a few seconds. For a band that's had such a high standard of musical quality, my jaw dropped at how they could ever let a DVD release come out to the general public with that sort of negligence.

Despite it's flaws and failure as a professional DVD release however, being an Anathema fan; it's hard to not at least find some enjoyment in it, and there's an CD counterpart included as well! Two stars.

Artists with Non-Metal release(s)

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