Non-Metal

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Not every band on Metal Music Archives exclusively plays within a metal or metal related sub-genre. Some start as such only to later leave their old sound behind, others become relevant to the site later in their careers. Some bands like to release one-off experiments. The Non-Metal tag on MMA is used to cover releases that are completely removed from metal music in style, so in a sense is a catch-all sub-genre for releases that don't fit anywhere else.

Sometimes, artists will be added under non-metal exclusively due to being related to the metal genre and scene by association with metal artists, such as the symphonic prog act Transatlantic who feature the former Dream Theater drummer Mike Portnoy, the ambient project Neptune Towers by Darkthrone's Fenriz or the folk band Fejd, who have members who are/have been with a couple of different metal bands (Fejd later became metal themselves, but were accepted on MMA long before that). Such artists are typically covered by the metal media due to this association with the scene, and are as such included on MMA for the same reasons.

Mostly however this tag will be used for releases belonging to other genres by metal (or other metal related) artists, such as Opeth's progressive rock albums Damnation and Pale Communion or Elvenking's folk/folk rock album Two Tragedy Poets.

- Written by adg211288 (August 2015).

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non-metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

SWANS The Seer Album Cover The Seer
SWANS
4.78 | 9 ratings
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PENDRAGON The Masquerade Overture Album Cover The Masquerade Overture
PENDRAGON
4.62 | 13 ratings
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MOTORPSYCHO The Death Defying Unicorn Album Cover The Death Defying Unicorn
MOTORPSYCHO
4.74 | 7 ratings
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ELOY Ocean Album Cover Ocean
ELOY
4.44 | 17 ratings
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MEAT LOAF Bat Out Of Hell Album Cover Bat Out Of Hell
MEAT LOAF
4.45 | 15 ratings
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PENDRAGON The Window of Life Album Cover The Window of Life
PENDRAGON
4.50 | 12 ratings
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ZZ TOP Tres Hombres Album Cover Tres Hombres
ZZ TOP
4.42 | 16 ratings
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BEARDFISH Sleeping in Traffic: Part Two Album Cover Sleeping in Traffic: Part Two
BEARDFISH
4.89 | 5 ratings
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SPOCK'S BEARD Brief Nocturnes and Dreamless Sleep Album Cover Brief Nocturnes and Dreamless Sleep
SPOCK'S BEARD
4.47 | 12 ratings
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KILLING JOKE Night Time Album Cover Night Time
KILLING JOKE
4.48 | 11 ratings
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SPOCK'S BEARD The Light Album Cover The Light
SPOCK'S BEARD
4.43 | 12 ratings
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KILLING JOKE Killing Joke (Debut) Album Cover Killing Joke (Debut)
KILLING JOKE
4.35 | 14 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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non-metal Music Reviews

ALICE IN CHAINS Sap

EP · 1992 · Non-Metal
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UMUR
"Sap" is an EP release by US heavy/hard rock act Alice in Chains. The EP was released through Columbia Records in February 1992 and it bridges the gap between the band´s debut and second full-length studio albums "Facelift (1990)" and "Dirt (September 1992)". After finishing up their tour supporting "Facelift (1990)", the band went straight to the studio to start recording the track "Would?" for the Cameron Crowe movie "Singles" (June 1992) but in addition to that track the band ended up recording around 10 demo tracks for their next album during the same session. Alice in Chains opted to release 5 of those tracks, which were (mostly) acoustic tracks, as an EP as a gap release between their debut- and sophomore studio albums.

An early version of "Rooster" was recorded during the sessions, but ultimately left off the EP, as the band wanted that song included on "Dirt (1992)". Therefore "Sap" features 5 tracks (one is a hidden track titled "Love Song"). Ann Wilson of Heart guests on a couple of tracks and Chris Cornell (Soundgarden) and Mark Arm (Mudhoney) also guest on "Right Turn".

While "Facelift (1990)" is a bleak, depressive, heavy, and dark affair, "Sap" shows a more mellow and melancholic side of Alice in Chains. This is still not music full of sunshine (which would probably also have felt weird) and "Right Turn" is downright depressive, but the tasteful acoustic arrangements and the skillful performances make "Sap" both a worthy and interesting follow-up release to "Facelift (1990)". As always it´s the vocals and vocal harmonies by lead vocalist Layne Staley and guitarist/backing vocalist Jerry Cantrell (who sings a lot of lead vocals on this EP), which provide the band´s music with its unique character and sound. This is deeply emotional and melancholic music, and the band make sure that their performances match the intensity and passion of the material.

So upon conclusion "Sap" is a nice and different sounding gap release, and also a pretty bold move from such a young band with only one full-length album under their belts, but "Sap" proved to be a huge commercial success for Alice in Chains as it ended up selling more than 500.000 copies. So great was the demand from their fans for new music from them, that Alice in Chains deliberately didn´t do much promotion for the release. No music video was shot for any of the tracks on the EP, and the label didn´t advertise the release in the press either. They just sort of slipped the EP unto the market, and watched what happened. A 3.5 star (70%) rating is deserved, although I´d argue that both the acoustic based tracks on "Dirt (1992)" and on the band´s second acoustic based EP "Jar of Flies (1994)" are overall more complete and interesting material.

ULVER Svidd Neger

Album · 2003 · Non-Metal
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UMUR
"Svidd neger" is a soundtrack album release and the seventh full-length studio album by Norwegian experimental music act Ulver. The album was released through Jester Records in September 2003 and it´s the soundtrack to the original motion picture "Svidd Neger". It´s the successor to "Lyckantropen Themes" from November 2002 (also a soundtrack album release), although the two full-length studio albums are bridged by the August 2003 "A Quick Fix of Melancholy" EP.

Try and imagine how the music style found on the "A Quick Fix of Melancholy" EP would sound if the tracks were more ambient, subtle, and repetitive and you´re halfway there describing the sound of "Svidd neger". It´s a pleasant, atmospheric, and ambient soundtrack release, but it´s also apparent that the music is made to be used as the soundtrack to a film. Because as pleasant and calming it is listening to "Svidd neger" it´s obvious that the music would function better while watching the movie. The dramatic climaxes of "Rock Massif Pt. 1" and "Rock Massif Pt. 2" which are placed around the middle of the album are some of the few examples on the album featuring anything but mellow, subtle, melancholic, and ambient music, although the intriguing "Waltz Of King Karl" arguably also falls under the catagory of being different from the remainder of the album. A few shorter noise tracks also help keep the album varied, but the overall feeling after listening to "Svidd neger" is still that it´s predominantly a mellow, subtle, and melancholic ambient music release.

"Svidd neger" features a well sounding production, and especially the programmed orchestral/string parts sound really well. Upon conclusion "Svidd neger" is a good quality ambient music release from Ulver and it´s obvious that it would make an effective soundtrack too. A 3 star (60%) rating is warranted.

ULVER A Quick Fix Of Melancholy

EP · 2003 · Non-Metal
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UMUR
"A Quick Fix of Melancholy" is an EP release by Norwegian experimental music act Ulver. The EP was released through Jester Records in August 2003. It´s the follow-up release to the November 2002 soundtrack album release "Lyckantropen Themes" and it was released only a month before the release of Ulver´s seventh full-length studio album "Svidd neger" (also a soundtrack album released in September 2003).

Ulver had been experimenting with drone, noise, and ambient music since "Perdition City: Music To An Interior Film" (March 2000) and some experiments worked better than others. With "A Quick Fix of Melancholy" they hit one of their better quality ambient moments. While still being pretty experimental and diverse, the four tracks on the 23:09 minutes long EP have more shape, form, and direction than the more experimental ambient releases which directly precede it. The programmed orchestral parts and the semi-operatic vocals (the fact that there are vocals at all) are a relief after being subjected to the shapeless ambience of the preceding releases. I´ll dare say that "A Quick Fix of Melancholy" is at least occassionally an inviting and easily accessible ambient electronic music release.

Featuring a well sounding production job, intriguing songwriting ideas, and a perfect execution of those ideas, "A Quick Fix of Melancholy" is arguably the most interesting and well made Ulver release from this period of their career. A must listen for fans of Ulver´s ambient output. A 3.5 - 4 star (75%) rating is deserved.

ULVER Lyckantropen Themes

Album · 2002 · Non-Metal
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UMUR
"Lyckantropen Themes" is a soundtrack album release and the sixth full-length studio album by Norwegian experimental music act Ulver. The EP was released through Jester Records in November 2002. It´s the follow up release to the two 2001 EPs "Silence Teaches You How To Sing" (September 2001) and "Silencing The Singing" (December 2001). "Lyckantropen Themes" is the original soundtrack for the short film "Lyckantropen" by Steve Ericsson.

After the two relatively experimental ambient EP releases, "Lyckantropen Themes" is slightly more inviting and easy to digest. It´s of course still an experimental and slow building ambient music release, but the generally shorter song lengths make this soundtrack album an easier listen than the longer and more directless ambient experiments of "Silence Teaches You How To Sing" and "Silencing The Singing". Especially the former is a demaning listen. I guess you could describe "Lyckantropen Themes" as a continuation of the most subtle and ambient moments featured on "Perdition City: Music To An Interior Film" (Ulver´s fifth full-length studio album from March 2000).

"Lyckantropen Themes" is a much less dramatic but unfortunately also less interesting release than "Perdition City: Music To An Interior Film", but for an ambient soundtrack album, it´s certainly a pleasant enough listen. Dark, melancholic, and ambient music, designed to make the listener chill out and float away. A 3 star (60%) rating is warranted.

ULVER Teachings In Silence

Boxset / Compilation · 2002 · Non-Metal
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UMUR
"Teachings In Silence" is a compilation album by Norwegian experimental music act Ulver. The compilation was released through Black Apple in March 2002. It´s a compilation featuring all material from the two 2001 EPs "Silence Teaches You How To Sing" (September 2001) and "Silencing The Singing" (December 2001).

Featuring only four tracks and a total playing time of 52:59 minutes, "Teachings In Silence" is a compilation which is rich in quantity. The 24:05 minutes long title track from "Silence Teaches You How To Sing" opens the compilation and it´s a fragmented ambient electronic oriented track, featuring both drone/noise sections and more melancholic atmospheric sections. The three tracks from the "Silencing The Singing" are slighly more easily accessible and predominantly consist of repetion and subtle dark and melancholic melodies, glitches, and other atmosphere enhancing features.

It´s obvious that Ulver at this point in their career experimentet wildly and dipped their toes in a lot of different genres and stylistic elements. It´s certainly bold, but not necessarily their finest hour. A 2.5 star (50%) rating is warranted.

non-metal movie reviews

PENDRAGON Past And Presence

Movie · 2007 · Non-Metal
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Warthur
Pendragon's Past and Presence captures a very special concert put on by Pendragon in celebration of the band's history. Recorded in Poland as a special treat for their very appreciative Polish fanbase, the concert saw a host of past members of the band making special guest appearances - with all the current and ex-Pendragon members present taking to the stage for show closer Stan and Ollie (a good call, since the song was essentially written as a goof-off piece to round off the band's sets with a happy party number, much like Marillion's Margaret).

Aside from 2AM from Kowtow (present as one of several encores), the songs here are all vintage Pendragon from their very earliest days - you have all the tracks from The Jewel and the Fly High Fall Far EP here, plus some delicious rarities otherwise only available in inferior versions on the Once Upon a Time In England compilations. Two decades have come and gone since the band recorded the versions of the songs we're most familiar with, and the additional experience really does show. Many of the songs here blow the original studio versions out of the water - even songs which sounded pretty decent on the original recordings, such as The Black Knight.

I'd go so far as to say that this show is, perhaps, the best way to experience Pendragon's material from before The World came out. Certainly, I would strongly encourage people to pick up the limited edition version which comes with a 2CD audio version of the show, because the audio stands up really well on there and I actually find I listen to the CD more than I watch the actual show. The main limitation here is that the material in question is a bit rough and naive, but the band couldn't really fix that without abandoning the idea of a nostalgia show.

ANATHEMA A Moment in Time

Movie · 2006 · Non-Metal
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Conor Fynes
'A Moment In Time' - Anathema (5/10)

First off, might I say that the rating for this work is not based on the music itself. 'A Moment In Time' is being rated here for what it is; a piece of visual media. The songs themselves are amazing, and have been commended as such on other reviews. As far as being a vessel for such beautiful music however, this DVD really comes up short. There are so many errors that make it a sloppy creation, that could have been avoided and corrected had extra care been given.

As far as the musical arrangement goes, things are really good. As well as the band performing, there is a string quartet that plays throughout, as well as a guest appearance from a talented female vocalist. The vocal passion I generally expect from Vincent Cavanagh is a bit lacking here, but that can be forgiven. There's a nice setup here, a beautiful selection of songs, so what could go wrong?

Throughout watching 'A Moment In Time,' I find myself increasingly agitated over the camera work. The camera is fixated on the vocalist, and fails to give a visual mention to either the bass player or rhythm guitarist almost at all!

Another issue is the recording of the sound. For example, during the climax of 'Empty,' the vocals drown out completely for a few seconds. For a band that's had such a high standard of musical quality, my jaw dropped at how they could ever let a DVD release come out to the general public with that sort of negligence.

Despite it's flaws and failure as a professional DVD release however, being an Anathema fan; it's hard to not at least find some enjoyment in it, and there's an CD counterpart included as well! Two stars.

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