Non-Metal

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Not every band on Metal Music Archives exclusively plays within a metal or metal related sub-genre. Some start as such only to later leave their old sound behind, others become relevant to the site later in their careers. Some bands like to release one-off experiments. The Non-Metal tag on MMA is used to cover releases that are completely removed from metal music in style, so in a sense is a catch-all sub-genre for releases that don't fit anywhere else.

Sometimes, artists will be added under non-metal exclusively due to being related to the metal genre and scene by association with metal artists, such as the symphonic prog act Transatlantic who feature the former Dream Theater drummer Mike Portnoy, the ambient project Neptune Towers by Darkthrone's Fenriz or the folk band Fejd, who have members who are/have been with a couple of different metal bands (Fejd later became metal themselves, but were accepted on MMA long before that). Such artists are typically covered by the metal media due to this association with the scene, and are as such included on MMA for the same reasons.

Mostly however this tag will be used for releases belonging to other genres by metal (or other metal related) artists, such as Opeth's progressive rock albums Damnation and Pale Communion or Elvenking's folk/folk rock album Two Tragedy Poets.

- Written by adg211288 (August 2015).

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non-metal top albums

Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching

SWANS The Seer Album Cover The Seer
SWANS
4.78 | 9 ratings
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PENDRAGON The Masquerade Overture Album Cover The Masquerade Overture
PENDRAGON
4.62 | 13 ratings
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MOTORPSYCHO The Death Defying Unicorn Album Cover The Death Defying Unicorn
MOTORPSYCHO
4.74 | 7 ratings
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ELOY Ocean Album Cover Ocean
ELOY
4.44 | 17 ratings
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MEAT LOAF Bat Out Of Hell Album Cover Bat Out Of Hell
MEAT LOAF
4.45 | 15 ratings
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PENDRAGON The Window of Life Album Cover The Window of Life
PENDRAGON
4.50 | 12 ratings
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ZZ TOP Tres Hombres Album Cover Tres Hombres
ZZ TOP
4.42 | 16 ratings
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BEARDFISH Sleeping in Traffic: Part Two Album Cover Sleeping in Traffic: Part Two
BEARDFISH
4.89 | 5 ratings
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SPOCK'S BEARD Brief Nocturnes and Dreamless Sleep Album Cover Brief Nocturnes and Dreamless Sleep
SPOCK'S BEARD
4.47 | 12 ratings
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KILLING JOKE Night Time Album Cover Night Time
KILLING JOKE
4.48 | 11 ratings
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SPOCK'S BEARD The Light Album Cover The Light
SPOCK'S BEARD
4.43 | 12 ratings
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KILLING JOKE Killing Joke (Debut) Album Cover Killing Joke (Debut)
KILLING JOKE
4.35 | 14 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy MMA!

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non-metal Music Reviews

STORM CORROSION Storm Corrosion

Album · 2012 · Non-Metal
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Warthur
Intriguing prog collaboration between Mikael Åkerfeldt of Opeth and Steven Wilson of Porcupine Tree. With those creative minds involved, you might expect something like Opeth's Damnation, which they both worked on, and whilst this feels like it's in similarly haunting territory, it's not quite the same. Somehow, it simultaneously manages to be more ambient and more folk-oriented than that album, taking the duo's music into meditative realms far from the energetic tumult both their regular bands are known for evoking. Weighing in at just under 48 minutes, it wisely doesn't outstay its welcome, and represents a fascinating experiment in two prolific musicians crafting something which clearly has both of their fingerprints on it - there'll be moments which remind you of the quieter passages in your favourite Opeth or Porcupine Tree albums - but at the same time lands somewhere neither of them would have arrived at on their own.

BLOOD INCANTATION Timewave Zero

EP · 2022 · Non-Metal
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UMUR
"Timewave Zero" is an album length EP release by US, Colorado based music act Blood Incantation. The EP was released through Century Media Records in February 2022. It bridges the gap between Blood Incantation´s second- and third full-length studio albums "Hidden History of the Human Race" (2019) and "Absolute Elsewhere" (2024). Blood Incantation are known for flirting with progressive rock, space rock, and psychedelic rock which they mix with their old school but still technically well played type of death metal. On this particular release though, they have opted to release something which is pretty far from their core sound.

"Timewave Zero" sees all four members of Blood Incantation switching to synthesizers and produce an ambient, atmospheric, and minimalistic sound, which isn´t far removed from some of the most well known 70s releases from Tangerine Dream. There is minimal use of guitars (they are for example heard during the third movement of the "Ea" track) and percussion during the playing time, and zero death metal or in fact any type of heavy metal related elements. The regular version of the EP features two 21 and 19 minutes long tracks, while some editions also feature the 27:37 minutes long "Chronophagia" bonus track. The digital version of the EP splits the two longer tracks from the regular version of the EP into eight sub-division tracks.

Considering the fact that Blood Incantation are usually a very creative band, it´s no surprise that they felt the need to release an ambient music release too, but while "Timewave Zero" is a pleasant and atmospheric ambient release, which transports my mind to the loneliness and coldness of space, it´s still overall a slightly tedious and uneventful listen. Everything is build on slow and sustained synth chords/notes with only little development throughout the tracks and honestly this is best listened to as background music or maybe for meditation purposes. It´s not a bad quality product, I just expect a bit more from a band like Blood Incantation. A 2.5 star (50%) rating is warranted.

LUX OCCULTA Kołysanki

Album · 2014 · Non-Metal
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UMUR
"Kołysanki" is the fifth full-length studio album by Polish music act Lux Occulta. The album was released through the Trzecie Ucho label in March 2014. Lux Occulta were originally active from 1994 until 2002, but in 2012 it was announced by guitarist Wacław "Vogg" Kiełtyka (Decapitated, Vader, Machine Head, Sceptic) that Lux Occulta were working on a new album. That album became "Kołysanki". Only Kiełtyka (who in addition to playing guitars also plays accordion on this release), lead vocalist Jarosław Szubrycht and keyboard player Jerzy Głód remain from the lineup who recorded "The Mother and the Enemy" (Lux Occulta´s fourth full-length studio album from November 2001). New in the lineup is guitarist Maciej Tomczyk.

If you´re familiar with the avant-garde extreme metal sound of "The Mother and the Enemy", you´ll know that Lux Occulta occasionally toyed with both jazz, electronic music, and trip-hop parts during that otherwise quite extreme and black/death metal oriented release ("Yet Another Armageddon" is for example a fully fledged female vocal-led trip-hop track) and on "Kołysanki" those elements are the dominant ones. You´ll find metal oriented sections here and there, but "Kołysanki" is predominantly not a heavy metal oriented release (although raw shouted vocals and a few distorted guitar riffs do appear on occasion). The tracks are quite experimental and feature a lot of interesting vocals (often in Polish) and effects. Regular vers/chorus structures aren´t really Lux Occulta´s thing. It´s not easy listening music by any means and it´s some of the more experimental works of an artist like Ulver I´m reminded of and also 70s progressive/experimental music artists like Robert Wyatt and Hugh Hopper (of course in a more contemporary setting).

It´s definitely an interesting, darkly atmospheric, and avant-garde oriented music release and it´s quite bold considering that Lux Occulta after all released four metal oriented albums before this one. I guess you could say that you were warned after listening to "The Mother and the Enemy", but "Kołysanki" does after all take the experimental ideas in a completely different direction and add other textures and jazzy electronic elements to them, so you are excused if you find this a confusing album. Confusing in this case means great, bold, and adventurous, and it´s obvious from the sound production, to the performances, and the intriguing compositions that Luc Occulta have struck gold and a 4 star (80%) rating is deserved.

NINE INCH NAILS Pretty Hate Machine

Album · 1989 · Non-Metal
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martindavey87
Released in 1989, ‘Pretty Hate Machine’ is the debut album by American industrial rock band Nine Inch Nails. Mostly written and recorded by singer and instrumentalist Trent Reznor during down-time whilst working at a studio, it would become an influential and pivotal album in the early days of industrial rock, and in particular, industrial metal.

Seemingly years ahead of its time, ‘Pretty Hate Machine’ sees a blend of rock and electronic elements fused to create a very harsh, gritty and bleak-sounding album. The angst-ridden vocals convey despair and anguish, while atmospheric keyboards create moods of desperation and isolation. This album is heavy, yet danceable!

With early hits including the infectious ‘Head Like a Hole’, ‘Terrible Lie’, ‘Sin’, ‘Kinda I Want To’, ‘Sanctified’ and ‘Down in It’, there is no shortage of potential here, and it’s easy to hear that even on early releases, you know that Nine Inch Nails are destined for bigger things.

RED HOT CHILI PEPPERS Freaky Styley

Album · 1985 · Non-Metal
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martindavey87
Released in 1985, ‘Freaky Styley’ is the second album by funk rockers the Red Hot Chili Peppers, and follows on from their 1984 self-titled debut. I didn’t really like that album, although there was nothing in particular that I disliked, it was just a case that none of the songs did anything for me. So going into this one, I had literally no expectations, and that was probably the best thing I could have done. Because as it turns out, I was in for a pleasant surprise!

The band is still completely “out there”, but the songwriting here has improved vastly, and while I thought their previous outing was a completely incoherent mess of an album, everything here flows really well. There is a palpable energy, with every song displaying non-stop enthusiasm and excitement. Perhaps it’s the drugs, or perhaps just the sheer passion these guys share. Either way, you can tell this is a band having fun. The musicianship here is exceptional, with particular praise to bassist Flea, who really brings the funk elements, and vocalist Anthony Kiedis, whos blend of rapping and singing brings out his tongue-in-cheek humour and in-your-face attitude.

With highlights including ‘Nevermind’, ‘American Ghost Dance’, ‘Jungle Man’, ‘Catholic School Girls Rule’ and the ridiculous ‘Sex Rap’, this is a massive step up in quality for the Chili Peppers. While much better things are to come, ‘Freak Styley’ is raw, dirty, and full of boundless energy, making it a pure joy to listen to.

non-metal movie reviews

PENDRAGON Past And Presence

Movie · 2007 · Non-Metal
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Warthur
Pendragon's Past and Presence captures a very special concert put on by Pendragon in celebration of the band's history. Recorded in Poland as a special treat for their very appreciative Polish fanbase, the concert saw a host of past members of the band making special guest appearances - with all the current and ex-Pendragon members present taking to the stage for show closer Stan and Ollie (a good call, since the song was essentially written as a goof-off piece to round off the band's sets with a happy party number, much like Marillion's Margaret).

Aside from 2AM from Kowtow (present as one of several encores), the songs here are all vintage Pendragon from their very earliest days - you have all the tracks from The Jewel and the Fly High Fall Far EP here, plus some delicious rarities otherwise only available in inferior versions on the Once Upon a Time In England compilations. Two decades have come and gone since the band recorded the versions of the songs we're most familiar with, and the additional experience really does show. Many of the songs here blow the original studio versions out of the water - even songs which sounded pretty decent on the original recordings, such as The Black Knight.

I'd go so far as to say that this show is, perhaps, the best way to experience Pendragon's material from before The World came out. Certainly, I would strongly encourage people to pick up the limited edition version which comes with a 2CD audio version of the show, because the audio stands up really well on there and I actually find I listen to the CD more than I watch the actual show. The main limitation here is that the material in question is a bit rough and naive, but the band couldn't really fix that without abandoning the idea of a nostalgia show.

ANATHEMA A Moment in Time

Movie · 2006 · Non-Metal
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Conor Fynes
'A Moment In Time' - Anathema (5/10)

First off, might I say that the rating for this work is not based on the music itself. 'A Moment In Time' is being rated here for what it is; a piece of visual media. The songs themselves are amazing, and have been commended as such on other reviews. As far as being a vessel for such beautiful music however, this DVD really comes up short. There are so many errors that make it a sloppy creation, that could have been avoided and corrected had extra care been given.

As far as the musical arrangement goes, things are really good. As well as the band performing, there is a string quartet that plays throughout, as well as a guest appearance from a talented female vocalist. The vocal passion I generally expect from Vincent Cavanagh is a bit lacking here, but that can be forgiven. There's a nice setup here, a beautiful selection of songs, so what could go wrong?

Throughout watching 'A Moment In Time,' I find myself increasingly agitated over the camera work. The camera is fixated on the vocalist, and fails to give a visual mention to either the bass player or rhythm guitarist almost at all!

Another issue is the recording of the sound. For example, during the climax of 'Empty,' the vocals drown out completely for a few seconds. For a band that's had such a high standard of musical quality, my jaw dropped at how they could ever let a DVD release come out to the general public with that sort of negligence.

Despite it's flaws and failure as a professional DVD release however, being an Anathema fan; it's hard to not at least find some enjoyment in it, and there's an CD counterpart included as well! Two stars.

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