Death Metal

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Death metal is an extreme subgenre of heavy metal. It typically employs heavily distorted guitars, deep growling vocals, blast beat drumming, and complex song structures with multiple tempo changes.

Building from the musical structure of thrash metal, death metal emerged during the mid 1980s. It was mainly inspired by thrash metal acts like Slayer, Kreator and Celtic Frost. Along with the band Death and its frontman Chuck Schuldiner (who is often referred to as "the father of death metal"), bands like Possessed and Morbid Angel are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular record labels like Earache and Roadrunner began to sign death metal bands at a rapid rate. Since then, death metal has diversified, spawning a rich variety of subgenres.

Inclusive death metal music subgenres:

  • Brutal death metal See: http://www.metalmusicarchives.com/subgenre/brutal-death-metal
  • Melodic death metal See: http://www.metalmusicarchives.com/subgenre/melodic-death-metal
  • Swedish death metal, also referred to as Scandinavian death metal, should not be confused with melodeath. This genre is characterized by its focus on raw energy and aggression. The guitars are typically extremely distorted and downtuned, and, in addition to traditional death metal elements, artists within this subgenre also draw on hardcore punk and early thrash metal. While not restricted to Sweden, the genre is called death metal because it was largely popularized by death metal artists from Sweden, such as Carnage, Nihilist, early Entombed, Dismember, Grave, and Unleashed. Seeing that many of the prominent artists within this genre were located in around Stockholm, it is sometimes referred to as the Stockholm sound in contrast with the Gothenburg sound. While big in the 1990s, the popularity of this genre waned in the 2000s, as melodeath became more popular, but recently a number of bands based in Eastern Europe, such as Brutally Deceased and Morbider, have taken up the Stockholm sound and are bringing it back onto the scene.
  • Death-grind combines elements from death metal with element of grindcore. From grindcore, the genre inherits song brevity (with the average length being 2:30), emphasis on fast picking and blastbeating as well as the lyrical content (which means that a lot of death-grind deals with gore, pornography or socio-politics). From death metal, it inherits song complexity and focus on performance and technique, although guitar solos are not as common as in other styles of death metal. When Napalm Death started to gravitate towards death metal from pure grindcore, they developed a death-grind sound, and they are probably the most influential band in the death-grind genre. Other death-grind acts are Lock Up, Terrorizer, and Pig Destroyer. On MMA, those death-grind artists and releases that lean more towards grindcore are included under grindcore, while those that lean more towards death metal are included under death metal.
  • Technical/progressive (or tech/prog) death metal See: http://www.metalmusicarchives.com/subgenre/technical-death-metal
  • Blackened death metal combines death metal and black metal, of lyrically the focus is typically on Satanism, occultism and anti-religion. Behemoth is considered one of the most influential blackened death metal bands.
  • Death ‘n’ roll See: http://www.metalmusicarchives.com/subgenre/death-n-roll


The following subgenres are NOT listed under death metal in the MMA:

  • Grindcore: has its own sugbenre section.
  • Death-thrash: included under thrash metal.
  • Deathcore: included under metalcore.
  • Doom-death: included under doom metal.


Source: http://en.wikipedia.org/wiki/Death_metal

Written by Time Signature.

Sub-genre collaborators:
  • Nightfly (leader)
  • Vim Fuego
  • TheHeavyMetalCat

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death metal Music Reviews

DEUS OTIOSUS Rise

Album · 2014 · Death Metal
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UMUR
"Rise" is the third full-length studio album by Danish death metal act Deus Otiosus. The album was released through Deepsend Records in April 2014. It´s the successor to "Godless" from September 2012 and the quintet lineup who recorded the predecessor is intact on "Rise".

Stylistically the material on "Rise" continue the thrash infused and organic driven groove laden death metal style of the two preceding albums. Deus Otiosus have found a style and they stick to it...and why shouldn´t they? This is pretty damn solid and powerful death metal with a great organic tone. It´s not the most brutal type of death metal, but it´s not melodic death metal either. There´s a dark primal energy to the proceedings which is relatively unique, so while all elements of Deus Otiosus music are tried and true, they still manage to produce something which is a bit different from the norm. The vocals are relatively one-dimensional and pretty standard for the genre, but they get the job done.

"Rise" features a detailed, raw, and organic sounding production job, which perfectly suits the material. Upon conclusion "Rise" is yet another good quality release from Deus Otiosus and a 3.5 star (70%) rating is deserved.

DEUS OTIOSUS Godless

Album · 2012 · Death Metal
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UMUR
"Godless" is the second full-length studio album by Danish death metal act Deus Otiosus. The album was released through Deepsend Records in September 2012. It´s the successor to "Murderer" from August 2010. There have been two lineup changes since the predecessor as drummer Søren Bentsen has been replaced by Jesper Olsen and bassist Jens Nepper has been replaced by Jesper Holst.

Stylistically the material on "Godless" is a thrash infused and groove laden (not groove metal) type of old school death metal. One of the greatest assets of the band´s sound are the many organic driven groove laden drum rhythms (while I´m not sure Deus Otiosus would like to be compared to Arghoslent, they have some of the same energetic drive in their music). Thankfully it never excalates into death´n´roll or groove metal, but there´s certainly elements of both genres in the music. Deus Otiosus are too old school in their execution of the music and in their general mindset to become derailed though. There are quite few thrash metal riffs on the album and the guitar solos also smell of thrash metal, so that influence is definitely the greatest on the core death metal style on "Godless". The vocals are full-on death metal growling. A little one-dimensional in execution but they get the job done.

"Godless" features a pretty well sounding production job too, so upon conclusion this is a good quality sophomore album release from Deus Otiosus and a 3.5 star (70%) rating is deserved.

WOMBBATH Agma

Album · 2021 · Death Metal
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UMUR
"Agma" is the sixth full-length studio album by Swedish death metal act Wombbath. The album was released through Transcending Obscurity Records in December 2021. It´s the successor to "Tales of Madness" from December 2020. "Agma" is a highly ambitious piece of work from Wombbath featuring no less than 16 tracks and a total playing time of 72:36 minutes, which is essentially a double album release. It´s not everyday you´re exposed to an extreme metal album this quantity packed.

While the basis of Wombbath´s music hasn´t changed since the last couple of releases, and it´s still old school Swedish death metal which is on the menu, Wombbath have however made an effort to incorporate creative details (only briftly but there´s for example the use of keyboards, violin, and choirs on some tracks) and elements from both goth (I hear the occasional nod towards artists like Tiamat and Paradise Lost) and doom metal (there´s some melancholic lead guitar work on some of those sections, which are quite nice), which make "Agma" a relatively varied release for the genre and also an entertaining release throughout the 70 minutes long playing time. It´s certainly their most interesting release since their 2014 comeback and finally a release from Wombbath which shows a more unique identity. "Agma" is well produced too and upon conclusion it´s a good quality release by Wombbath and a 3.5 star (70%) rating is deserved.

WOMBBATH Tales of Madness

Album · 2020 · Death Metal
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UMUR
"Tales of Madness" is the fifth full-length studio album by Swedish death metal act Wombbath. The album was released through Transcending Obscurity Records in December 2020 and it´s the band´s second 2020 album as they also released "Choirs of the Fallen" in March 2020. There´s been one lineup change since the predecessor as bassist Matt Davidson has been drafted. "Tales of Madness" is a slightly different album release as it features both new original tracks and re-recordings of older material. "Brutal Mights", "Tales from the Dark Side", and "Unholy Madness" are for example re-recordings of tracks which originally appeared on the 1992 "Brutal Mights" demo, while "Lavatory Suicide Remains" is a re-recorded track from the 1994 "Lavatory" EP.

Stylistically some of the material are therefore a bit more brutal than the last couple of releases by Wombbath. Wombbath started out playing a US influenced death metal style, but after their 2014 comeback their albums have featured a more "regular" old school Swedish death metal style. The buzzsaw guitar tone (which Wombbath did not use on their original 90s material) which is omnipresent on all tracks on "Tales of Madness" makes even the older re-recorded tracks sound Swedish. It´s interesting how much sound productions mean to a recording. Upon conclusion "Tales of Madness" is a both well composed, well performed, and well produced release, and a 3 - 3.5 star (65%) rating is warranted.

WOMBBATH Choirs of the Fallen

Album · 2020 · Death Metal
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UMUR
"Choirs of the Fallen" is the fourth full-length studio album by Swedish death metal act Wombbath. The album was released through Soulseller Records in March 2020. It´s the successor to "The Great Desolation" from June 2018. Just as the case was between the release of "Downfall Rising" (2015) and "The Great Desolation" there have been several lineup changes between the release of "The Great Desolation" and "Choirs of the Fallen" and again it´s only guitarist Håkan Stuvemark and lead vocalist Jonny Pettersson who remain from the lineup who recorded the predecessor. New in the lineup are guitarist Thomas von Wachenfeldt and drummer Jon Rudin, while the bass was recorded by session musician Giulio Rimoli.

Stylistically "Choirs of the Fallen" is Swedish old school death metal and while it´s a continuation of the sound from the last two albums, it´s a slightly more raw and less polished release, which I personally think suits Wombbath much better. They still aren´t the most unique sounding Swedish death metal act, but this album is a bit less generic and slightly more memorable than the last couple of releases. The sound production actually isn´t the best sounding, as the buzzsaw guitars are placed a bit low in the mix and the drums feature a clicky artificial sound, but somehow this more stripped down and less polished sound production suits Wombbath´s music better than the more polished sound productions of the last couple of releases. A 3 - 3.5 star (65%) rating is deserved.

death metal movie reviews

NAPALM DEATH Punishment in Capitals

Movie · 2003 · Death Metal
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Kingcrimsonprog
Punishment In Capitals is a 2002 live DVD (also available on CD) by British extreme metal icons Napalm Death, released after their triumphant Enemy Of The Music Business album won back the praise of fans and critics after their experimental string of records in the nineties.

The band play a mixture of every era in their career up to that point, the catchy nineties singles ‘Breed To Breathe,’ and ‘Greed Killing,’ sit side by side with mid era death inspired fare such as ‘Suffer The Children,’ and ‘World Keeps Turning,’ which blends against the band’s early grindcore material era like ‘Scum,’ ‘Lucid Fairy Tale,’ and the famous ‘You Suffer,’ in a set list which also leans heavily on the band’s then newest, and still arguably best album Enemy Of The Music Business.

Standout tracks include an energetic version of ‘Hung,’ as well as ‘Can’t Play Won’t Play,’ and ‘Narcoleptic,’ which was as yet unreleased at the time of recording. With a set-list of this caliber, Punishment In Capitals should be a rewarding viewing experience for most Napalm Death fans and would serve well as an introduction to the band for potential fans as well.

Interestingly, the DVD recording retains all the dead air, waiting out-of-breathe and other non-musical moments in between tracks, presenting you the gig as it actually happened and not inter-cutting the show with outside material to create some false sense of professionalism or excitement. This is a double edged sword as it is commendable but may still irritate viewers raised on slicker, fast paced major label DVD releases.

The production is fairly good in terms of audio recording quality and mix, with simple camera work and editing covering the visual side of things. Although not the most impressive looking DVD ever released, it serves well for Napalm Death to deliver an energetic a sweaty performance. My only major gripe is that for the first half of the show shots of drummer Danny Herrera are very few and far between, but this is remedied later on.

There are a fair amount of extras too, including two bootleg quality recordings in Tokyo from 1996, a six track selection from a Chilean gig in 1997 as well as a hidden Easter Egg (a live-in-a-TV-studio version of ‘If The Truth Be Known,’ accessible by making the image’s eyes glow red my navigating the menu.) In addition to the musical extras there is also a documentary, which while not masterfully crafted is worth at least one watch, covering topics such as Barney’s haircut, the effect of foreign food on the bowels and the charity for which this gig was in aide of.

Overall, Punishment In Capitals is a worthwhile DVD purchase that will give you a good selection of Napalm Death material, both in the concert itself and with a nice selection of extras. Definitely recommended viewing for fans of the band.

ZYKLON Storm Detonation Live

Movie · 2006 · Death Metal
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Kingcrimsonprog
This DVD captures Norwegian death metal band Zyklon on their 'Aeon,' era tour Live; the tracklisting on the wonderful but slightly short DVD is made up of tracks from the bands excellent first two albums.

The band are on top form and deliver the material fantastically live, They never miss a step, and are ruthlessly professional.

Song's from the band's debut album are much better here with new singer Tony 'SecthDamon,' Ingebrigtsen. Who has a better voice to match the material than Daemon did.

Furthermore the audio and visual quality is great, and apart from a little intro interrupting the first 20 seconds of fan favorite 'Core Solution,' there's very little to complain about whatsoever.

Indeed, with such a brilliant performance, a good production and an excellent track listing, this DVD is a real must-have for any Zyklon fan.

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

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