Death Metal

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Death metal is an extreme subgenre of heavy metal. It typically employs heavily distorted guitars, deep growling vocals, blast beat drumming, and complex song structures with multiple tempo changes.

Building from the musical structure of thrash metal, death metal emerged during the mid 1980s. It was mainly inspired by thrash metal acts like Slayer, Kreator and Celtic Frost. Along with the band Death and its frontman Chuck Schuldiner (who is often referred to as "the father of death metal"), bands like Possessed and Morbid Angel are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular record labels like Earache and Roadrunner began to sign death metal bands at a rapid rate. Since then, death metal has diversified, spawning a rich variety of subgenres.

Inclusive death metal music subgenres:

  • Brutal death metal See: http://www.metalmusicarchives.com/subgenre/brutal-death-metal
  • Melodic death metal See: http://www.metalmusicarchives.com/subgenre/melodic-death-metal
  • Swedish death metal, also referred to as Scandinavian death metal, should not be confused with melodeath. This genre is characterized by its focus on raw energy and aggression. The guitars are typically extremely distorted and downtuned, and, in addition to traditional death metal elements, artists within this subgenre also draw on hardcore punk and early thrash metal. While not restricted to Sweden, the genre is called death metal because it was largely popularized by death metal artists from Sweden, such as Carnage, Nihilist, early Entombed, Dismember, Grave, and Unleashed. Seeing that many of the prominent artists within this genre were located in around Stockholm, it is sometimes referred to as the Stockholm sound in contrast with the Gothenburg sound. While big in the 1990s, the popularity of this genre waned in the 2000s, as melodeath became more popular, but recently a number of bands based in Eastern Europe, such as Brutally Deceased and Morbider, have taken up the Stockholm sound and are bringing it back onto the scene.
  • Death-grind combines elements from death metal with element of grindcore. From grindcore, the genre inherits song brevity (with the average length being 2:30), emphasis on fast picking and blastbeating as well as the lyrical content (which means that a lot of death-grind deals with gore, pornography or socio-politics). From death metal, it inherits song complexity and focus on performance and technique, although guitar solos are not as common as in other styles of death metal. When Napalm Death started to gravitate towards death metal from pure grindcore, they developed a death-grind sound, and they are probably the most influential band in the death-grind genre. Other death-grind acts are Lock Up, Terrorizer, and Pig Destroyer. On MMA, those death-grind artists and releases that lean more towards grindcore are included under grindcore, while those that lean more towards death metal are included under death metal.
  • Technical/progressive (or tech/prog) death metal See: http://www.metalmusicarchives.com/subgenre/technical-death-metal
  • Blackened death metal combines death metal and black metal, of lyrically the focus is typically on Satanism, occultism and anti-religion. Behemoth is considered one of the most influential blackened death metal bands.
  • Death ‘n’ roll See: http://www.metalmusicarchives.com/subgenre/death-n-roll


The following subgenres are NOT listed under death metal in the MMA:

  • Grindcore: has its own sugbenre section.
  • Death-thrash: included under thrash metal.
  • Deathcore: included under metalcore.
  • Doom-death: included under doom metal.


Source: http://en.wikipedia.org/wiki/Death_metal

Written by Time Signature.

Sub-genre collaborators:
  • Nightfly (leader)
  • Vim Fuego
  • TheHeavyMetalCat

death metal top albums

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BLOOD INCANTATION Absolute Elsewhere Album Cover Absolute Elsewhere
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4.80 | 13 ratings
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ESOCTRILIHUM Pandaemorthium (Forbidden Formulas To Awaken The Blind Sovereigns Of Nothingness) Album Cover Pandaemorthium (Forbidden Formulas To Awaken The Blind Sovereigns Of Nothingness)
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4.68 | 10 ratings
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DEATH The Sound of Perseverance Album Cover The Sound of Perseverance
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DARK TRANQUILLITY The Gallery Album Cover The Gallery
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death metal Music Reviews

CADAVER Demo 2

Promos, fans club and other releases (no bootlegs) · 1990 · Death Metal
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UMUR
"Demo 2" is the fourth demo recording by Norwgian death metal act Cadaver. The demo was recorded in January 1990 but it was never officially released (which probably explains the lack of a title). It was handed out to friends of the band though, and has made its way to the public through those channels. If I have to guess it´s maybe a pre-production demo for the December 1990 "Hallucinating Anxiety" debut full-length studio album.

The demo features five tracks and a total playing time of 19:34 minutes. All five tracks would also be featured on Cadaver´s debut full-length studio album "Hallucinating Anxiety" (released in December 1990) in what to my ears sound like different versions. Very little information is available regarding this demo though, so I can´t be sure. To me the sound production just sounds much sharper, clearer, and defined than the more raw and brutal sounding "Hallucinating Anxiety".

Given the fact that all material featured on the demo is also available on "Hallucinating Anxiety" it´s not the most neccesary release if you already own the album, but that doesn´t take away from the fact that it´s a high quality old school death metal recording and a 3.5 star (70%) rating is deserved.

CADAVER Sunset at Dawn

Demo · 1989 · Death Metal
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UMUR
"Sunset at Dawn" is the third demo recording by Norwegian death metal act Cadaver. The demo was independently released in September 1989. It was recorded live on August the 16th, 1989, in Sarpsborg, Norway. Although it may sound like a bootleg live recording it is considered an official live demo recording by the band. There´s some minimal Norwegian language communication with the audience between tracks (you can hear the audience but they are very low in the mix), but other than that Cadaver are content to deliver their music in a surprisingly mature and skilled fashion (they had only existed around a year at this point).

The demo features six tracks and a total playing time of 18:39 minutes. It´s the same six tracks which are also featured on the tracklist of the band´s second demo "Abnormal Deformity" from July 1989, although the tracklist order is slightly altered on this release. So this is not a demo featuring any new material and we are in reality "just" treated to a more raw and live recorded version of the early-Carcass influenced "Abnormal Deformity" death metal demo material. No problem though, as "Abnormal Deformity" is a great demo and the live versions of the tracks featured on "Sunset at Dawn" feature the right brutal, gritty, and savage live sound to distinguish themselves from the studio versions. A 3 star (60%) rating is warranted.

CADAVER Abnormal Deformity

Demo · 1989 · Death Metal
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UMUR
"Abnormal Deformity" is the second demo recording by Norwegian death metal act Cadaver. The demo was independently released in July 1989. It follows the release of Cadaver´s November 1988 rehearsal demo "Into the Outside". Bassist René Jansen has been added to the lineup since the first demo, and Cadaver are therefore a trio on "Abnormal Deformity" (the first demo didn´t feature any bass tracks).

It´s interesting to experience the development between "Into the Outside" and "Abnormal Deformity". While the first demo was a brutal, savage, but still occasionally thrash infused old school death metal release, "Abnormal Deformity" is obviously a Carcass influenced affair. It´s like Cadaver learned of the existence of Carcass between the two demo releases, and were instantly influenced by the sound of the Liverpool band. It´s really not that strange of course as countless testimonies from seminal Norwegian, Swedish, and especially Finnish death metal artists (artists like Xysma, Disgrace, and Lubricant are for example all strongly influenced by Carcass) mention Carcass as one of their main influences.

To my ears that makes "Abnormal Deformity" a slightly less unique demo compared to the raw and more primitive "Into the Outside", but it´s still a great quality old school death metal demo, and fans of early Carcass are of course recommended to take a listen. The addition of bass makes "Abnormal Deformity" a heavier and more professional sounding demo than "Into the Outside", so there´s been no decrease in overall quality. Cadaver are still a well playing band, and they sure know how to write an effective old school death metal tune too.

The slightly more clear (although still very raw and brutal) sounding production values provide the listener with a better understanding of the details of Cadaver´s music and upon conclusion "Abnormal Deformity" is a good quality sophomore demo recording by Cadaver, showing a band on their way forward. A 3 star (60%) rating is warranted.

CADAVER Into the Outside

Demo · 1988 · Death Metal
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UMUR
"Into the Outside" is the first demo recording by Norwegian death metal act Cadaver. The demo was independently released in November 1988. It´s a rehearsal tape recorded by the duo lineup of Ole Bjerkebakke (drums, vocals) and Anders Odden (guitar). So it´s a demo recording devoid of bass, but it´s not a huge issue.

Considering that this is a "live-in-the-rehearsal-room" recording "Into the Outside" features a lot of quality elements. The sound production is predictably lo-fi, noisy, and savage beyond savage. The raw and murky sound production values actually aren´t an issue though, as the violent, almost crusty sounding brutal death metal assault of Cadaver only benefits from the gloomy and filthy sounding production.

Cadaver are a well playing band too. It´s amazing that a band who only formed earlier the same year as recording this demo already sound as confident and convincing as Cadaver do here. Although the music naturally features some thrash metal riffs and rhythms (given the fact that this is a late 1988 death metal recording), this is to my ears 100% old school death metal, and considering the time of release, this must be one of the earliest Norwegian demos featuring a pure death metal sound.

Not everything is aligned perfectly though, and it´s obvious from a "fun" track like "Fisken Skrek I Vannet" ("The Fish Screamed In The Water") that Cadaver were at this point still very young guys, who also needed a bit of silly fun in their lives. But tracks like "Maelström", "Hypertrophyan", and "Into the Outside" perfectly show what Cadaver are capable of. A 3 star (60%) rating is warranted.

SINSAENUM Sinsaenum

EP · 2016 · Death Metal
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UMUR
"Sinsaenum" is an eponymously titled EP/single release by multi-national death metal act Sinsaenum. It was released through earMUSIC in June 2016 to promote the forthcoming release of the band´s debut full-length studio album "Echoes of the Tortured" which was released a month later in July 2016. The EP/single features the non-album track "Death Is the Beginning" and "The Forgotten One", the latter which was included on "Echoes of the Tortured".

Stylistically this is early 90s influenced US death metal. Artists like Morbid Angel, Angelcorpse, and other technically well playing, brutal, and sharp death metal bands from that era are valid references. Sinsaenum don´t offer much innovative or unique here, but the songwriting is memorable, effective, and powerful, and the performances are flawless. The performances are actually more than just flawless, they are high class on all positions. Looking at the lineup and the names involved in the project (among them Joey Jordison, Attila Csihar, and Frédéric Leclercq) that´s not surprising though. The drumming is through the roof and the many well played lead guitar parts deserve a mention too.

Two songs aren´t much available material to evaluate an artist, but I think in this case the material featured on this EP/single display exactly what you can expect on the forthcoming "Echoes of the Tortured" album, and that´s high quality US death metal. A 3.5 - 4 star (75%) rating is deserved.

death metal movie reviews

NAPALM DEATH Punishment in Capitals

Movie · 2003 · Death Metal
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Kingcrimsonprog
Punishment In Capitals is a 2002 live DVD (also available on CD) by British extreme metal icons Napalm Death, released after their triumphant Enemy Of The Music Business album won back the praise of fans and critics after their experimental string of records in the nineties.

The band play a mixture of every era in their career up to that point, the catchy nineties singles ‘Breed To Breathe,’ and ‘Greed Killing,’ sit side by side with mid era death inspired fare such as ‘Suffer The Children,’ and ‘World Keeps Turning,’ which blends against the band’s early grindcore material era like ‘Scum,’ ‘Lucid Fairy Tale,’ and the famous ‘You Suffer,’ in a set list which also leans heavily on the band’s then newest, and still arguably best album Enemy Of The Music Business.

Standout tracks include an energetic version of ‘Hung,’ as well as ‘Can’t Play Won’t Play,’ and ‘Narcoleptic,’ which was as yet unreleased at the time of recording. With a set-list of this caliber, Punishment In Capitals should be a rewarding viewing experience for most Napalm Death fans and would serve well as an introduction to the band for potential fans as well.

Interestingly, the DVD recording retains all the dead air, waiting out-of-breathe and other non-musical moments in between tracks, presenting you the gig as it actually happened and not inter-cutting the show with outside material to create some false sense of professionalism or excitement. This is a double edged sword as it is commendable but may still irritate viewers raised on slicker, fast paced major label DVD releases.

The production is fairly good in terms of audio recording quality and mix, with simple camera work and editing covering the visual side of things. Although not the most impressive looking DVD ever released, it serves well for Napalm Death to deliver an energetic a sweaty performance. My only major gripe is that for the first half of the show shots of drummer Danny Herrera are very few and far between, but this is remedied later on.

There are a fair amount of extras too, including two bootleg quality recordings in Tokyo from 1996, a six track selection from a Chilean gig in 1997 as well as a hidden Easter Egg (a live-in-a-TV-studio version of ‘If The Truth Be Known,’ accessible by making the image’s eyes glow red my navigating the menu.) In addition to the musical extras there is also a documentary, which while not masterfully crafted is worth at least one watch, covering topics such as Barney’s haircut, the effect of foreign food on the bowels and the charity for which this gig was in aide of.

Overall, Punishment In Capitals is a worthwhile DVD purchase that will give you a good selection of Napalm Death material, both in the concert itself and with a nice selection of extras. Definitely recommended viewing for fans of the band.

ZYKLON Storm Detonation Live

Movie · 2006 · Death Metal
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Kingcrimsonprog
This DVD captures Norwegian death metal band Zyklon on their 'Aeon,' era tour Live; the tracklisting on the wonderful but slightly short DVD is made up of tracks from the bands excellent first two albums.

The band are on top form and deliver the material fantastically live, They never miss a step, and are ruthlessly professional.

Song's from the band's debut album are much better here with new singer Tony 'SecthDamon,' Ingebrigtsen. Who has a better voice to match the material than Daemon did.

Furthermore the audio and visual quality is great, and apart from a little intro interrupting the first 20 seconds of fan favorite 'Core Solution,' there's very little to complain about whatsoever.

Indeed, with such a brilliant performance, a good production and an excellent track listing, this DVD is a real must-have for any Zyklon fan.

AMON AMARTH Wrath of the Norsemen

Movie · 2006 · Melodic Death Metal
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Kingcrimsonprog
Talk about value for money, from a band like Amon Amarth you wouldn’t expect them to be able to afford such a crazily generous and in depth DVD package when some of the bigger bands can’t afford anything even half this good.

The Set comes in a glorious 3 DVD digipak with detailed artwork, a full booklet and an awesome little viking crown that keeps it closed. Then you get Five full concerts (with 22, 16,13, 11 and 9 tracks respectively) and a documentary.

The main feature; a 22 track concert from Cologne in 2005 is an incredible affair with crystal clear sound, Huge guitar tones, amazingly heavy drums and nice clunky bass. The camera work is of a higher quality than even some of the biggest metal bands’ DVDs and again the sound is immense.

Then theres the performance, the band are absolutely electric delivering furious renditions of material from all eras a their career from the massive ‘Amon Amarth,’ and ‘Fate of Norns,’ to catchy closer ‘Death In Fire,’ and the crowd just lap it up.

Vocalist Johan Hegg absolutely commands the stage, engaging the crowd at every opportunity and singing his heart out while the band hammer through their classics like ‘heavy,’ is going out of style.

On top of all that you have a great light show, huge Amon Amath banners, more pyro than a kiss concert and an interlude with about thirty Viking reenactors sword fighting on stage! That feature is worth the money alone, the show is probably one of the best metal concerts on the market and I can’t stress how good the sound and picture are; then on top of all that you get the rest of the set, featuring virtually ever Amon Amarth song ever written, and performances from ‘Waken Open Air festival,’ ‘Summer Breeze Festival,’ and two more indoor concerts in Europe.

If you like Amon Amarth Buy this right now. If you don’t, you will within thirty seconds of watching this.

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