Technical Death Metal

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Technical/progressive (or tech/prog) death metal is considered a legitimate genre by some (or even two legitimate genres), while others argue that it is a pseudo-genre. Bands included in this genre take emphasize technicality in their music, in the form of complex riffs and/or complex song structures, while others apply the ethos of progressive music more broadly without straying from their basic death metal sound. Death, Cynic and Atheist are considered central bands in the establishment of tech/prog death metal. Some bands, like Necrophagist, Obscura, and Braindrill, emphasize technique in their style and are considered technical death metal acts, while others, such as Opeth, Neuraxis, Sectu, and Nocturnus are considered primarily progressive death metal. Sometimes, jazz death metal is listed as a separate subgenre and comprises artists who incorporate elements from fusion jazz into their death metal style, such as Atheist, Cynic and Pestilence on “Spheres”. Given that brutal death metal bands tend to emphasize technique and compositional complexity, many brutal death metal bands, such as Suffocation and Hate Eternal, are also categorized as technical death metal bands. Some tech/prog death metal bands are so progressive on some releases that these are considered progressive metal rather than death metal, as is the case of some Atheist, Opeth and Cynic releases, that they are filed under progressive metal in the MMA rather than under death metal.

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technical death metal top albums

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DEATH Symbolic Album Cover Symbolic
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technical death metal Music Reviews

DEFEATED SANITY Chronicles of Lunacy

Album · 2024 · Technical Death Metal
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UMUR
"Chronicles of Lunacy" is the seventh full-length studio album by German death metal act Defeated Sanity. The album was released through Season of Mist in November 2024. It´s the successor to "The Sanguinary Impetus" from 2020. Both "Disposal of the Dead / Dharmata" (2016) and "The Sanguinary Impetus" saw Defeated Sanity toying with a more technical and at times even progressive death metal sound, but "Chronicles of Lunacy" is a slightly more back to the roots brutal death metal release...

...which of course isn´t completely true. Defeated Sanity have learned a few tricks from creating the last couple of albums, and "Chronicles of Lunacy" is still a highly technical death metal release. The technical playing is on this release just an element of the band´s brutal death metal sound, instead of being one of the pillars of said sound, which was the case on the last couple of releases. Defeated Sanity are an incredibly well playing unit and especially band founder and drummer Lille Gruber plays some otherwordly fast-paced and difficult drum patterns. It´s hard not to drop the jaw while listening to his playing. The vocals are unintellible and quite one-dimensional growling. They are as on most Defeated Sanity releases the weak link of the music.

The raw, brutal, and massive sound production suits the music well, and upon conclusion "Chronicles of Lunacy" is another strong statement from Defeated Sanity. It´s nice to hear them returning a bit to the more brutal sound of their past while still holding on to the more mature and intriguing songwriting approach of the last couple of releases. I think they´ve found a good balance on this album. A 3.5 star (70%) rating is deserved.

WEREWOLVES What a Time to Be Alive

Album · 2021 · Technical Death Metal
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UMUR
"What a Time to Be Alive" is the second full-length studio album by Australian death metal act Werewolves. The album was released through Prosthetic Records in Jaunary 2021, less than a year after the release of their debut full-length studio alhum "The Dead Are Screaming" from April 2020. Werewolves formed in 2019 and features Psycroptic drummer David Haley in the lineup. Guitarist Matt Wilcock and lead vocalist/bassist Sam Bean are both associated with acts like Abramelin, The Antichrist Imperium, and The Berzerker, and the trio can in that respect be called an Australian underground extreme metal supergroup.

Stylistically the material on "What a Time to Be Alive" is a continuation of the relatively standard quality deathgrind of "The Dead Are Screaming" (2020). The two albums sound much alike, and if you enjoyed the debut, chances are you´ll enjoy this one just as much. Werewolves are a well playing unit, and the shifts between deep growling vocals and higher pitched aggressive snarling works well here. As mentioned above the songwriting is pretty standard for the genre though, and not much stands out as being particularly memorable beyond the playing time.

"What a Time to Be Alive" is well produced, featuring a sound production which suits the material well, but overall I get the same feeling about this one as I did with the debut album. Something is missing for this to reach excellence. Still a 3 - 3.5 star (65%) rating is warranted.

WEREWOLVES Deathmetal

EP · 2022 · Technical Death Metal
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UMUR
"Deathmetal" is an EP release by Australian death metal/deathgrind act Werewolves. The EP was independently released in March 2022. It bridges the gap between Werewolves' second- and third full-length studio albums "What a Time to Be Alive" (January 2021) and "From the Cave to the Grave" (June 2022).

The EP features four tracks and a total playing time of 13.53 minutes. Two originals and two covers of Deicide and Marduk. "Harvest of the Skulls" would appear on "From the Cave to the Grave" later the same year and "I Hate Therefore I Am" would subsequently appear on Werewolves fourth full-length studio album "My Enemies Look and Sound like Me" (August 2023). So neither are particularly worth the investment if you already own the studio albums which followed, but evaluated on their own merits and the time of release (before the two tracks became available on the following album releases), this is pretty much what you expect from werewolves. Brutal, fast-paced (although "Harvest of the Skulls" is actually on of their heavier and slower songs), and relentlessly aggressive death metal/deathgrind performed by a very well playing unit.

The covers of "Behind the Light Thou Shall Rise" (by Deicide) and "Christ Raping Black Metal" (by Marduk) are decent enough. Well performed and delivered with the right energy and aggression, but none of them stand out as anything out of the ordinary for Werewolves and both could just as well have been included on their albums and you almost wouldn´t have noticed that they weren´t just another original by Werewolves. The Marduk track of course has a more blackened edge to it, but other than that it sounds a lot like a Werewolves song.

All in all "Deathmetal" is a good quality EP release from Werewolves, featuring a well sounding production job, skilled performances, and some decent quality material. A 3.5 star (70%) rating is deserved.

ULCERATE Cutting the Throat of God

Album · 2024 · Technical Death Metal
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UMUR
"Cutting the Throat of God" is the seventh full-length studio album by New Zealand, Auckland based death metal act Ulcerate. The album was released through Debemur Morti Productions in June 2024. It´s the successor to "Stare into Death and Be Still" from April 2020. No lineup changes have happened and in fact the trio lineup of Jamie Saint Merat (drums, percussion), Michael Hoggard (guitars), and Paul Kelland (bass, vocals) have performed together in this incarnation since Ulcerate´s sophomore studio album "Everything Is Fire" from 2009. A few guitarists have performed with them live, but none have appeared on the band´s albums since 2009.

Already a few albums back, Ulcerate crawled out from under the shadow of dissonant oriented Gorguts influenced death metal, which was a style gracing a lot of their previous releases. While the dissonant and heavy death metal riffs are still a part of Ulcerate´s sound on "Cutting the Throat of God" (as it was on the last couple of albums too), they´ve slowly developed into something else...almost transcending genre definitions and boundaries, incorporating elements of technical death metal, dissonant death metal, progresive extreme metal, avant-garde metal moments, and post-metal build-ups and atmospheres. Very much their own at this point, and now a leader of the pack instead of being one of the followers (of the Gorguts school of dissonant death metal), Ulcerate have reached the thing that almost every artist strives for, which is having a unique sound and the respect which follows.

Stylistically this is dark, oppressive, and bleak music. It´s like watching the world crumple in front of your eyes while waiting for an inevitable apocalypse. The combination of ultra heavy riffs and rhythms, and the deeply melancholic and bleak dissonant riffs and sad slighly mellower post-metal parts is an effective one. The growling death metal vocals are relatively one-dimensional but the lack of too much aggressive emotion is probably a conscious decision, as the more emotionless growling fits well with the bleak concept of the instrumental part of the music.

"Cutting the Throat of God" features 7 tracks, and a total playing time of 57:46. All track are between 7 and 9 minutes long and this is by no means easy listening material. Not just because of the song lengths, but the tracks themselves are also quite complex in structure and goes through many different sections and dynamics. So brace yourself for a relatively long, challenging, and emotionally draining listening experience. Not draining in the sense that this is an awful release to sit through, but in the sense that it requires your full attention, and listening to almost an hour of music this oppressive and bleak is almost always a challenge.

The album is packed in a well sounding production job, and you can hear all details in the soundscape. It´s not too polished though and "Cutting the Throat of God" is still a very heavy, raw, and brutal sounding release. Upon conclusion "Cutting the Throat of God" is another impressive high quality release from Ulcerate. It´s not often an artist gets better and better with each release but Ulcerate is one such act. It´s almost impossible to understand that this is album number seven and they still sound as hungry, experimental, and brutal as they did when starting out, and to my ears have actually become much more interesting over the years. A 4 - 4.5 star (85%) rating is deserved.

WEREWOLVES Die for Us

Album · 2024 · Technical Death Metal
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UMUR
"Die for Us" is the fifth full-length studio album by Australian death metal/deathgrind act Werewolves. The album was independently released in July 2024. It´s the successor to "My Enemies Look and Sound like Me" from August 2023. The lineup hasn´t changed since Werewolves formed in 2019, so it´s still David Haley on drums, Matt Wilcock on guitars and vocals, and Sam Bean performing vocals and bass. Related to artists like Akercocke, Abramelin, Faustian, The Berzerker, and Psycroptic these guys are quite prolific both on the Australian and the international death metal scene.

Stylistically "Die for Us" more or less continues down the same death metal/deathgrind road that Werewolves have travelled since day one. Artists like Terrorizer and Coldworker are pretty valid references. It´s fast, brutal, and aggressive deathgrind with heavier death metal moments thrown in here and there. The vocals vary between death metal growling and sligtly more aggressive snarling/growling. To my ears, the otherwise very well sounding production job, is a bit too clear for this type of music, and I wouldn´t have minded a bit more grit and filth. It would probably have made the music even more effectful.

But if you´re here to get your faced kicked in Werewolves are a safe bet. "Die for Us" is a relentlessly brutal death metal/deathgrind release featuring a caustic level of aggression. The band are well playing too and upon conclusion "Die for Us" is another good quality death metal/deathgrind release from Werewolves. They don´t invent the wheel or produce anything particularly unique, but there´s plenty of quality here to warrant a 3.5 star (70%) rating.

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