Technical Death Metal

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Technical/progressive (or tech/prog) death metal is considered a legitimate genre by some (or even two legitimate genres), while others argue that it is a pseudo-genre. Bands included in this genre take emphasize technicality in their music, in the form of complex riffs and/or complex song structures, while others apply the ethos of progressive music more broadly without straying from their basic death metal sound. Death, Cynic and Atheist are considered central bands in the establishment of tech/prog death metal. Some bands, like Necrophagist, Obscura, and Braindrill, emphasize technique in their style and are considered technical death metal acts, while others, such as Opeth, Neuraxis, Sectu, and Nocturnus are considered primarily progressive death metal. Sometimes, jazz death metal is listed as a separate subgenre and comprises artists who incorporate elements from fusion jazz into their death metal style, such as Atheist, Cynic and Pestilence on “Spheres”. Given that brutal death metal bands tend to emphasize technique and compositional complexity, many brutal death metal bands, such as Suffocation and Hate Eternal, are also categorized as technical death metal bands. Some tech/prog death metal bands are so progressive on some releases that these are considered progressive metal rather than death metal, as is the case of some Atheist, Opeth and Cynic releases, that they are filed under progressive metal in the MMA rather than under death metal.

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technical death metal top albums

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DEATH Symbolic Album Cover Symbolic
DEATH
4.47 | 184 ratings
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DEATH The Sound of Perseverance Album Cover The Sound of Perseverance
DEATH
4.39 | 139 ratings
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GORGUTS Colored Sands Album Cover Colored Sands
GORGUTS
4.45 | 30 ratings
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DEATH Individual Thought Patterns Album Cover Individual Thought Patterns
DEATH
4.35 | 129 ratings
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ATHEIST Unquestionable Presence Album Cover Unquestionable Presence
ATHEIST
4.32 | 81 ratings
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BEYOND CREATION The Aura Album Cover The Aura
BEYOND CREATION
4.43 | 18 ratings
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NOCTURNUS The Key Album Cover The Key
NOCTURNUS
4.37 | 25 ratings
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CRYPTOPSY None So Vile Album Cover None So Vile
CRYPTOPSY
4.33 | 38 ratings
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NILE Those Whom the Gods Detest Album Cover Those Whom the Gods Detest
NILE
4.32 | 41 ratings
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NILE What Should Not be Unearthed Album Cover What Should Not be Unearthed
NILE
4.35 | 24 ratings
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AUGURY Fragmentary Evidence Album Cover Fragmentary Evidence
AUGURY
4.35 | 22 ratings
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NILE Annihilation of the Wicked Album Cover Annihilation of the Wicked
NILE
4.26 | 50 ratings
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technical death metal Music Reviews

WEREWOLVES Die for Us

Album · 2024 · Technical Death Metal
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UMUR
"Die for Us" is the fifth full-length studio album by Australian death metal/deathgrind act Werewolves. The album was independently released in July 2024. It´s the successor to "My Enemies Look and Sound like Me" from August 2023. The lineup hasn´t changed since Werewolves formed in 2019, so it´s still David Haley on drums, Matt Wilcock on guitars and vocals, and Sam Bean performing vocals and bass. Related to artists like Akercocke, Abramelin, Faustian, The Berzerker, and Psycroptic these guys are quite prolific both on the Australian and the international death metal scene.

Stylistically "Die for Us" more or less continues down the same death metal/deathgrind road that Werewolves have travelled since day one. Artists like Terrorizer and Coldworker are pretty valid references. It´s fast, brutal, and aggressive deathgrind with heavier death metal moments thrown in here and there. The vocals vary between death metal growling and sligtly more aggressive snarling/growling. To my ears, the otherwise very well sounding production job, is a bit too clear for this type of music, and I wouldn´t have minded a bit more grit and filth. It would probably have made the music even more effectful.

But if you´re here to get your faced kicked in Werewolves are a safe bet. "Die for Us" is a relentlessly brutal death metal/deathgrind release featuring a caustic level of aggression. The band are well playing too and upon conclusion "Die for Us" is another good quality death metal/deathgrind release from Werewolves. They don´t invent the wheel or produce anything particularly unique, but there´s plenty of quality here to warrant a 3.5 star (70%) rating.

WEREWOLVES The Dead Are Screaming

Album · 2020 · Technical Death Metal
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UMUR
"The Dead Are Screaming" is the debut full-length studio album by Australian death metal act Werewolves. The album was released through Prosthetic Records in April 2020. Werewolves formed in 2019 and features among others Psycroptic drummer David Haley in the ranks. Guitarist Matt Wilcock and lead vocalist/bassist Sam Bean are both associated with acts like Abramelin, The Antichrist Imperium, and The Berzerker. So Werewolves is pretty much an Australian underground extreme metal supergroup.

Stylistically this is brutal and vicious sounding deathgrind featuring both deep growling vocals and occasionally raw snarling vocals. Not surprisingly the music is predominantly very fast-paced, but Werewolves also play mid-paced heavy parts. While this is not a one to one direct comparison, I´d say references to an artist like Terrorizer are valid. "The Dead Are Screaming" aren´t the most unique sounding deathgrind release on the scene, although it´s certainly well composed, but Werewolves more than anything win because they are skilled musicians performing their music with great passion and conviction.

"The Dead Are Screaming" features a raw, detailed, and powerful sounding production job, perfectly suiting the material. So while Werewolves still need to tweek their songwriting just a bit to make their songs a little more memorable, "The Dead Are Screaming" is still a high quality deathgrind release, and a 3.5 star (70%) rating is deserved.

NILE The Underworld Awaits Us All

Album · 2024 · Technical Death Metal
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UMUR
"The Underworld Awaits Us All" is the tenth full-length studio album by US death metal act Nile. The album was released through Napalm Records in August 2024. It´s the successor to "Vile Nilotic Rites" from 2019 and there have been a couple of lineup changes since the predecessor as bassist/vocalist Brad Parris has left and has been replaced by Dan Vadim Von. Guitarist/vocalist Zach Jeter has also joined, making Nile a quintet on "The Underworld Awaits Us All". A quintet with no less than three guitarists/vocalists, which is quite uncommon in death metal.

Stylistically the material on "The Underworld Awaits Us All" is a natural continuation of the brutal and technical death metal sound of "Vile Nilotic Rites". The change on the lead vocalist spot makes a positive impact though, and to my ears Nile sound a little bit more like themselves on "The Underworld Awaits Us All" than they did on "Vile Nilotic Rites". At least when it comes to the vocal style and performances. Losing Dallas Toler-Wade was a huge blow and a vocalist like that was never going to be easy to replace, but on "The Underworld Awaits Us All", Nile take back some of the lost territory when it comes to the vocal performances.

Other than the vocal part of the album, Nile still produce some of the fastests, most technical, and unique sounding death metal. Firmly rooted in the old school way of playing death metal, but with a never changing passion for producing high quality output. The lyrical themes are the same as always and revolve around ancient Egyptian mythology and history. As always Nile are creative songwriters/lyricists and including a songtitle like "Chapter For Not Being Hung Upside Down On A Stake In The Underworld And Made To Eat Feces By The Four Apes" on a death metal release speaks louder than words in terms of what Nile is about.

So the songwriting and the performances are as clever, skilled, and powerful as ever. The musical performances are as always through the roof. The sound production is however on the dry side and I think the album lacks the massive meaty productions of some of the past releases. It´s not a huge issue, but it´s not a plus in my book either. It´s especially the drums which feature an artificial tone and to my ears aren´t placed high enough in the mix. Minor production issues aside (which is quite subjective anyways), "The Underworld Awaits Us All" is another high quality death metal release from Nile. Sanders and co. are still among the elite death metal artists in the world, and "The Underworld Awaits Us All" further cements that fact. A 4 - 4.5 star (85%) rating is dserved.

DEIVOS Casus Belli

Album · 2019 · Technical Death Metal
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UMUR
"Casus Belli" is the sixth full-length studio album by Polish death metal act Deivos. The album was released through Selfmadegod Records in November 2019. It´s the successor to "Endemic Divine" from 2017 and there´s been one lineup change since the predecessor as guitarist Jakub "Diego" Tokaj has been replaced by Mścisław (real name Piotr Bajus). The latter was previously a member of Deivos from 2004-2016, and therefore makes a return here.

Stylistically "Casus Belli" is a natural successor to both "Theodicy" (2015) and "Endemic Divine" (2017), as it features a similar style and also a relatively similar sounding production. It could be argued that Deivos are repeating themselves, but I´d like to describe it as the band have locked into a stylistic groove which works really well for them. Why fix it, if it ain´t broken...?

"Casus Belli" features 8 tracks of crushingly brutal and technically well played death metal. While it´s certainly brutal music, Deivos are more sophisticated and adventurous in their songwriting approach than many other contemporary artists playing brutal technical death metal. The riffs are quite intricate (as are the many well played solos) and the drumming by Krzysztof Saran is nothing short of amazing (tempo changes, breaks, and loads of creative drumming ideas). The way he incorporates cowbell in the most natural way to the core death metal sound of Deivos is a touch of brilliance. The vocals are relatively intelligible growling (often layered), and while lead vocalist Angelfuck (yup... that´s actually his artist name) gets the job done, his contributions are slightly one-dimensional, and certainly the least remarkable part of "Casus Belli".

The album features a sharp, detailed, and powerful sounding production, which perfectly suits the material. So upon conclusion "Casus Belli" is another high quality death metal release from Deivos. Hopefully one day they will be counted among the greatest Polish death metal acts (along with artists like Behemoth, Vader, and Hate), because the quality of their releases warrants an inclusion to that exclusive club. A 4 star (80%) rating is deserved.

DEIVOS Endemic Divine

Album · 2017 · Technical Death Metal
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UMUR
"Endemic Divine" is the fifth full-length studio album by Polish death metal act Deivos. The album was released through Selfmadegod Records in February 2017. It´s the successor to "Theodicy" from 2015, which was an album dividing the waters a bit. Deivos tried a slightly different approach to their brand of technical death metal and the end result was slightly less pummeling and brutal than the sound on their early releases, and a little more sophisticated and dare I say (semi) progressive...

...that approach is continued on "Endemic Divine", which in many ways is a sibling release to "Theodicy (2015)" in terms of songwriting style, production values, and performances. Deivos are an incredibly well playing and skilled unit, but while there are no end to sharp precision playing, breaks, and tempo changes, Deivos still manage to add an organic touch to their music. It´s in no small part due to the drumming of Krzysztof Saran, who is an otherworldly musician. His playing is creative (notice the use of cowbells), delivers powerful beats, and always drives the music forward. The riffs on the album deserve a special mention too. Brutal, sharp, rhythmic, and often quite catchy although they are also often a bit unusual for the style. The vocals are growling and they are often layered/doubled by another extreme vocal, which to my ears is a bit of a shame. The vocals would have stood out more on the album, if they had not been layered. The layering gives them a watered down feeling.

While the musicianship is arguably on a high level in most departments, it wouldn´t have mattered if the songwriting didn´t follow suit, but that´s not a problem on "Endemic Divine". There are several strong compositions on the 8 track, 32:19 minutes long album, which closes with the excellent 7:50 minutes long title track. Add to that a powerful and detailed sound production, and the end result is a high quality death metal release. A 4 star (80%) rating is deserved.

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