BUZZOV•EN

Sludge Metal • United States
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BUZZOV•EN picture
Buzzov•en is a sludge metal / hardcore point band from Charlotte in North Carolina, formed in 1990.

The group disbanded in 1999 but reformed in 2010.

http://buzzovenmerchandise.bigcartel.com/

Buzzov•en has been cranking out drug-fueled, misanthropic sludge punk in various incarnations since their inception in 1990. Known almost as much for their out-of-control and sometimes violent live shows as they are for their music, the band carries on a tradition shared by such fellow troublemakers as Eyehategod and Antiseen.

They have endured several lineup changes and apparent breakups over the years, with the only permanent member being singer/guitarist Kirk Fisher (alternately credited on albums as "Reverend Dirtkicker" or simply "Kirk.") With drummer Ashley Williamson (aka Ash and Ash Lee) and bassist Brian Hill in tow, they recorded their first EP (Wound) and full-length (To a Frown) on the Allied label in the early to mid-'90s.

Eventually signing with the more prominent Roadrunner Records, the
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BUZZOV•EN Discography

BUZZOV•EN albums / top albums

BUZZOV•EN To A Frown album cover 3.58 | 2 ratings
To A Frown
Sludge Metal 1993
BUZZOV•EN Sore album cover 4.00 | 1 ratings
Sore
Sludge Metal 1994
BUZZOV•EN ...At A Loss album cover 3.50 | 1 ratings
...At A Loss
Sludge Metal 1998
BUZZOV•EN Revelation: Sick Again album cover 0.00 | 0 ratings
Revelation: Sick Again
Sludge Metal 2011

BUZZOV•EN EPs & splits

BUZZOV•EN Stereonucleosis Comes To Your House album cover 0.00 | 0 ratings
Stereonucleosis Comes To Your House
Sludge Metal 1991
BUZZOV•EN Wound album cover 3.00 | 1 ratings
Wound
Sludge Metal 1992
BUZZOV•EN Hate Box album cover 0.00 | 0 ratings
Hate Box
Sludge Metal 1992
BUZZOV•EN God And Texas / Buzzov•en album cover 0.00 | 0 ratings
God And Texas / Buzzov•en
Sludge Metal 1994
BUZZOV•EN Unwilling To Explain album cover 3.50 | 1 ratings
Unwilling To Explain
Sludge Metal 1994
BUZZOV•EN Another Day In The Lost Lives Of... album cover 0.00 | 0 ratings
Another Day In The Lost Lives Of...
Sludge Metal 1996
BUZZOV•EN Hot Rock Action Vol. 3 album cover 0.00 | 0 ratings
Hot Rock Action Vol. 3
Sludge Metal 1997
BUZZOV•EN The Gospel According... II album cover 0.00 | 0 ratings
The Gospel According... II
Sludge Metal 1997
BUZZOV•EN Violence From The Vault album cover 3.00 | 1 ratings
Violence From The Vault
Sludge Metal 2010

BUZZOV•EN live albums

BUZZOV•EN demos, promos, fans club and other releases (no bootlegs)

BUZZOV•EN Buttrash album cover 0.00 | 0 ratings
Buttrash
Sludge Metal 1991
BUZZOV•EN Paintime Grit album cover 0.00 | 0 ratings
Paintime Grit
Sludge Metal 1994

BUZZOV•EN re-issues & compilations

BUZZOV•EN Welcome to Violence album cover 0.00 | 0 ratings
Welcome to Violence
Sludge Metal 2005

BUZZOV•EN singles (1)

.. Album Cover
0.00 | 0 ratings
Useless / Never Again
Sludge Metal 1997

BUZZOV•EN movies (DVD, Blu-Ray or VHS)

BUZZOV•EN Reviews

BUZZOV•EN To A Frown

Album · 1993 · Sludge Metal
Cover art Buy this album from MMA partners
siLLy puPPy
BUZZOVEN or more often stylized as BUZZOV*EN was one of the very first bands to develop the sludge metal genre along with bands like Melvins, Eyehategod and Acid Bath and were noted in their early days for extremely violent live shows. Formed in the city of Wilmington, NC, the band relocated to Salisbury north of Charlotte and existed from 1990-99 but then reformed in 2010 and is still active. The only continuous member has been vocalist / guitarist Kirk Fischer also affectionally known as Reverend Dirtkicker and the band has seen numerous lineup changes over its on and off again 30 year run.

The early version of BUZZOVEN started playing in various clubs in the Charlotte area and almost immediately got banned from every one of them due to the aggressive and scary behavior that resulted in the destruction of equipment and furnishings as well as a never-ending series of fights and over the top theatrical performances. This led to the band becoming an underground cult favorite and BUZZOVEN caught the attention of Roadrunner Records after the release of this debut album TO A FROWN which sounded a lot different than what came after as the band at this stage was more infused with hardcore punk in the vein of raging Black Flag only treated with a drug-infused haze and along with sludge metal guitars that included some seriously ugly guitar feedback.

As an ugly chimera of down-tuned sludge riffs, heavy metal aggression, noise rock dissonance and punk infused irreverence, TO A FROWN perfectly encapsulates the band’s early uncontrollable angst which got them banned from virtually every venue they played. This album is chock full of ugly mangled guitar riffs accompanied by a punk sludge backing and brought even further into the WTF zone by Fischer’s eccentric vocal style that sat somewhere between punk rock declarations in semi-spoken prose and early extreme sludge metal like Eyehategod and early Neurosis. This is true tortured soul music if there ever was any and although not as bombastic as death metal or second wave black metal, this one has a more direct approach with the rage making a direct pipeline from band to audience.

TO A FROWN featured eleven tracks with the lineup of Kirk Fischer on vocals, guitar, Brian Hill on bass and Ash Lee on drums. Long out of print, the album finally saw a re-release on the Polish label Behind The Mountain in 2018 but can be more easily found on the compilation “Welcome To Violence” together with the band’s early EPs “Wound” and “Unwilling To Explain.” While the band would gradually loosen the hardcore punk load, this debut is just dripping with angst fueled wrath that feels a bit like the bastard child of early Hellhammer, Black Flag and Amoebix. Despite being considered one of the pioneers of the sludge metal sound, BUZZOVEN has remained firmly in the underground dodging any signs of success with its seemingly incessant self-destructive behavior.

The best track on this debut is the near 18 minute closer “Weeding” that features frightening spoken word sound samples, creepy down-tuned bass runs and colliding guitar noise crafting skronk and awe. The slow plodding tempo and no wave sensibilities along with Fischer’s psycho serial killer narratives making this one of the creepiest metal songs i’ve encountered in a while. This is a decent debut if you’re seeking some of the angriest sounds to emerge from the early 90s metal world with vocals that sound like they are on the verge of a psychotic breakdown and irreverent angular guitar riffs that wouldn’t sound out of place in the NYC no wave movement ten years prior. This band was all about crafting one of the ugliest sounding bastard children of punk and metal possible and clearly succeeded in that goal with one mangled monstrous track after another.

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