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2 reviews/ratings
EARTH - Earth 2: Special Low Frequency Version Drone Metal | review permalink
BLACK BONED ANGEL - Verdun Drone Metal | review permalink

Metal Genre Nb. Rated Avg. rating
1 Drone Metal 2 4.50

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EARTH Earth 2: Special Low Frequency Version

Album · 1993 · Drone Metal
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Earths second album, Earth 2, is a hypnotic masterpiece. A genre defining piece of drone metal, responsible for a legion of followers, and the creation of a whole new field of dense escapist metal that was paired back to it's most elemental core. Three tracks, played ultra slowly and spread out over an hour, Earth 2 is an essential work that manages to combine the experimental work of avant-garde minimalist composers with Black Sabbath. Originally released on Sub-Pop in 1993, Earth 2 was essentially unmarketable, but has become a clear cult favorite since. Even the Melvin’s at their height never played anything this slow or this heavy, it’s as ambient as Brian Eno’s early work, and yet heavier than anything that came before, loaded with feedback, fuzz and the magnificence of doom and grimness played as slow it is possible to play. This is mainman, Dylan Carlsons’, masterpiece, he’s gone on to make further Earth albums, and these too are magnificent, although very differently focused. You can’t better this. Without this there would be no Sunn O))), no Corrupted, No Black Boned Angel… the list goes on. Earth 2 gave everyone an excuse to slow it down, make it heavier and to just breathe. Essential.

BLACK BONED ANGEL Verdun

Album · 2009 · Drone Metal
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New Zealand’s Black Boned Angel specialise in reductive drone based doom, and Verdun, their 12th release, is a monolithic beast. BBA concentrate on epic, often experimental, instrumental doom, with a firm focus on the heaviness and the riff. Stripped of any supercilious add-on’s their sound, and ethos, is akin to similar artists like Japan’s Corrupted or early Sunn O))). Verdun, named after one of the battlefields of the First World War, is an impressive hour-long three-passage piece tackling the fear before combat, the numbing sense of impending loss and the chaos of artillery fire and battle. Actual markers of where the tracks end and begin are indistinct, although the album has clear emotive shifts, discernible by the substance of the accompanying riffs and shift in emotive weight. This album represents something of a high mark for BBA, after their previous excellent split e.p with Canada’s Nadja, the use of smothered backing choral voices, dense splintered chords and distorted tones make for an album truly representative of the disorder and merciless nature of war. Highly recommended for anyone who favours the density of drone-based metal.

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