SilentScream213

Cal
MMA Metal Reviewer ·
Registered more than 2 years ago · Last visit 20 days ago

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1591 reviews/ratings
SLAYER - Show No Mercy Thrash Metal | review permalink
SLAYER - Hell Awaits Thrash Metal | review permalink
SLAYER - Reign in Blood Thrash Metal | review permalink
SLAYER - South of Heaven Thrash Metal | review permalink
FATES WARNING - Perfect Symmetry Progressive Metal | review permalink
FATES WARNING - Parallels Progressive Metal | review permalink
X JAPAN - Art Of Life Progressive Metal | review permalink
SLAYER - Divine Intervention Thrash Metal | review permalink
SLAYER - Serenity in Murder Thrash Metal
DEATH - Symbolic Technical Death Metal | review permalink
KATATONIA - Brave Murder Day Death-Doom Metal | review permalink
OCTOBER TIDE - Rain Without End Death-Doom Metal | review permalink
ANATHEMA - Alternative 4 Metal Related | review permalink
EXODUS - Bonded by Blood Thrash Metal
QUEENSRŸCHE - Rage For Order Heavy Metal
KREATOR - Terrible Certainty Thrash Metal
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CORONER - No More Color Technical Thrash Metal
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See all reviews/ratings

Metal Genre Nb. Rated Avg. rating
1 Heavy Metal 222 2.41
2 Thrash Metal 153 3.09
3 Death Metal 97 3.02
4 Power Metal 86 2.97
5 Black Metal 81 2.44
6 Progressive Metal 73 2.81
7 Gothic Metal 51 2.66
8 US Power Metal 48 2.93
9 Hard Rock 45 1.99
10 Industrial Metal 42 1.58
11 Non-Metal 42 1.35
12 Death-Doom Metal 33 2.50
13 Traditional Doom Metal 33 2.39
14 Melodic Death Metal 32 3.25
15 Groove Metal 31 2.06
16 Speed Metal 31 2.68
17 Stoner Metal 30 1.50
18 Metal Related 30 1.62
19 Alternative Metal 28 1.79
20 Neoclassical metal 28 2.38
21 Hardcore Punk 27 1.67
22 Doom Metal 26 2.83
23 Sludge Metal 26 1.42
24 Folk Metal 24 2.67
25 Grindcore 22 1.25
26 Avant-garde Metal 20 1.52
27 Technical Thrash Metal 20 2.88
28 Funk Metal 19 1.37
29 Proto-Metal 16 1.66
30 Heavy Alternative Rock 14 1.64
31 Metalcore 13 1.81
32 NWoBHM 13 2.42
33 Technical Death Metal 12 3.46
34 Symphonic Metal 11 2.50
35 Melodic Black Metal 11 2.95
36 Atmospheric Black Metal 10 2.15
37 Viking Metal 10 2.25
38 Nu Metal 9 1.67
39 Funeral Doom Metal 7 2.36
40 Drone Metal 7 0.71
41 Atmospheric Sludge Metal 6 1.92
42 Death 'n' Roll 6 2.58
43 Brutal Death Metal 6 3.08
44 Crossover Thrash 6 2.17
45 Mathcore 6 1.42
46 Symphonic Black Metal 6 3.58
47 Rap Metal 4 1.00
48 Heavy Psych 3 1.83
49 Cybergrind 3 1.50
50 Deathgrind 2 3.50
51 Glam Metal 2 1.25
52 Goregrind 2 1.25
53 Stoner Rock 2 1.00
54 War Metal 2 2.25
55 Pagan Black Metal 1 3.50
56 Melodic Metalcore 1 3.00

Latest Albums Reviews

OPETH Still Life

Album · 1999 · Progressive Metal
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Any band would be honored to release an album that could be considered the best ever in its genre. Opeth have not one, not two, but three albums that always sit neck and neck near the top of any Progressive Metal ranking, and the band fails at having an obvious magnum opus because any fan might name a different release. Such is the band’s prowess.

Still Life is the earliest of the aforementioned triad, being their last 90’s album and still rife with Death Metal. Personally, it ranks as my favorite of the three (and yet not my favorite Opeth album!). This is due to the fact that it is probably Opeth’s most passionate release, being a twisted tale of love, longing, hatred and revenge. The concept album follows the story of a monstrous man who was cast out of society (likely due to religious reasons) and despises the civilization, save for an old flame whom he returns for… the rest I’ll leave for you to discover.

It’s a perfectly delivered tale and Opeth succeed at swapping between styles and moods to fit the theme of the story. It has dark and brooding Death Metal representing the main character’s intense misanthropy due to his mistreatment. It has more melodic, longing guitar leads representing his loneliness and love that still burns. And it has slower, softer folk-inspired sections for the sparse moments of calm the characters are able to find. Of course, these are all trademark styles of the band, and by this album they had mastered each.

It's one of those albums that simply doesn’t have any flaws. It’s got a little bit of everything that makes Opeth a great band, and it’s got just about everything one could want in Progressive Death Metal.

AGALLOCH Pale Folklore

Album · 1999 · Folk Metal
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Agalloch are a name carved into Metal legends at this point in time, iconic for their delves into Folky Post-Metal and ability to craft immense atmosphere. Their debut album “Pale Folklore” shows the band had not quite settled at their modern sound yet, but does that make the album any less strong?

The answer, at least for me, is a resounding no. There’s nothing in the way of Post-Metal here; in fact it’s Folk Metal in name only, stylistically being a hybrid of Blackened Gothic Doom more than anything else. Despite progressive and layered songwriting, most of the actual musicianship is quite simple.

Thankfully, the guitar leads crafted here are some of the most memorable in all of Black Metal, and that’s thanks to the strong Gothic Doom influence. Melancholic, melodic and simple, each song has at least one lead progression that is unforgettable. The rhythm section supports them with pillars of gloomy, repetitive chords and martial percussion, as well as some hidden but impressive basswork as well.

“Hallways of Enchanted Ebony” is the best display of their talent here, first posing the main motif as an acoustic melody over driven rhythm guitars, only for it to come back later in full glory as an electric lead. It even shows up again in the bass! One of the best guitar leads in Metal, I think. The lyrics throughout the album are beautifully somber as well, perfectly matching the atmosphere, and the vocals are a uniquely enunciated blackened call.

Beautiful, harrowing, poetic, and full of exquisite melodies. Should not be missed.

IMMORTAL At the Heart of Winter

Album · 1999 · Black Metal
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Wow! I know I’m in a crazy minority here, but I actually thought “Blizzard Beasts” was going to end up my favorite Immortal album. The way Immortal integrated twisted Death Metal riffs and more varied drumming into their wintry 2nd wave Black Metal formula worked very well for me. I was expecting a return to regular Black Metal with this album.

But no! They learned something very important from the last album! Which is how to write incredible riffs! As far as Black Metal goes, these are some of the best riffs in the genre. Melodic yet raw, aggressive and thrashy but still unmistakably cold. This is still 2nd wave Black Metal at its core, but this time, instead of Death Metal influence, they’ve injected their wintry hellscape with Melodic Black Metal and Thrash influence. Somewhat opposing forces, but it all comes together so well here!

The leads sit in this perfect purgatory between melodic and twisted, they are very memorable and full of impressive lead work a la Meloblack, but they are evil, destructive, and almost out of control a la Thrash! The drumming is in a similar place, where it is much more controlled and willing to run in non-blast beat territory, bordering on progressive at times. However, it never loses sight of being a mad, combative beast of rhythm.

Production is also quite good for this genre. Clear enough, mixed well, sounds good, but not overproduced. Plainly, the album doesn’t have any flaws, and is a masterpiece among the genre.

ESTATIC FEAR A Sombre Dance

Album · 1999 · Doom Metal
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Estatic Fear released just two masterpiece albums in their short career, both of them lush with folky acoustic passages, flutes and strings mixed in with crushing Doom/Death Doom. A Sombre Dance features one long suite split up into much shorter tracks (as opposed to the first album, which featured two primary tracks totaling over 50 minutes). The shorter tracks make for a much more digestible album, and the Dark Folk passages are intelligently mixed into the songs rather than being cut into quick interlude tracks.

This album features more clean female vocals, and more Neoclassical Darkwave keywork which gives it a slightly Gothic flavor. The Death Doom is still as strong as ever, driven by liberal double bass drumming and tremolo lead guitars. A great variety in power, heaviness, and speed across even individual tracks makes it an incredible joy to listen to (despite how sombre and melancholic it is). Insecure listeners beware, for what one might call “cheese” permeates every corner, as a fantastical, dramatic showing is the name of the game for this Doom album.

And yet, to me, “cheesy” would be the wrong word. How about “classy”? The strings and melodrama here sound nothing of Power Metal or regular Symphonic Metal taste; rather, it evokes true Classical moods and compositions somewhere between the Medieval era and the Baroque era. Basically, unless you want to call Classical Music cheesy, there’s really nothing cheesy about this! Put on your best palace suit or dress and get ready to attend this funeral in a fairytale garden.

GRAVE DIGGER Excalibur

Album · 1999 · Power Metal
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For me, Grave Digger were one of those bands that were always good, but not quite good enough. They were competent, but they were missing that X factor. The first run of the band in the 80’s had very little going for it, “generic” being the best descriptor I can think of. After their reformation in the 90’s, they came back with a lot more power, and hit their stride starting with Tunes of War. From there on out, they delivered some great songs, but the albums as a whole were still short of remarkable.

Enter Excalibur. Grave Digger’s 3rd medieval concept album, this one storying the legend of King Arthur and the Knights of the Round Table. Look, I dunno what happened here. Suddenly, the band is churning out banger after banger, with some of the most powerful, anthemic choruses I’ve heard. Drumming and riffing here is faster and heavier than ever, and even their usually unbearable slow tracks are magnificent here.

One thing that helps for sure is the undeniably dark sound of the album (by Power Metal standards, that is). Lyrically, of course it is full of epic heroism and gallantry just as much as it is death, betrayal, and longing. But the sound of the music accentuates that dark tone – the riffs are decidedly aggressive, and backed by pummeling double bass, you really feel the suspense of knights putting their life on the line. There is a ton of raw Speed Metal influence here.

Another point towards heaviness is the vocal style of Chris (or as he is named on this album, Sir Chris "Parcival" Boltendahl). He opts for a very grumbly warble, gruff and probably more befitting of a Thrash Metal band than Power Metal. I will say it’s an acquired taste, but the reason it works exceptionally well here is all the choruses are multi-layered, incredibly well harmonized near-choral levels of gang vocals. These choruses are ridiculously anthemic and epic, by far some of the catchiest I’ve heard in the genre. As far as I understand, multiple backing vocalists, including the great Hansi Kürsch (Blind Guardian) were brought in to help create these epic choruses. Chris’ usual grunting yell handling verse duties while brilliantly melodic gang vocals emphasize the choruses create a perfect contrast that helps you appreciate each vocal style even more.

The focus on Arthurian Legend makes the album that much more enjoyable. I will confess, I was only passively privy to the tales before listening, but the album got me so interested that I did a deep dive to learn all about the characters. Isn’t it wonderful how much we can learn from music? In any case, Grave Digger pulled all the stops here, and finally released an album that deserves to go down in the Power Metal canon as one of the greats.

Latest Forum Topic Posts

  • Posted 1 year ago in Most Underappreciated Judas Priest Album?
    Nostradamus has tons of great songs on it. Just suffers from being way too long. But take the best ten songs from that thing, and you'd have a prime cut of fantastic Priest material. 
  • Posted more than 2 years ago in Vocalist Polls, Week 8: Black Sabbath
    Disregarding the music and era, Tony is my favorite Sabbath vocalist. Unfortunately he got stuck on some of their worst albums, but Tyr is a hidden masterpiece.
  • Posted more than 2 years ago in Unpopular Metal Opinions
    For me... I'd say most 70's metal is really boring. Sin After Sin is the only album from that era I consider truly great.

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