Mr. Bungle "Sudden Death" (Official Video)
MR. BUNGLE
Online Video
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from The Raging Wrath Of The Easter Bunny Demo, in stores now on Ipecac Recordings. https://lnk.to/MBWrath
Directed by Derek Cianfrance
Produced by Marshall Johnson
Edited by Jim Helton
Director Of Photography Jody Lee Lipes
Mr. Bungle, who recently released their first album in over two decades, The Raging Wrath of the Easter Bunny Demo (https://lnk.to/MBWrath), have partnered with acclaimed Director Derek Cianfrance (“The Place Beyond The Pines,” “Blue Valentine”) for the band’s “Sudden Death” video.
"If you lived in Lakewood, Colorado, during the early 1990s, there’s a slim chance you would have seen and heard a 16 -year-old boy driving slowly around town in a white, 1974 Mustang II, with his windows rolled down, disrupting the neighborhood by blaring the music of Mr. Bungle. That 16-year-old kid was me, and that music that I listened to, over and over and over again, set the bar for my life as an artist,” explained Cianfrance. “So, 30 years later, when I got a call from Mike Patton asking me to direct a music video for one of the songs on their new album, The Raging Wrath of the Easter Bunny Demo, I questioned whether my life was really a dream... I informed Mike that I had never directed a music video before, but he wasn’t dissuaded. I listened to the album and asked if I could work with the song “Sudden Death.” It reminded me of the feelings of angst I carried throughout my youth while growing up in the shadow of a looming, forbidding thermonuclear war. I decided I could make a short film (well, not so short - the song is almost 8 min!) about these fears that haunted me. I was also interested in meditating on the theme of desensitization in modern society, where citizens are gradually and systemically numbed to the possibility of cataclysmic consequences. Since the song was written in the mid-‘80s, I determined that the video should feel like it was made during that time and imagined it as some sort of rediscovered relic. Shooting during a global pandemic proved a fitting backdrop to the malaise of the song. It also presented a unique challenge as I was too nervous to work with actors - so I had to come up with another solution. making this video with a small team of trusted collaborators, and working with my life-long heroes, was nothing short of a total dream come true."
Cianfrance and Patton came to know one another after working together on the 2013 film “The Place Beyond The Pines.” Cianfrance said, in an interview with Pitchfork, that once he shot the film, he knew the only person who should compose its score was Patton. Cianfrance has also incorporated music from Patton’s discography into his current project, HBO’s “I Know This Much Is True.”
“When we first worked together, he told me he was a fan, and I didn’t believe him,” said Patton. “Years later, he told me he gravitated to the most difficult tunes on Bungle records (“Dead Goon,” “Merry Go Bye Bye,” “Goodbye Sober Day”) so him choosing “Sudden Death” for this iteration of Bungle actually made perfect sense. The least commercial and longest song? That’s where his ears and eyes go.”
The Raging Wrath of the Easter Bunny Demo track list:
1. Grizzly Adams
2. Anarchy Up Your Anus
3. Raping Your Mind
4. Hypocrites / Habla Español O Muere
5. Bungle Grind
6. Methematics
7. Eracist
8. Spreading The Thighs of Death
9. Loss For Words
10. Glutton For Punishment
11. Sudden Death
Mr. Bungle was formed in an impoverished lumber and fishing town by a trio of curious, volatile teenagers. Trey Spruance, Mike Patton and Trevor Dunn beget the amorphous “band” in 1985 up in Humboldt County, Calif., sifting through a variety of members until around 1989 when they settled on a lineup that managed to get signed to Warner Bros. Records. No one really knows how this happened and it remains a complete mystery that even the algorithms of the internet can’t decode. Up until 2000 they released three albums (Mr. Bungle in 1991, Disco Volante in 1995 and California in 1999), toured a good portion of the Western hemisphere and avoided any sort of critical acclaim. Some argue that the band subsequently broke up but there is also no proof of this. What is true is that they took 20 years off from performing under said moniker while they pursued various other musics that, in contrast, paid the rent.
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