AGHORA — Formless

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3.72 | 14 ratings | 3 reviews

Album · 2006

Filed under Progressive Metal
By AGHORA

Tracklist

1. Lotus (1:14)
2. Atmas Heave (5:10)
3. Moksha (5:29)
4. Open Close the Book (4:58)
5. Garuda (2:53)
6. Dual Alchemy (5:36)
7. Dime (7:00)
8. 1316 (5:30)
9. Fade (4:40)
10. Skinned (6:41)
11. Mahayana (7:16)
12. Formless (12:31)
13. Purification (1:45)

Total Time: 70:48

Line-up/Musicians

- Santiago Dobles / guitars
- Diana Serra / vocals
- Alan Goldstein / basses, fretless bass
- Giann Rubio / drums

- Sean Reinert / drums (track (4, 5, 6, 8, 9, 10)
- Rolando Grooscors / flamenco guitar

About this release

Released by Dobles Productions.

Thanks to negoba, Lynx33, adg211288 for the updates

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AGHORA FORMLESS reviews

Specialists/collaborators reviews

UMUR

"Formless" is the 2nd full-length studio album by US progressive metal act Aghora. The album was released through Dobles Productions in December 2006. It´s the successor to the eponymously titled debut album from 2000 and features quite a few lineup changes since the predecessor. In fact it´s only guitarist/band founder Santiago Dobles who remains from the lineup who recorded the debut album. Female lead vocalist Danishta Rivero has been replaced by Diana Serra, bassist Sean Malone has been replaced by Alan Goldstein, and Giann Rubio has been added to fill the drum position. About half of the tracks on the album are however performed by Sean Reinert (Cynic, which ensures that Aghora still retain some of the Cynic/Death connection, which made their debut album a hyped affair among technical/progressive death metal fans.

Stylistically the material on "Formless" continued the jazz/fusion influenced technical/progressive metal style of the debut album. It´s still predominantly Cynic I´m reminded of, but of course with a female lead vocalist Aghora ultimately sound different. Some parts are heavy, even brutal, and could well have been included on a 90s technical/progressive death/thrash metal release, while other parts of the album are mellow world music/jazz/fusion influenced. Diana Serra is arguably a skilled vocalist with a strong voice, but her melody lines and the way she performs them will probably divide the waters. She often performs long sustained notes and the vocal lines are not often that melodic and seldom features hooks. So Serra´s performance is definitely in the more unique end of the spectrum, but the lack of hook laden melodies often make the vocals sound monotone and even emotionless. To my ears it sounds like the music was composed first, and then almost as an afterthought the vocals were added, and sometimes it feels like the two parts of the music aren´t connected at all.

"Formless" features a well sounding production job, and the musical performances are all on a high level, so even if you have a hard time enjoying the vocals (like me), "Formless" is a high quality release filled to the brim with adventurous songwriting ideas and it´s impossible not to be impressed by what the band produces. A 3.5 star (70%) rating is deserved, although I personally find the album more interesting than great.

more than 2 years ago
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Report #787964

The Angry Scotsman

My younger brother introduced me to Aghora. I remember a time when it used to be the other way around... Regardless, I am glad he did! Aghora, and their album Formless, are truly wonderful! Formless is one of my favorite Prog-Metal albums. It has heavy, crushing riffs, blistering double bass, and wonderful guitar solos. However, this is no standard metal album. Virtually every song has several musical interludes featuring clean, jazzy guitar, melodic solos, and very jazz inspired drumming. Then it shifts back to it's crushing riffs, double bass drumming, and metal solo's.

Santiago Dobles lays down some amazing riffs, some of my favorite ones of ANY metal band. However, he shows his ability for melody and technicality, and it often sounds beautiful. Diana Serra on vocals is just amazing. Her voice is simply beautiful, and very soothing. While it fits perfectly for the slower, melodic sections it sounds just as good over the metal riffs as well. As a drummer, I always appreciate an album with great drumming, and this one sure has it! Sean Reinert, (formerly from Death, and Cynic) is brilliant. While he can lay down some good double bass, he has some superb jazz beats, solos, and overall...he just lays down some great sounding beats. My favorite aspect of the album for sure!

The first and last tracks, (Lotus and Purification) are very Eastern/Tribal sounding. Perhaps the way to describe it is "World Music". My personal favorite songs are Atmas Heave and Dime, (an instrumental). 1316 has an especially heavy beginning, while Moksha has a wonderful heavy, yet groovy, riff through most of the song. Open Close the Book has a great phaser/trippy intro before it plunges into the riff.

However, few albums are perfect. While every songs sounds good, none really standout. That is this album's only flaw in my opinion. All the songs do sound a bit the same, and can be predictable. While they all do sound nice, and of course each song is different, they all have a pattern.

Amazing album. Highly recommended, though a bit samey. A bit more variation would have made this five stars.

Four and a Half Stars

more than 2 years ago
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Report #221087

Negoba

Good, but could have been so much more.

I got this group on various internet radio Prog Metal mixes and became addicted to the song "Fade." This track included some jazzy clean guitar along with a nice tech-metal crunch. With Sean Reinert on drums, I was hoping for a great jazz / tech metal feast. But the album doesn't live up to what it could have been. Clearly this album is the child of the guitarist Santiago Dobles, and for the most part everyone else is challenged to hop aboard the train if they can. Reinert succeeds but everyone else seems to either be simply in lock step or holding on for dear life.

Certainly, the jazz chording puts this album into a pretty narrow group of bands. Middle Eastern influences are also found here and there on the album, most prominently on the sadly brief intro and outro tracks. I was hoping for more of that ethnic feel incorporated into the music, but for the most part this is pretty straight female-fronted technical metal. In that sense it suffers from what many of these acts do, which is lack of melodic sense. Which is not to say the singer doesn't have a good voice, but the vocals seemed tacked on the top of songs that were already composed.

The technical chops of the Dobles are quite impressive. The jazziness of the leads add a very good flavor, and I like the leads here as much as Symphony X. The riffs are fine, though nothing outstanding, and the guitar tone is typical for genre but not my favorite. The rhythm section is solid.

Overall there are some good songs, but a sameness to the album that I've only listened all the way through once. I do have "Fade" on several playlists and enjoy the more exotic tracks. Also, as a guitar player, it's always cool to find a new shredder who's actually got something interesting to say.

Good, but non-essential describes it well.