ALCHEMIST — Austral Alien

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ALCHEMIST - Austral Alien cover
3.93 | 7 ratings | 2 reviews
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Album · 2003

Tracklist

1. First Contact (3:08)
2. Great Southern Wasteland (4:13)
3. Solarburn (3:51)
4. Alpha Cappella Nova Vega (4:33)
5. Older Than the Ancients (4:42)
6. Backward Journey (4:24)
7. Nature on a Leash (4:03)
8. Grief Barrier (3:34)
9. Epsilon (3:55)
10. Speed of Life (4:07)
11. Letter to the Future (5:52)

Total Time: 46:25

Line-up/Musicians

- Adam Agius / vocals, guitars, keyboards
- Roy Torkington / guitars
- John Bray / bass, keyboards, samples
- Rodney Holder / drums

About this release

Label: Chatterbox Records (Aus) / Relapse Records (worldwide)

Release Date: June 17, 2003

Produced & engineered by DW Norton Backbeach Studios VIC, January 2000.

Thanks to UMUR, Stooge for the updates

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ALCHEMIST AUSTRAL ALIEN reviews

Specialists/collaborators reviews

UMUR
"Austral Alien" is the 5th full-length studio album by Australian metal act Alchemist. The album was released through Chatterbox Records in Australia and through Relapse Records worldwide in June 2003. Alchemist was founded in 1987 and have long been one of the most prolific acts on the Australian extreme metal scene. It´s been 3 years since the release of "Organasm (2000)", but there were also 3 years between "Organasm (2000)" and "Spiritech (1997)", so that´s a regular release cycle for the band. Alchemist was never a band to release a new album every year, which among other things was probably due to the fact that they ran and organized the yearly "Metal for the Brain" festival from 1996 to 2006.

There´s been a clear development in Alchemist´s sound over the years from an innovative death/thrash metal style towards an alternative/progressive metal style, which is what they play on "Austral Alien". There are still aggressive raw vocals and heavy distorted riffs featured on the album (which slightly remind me of 90s Prong and Sepultura), and you are never in doubt that this is a metal album (tracks like "First Contact", "Backwards Journey" and "Epsilon" are all pretty heavy business), but on the other hand there are whole tracks and whole sections in other tracks that don´t feature that many metal elements (tracks like "Solarburn" and "Speed of Life" are examples of that). Instead there is an obvious Killing Joke influence in the music that is quite dominant. There´s also a psychadelic atmosphere about "Austral Alien", which is another spice to the overall sound of the album.

In addition to bass, guitars, drums and vocals (raw and clean), the music also features layers of atmospheric keyboards and samples (check out the didgeridoo samples on "Great Southern Wasteland"). The musicianship are on a high level from all involved and some of the assets are the percussive ("tribal") approach to drumming, the many different lead guitar effects and melodies, and Adam Agius skilled and commanding vocal performance. "Austral Alien" also features a powerful, clear, and professional sounding production, which suits the music perfectly, so all in all it´s a high quality release. A 4 star (80%) rating is deserved.
bonnek
Fifth chapter on the speedway to the galaxy. Austal Alian is yet another highly enjoyable album from Alchemist. The tempo is somewhat higher then 'Organasm' and the sound is dryer and more aggressive. Due to the focus on tight playing and fast riotous rhythms, the album has a slightly more industrial feel then its predecessors. The songs are strong as ever and the vocals keep their distinctive diversity, so there’s more then enough to please a metal endorsing prog fan here.

'Alpha Cappella Nova Vega' is the high point for me and served as a perfect introduction for me to this band. With its fine echo laden guitar strumming, hypnotizing mantra and steadily building crescendo, the song is immediately accessible. The remainder of the album is close to the same heights but might take you a bit more time to digest.

Admitted, I'm a huge fanboy of these guy so I can't help rating it a 9/10. Recommend for fans of Voivod, space-metal and Neurosis-on-speed.

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