AT THE GATES — Terminal Spirit Disease

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AT THE GATES - Terminal Spirit Disease cover
3.73 | 18 ratings | 3 reviews
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Album · 1994

Tracklist


1. The Swarm (3:28)
2. Terminal Spirit Disease (3:38)
3. And the World Returned (3:06)
4. Forever Blind (3:58)
5. The Fevered Circle (4:11)
6. The Beautiful Wound (3:52)
7. All Life Ends (live) (5:16)
8. The Burning Darkness (live) (2:15)
9. Kingdom Gone (live) (5:02)

Total Time: 34:50

Line-up/Musicians


- Tomas Lindberg / vocals
- Anders Björler / guitars
- Martin Larsson / guitars
- Jonas Björler / bass
- Adrian Erlandsson / drums

About this release

Peaceville Records, July 18th, 1994

The 2003 digipak re-issue includes 3 bonus tracks from an 1993 MTV Europe live-in-studio session:

- Windows
- The Red In The Sky Is Ours/The Season to Come
- The Burning Darkness

Track 1-6: recorded in Studio Fredman, February 1994.
Tracks 7-9: recorded live at Magasinet, Gothenburg, on February 6, 1994.

- A video was made for Terminal Spirit Disease.

Thanks to Time Signature, UMUR for the updates

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AT THE GATES TERMINAL SPIRIT DISEASE reviews

Specialists/collaborators reviews

UMUR
"Terminal Spirit Disease" is the third full-length studio album by Swedish death metal act At the Gates. The album was released through Peaceville Records in July 1994. It´s the successor to "With Fear I Kiss the Burning Darkness" from 1993 and features one lineup change since the predecessor as guitarist Alf Svensson has been replaced by Martin Larsson. "Terminal Spirit Disease" was originally intented to be released as an EP, but label pressure meant it ended up being released as a full-length album. It´s a combined studio and live release though, as the first six tracks are new studio recordings and the three closing tracks are live recordings of "All Life Ends", "The Burning Darkness", and "Kingdom Gone". All three previously appeared in studio versions on the band´s first two albums. So calling "Terminal Spirit Disease" a full-length studio album is a bit of a stretch, but that´s how it´s catalogued.

Stylistically the listener is treated to melodic death metal with the distinct sounding high pitched snarling/growling vocals of Tomas Lindberg in front. At the Gates display a more streamlined and tuned version of their style on this release, and the experiments of the first two albums are nowhere to be found. At the Gates hit a good balance between aggression/brutality and melody and catchiness on this release. While it´s not ideal with three live tracks of previously released material on what is tagged a studio release, the live tracks are well performed and also feature a well sounding production.

So upon conclusion "Terminal Spirit Disease" is quality melodic death metal release, and the studio tracks show a slightly more mature version of At the Gates. Not all issues from the previous releases have been weeded out, and personally I could for example have wished for a more varied vocal approach (a deeper growl here and there wouldn´t have hurt). Lindberg´s tortured screaming vocal style can be a bit hard on the ears. It´s a subjective opinion though, and a 3.5 star (70%) rating is still deserved.
Time Signature
The beautiful sound...

Genre: melodic death metal

"Terminal Spirit Disease" is an important controbution to the development of the Göteborg-style of metal which would later be known as melodic death metal.

As with "Slaughter of the Soul", there is plenty of melodic yet aggressive riffing on this one, accompanied by both mid paced drums and fast thrashy drums. This album also sounds a bit more polished and refined than "Slaughter of the Soul" and the compositions are also a bit more complex and progressive and less emotionally appealing than on "slaughter of the Soul". There are plenty of unusual riffs and unusual melody and harmony patterns - some of which are even reminiscent of the more melodic type of black metal (probably because of At The Gates' extensive use of open-stringed riffing on this album). A particularly interesting element is the use of chords that were not deployed that much in the death metal music of the time, but were more associated with alternative rock and alternative hardrock acts of the 90s. A clear example of this is the chorus of "The Swarm", which works really well.

This album would be a good entry point into the world of melodic death metal and would probably also appeal to fans of power metal and more melodic black metal, also I think some hardcore extreme metal fans would find it a tad too melodic.

Members reviews

aiylyn
If you're not a death metal connoiseur or an At the Gates purist, then this is most likely the album at which you feel At the Gates really hit their stride. I have to assert that sentiment myself; all the elements that trademarked early At the Gates come together to form the album that I would recommend as the first buy for anyone looking to get into At the Gates or Gothenburg metal in general. The first track fades in which some violins playing a rather melancholic melody, this is cross-faded into guitars and that's where the assault begins. At this point in their development, the band was still highly progressive, playing unorthodox riffs with an uncanny knack for combining catchiness with technicality and odd rhythms. Track three, "And the World Returned" is a refreshing clean guitar piece. Tomas Lindberg screams with fierce abandon throughout the rest. The production is not as polished as it is on "Slaughter of the Soul" but it is still good. The drums sound a bit airy and the guitars could use a bit more punch, but there is little, if any, to ask for here.

Ratings only

  • adg211288
  • Peacock Feather
  • karolcia
  • The T 666
  • GWLHM76
  • Psydye
  • kalacho
  • Nightfly
  • Necrotica
  • Anster
  • sepozzsla
  • Woutjinho
  • Saturn
  • vikt73
  • Hagbard Celine

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