Warthur
Sounding at points like a post-rock band's take on the 4AD sound as epitomised by early Cocteau Twins and Dead Can Dance, Chelsea Wolfe's unrelentingly intense Ἀποκάλυψις offers up the beauty of these precedents but also has a dissonant, dangerous edge to it. Wolfe seems permanently on the borderline between moaning and shrieking, and the instrumental backing is right there with her; imagine a version of Cocteau Twins' Elizabeth Guthrie less prone to ethereal whispering and more into stentorian wailing and passionate frenzies, with musical backing sounding like where Dead Can Dance might have gone if they were more into folk and less into classical and world music and jammed a bit with some post-rock musicians, and you're in more or less the right ballpark.