CLUTCH — The Elephant Riders

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CLUTCH - The Elephant Riders cover
4.15 | 12 ratings | 3 reviews
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Album · 1998

Filed under Stoner Rock
By CLUTCH

Tracklist

1. The Elephant Riders (3:50)
2. Ship of Gold (4:22)
3. Eight Times Over Miss October (4:21)
4. The Soapmakers (2:57)
5. The Yeti (4:59)
6. Muchas Veces (5:44)
7. Green Buckets (3:53)
8. Wishbone (3:43)
9. Crackerjack (5:10)
10. The Dragonfly (12:02)

Total Time: 51:05

Line-up/Musicians

- Jean-Paul Gaster / drums
- Neil Fallon / vocals
- Dan Maines / bass
- Tim Sult / guitar

Additional musicians:
- Delfeayo Marsalis / trombone on (6, 9)

About this release

Columbia, April 14, 1998.

Artwork By: Clutch, Sean Evans
Assistant Engineer: Andy Salas, Barbara Lipke, Jim Champagne, Kurt Garrison
Engineer, Mixed By: Jason Corsaro
Mastered By: Howie Weinberg
Photography: Dan Winters
Producer: Jack Douglas

Recorded at Electric Lady Studios and Manhattan Center Studios.
Mixed at Avatar Studios and Ocean Way Studios / Jack's Kingdom.
This album was mixed to & mastered from The Tim de Paravicini 1" Stereo Studer Mastering Recorder.

The Elephant Riders is currently out-of-print.

Different versions have different hidden tracks after The Dragonfly. The three tracks it could be are 05, David Rose, or Gifted and Talented.

Thanks to Unitron, 666sharon666 for the updates

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CLUTCH THE ELEPHANT RIDERS reviews

Specialists/collaborators reviews

UMUR
"The Elephant Riders" is the 3rd full-length studio album by US hard/stoner rock act Clutch. The album was released through Columbia Records in April 1998. It´s the successor to the eponymously titled album from 1995. While Clutch started out as a hardcore band, and their debut album "Transnational Speedway League: Anthems, Anecdotes, and Undeniable Truths (1993)" still featured quite a few hardcore traits, by the time of the eponymously titled 1995 album, Clutch had changed their style towards a hard rock/stoner rock sound.

That style is more or less continued on "The Elephant Riders". Hard rocking riffs and organic rhythms, and Neil Fallon´s commanding powerful voice on top. The band experiment a little with the use of trombone on "Muchas Veces" and "Crackerjack" (...and to great effect on especially the latter), but most of the tracks are relatively simple vers/chorus structured blues based hard rockers. Some more memorable than others, but all tracks are well written and entertaining while they play.

"The Elephant Riders" features a warm, organic, and well sounding production job, which suits the material well. Upon conclusion it´s a quality release in most departments, but the songwriting could have been more memorable, as I don´t remember that many tracks when the album has finished playing. Of course it helps the more spins it gets, but to truly shine all tracks on an album in this style should in my book be more or less instantly memorable, and about half of the 10 tracks on the 51:05 minutes long album aren´t. Still a 3.5 star (70%) rating is deserved.
Unitron
"Could'a been a ladybug on a windchime, but she was born a Dragonfly"

It has always been difficult for me to talk in writing about albums I love dearly, and communicating how much something connects with me on an emotional and personal level. Especially an album that isn't just a favorite album, but the all time favorite. For years my all time favorite album was Helstar's Burning Star, an album that I still love a whole lot and is still among my favorites, but not the top. I never thought it'd ever be topped, I was sure it would always remain. The passion and songwriting on that album is fantastic, but The Elephant Riders kept climbing and climbing as time went on and speaks to me in so many different ways.

I've always really liked The Elephant Riders since I first heard it, but I didn't know how much I would come to love it and how much it would inspire me directly as a songwriter and completely change my idea of what lyricism and songwriting mean.

The Elephant Riders has this very homey production, warm and inviting like a nice fireplace on a brisk day. It brings out Dan Maines's fittingly warm and fuzzy basslines to their fullest, and Tim Sult's guitar tones are simultaneously massive like the elephants they're riding and clean like freshly fallen leaves. Jean-Paul Gaster's drums ignite the total groove that all instruments thrive in. Clutch perfects a blend of southern blues and metal that was almost lost when the stupid idea that blues can't make metal came about. These riffs curbstomp that idea. I used to be more closed-minded and didn't like brass instruments, but the horns in Muchas Veces, hidden track 05, and especially instrumental Crackerjack completely changed that with the trombone adding a lot to these already fantastic songs and helped me start to appreciate these great instruments.

This whole album and band brings me nothing but pure joy, but vocalist Neil Fallon inspires me like no other musician has. He can sing beautifully melodic like the 70's blues and metal vocalists that probably influenced him, and also forceful and rough like his grungy and sludgy contemporaries. His lyrics and songwriting though, that's where he has no equal. Abstract, but not in the philosophical sense, this is passionate poetry. These are words and phrases that work and flow perfectly together, even if they don't make any sense. The vocals become another instrument, and as a songwriter myself, taking that approach to lyrics is incredibly fun and rewarding. The lyrics that open this review, from the closing The Dragonfly, are among my favorites on display, but the whole album is a treasure trove of fantastic rhymes and storytelling.

I've rambled enough, art doesn't get any better than this.
Kingcrimsonprog
Clutch’s third full length studio album ‘The Elephant Riders,’ is an unquestionable classic record that was released back in 1998 and saw the band in an experimental mood, pushing the boundaries of the formula they designed on their previous record. Many Clutch fans will cite this as their favourite Clutch album, and with good reason.

Clutch themselves; if you are unfamiliar, are an eccentric collection of gifted musicians and unique songwriters who mix straight up hard rock music with all sorts of weird ideas to create dynamic and interesting music that is difficult to categorize and that varies from album to album.

Courtesy of the amazing front man Neil Fallon, the band feature some of the most remarkable and creative lyrics and vocal performances in the genre; mixing engaging story telling with humour, surrealism and obscure historical, political and pop culture references.

Musically; this album covers a lot of ground. There are still some fairly energetic oddball rock songs like on their previous effort, a lot more groove, as well as some mid paced tracks full of guitar effects and some jazzier moments as well.

Stand out tracks include the absolutely storming and groove laiden Title Track, and the lyrically amazing and guitar effect filled `The Yeti,’ as well as ‘The Soapmakers,’ which is an utterly unique song which will put a smile on even the most serious listener’s face.

Overall; this record is an utterly essential Clutch release that no fan should be without, if you have any interest in Clutch then you ought to pick up a copy.

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Ratings only

  • GWLHM76
  • sploosh
  • MorniumGoatahl
  • 666sharon666
  • sauromat
  • Psydye
  • kllytrrnc
  • vmoore
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