CONTRARIAN — To Perceive Is To Suffer

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CONTRARIAN - To Perceive Is To Suffer cover
3.50 | 1 rating | 1 review
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Album · 2017

Tracklist


1. To Perceive Is to Suffer (4:20)
2. Reunion at Gramos (3:31)
3. Memory Eternal (3:31)
4. Dreams at Slumber (1:41)
5. Transcend the Mundane (4:37)
6. Purpose Seeker (4:21)
7. At Fate's Hands (3:20)
8. Ripped from the Void (4:24)
9. The Utopian (4:30)

Total Time 34:15

Line-up/Musicians


- Ed Paulsen / Bass
- George Kollias / Drums, Vocals
- Jim Tasikas / Guitars
- Brian Mason / Guitars (lead)

About this release

Willowtip Records, July 28th, 2017.

Thanks to Nightfly for the addition and theheavymetalcat, adg211288 for the updates

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CONTRARIAN TO PERCEIVE IS TO SUFFER reviews

Specialists/collaborators reviews

Nightfly
Any album that features George Kollias on drums is always going to pique my interest. One such album is this, To Perceive Is To Suffer, the second full length album from progressive/technical death metallers Contrarian.

Despite the death metal tag to call them that would be over simplifying things. This is not surprisingly really complex stuff indeed and contains elements of jazz rock/fusion amongst the more extreme metal traits. The sound is surprisingly sparse with each instrument clear as a bell, much of the guitar work is relatively cleanly played underpinned by a toppy bass sound and of course George Kollias’s relentless drumming onslaught. Imagine Watchtower if they’d been a death metal band, throw in some latter day Death and you won’t be a million miles away. With Kollias taking on vocals as well, as expected they’re of the death growl persuasion most of the time. The exception being At Fate’s Hands which is cleanly though somewhat weakly sung. Each musician excels in his chosen field with plenty of jaw dropping instrumental work from all with constantly shifting rhythmic structures and blistering lead work. The only problem, as is the case with much of this sort of stuff is lack of memorability. Sure, you can’t reasonably expect an immediate hit from music this complex but it’s an album I admire rather than love, even after a number of plays. Still there’s no denying the skill involved in putting together compositions of this nature and it’s largely for that reason and the excellent musicianship that it warrants 3 ½ stars, ½ a star more than I originally was feeling it deserved.

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