lukretion Written and recorded between Cruelty and the Beast and Midian and released in 1999, From the Cradle to Enslaved is a transitional EP that finds Cradle of Filth with an incomplete line-up (Nicholas Barker had left the band and had not yet been replaced by a new full-time drummer) and, generally, going through a sort of inspiration drought, which is also reflected in the content of this record. The EP is comprised of two new songs, two covers, a techno (!) remix of one of the two new songs, and a re-recording of “Funeral in Carpathia” from their 1996 LP Dusk … and Her Embrace.

None of the material is truly exceptional and in fact most of it is rather mediocre. The two new songs leave me fairly cold. They are written more in the style of the forthcoming LP Midian than in the majestic, romantic style of Dusk or Cruelty and the Beast. The tempos are faster, the guitar riffs thrashy and aggressive, and so is the vocal approach, while the keyboards engage in elaborated arrangements that push the music even more in symphonic territory. The drums are less in-your-face compared to the Nicholas Barker era, both on the title track (where drums are played by December Moon / The Blood Divine drummer Was Sarginson) and on “Of Dark Blood and Fucking” (where the drummer is Adrian Erlandsson from At The Gates). The latter song is probably the one that resembles the most the material that will appear on Midian, where indeed Erlandsson will play drums as full-time member of the band. While there is nothing particularly wrong with either track, they come across as somewhat run-of-the-mill, lacking strong melodies or arrangements that can make them stand out from the other dozens tracks Cradle of Filth have penned through the years. In other words, on a LP like Midian these would have been easily the weakest songs.

The cover of The Misfits’ “Death Comes Ripping” is also somewhat lackluster. It’s a short, punkish piece that is as savage as it is unremarkable. The cover of Anathema’ “Sleepless” is much better, and probably the main reason to buy this EP. The original (from The Silent Enigma) was already dark and sinister, and Cradle’s treatment accentuates even more the morose nature of the piece. It has that haunting quality that one can find, for instance, on “A Dream of Wolves in the Snow” from the band’s debut The Principle of Evil Made Flesh.

The other two tracks of the EP are alternate versions of the EP title track and “Funeral in Carpathia” from Dusk … and Her Embrace. The techno remix of the title track is a curio more than anything else. I remember that at the time it stirred quite some controversy in the specialized press and among fans, as people started fearing that also Cradle of Filth had been “infected” by the electronic malaise that was running through much of extreme metal at the time (Paradise Lost, Theatre of Tragedy). It turned out not to be the case and we can look back at this little piece as a small, extemporaneous experiment that does not add much to the Cradle’s catalogue. The new version of “Funeral in Carpathia” (with Nicholas Barker still on drums) is faster (as per the track’s subtitle “Be Quick or Be Dead), less embellished and romantic than the original. It moves the piece closer to the Midian material than the original set of songs contained in Dusk. The song is one of the best Cradle have ever written, so it is hard to dislike it, but I am afraid that in this new vest it loses a lot of its original allure, at least for me.

Overall, From the Cradle to Enslaved is a fairly disappointing EP, probably the first record in the chronology of band’s releases to feel really superfluous and unnecessary. Cradle of Filth have a strong tradition of releasing good material on EPs between full-lengths (think of V Empire), but this EP fails to deliver the goodness. I’d say this one is for fans and collectors only!

arcane-beautiful It's a bit annoying when bands release material which isn't on albums. And this prooves it.

Now I know I said Midian was Cradle's real shot into the mainstream, but this really was its push in the right direction. At the turn of the century these guys had conquered the extreme metal world, releasing 4 top class releases that are considered classics in today's modern metal climate. But they had gained attention due to contraversy (e.g. the Jesus' is a c*** t shirt, being arrested at the Vatican, that documentary about parents who feared their kids where apart of a cult because they listened to the band...you know as you normally do everyday), they decided to make a music video and an accompanying ep. Now ep is a very strong word, because I would call it a big single really, because the main impact was the title track. Now along with this release we got another unreleased song, 2 covers, a remix of the title track and a re recording of one of their classic songs. And do they live up to the rest of the tracks.

Yes and no. Now the main song is amazing, and so is the other new song. The 2 covers are pretty cool too, but why do bands do that stupid remix thing. They always seem rushed and always come out sounding stupid.

Now musically the ep is a step foward from what they were doing in Cruelty & The Beast, but with the black metal elements discarded for a more gothic sound being brought forward. Now production wise, I'm not the biggest fan. For some reason it sound's a bit rushed, but to be honest, the material is still their so meh. Dani's vocals also seem to be a wee bit lack lustre, and his lyrics on the 2 original tracks aren't as striking or as memorable as they used to be. Although I like how the keyboards now have a more dominant approach in the instrumentation.

1. From The Cradle To Enslave - I think this is one of their most well known tracks, but to be honest, it's a bit overhyped. Even Dani doesn't like this song too much, and the band are actually sick of playing it live. Although, it's still a great song, and will always remain striking, especially with the accompanying of that amazing music video. 8/10

2. Of Dark Blood & F**king - Why is this song not as hyped as the first track. This is the best song on this release, and its a very underlooked Cradle classic in my opinion. I love the mad punky feeling throughout the song, and the hook is amazing, with Sarah Jezebel having some great vocals. Lyrics are pretty cool too. 10/10

3. Death Comes Ripping - I think most bands end up doing a Misfits cover now and then, and this is their's. Great cover, and the punky sound is pretty reminiscent of Cradle's early days. 8/10

4. Sleepless - An Anathema cover? Yes this is true, and meh, they pull it off well...pretty interestingly actually. 7/10

5. Perverted Church (From The Cradle To Depraved) - Ok, I don't care about this, but meh, someone might like it. 3/10

6. Funeral In Carpathia - This just isn't the same as the real true original recording. I guess the song is still their, but it's just not the same really. 6/10

CONCLUSION: Their's some underlooked moments on this, but to be honest, it's not Cradle's best release by far. Still pretty good though.

5.8/10