DippoMagoo Before 2017, Cryonic Temple was a band I had enjoyed in the past, but I had never even come close to considering them a favorite. I was introduced to them with their third album, In Thy Power, which is generally considered their best and that one and its predecessor, Blood, Guts & Glory definitely impressed me, but they never quite blew me away. Obviously, their fourth album, Immortal, was a total disaster, which led to the band going away for quite some time, but even those more acclaimed albums, while being consistently entertaining, never quite hit me in the way any of my favorite power metal albums do. Everything changed in 2017 with Into the Glorious Battle, which saw the band returning from their long hiatus with a renewed focus, as well as changing to a more melodic but still epic and intense sound. I was instantly blown away by the melodies throughout the album as well as the more dynamic and versatile songwriting compared to their past albums. Now with their latest album, Deliverance, the band has only taken things further, producing by far their most varied, yet also their consistently engaging album to date, making it a slight step above even its amazing predecessor.

Unsurprisingly, some folks were a bit disappointed with Into the Glorious Battle, as while it was an unarguably better effort than Immortal, some missed the more epic, heavier sound of their first three albums. At this point, I think it’s safe to say those days are over and they aren’t ever coming back, though, as the band has clearly moved towards a more modernized and more melodic sound, as well as breaking new lyrical ground with a multi-part Sci-Fi concept, which started on the previous album and continues with Deliverance. For those like me who loved the previous album, this one is sure to be an absolute treat, as it continues with the same melodic, guitar-driven sound, while at times getting slightly heavier and more intense, as well as occasionally being a bit more fun and pop-ish, with a couple tracks, in particular, having some pop melodies to them, as well as being more driven by keyboards and orchestras. In fact, the orchestral elements are in full force throughout this album, showing up on many tracks, and especially being noticeable during the two ballads, as well as on some of the lighter tracks. The best thing about the previous album was how it had a perfect balance between speedier tracks, slower, more melodic tracks, ballads and some nice, melodic mic paced tracks, and if anything this album is even more varied, never falling into predictable patterns and instead constantly finding ways to surprise, all while being consistently excellent the whole way through. There’s definitely a few excellent speedy tracks that should please classic power metal fans, as well as a couple ballads and a ton of surprises.

The area where I’m most pleased with this new era of Cryonic Temple is the vocals. While I enjoyed their first three albums and thought Glen Metal did a great job, I always found his vocals to be just a bit too over the top for my taste, while current singer Mattius Lilja has a softer and much more restrained voice, which puts extra emphasis on the melodies and really allows the choruses to soar, the way a great power metal vocalist should. At the same time, he does get a bit more intense at points on this album and does a great job of that as well, so it’s safe to say he fits the band’s current sound perfectly. I also notice some rather different sounding vocals at a few points on the album, which I’ll go into detail about below, but these are generally done quite well and I assume they’re done by other members of the band, as they certainly don’t sound like Mattias. Either way, though, the album has some amazing vocal melodies throughout, and they’re all performed perfectly.

After Into the Glorious Battle managed to be such a strong album in the songwriting department, I was excited to see what the band would do with a follow up, especially one that came so shortly after Thankfully, while the band has clearly continued with the sound they established on the previous album, they have managed to take things to the next level here, coming up with some even better songs than before including a few that stand out as sounding rather surprising and very different from anything they’ve done in the past.

The album gets off to an unsurprisingly strong start, with a nice intro track making way for “Rise Eternally Beyond”, which starts off with some soft guitar work before the rest of the band kicks in, along with the orchestra, and the track quickly turns into the kind of fast and fun power metal anthem fans would expect from the band. It’s a very fun and energetic track, which would have fit in perfectly on the last album, complete with verses that feel quite similar, though once the chorus hits it proves itself to be best and most melodic part of the track, with huge, soaring vocal melodies, to help kick the album off in an amazing way. The instrumental section is strong as expected and shows off the kind of excellent, very melodic guitar leads that have become an important part of the band’s sound in their current form, with some excellent leads and solos throughout the album, and this track is a great example of that. Next is “Through the Storm”, a more surprising track, with a slight cinematic feel to it. The intro to the song is quite interesting, with heavy keyboard effects as well as some rather eerie sounding voiceovers, and the song itself is much more relaxed than the opener, moving at a more laid-back pace, while still having some heavy riffs, but it feels more driven by keyboards and orchestras, especially during the chorus where we enter into pop territory but in an amazing way, with some truly epic vocal melodies. The track is quite surprising, being somewhat heavy but also fairly laid back and extremely catchy and melodic. It’s definitely one of my favorites on the album.

A more typical track follows in “Knights of the Sky”, a fast-paced guitar driven power metal track, where the excellent melodic leads are on full display. It’s another very energetic track with a strong and very catchy chorus while having more power to it than the previous track. It’s probably the most traditional power metal track on the album, and it has another great series of solos in the second half. Next is the slightly unconventional title track, which moves along at a fairly upbeat tempo, but it has more of a classic heavy metal feel to it, with some of the heaviest guitar work on the album. It’s the chorus where the song really gets weird, though, as the smooth vocals of Mattias are replaced by some wild falsetto vocals, which I initially found off-putting, but over time they’ve grown on me quite a bit, and I find the track to be quite fun overall. One of the biggest strengths of the previous album was how well written the ballads were, as it had three of them and yet all of them were excellent and served as a change of pace, without stalling the momentum at all. This holds true for both ballads on this album, the first of which is “The Loneliest Man in Space”, a nice piano-driven ballad with some added orchestral elements and soft guitars. It moves along nicely during the verses, with some strong vocals, but it’s the chorus where Mattias really shines, delivering a powerful and emotional performance, which really brings the lyrics to life. The solo in the middle is very emotional and well done as well, and overall it’s simply a very well written track, which can’t always be said about ballads on a power metal album. And yet, this is actually the slightly lesser of two on this album, which I’ll get into a bit later.

Next up is “Pain and Pleasure”, perhaps the heaviest and most intense track on the album. It’s another very fast paced track, but the riffs have a slight thrash edge to them and the vocals throughout the track are more animated and slightly wild, especially during the epic and super catchy chorus. The vocals are quite surprising compared to the rest of the album, but they’re very well done and fit the more aggressive tone of the song perfectly, which helps to make the track another instant highlight. A softer track is next in “Temple of Cryonics”, which of course comes close to being a self-titled track. Either way, it’s the most epic and cinematic feeling track on the album, with a heavy use of orchestral elements. It’s a rather soft and slow-paced track, but I wouldn’t quite call it a ballad as it has some slight heaviness to it at points, and it’s also a bit more epic and eventful than what you’d expect from a ballad. It has another strong chorus, as well as an excellent guitar solo in the middle, and while it’s not one of my personal favorites on the album, it’s an excellent track and shows how dynamic the band has become in their current form. My favorite track on the album is next in “Starchild”, an extremely fast-paced, incredibly melodic track which blazes through its verses at a frantic pace, setting the tables one of the catchiest and most melodic power metal choruses I’ve heard in quite some time. It’s seriously so damn fun and energetic, it brings a smile to my face every time, and is definitely a perfect example of the genre at its finest. The guitar solo is very melodic and well done as expected, and overall the track is simply pure power metal perfection from start to finish.

Speaking of songs with insanely fun and catchy choruses, next is “End of Days”, which has an almost dance-like beat from the keyboards at the start, and is a very upbeat track, with a slight metal edge to it. It’s a fairly fast-paced and very melodic track, with a huge chorus that has a slight pop feel to it, but it’s so damn fun and catchy I certainly can’t complain about it! Another instant highlight and one of my favorites on the album, though it certainly sounds a bit light and more modern than anything the band has done before, so some folks may hate it. The second ballad on the album is next in the form of “Swansong of the Last Emperor”. It’s mostly led by soft guitars and pianos again, though its vocal melodies and lyrics are the most inspiring elements, for sure, as it’s a very emotional track with an insanely good chorus and an excellent performance by Mattias, which takes it to the next level. Both ballads on the album are great, but this one feels just a bit more epic and more inspired. Shifting gears once again, we have “Under Attack”, a fast-paced and aggressive track, with some of the roughest riffs on the album, as well as another fun and catchy chorus. It has a great use of the orchestras in the second half and is certainly a very fun track overall. The last main track on the album is also my least favorite, that being “Blood and Shame”, a slower paced and very hard hitting the track. It has a heavy metal edge to it, for sure, and while the verses are energetic and fun enough, the chorus gets a bit rough for my tastes and lack a real melody or hook, making it the weakest on the album. It’s still a good track overall, but it’s certainly not on the level of any of the other tracks here. Lastly, there’s a bonus track called “Insomnia”, which starts off with a very Iron Maiden influenced acoustic guitar intro, before picking up speed and turning into a fun, speedy power metal track with slight traces of classic heavy metal. It’s definitely a better note to end the album on than the previous track, so I’m glad the band included it as a bonus.

Overall, Deliverance is an amazing power metal album, which shows Cryonic Temple picking up where they left off on Into the Glorious Battle, and continuing their resurgence as one of the best current bands in their genre. It has a mix of everything fans of the previous album would expect, with some of the most varied and dynamic songwriting in the band’s career, while still delivering tons of great speedy and melodic power metal. It slightly edges out its predecessor to become my favorite Cryonic Temple album to date and is definitely one of my favorite power metal albums of 2018 so far.

Originally written for Myglobalmind.com: https://myglobalmind.com/2018/07/15/cryonic-temple-deliverance-review/