DRAGGED INTO SUNLIGHT — Hatred for Mankind

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DRAGGED INTO SUNLIGHT - Hatred for Mankind cover
4.08 | 5 ratings | 2 reviews
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Album · 2009

Tracklist

1. Boiled Angel / Buried With Leeches (11:19)
2. Volcanic Birth (9:31)
3. To Hieron (2:47)
4. Lashed To The Grinder And Stoned To Death (10:51)
5. I, Aurora (11:36)
6. Totem Of Skulls (5:33)

Total Time 51:37

Line-up/Musicians

- C / Bass
- J / Drums
- A / Guitars
- T / Vocals

About this release

Mordgrimm, September 25th, 2009

Re-release via Prosthetic Records:
January 18, 2011

Recorded by Tom Dring and Billy Anderson.

Cover artwork by Justin Bartlett.

The vocal sample used in "Boiled Angel / Buried With Leeches" is of Charles Manson talking.

Thanks to UMUR for the updates

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DRAGGED INTO SUNLIGHT HATRED FOR MANKIND reviews

Specialists/collaborators reviews

UMUR
"Hatred for Mankind" is the debut full-length studio album by UK blackened death/doom/sludge metal act Dragged Into Sunlight. The album was released through the Mordgrimm label in September 2009. Dragged Into Sunlight formed in 2006 and their first release was a collaboration EP/mini-album with Kas Mana titled "Terminal Aggressor" which was released in March 2009.

If the unnerving and vile cover artwork (which is somehow made even more eerie by the fact that it almost looks like it´s made by a child) doesn´t tell you that this will be an incredibly dark, savage, and hateful listening experience, the "Hatred for Mankind" album title definitely should...and here´s one of those cases where album title, cover artwork, lyrics, and music go hand in hand. This is gloomy, bleak, and hateful blackened death/doom/sludge metal, featuring an oppressive and claustrophobic atmosphere (helped along by eerie voice samples from movies), which feels like it´s designed to cause you harm.

The music is relatively varied in pace and Dragged Into Sunlight master both fast-paced brutal and aggressive death metal and slower doom/sludgy parts (which sometimes remind me of what Eyehategod would sound like it they went all-in on a blackened death metal sound) with the same confidence and conviction. The vocals are brutal and caustic aggressive growling and screaming, and they are generally very well performed, adding another caustic angry element to the already vicious assault on your ears.

So this is overall a highly aggressive and brutal sounding release, but the strength of "Hatred for Mankind" is actually the balance Dragged Into Sunlight are able to create with some atmospheric (still dark and morbid) sounding parts (like the clean singins choir part on "I, Aurora"), which means the tracks never feel long or like they outstay their welcome even though most of them are actually pretty long. "Hatred for Mankind" features six tracks and a total playing time of 51:37 minutes and four out of those six tracks are either close to being 10 minutes long or exceed 10 minutes in length.

The filthy, organic, and savage sounding production values are to my ears a stroke of genius. "Hatred for Mankind" sounds crushingly heavy and brutal, but still features enough clarity for the listener to be able to hear all details of the music. It´s a perfect production job for this type of music. So upon conclusion "Hatred for Mankind" is a high quality debut album from Dragged Into Sunlight. This does not sound like a debut album at all. These guys sound like they know exactly what they want to do with their music and everything on this album works well together. There´s nothing here which doesn´t fit or which sounds awkward. It´s a perfect bleak, brutal, and savage listening experience and a 4.5 star (90%) rating is deserved.
topofsm
It is rather unusual that the subgenres of extreme metal confine to their respective genres so much. Most bands are death, thrash, black, etc. Sure, there's blackened death, blackened thrash, death/thrash but the elements of each genre are so distinct within each band that the elements of each genre sort of play alongside with but very distinctly from each other. Dragged into Sunlight takes that idea and throws it in the trash can.

Hatred for Mankind may be one of the darkest AND most unusual albums you have heard in a while. While they may be labeled here as death metal, this is by far an inaccurate label. Don't be mistaken, there's death metal all over this thing. But there's a ton of black and thrash and grind and a surging influence of noise and sludge mixed together, making a sort of amorphous, difficult-to-describe, extreme sludge sound.

This noise grows with the rest of the album to create one of the most evil-sounding records you may have heard. It's got some doom influence, but really it's sort of the darkest black metal elements turned up to eleven giving it an eerie vibe. Putting some sound clips in of screaming and swearing give off some haunting images, and the indecipherable grindcore vocals help too. Unless you are a masochist or absolutely love being terrified, I would not recommend listening to this album at night in the dark.

The biggest drawback, which still may benefit the album, is the production. One would suspect it's intentionally lo-fi, but everything's very buzzy and any hints of melody are very difficult to pick out, giving the album its prominent sludge sound. There are some times where the cymbals override all the other musical instruments, making some of the extended blasts a bit unenjoyable.

However, Dragged into Sunlight wins in several departments, most notably within originality and evilness. The sound on this album is impossible to pigeonhole, and the atmosphere is definitely haunting. I'd recommend it to anyone looking for something new in metal, most notably fans of death, thrash, black, sludge, and grindcore. At the very least, worth a listen.

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