Warthur Although I am quite taken with some symphonic-inclined "Beauty and the Beast" metal - I quite like the debut by The Sins of Thy Beloved, for instance, though it's more gothic than symphonic - I've always found myself markedly underwhelmed with Epica's work. The fact that they've released an album called "Requiem for the Indifferent" seems to me an act of unintentional self-parody, since indifference is precisely what the album inspires in me.

Sure, the production is alright, the performances are up to scratch, in general it's not terrible, but at the same timethere's a certain soullessness to the proceedings. It feels to me that, in common with many symphonic acts, Epica realised they've hit on a style which, whilst it won't make them global megastars, at least consistently yields a reasonable level of commercial success (they might not be mainstream material in the UK but they've done alright in many of the European album charts, for instance) and so they're yet again going through the motions. An alright listen if you're into this style of metal, but hardly a classic, or even on its way to being a classic.

dtguitarfan If you're a fan of female fronted metal, or even if you're not but you're a fan of metal, there are probably two names that you first associate with the phrase "female fronted metal" - Nightwish and Epica. Epica have steadily risen from relative obscurity to being pretty definitive in the modern world of metal, and what's more: they have yet to release a weak album. If you are unfamiliar with their style, I will tell you that Epica masterfully blend sublime operatic soprano vocals, orchestration, choral work, heavy (not just in categorization) guitar and drum work, and just the right amount of growls (and I'm not usually a fan of growls) together to create what is often referred to as "Beauty and the Beast Metal." If you are familiar with their work, I will tell you that I think Epica have stepped it up a notch and gotten a bit, dare I say, more Progressive in this album, both in their compositions, and they have also began to throw in some fancy guitar solos. When asked what my favorite Epica album was, I have also thought "The Divine Conspiracy" was an easy choice, but with this release I find it hard to pick just one....

adg211288 Requiem for the Indifferent is the sixth album from Dutch symphonic metal band Epica. It’s been a few years since they last released an album and I have to be honest, Requiem for the Indifferent always stood as my most anticipated symphonic metal release of 2012. Their last few works easily stand as testament to the band’s credentials as one of the genre’s finist acts. The album was unfortunately released with its final song, Serenade of Self-Destruction, missing the vocal tracks due to an error. Nuclear Blast has released this song as a free download for the time being but hopefully future pressings of physical copies will contain the correct track.

Requiem for the Indifferent continues the natural progression of Epica’s sound that has been in evident throughout their career, but especially since the release of The Divine Conspiracy (2007), and by extension Mark Jansen’s newer group MaYaN’s debut album Quarterpast (2011). I’d say that the album can be quite fairly considered just as much to do with progressive metal now as it can symphonic metal. While they’ve had prog leanings for a while, perhaps most evident in previous album Design Your Universe’s (2009) epic centrepiece Kingdom of Heaven, here they’re no longer in the shadows; very much out in the open. Epica produced a couple of symphonic metal masterpieces with their last couple of albums as far as I’m concerned, Design Your Universe especially, but the song they’re producing here is definitely what I’ve been waiting to hear from them.

It’s typical then that Requiem for the Indifferent seems hell-bent on blowing up in their collective face. From the error affecting Serenade of Self-Destruction to the generally poor production job by Sascha Paeth there seems to be something around every corner that will hold the album back. The former I can overlook since it isn’t the band’s fault. It isn’t something that should be allowed to happen but I can overlook it all the same. The latter however is a kick in the teeth to say the least, especially since based on the actual songs this is another high quality Epica release. Maybe not overall on quite the same level of quality as their last two, but I’m still confident about its standing as an exceptional follow-up based on the songs here. The production is another matter. It’s not terrible as such but it doesn’t do the music any favours either. It just sounds...flat. The guitars are the worse effected. I’m used Epica producing a powerful and heavy symphonic metal sound, and this is very weak in comparison. What’s most surprising is that Sascha Paeth has done a fine job for them in the past. To be fair the production is a little up and down, sometimes it works, sometimes it doesn’t. It all depends on the track and the context and direction of the music at the time.

The writing and the performance of the band members are the best redeeming factors you can get though. As I said, based on the material Epica has offered up this time I don’t think this album is quite as good as The Divine Conspiracy or Design Your Universe, but it certainly gives more than its fair share of tracks which can be considered to be among the band’s best. Among these highlights is perhaps surprisingly the lead single Storm the Sorrow. Precedent says the Epica single will be a more commercialised track than the rest of the album, and either growl free (Design Your Universe’s Unleashed) or near enough to not make much difference (The Divine Conspiracy’s Never Enough). Of course where this style of metal is concerned we’re still talking a bit more radio friendly than most but still Storm the Sorrow not only features a very prominent growling section but it’s really no more commercial than the average Epica track. Simone Simon’s vocals are what makes the track really special though. As usual she delivers perfectly throughout the album. Jansen’s growls are also on the mark; despite what some people may say about his vocals I think we’re talking one of the most powerful growlers in metal here. If the MaYaN debut, a symphonic death metal album, proved anything it was that Mark Jansen can carry an album as the lead vocalist just as well as Simone Simons. Together the two are the definitive beauty and the beast vocal team.

Other early highlights include Monopoly on Truth, Internal Warfare, and the title track, which includes some eastern folksy sounds. That’s pretty much the entire first half of the album except ballad Delirium, which is a nice enough track that highlights Simone’s vocals but as with any metal album the band would be doing something wrong if this was the track you were most interested in. Monopoly on Truth, Internal Warfare, and the title track showcase Epica’s more pronounced progressive metal approach, especially the latter two.

The structure of the release is typical Epica: intro, few tracks, interlude, and then rest of the tracks. Actually the structure is more or less identical to Design Your Universe including the positioning of the two epics and why not? It worked well enough for them last time and if it weren’t for the letdown of a production I’m sure it would do the same here. I have to be honest, because of the material and performance standard I’m still happily giving Requiem for the Indifferent a very high end score, but I have to consider the issues the album has so as much as I’d like things to be different my rating can’t be as high as what I previously gave The Divine Conspiracy (9.6) and Design Your Universe (10.0).

After the interlude, Anima, the pace gets going again with Guilty Demeanor. This one’s another shining example of Simone’s vocal abilities. I’d consider it a highlight for that reason alone. Also the production works a bit better here. The next track, Deep Water Horizon, is a little hit and miss though. Simone’s still on form and to be fair it really picks up about two thirds of the way through, but you have to wait a bit for the track to deliver the goods. Things are back on track with Stay the Course however, with more prog coming out of the woodwork. Honestly most of the album retains Design Your Universe’s top tier level of quality, but little blips like Deep Water Horizon are what holds it back a little. Not as much as the production, because for example I can’t help wondering how much more powerful a track like Deter the Tyrant would sound if those guitars had more bite to them, and if they were a bit more dominate in the mix. There’s a lot of going on with the guitars in this track, and it would be nice for some attention to be given to them. The production highlights the vocals but harms the instrumentation. That’s a shame, because what’s the point in actually bringing something really special to the symphonic metal table if you’re not going to flaunt it?

It’s ironic really, but I’ve spent my time earlier this year in other symphonic metal reviews I’ve done going on about how Epica is the best in the symphonic game right now and then they go and get outshined by a couple of other acts, namely Pythia and Xandria, especially Xandria. Still despite the production this ultimately isn’t an unsatisfactory release from Epica. With a couple of exceptions we’re talking exceptional to masterpiece levels of quality once again. If it weren’t for the production I’d now be giving it a grade pushing towards that top tier but although it doesn’t suffer so much that it drops out of the exceptional zone the score I ultimately have to give Requiem for the Indifferent is more towards the lower end of that scale. Personally speaking I do love this album, but there are some things that as a reviewer I can’t just overlook and that production is one of them. But anyway, if you’ve enjoyed their past works I see no reason not to like this one. Newcomers may wish to investigate Design Your Universe instead though, for no other reason than that production giving you the wrong impression.

8.7/10

(Originally written for Heavy Metal Haven (http://metaltube.freeforums.org))

arcane-beautiful (This album is a lot like the new Cannibal Corpse album…not in style, just in the way I feel about it)

Why I haven't gotten round to reviewing one of these guys albums yet is a mystery to me...cause I really do love this band. But sure, I'm reviewing all the new stuff now, so I might as well give my opinion about this knew one.

Now Epica have been a band I have really loved for quite a long time now. Ever since The Divine Conspiracy (which is definitely one of the best symphonic metal albums ever made) I have been a fan. Now their last album Design Your Universe I haven’t really gotten around to listening too, and I don’t physically own a copy of their first 2 albums (although I do know they are 2 amazing albums). So I was excited to actually sit down and listen to this one.

Now, I was slightly disappointed with this one…but it’s still not a bad album.

There is a definite slight change in direction with this album, but with good intentions. Usually the choirs and orchestration are really over the top in Epica albums, but with this one, they’ve taken a slight backseat. They are still there, don’t get me wrong…just not as in the limelight as they where. The guitar sound has improved as well, and the guitar playing (I think someone has been listening to Dream Theater in my opinion).

The vocals as usual from Simone are amazing as always (she really is one of the best female metal vocalists, and she is always underlooked). But the biggest surprise from me is that Marks vocals really are improving, and in my opinon are becoming a real highlight of the band. Also the drummer is doing some grunts now as well, which is pretty cool.

As usual, Epica’s lyrics are always a little bit better than most metal bands, whether they’re singing about mental health, politics, philosophy or just life in general. Both Simone and Mark are great lyric writers.

The only problem I can see with the album is that there are only moments that really grab my attention. Usually with an Epica album, every song is stuck in my head after listening to it, but with this one, at the most 2 have really became Epica classics.

But…that’s my opinion really.

1. Karma – A nice little intro. 6/10

2. Monopoly Of Truth – Ok, now this is the way you start an album. Such a kick ass song. This song seems to show Epica’s more proggier approach, which I have to admit, sounds amazing. There is also a riff in this song which Epica stole from me…now I have proof I wrote it 4 years ago…but I’ll let them have it this time. 10/10

3. Storm The Sorrow – Ok, this is the single from the album, and I can see why. I really didn’t expect this song to be that good. Love the choir arrangements. Such an epic ending. 10/10

4. Delirium – Beautiful vocal intro. I love the choir arrangements in the song. There is some really beautiful moments in this song. 8/10

5. Internal Warfare – The verse melody reminds me of Alladin, for some odd reason. There is some really dark moments in this song. Great lyrics. 7/10

6. Requiem For The Indifferent – Nice middle eastern sounding intro to the song. Mark’s vocals are pretty killer in this song. Nice chorus. The lyrics are the best part of the song in my opinion, and really bring up some pretty cool topics like recession and the current economic climate. 9/10

7. Anima – A nice piano interlude. 5/10

8. Guilty Demeanor – Pretty kick ass song, and it’s pretty quick too. Some nice lyrics too. 8/10

9. Deep Water Horizon – The changes throughout this song are pretty odd, but interesting nonetheless. The instrumental section in this song is epic as hell. 8/10

10. Stay The Course – Killer vocals from Mark. Pretty epic at times. 8/10

11. Deter The Tyrant – The use of the choir is pretty epic. Kick ass song with a pretty cool chorus. 8/10

12. Avalanche – Great use of vocals in this song, especially from Simone. Cool chorus too. 8/10

13. Serenade Of Self-Destruction – Ok, for those that don't know, there was a total cock up in the mixing and distribution of this album. For some odd unfathomable reason, the vocal tracks for this song where taken out...which really is like taking the cake out of a birthday cake. So no mark for this one. I blame Nuclear Blast. The only time they've done me wrong.

14. Nostalgia – I can see why this wasn’t on the album. It’s alright I guess. The vocals are the highlight really. 6/10

CONCLUSION: This is their weakest album in my opinion. It’s still pretty great, but comparing it to there others, it’s their weakest. I would recommend this album to a metal fan, but if someone really wants to get into Epica, I would suggest something else.

7.2/10