Vehemency
Although I can't say I'm fully acquainted with the band's back catalogue yet due to the painful fact that time is limited and there is always so much other stuff to explore in the realms of underground black metal, I do consider Forteresse as one of the most intriguing black metal groups hailing from Canada. Pagan Hellfire might be my favourite churner of the uncompromising Canadian black arts, but Forteresse is perhaps a serious contender for that title as their sound has interestingly ranged from a harsher approach (Métal Noir Québécois) to an entirely atmospheric affair on last year's Par Hauts Bois et Vastes Plaines which was like an utter ambient record, only played with black metal instrumentation.
So into which category should their newest offering, Crépuscule d'Octobre, be pigeonholed? Admittedly, I've only heard bits and pieces of their pre-Par Hauts material, but I'd still definitely say that this upcoming effort is a tad more traditional black metal compared to the minimalist last year's album. Don't get me wrong, Forteresse still revels in a lush atmosphere of echoing, vast sounds, and a song like ”Mon Esprit Rôde Toujours” could almost fit into Par Hauts' soundscape, but the truth is that overall the album incorporates a lot more blast beats and general aggressiveness in relation to its predecessor. And though the sound is hence slightly different, I still find my mind wandering into barren landscapes, forgetting my surroundings and just sinking into the sound, just like with Par Hauts. Mission accomplished, Forteresse's atmosphere here is top notch.
I'm not sure exactly how much longevity these reverby, simple tremolo picked lead melodies have in the long run, but at least at the moment I'm greatly satisfied. Beneath the overbearing, high-end guitar notes is a steady rhythm guitar line that backs up the main melodies, and the album wouldn't be the same without it even if it's so quiet compared to any other instrument. Drums have a very natural sound to them, effeciently creating a natural feeling, especially the breathing snare drums. The vocals are your general black metal rasps which fit in like a glove, and I have nothing to complain about – not about the vocals, not about the whole album, really. Crépuscule d'Octobre might not be mindblowing but still a really successful journey in authentic black metal that should appeal to other fanatics of rather simple yet atmospheric black metal as well. Plus, just take a look at the front cover! It's brilliant, going hand in hand with the previous album's natural theme.
[ http://www.vehementconjuration.com/ ]