GARY MOORE — Victims Of The Future

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GARY MOORE - Victims Of The Future cover
3.30 | 7 ratings | 1 review
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Album · 1983

Filed under Hard Rock
By GARY MOORE

Tracklist

1. Victims Of The Future (6:13)
2. Teenage Idol (4:07)
3. Shapes Of Things (4:14)
4. Empty Rooms (6:36)
5. Murder In The Skies (7:17)
6. All I Want (4:17)
7. Hold On To Love (4:27)
8. Law Of The Jungle (6:15)

Total Time 43:26

Line-up/Musicians

- Gary Moore / guitar, vocals, bass
- Ian Paice / drums
- Bobby Chouinard / drums (2, 5, 6, 7)
- Neil Carter / keyboards, vocals
- Neil Murray / bass (3)
- Mo Foster / bass (4, 6)
- Bob Daisley / bass (2, 5)
- Noddy Holder / vocals (track 3)

About this release

December 1983
Virgin, Mirage

US Edition has the following tracklist:

1. Victims Of The Future (6:13)
2. Teenage Idol (4:07)
3. Devil In Her Heart (3:29)
4. Empty Rooms (6:36)
5. All I Want (cassette only) (4:17)
6. Shapes Of Things (4:14)
7. Murder In The Skies (5:49)
8. Hold On To Love (4:27)
9. Law Of The Jungle (6:15)

Total Time 45:27

Reissued in 2003 with the following bonus tracks:

9. Devil In Her Heart (3:29)
10. Blinder (2:46)
11. Empty Rooms (1984 remix) (4:21)

Thanks to UMUR, Lynx33 for the updates

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GARY MOORE VICTIMS OF THE FUTURE reviews

Specialists/collaborators reviews

UMUR
"Victims of the Future" is the 5th full-length studio album by UK heavy rock artist Gary Moore. The album was released in February 1984 by 10 Records ( in the UK).

The music on the album is AOR tinged heavy rock. Rather simple vers/ chorus structured heavy rock tracks containing few surprises. What the album does contain, is solid musicianship and a couple of great metal tinged tracks in the title track and especially Murder in the Skies. The rest is so and so, but nothing is downright awful. The production is very time typical. Thin, high end and reverb laden. Sometimes it sounds like Gary Moore recorded his vocal parts in an empty bathroom. The AOR part of the sound I mentioned above is especially heard in the choirs in the choruses and the plastic keyboard sounds. Again a very time typical feature. While Gary Moore rips through a couple of great solos during the album´s playing time, I wouldn´t call this a guitar dominated album by any means. I´d say the vocals are given just as much attention.

Hmm...Personally I can´t say "Victims of the Future" really impressed me much, for that there are too many generic AOR features in the music. The problem is not so much the AOR elements though, it´s the generic part. "Victims of the Future" don´t stand out enough from other similar releases from that time to be called anything but standard. It´s not bad but I can´t give more than a 2.5 star rating.

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