KING CRIMSON — Earthbound

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KING CRIMSON - Earthbound cover
1.62 | 7 ratings | 2 reviews
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Live album · 1972

Filed under Proto-Metal
By KING CRIMSON

Tracklist

1. 21st Century Schizoid Man (11:38)
2. Peoria (7:22)
3. The Sailors Tale (4:49)
4. Earthbound (6:14)
5. Groon (15:31)

Total Time 45:36

Line-up/Musicians

- Boz Burrell / bass, vocals
- Mel Collins / saxophones, mellotron
- Robert Fripp / guitar
- Ian Wallace / drums

About this release

June 9, 1972
Island

Recorded live at the Armoury, Wilmington, DE, USA, 11 February 1972 (track 1), at The Barn, Peoria, IL, USA, 10 March 1972 (track 2), at the Baseball Park, Jacksonville, FL, USA, 26 February 1972 (track 3), at Kemp Coliseum, Orlando, FL, USA, 27 February 1972 (track 4) and at the Armoury, Wilmington, DE, USA, 11 February 1972 (track 5).

Thanks to andyman1125, Lynx33, adg211288 for the updates

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UMUR
"Earthbound" is a live album release by UK progressive rock act King Crimson. The album was released through Island Records in June 1972. It bridges the gap between King Crimson´s fourth- and fifth full-length studio albums "Islands" (December 1971) and "Larks' Tongues in Aspic" (March 1973). Recorded through a mixer directly to cassette tape "Earthbound" is a relatively lo-fi recording, and is sometimes described as a bootleg sounding live recording. The band wisely realised that, and upon release offered the album at a budget price. The reasoning being that it didn´t cost them much to record, so the fans shouldn´t have to pay much to listen to it.

Personally I´ve heard bootlegs which sound both better and much worse than "Earthbound", but it´s arguably not a particularly well sounding release. Opening with a loud, heavy, and noisy version of "21st Century Schizoid Man" King Crimson are on to a messy and untight start. "Peoria" is a 7:30 minutes long blues rock jam, which sounds almost nothing like what you´d expect King Crimson to sound. "Sailor's Tale" appears on a shorter version than the studio version found on "Islands" and it sounds uninspired and muddy. "Earthbound" is a blues jazzy improvised jam and again sounds nothing like you´d expect King Crimson to sound. Scat vocals and all from Boz Burrell.

The closing track is a 15:30 minutes long version of "Groon". A track which first appeared on the B-side to the "Cat Food" single in 1970. It´s an improvised jazz jam track...needless to say it again sounds nothing like what you´d expect King Crimson to sound like, and upon conclusion "Earthbound" isn´t a good quality live release from King Crimson. Not only is the recording quality sub par, but the band perform music here which isn´t at all in line with their studio output. Had I gone to see King Crimson on this tour I would have been extremely disappointed. A 2.5 star (50%) rating is warranted.
Warthur
It's hard to believe today that Earthbound was the first King Crimson live album to see an official release. Today, of course, we have available to us a whole wealth of archival live material from more or less every lineup of King Crimson that ever undertook a tour - indeed, 2002's Ladies of the Road comes from the same tour as this one, and has a vastly superior sound quality. Thus, if Earthbound was a baffling, inessential, and controversial release when it first came out in 1972, here in 2011 it's just a complete embarrassment.

The major problem with Earthbound is, of course, the recording quality. Why the band's label thought this botched recording to cassette (1972-quality cassette, at that) would ever be acceptable for mass release is beyond me, but there you go. On top of that, I *think* that the performances captured on this muzzy, horribly mixed recording are quite sub-par: there's a version of 20th Century Schizoid Man in which the instrumental soloing sections make it quite clear that only two of the band members (Mel Collins and, of course, the honourable Robert Fripp) even remotely possess the chops of the 1969 lineup, a similarly uninteresting performance of Groon, a passable (though still ruined by the recording quality) stab at The Sailor's Tale, and two new jams (Peoria and Earthbound) which consist of Boz boringly scatting into the microphone whilst the band make a fumbling and altogether half- hearted attempt at something resembling funk, both of which are unbearable.

I say I "think" the performances are sub-par - I can't say for sure because the recording quality is so bad I could easily imagine that any good there may have been in these renditions has been washed out by the tape recording. Trust me, the sound quality is terrible, to the point where it sounds like half the album was recorded in the next room away from where the band were playing. And in this day and age, there is no earthly reason why anyone who wasn't a completely uncritical King Crimson fan should feel obliged to track Earthbound down. When one considers all the many, many alternative live Crimson releases - every single one of which is superior to this one - the fact that the thing actually got reissued from time to time is completely baffling. It's a horribly recorded record of below average performances from a comparatively unimportant lineup of King Crimson.

Get USA, get Absent Friends, get the Great Deceiver box, get the Projekts material, get Epitaph, get Ladies of the Road, and get all the other King Crimson live material you could ever want in the world before you even consider wasting a scrap of your money on this one. As far as King Crimson's discography goes, this is as close as it gets to the bottom of the barrel unless you're willing to dabble in bootlegs - and most bootlegs will sound better than this turkey.

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