AtomicCrimsonRush
I have had this for years and forgot to review it but as I have been getting back to the great Led Zeppelin back catalogue this month the time has come. This is undoubtedly the best LZ compilation because it is a genuine record of all their best material. It is pointless to go through every song in detail and try to convince you that this is indispensable. All ZepHeads know them, and they are a part of rock history, and rock wouldn't be the same without them.
Disc 1 begins with a bang on Communication Breakdown, then moves to smooth emotional blues on Babe I'm Gonna Leave You. Good Times Bad Times is the barnstormer from the debut, then the comp moves to LZ2 with the powerhouse Page brilliance on Dazed And Confused. Whole Lotta Love is indispensable pomp rock complete with killer riff and equally venomous vocals from Plant with the iconic backswept echo.
Heartbreaker grooves along and then the light shades of acoustic on Ramble On, revved up in the chorus. My all time fave is next with Immigrant Song, sheer brilliance captured in a miserly 2.23 running time. Celebration Day follows, a barnstormer, then blues finesse on Since I've Been Loving You, Page absolutely glorious with soulful string bends and hammer ons.
Then we get to the Zoso album and there are 5 to chew on here; quintessential Black Dog, with awesome riffing and odd signature, Rock 'n' Roll, sheer unadulterated muscle rock, Battle Of Evermore, thematic Tolkienesque acoustics, and the psych acid head fuel of Misty Mountain Hop. It all leads to the over played, over hyped Stairway To Heaven, that has lost its sheen after too many listens, though of course is a masterpiece.
Disc 2 opens with the riffy heavy Song Remains The Same, followed by Rain Song, reggae infested D'yer Mak'er, and the chilling haunting No Quarter. Houses Of The Holy is a good choice next and the wonderful prog string tones of Kashmir, that has become its own institution, simply genius songwriting.
Trampled Underfoot is replete with hammering riffs, and then the grinding power of Nobody's Fault But Mine, that is blistering rock at its finest. This is followed by arguably the proggiest song of the Zeps and the reason to hear 'Presence', Achilles Last Stand; brilliant tempo shifts and colossal guitar work are on show throughout. Things settle down with the ballad All My Love, and then ends with the standout track on the last album In The Evening.
Overall, this is the best of the remaster compilations that came hurtling at us during the resurgence of interest in Led Zeppelin; it features every song that made them the titanic gods of rock. There are omissions as usual but one only has to look at the track list jammed onto these 2 CDs to realise why they are one of the most influential bands on heavy metal and indeed indispensable to the rock industry itself. The CD packaging is photos of the group as no words are necessary really. 5 stars are warranted for these one of a kind legends at their best.