Certif1ed
WOW!!!
Another "How did I miss these guys" band - especially as they supported Saxon in the 1980s, and Saxon were a band I saw a few times, I can tell you...
I recently found a copy of Limelight's extremely rare album in my local vinyl store, and I'm going to live with that for a few weeks before reviewing it, as it's plain, listening to this single, that there is/was a huge amount to these guys.
Progressive Metal in 1980?
Mellotrons, complex arrangements, the whole shooting match?
Thrash metal too?
"Metal Man" is a thrash prototype, and what about those Mellotrons, eh? Judas Who?
This'll have you questioning the whole nature of metal, revising your history books, and becoming an instant Limelight fan.
Mind-blowing, and I really don't use that term often.
Flip it over, and the flanged bass of "Hold Me, Touch Me" lets you know you're in for something very, very different, and Limelight duly present a totally unique take on NWoBHM, with shades of Indie bands (when Indie bands weren't simply boys with guitars) like Kissing The Pink and other less well-known acts.
This won't be to most metal fans tastes, but Limelight were about doing their own thing, their music was all self-financed, and it ROCKS!!!
Masterpiece. No Question - although "Hold Me, Touch Me" is so very different to what you might expect that I'd imagine it would divide tastes sharply.
"Metal Man", however, goes up with Vardis' "If I Were King" and the first two Jaguar singles as a Thrash Metal template.