adg211288 It was only last year that the metal world was hit by storm by the technical thrash metal tour de force that was the third Vektor album Terminal Redux (2016). Now their US countrymen Madrost seem to be hankering for a bit of that kind of action, if the pulling out all the stops approach of their own third album The Essence of Time Matches No Flesh (2017) is anything to judge these things by. It's been a few years since Madrost released Into The Aquatic Sector (2014), an instrumentally accomplished but not full-on technical death-thrash metal album, but a few years and a 50% new line-up later they've really evolved into something much more complex. I'm sure most thrash metal listeners will be sceptical over any band being able to touch Vektor, who are of course absolutely insanely talented musicians who undoubtedly deserve the praise they have gotten to date, but here's the thing for me:

The Essence of Time Matches No Flesh is a much better metal album than Terminal Redux.

I didn't want to make this review all about Madrost verses Vektor, especially since technical thrash metal is hardly a field unique to the two of them, but it's simply too good a comparison to play with when describing how Madrost's music sounds, since I'm sure most people reading this have at least sampled the Vektor album, seeing as it was basically treated like the metal event of the decade last year. If you haven't then I'd guess that you either don't like thrash metal (in which case why are you reading this?) or have been living under a rock.

When considering how both The Essence of Time Matches No Flesh and Terminal Redux exist in the same genre and even play with similar influences beyond thrash metal, yet come across differently, I find that the phrase 'less is more' really seems appropriate. Terminal Redux is a massive release featuring about 73 minutes of music while with The Essence of Time Matches No Flesh you can flip those two digits around. The more precise running time if 37:39 (that's about ten minutes longer than Into the Aquatic Sector ran for). There are three less tracks than Vektor's album (giving this album seven) and all are written in a much more 'to the point' kind of way, though can still pass the six minute mark, as is the case with No Future and Dimensions. There is less music here in terms of tracks and length, yet it leaves a stronger impression in no small part because of that. The shorter total running time means that when the album concludes I think about playing it again much sooner, where Vektor's lengthy opus can easily be seen as overwhelming.

Madrost favour a raw and unadulterated aggression when it comes to their music, which is enhanced perfectly by the production which is professional yet not overly slick and polished. There is some melody to be found, but its used quite subtly. Their style retains the death metal element of albums past but they are certainly a case where the thrash metal elements are considerable more prominent than the death metal ones. While The Essence of Time Matches No Flesh can even get a little bit progressive as well as technical Madrost don't mess around with fancy frills and unexpected influences and just get the job done, happily kicking arse along the way via the occasional softer atmospheric 'breather' section, which really only serve to further highlight the intensity of the album when Madrost shift things back into fifth gear. It is, needless to say, a hard hitting and powerful album with insane musicianship that's technically proficient but never self-indulgent and that's exactly why it works so well. If I had to pick a few favourites from it I'd have to name Abstractions, Dimensions and Eyes of the Deceit but the remaining four certainly aren't lesser tracks in any way.

Madrost are obviously not anywhere near as well known as Vektor, yet, but if there is any justice in this world then The Essence of Time Matches No Flesh will be the album that changes that. Even if you ultimately disagree with my assessment that they have one upped Vektor with this album (something I would repeat even if you held a gun to my head), there's no doubt in my mind that at the very least Madrost have delivered 2017's response to Terminal Redux and perhaps even the best thrash metal album of the year.