MELECHESH — The Epigenesis

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MELECHESH - The Epigenesis cover
4.21 | 22 ratings | 3 reviews
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Album · 2010

Tracklist

1. Ghouls Of Nineveh (6:44)
2. Grand Gathas Of Baal Sin (5:54)
3. Sacred Geometry (5:29)
4. The Magickan And The Drones (7:17)
5. Mystics Of The Pillar (8:28)
6. When Halos Of Candles Collide (5:38)
7. Defeating the Giants (3:24)
8. Illumination - The Face Of Shamash (5:33)
9. Negative Theology (3:47)
10. The Greater Chain Of Being (6:53)
11. The Epigenesis (12:17)

Total playing time 71:24

Line-up/Musicians

- Melechesh Ashmedi / Vocals, Guitars, Bass, Keyboards, Percussion
- Moloch / Guitars, Bouzouki
- Rahm / Bass
- Xul / Drums, Percussion

About this release

Full-length, Nuclear Blast Records, October 1st, 2010

Recorded at the Babajim Studio in Istanbul, Turkey. Mixed by Reuben de Lautour.
Mastered by Pieter Snapper.
Cover art by John Coulthart.

Thanks to UMUR for the addition and Unitron for the updates

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MELECHESH THE EPIGENESIS reviews

Specialists/collaborators reviews

Kingcrimsonprog
The Epigenesis is the fifth full-length studio album by the unique Metal band from Jerusalem, Melechesh. It was released in 2010 through Nuclear Blast.

Its always a bit difficult to describe the unique and interesting style in which Melechesh play. On this album in particular they have shed quite a few of the remaining Black Metal passages from their sound and presented an album that is distinctly Melechesh. In a lot of ways it may be their least extreme and most blast-free record to date, with a greater emphasis on instrumental passages and grooves as well as an absolutely top notch production job and mix. The songs largely revolve around big fat grooves and adventurous song structuring but give way to blistering Thrash passages now and again to keep the energy levels up.

In the past I’ve heard the band called all sorts of things online and in print, from Black Metal, to Technical Thrash, to Groove Metal, to Melodic Death Metal, to Folk Metal, to Progressive Metal. No one label really suits the band as they can mix all of those things in an album and often in a single song. On this album in particular they’ve really blended everything down into one, and used that to inform the whole song writing process. Its less of a bit of Prog here and a bit of Thrash here, a bit of Black over there. Now, they just write Melechesh-sounding music all the way through, and luckily it really, really works.

As usual, they have a heck of a lot of technical sections in odd time signatures but they are not afraid to just slam away with some powerful Thrash for a while either. They incorporate Folk influences from their own culture, but that’s not really “the point” of the songs either. They lapse into slow, heavy grooves and apply pinch harmonics certainly, but its only ever one string to their multifaceted bow, and while the vocals can be reminiscent of Black Metal at times, the riffs aren’t really oppressive or icy sounding.

Lyrically, as usual, the band have their unique selling point in the form of singing about interesting historical and fictional things from their own culture (Sumerian/ Assyrian/ Mesopotamian folklore). It gives the listener an interesting perspective, and variety from all the usual gore or biblical stuff.

Don’t worry too much about “what” they play however. Whatever it is, they play it brilliantly. Melechesh are just a really unique, incredibly interesting and talented band, that come out with some very enjoyable music that covers a lot of ground within the Metal spectrum and this album in particular is a culmination of all the experimentation and improvements that the band have developed over their career. It is a potential-filler. It’s a promise-fulfiller. It is the refinement and perfection of over a decade of brilliant ideas. It is a straight-up masterpiece that just gets better with each listen.

The Epigenesis, like each album the band have released to date, expands the band’s horizons and without loosing their core sound, improving with each new record into their collage of different Metallic styles. There are more of the band’s trademark evil-sounding folk moments and sound effects (in this case ‘When halos Of Candles Collide’ and ‘Greater Chain Of Being). Like the two records which preceded it, The Epigenesis is an incredibly instant album, that grabs your attention right away but that has so many great little touches and hidden depths that you can listen to it over and over again and like it more every single time. If you are already a fan of the band this will doubtlessly delight you and if you aren’t yet it will surely make you one.

Highlights include the groovy opener ‘Ghouls Of Nineveh,’ the ridiculously catchy and bouncy ‘Sacred Geometry’ (that riff is massive!) and the rolling, hypnotic, album-closing Title Track. That being said its an absolutely rock solid album all the way through, and nothing’s worth skipping at all (unless the quiet Eastern numbers aren’t your cup of tea). Basically; if you want creative memorable riffs, powerful technical drumming and a distinct flavour that separates it from the crowd, this is something should consider trying.

Overall; Melechesch are a superb and talented band with a hell of a lot to offer. If you like Extreme Metal they’ll feel like a breath of fresh air and if you don’t they are still somehow strangely accessible and manage to write such catchy and enjoyable music that it never feels too dense or challenging. The Epigensis is definitely one of the finest records that the band have released to date. I highly recommend you give it a try if the band appeals to you at all.
UMUR
"The Epigenesis" is the 5th full-length studio album by Israeli black/thrash/death metal act Melechesh. The album was released in October 2010 by Nuclear Blast Records.

The music on the album is a a blend of black metal and thrash metal. I´m getting a Celtic Frost/Triptykon vibe from the music and it´s probably fans of more eclectic styled extreme metal that will enjoy "The Epigenesis" the most. Melechesh are a bit different from your usual Celtic Frost worshipper though as they occasionally incorporate middle eastern themes and instrumentation. It´s a nice feature when it happens but it´s actually not a dominant part of the music. In addition to drums, guitar, bass and raspy vocals, the music also feature keyboards that provide the music with an epic edge. This is by no means symphonic black metal though as the keyboards work more as atmosphere enhancers than lead instruments.

"The Epigenesis" is a high quality black/thrash metal album and I might add quite challenging too. The 71:24 minutes of playing time took me quite a while to get through and the tracks didn´t imidiately stand out. After a couple of listens the songs begin to stand out though and in the end they are actually quite memorable. The album features intricate songwriting, excellent musicianship and a well sounding production. I´d say somewhere between a 3.5 - 4 star rating is warranted.
Wilytank
Melechesh's 'Djinn' album was a very awesome middle-Eastern inspired black metal album; but after that album, they started leaning more towards a more intense blackened death metal sound that wasn't bad, but wasn't all too interesting either. 2010's 'The Epigenesis' changes that.

I'm not sure what it is, but the intensity mixed with the Middle-Eastern tone seems more at home here. The blasting power of "The Ghouls of Nineveh", "The Magickan and the Drones", and "Defeating the Giants" are awesome to behold. Meanwhile we have the slower and more mystical sounding "Mystics of the Pillar". Then we have the epic 12 minute closing title track that brings it all home. I'm a sucker for longer songs, and one of the reasons I like this album more than the similar sounding 'Emissaries' may be this 12 minute song; but frankly, it's fucking awesome.

The instrumental talent from all the players are really tight. Ashmedi and Moloch both play awesome guitar and Xul is a really talented drummer. It's got clean production to it as well, similar to 'Emissaries' making it sound more intense.

Recommended for fans of Absu, Enthroned, and Behemoth.

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