MEZZROW — Then Came the Killing

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MEZZROW - Then Came the Killing cover
3.50 | 2 ratings | 2 reviews
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Album · 1990

Filed under Thrash Metal
By MEZZROW

Tracklist

1. Then Came the Killing 03:39
2. Ancient Terror 04:27
3. The Final Holocaust 04:52
4. Frozen Soul 04:01
5. Distant Death 03:55
6. Prevention Necessary 04:52
7. Where Death Begins 03:56
8. The Cross of Torment 04:19

Total playing time 34:01

Line-up/Musicians

- Uffe Petersson / vocals
- Staffe Karlsson / guitar
- Zebba Karlsson / guitar
- Conny Welen / bass
- Steffe Karlsson / drums

About this release

Full-length, Active ATV 11

CD bonus track:
9. Inner Devastation [5:35]

Thanks to UMUR for the addition

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MEZZROW THEN CAME THE KILLING reviews

Specialists/collaborators reviews

UMUR
"Then Came the Killing" is the debut full-length studio album by Swedish thrash metal act Mezzrow. The album was released through Active Records in 1990. Mezzrow formed in 1985 under the Necromancy monicker but changed their name to the current one in 1988. They recorded two demos under the Mezzrow monicker before being signed for the release of "Then Came the Killing". "Then Came the Killing" ended up being their sole album release in their original run, as they disbanded after recording a 1991 demo.

Stylistically Mezzrow practice what I would characterize as Testament worship. It´s like Mezzrow have found a forgotten vault of 1986-1987 Testament material and have opted to record it with the same equipment and in the same studio as their heroes used when they recorded their debut album "The Legacy (1987)". That´s how similiar the style, the performances, and the sound production on "Then Came the Killing" are to the same features on the Testament debut. If I didn´t know any better, I would have thought it was Testament I was listening to. Lead vocalist Uffe Petersson isn´t quite as distinct sounding as Chuck Billy, but other than that Mezzrow is arguably a worship act.

So with that out of the way, I´m ready to praise Mezzrow for all the great features of "Then Came the Killing", because overall it´s actually a really strong Bay Area influenced thrash metal release. The quality is high throughout in terms of strong songwriting, high level musicianship, and a raw, powerful, and detailed sound production, which suits the material perfectly. If you can look past the obvious clone factor here, fans of the style are recommended to give this album a listen. A 3.5 star (70%) rating is deserved.

Members reviews

1967/ 1976
Power Thrash is not a genre easily described, since the definition is the same as the Techno Thrash. However we define the musical proposal of Mezzrow as: Thrash rhythmic, Thrash guitars but writing and arrangements Power Metal. Only it's not so easy to understand where the component Thrash Metal end and where the component Power Metal begins, also because of very Thrash voice on style and timbre. Also the production is Thrash Metal for style (also if the drums sound is not perfect due to tuning. In every case Staffe Karlsson is a good axeman in soli.

In true view Mezzrow plays a good Thrash, not too technical but with great tons of feelings. Similar to Venom but with more Bay Area attitude. "The Final Holocaust" is a good song: Power Metal (Helloween) parts (and soli) alternate to pure Bay Area Thrash parts in a good song that have Prog Metal flavour, also if 100% Thrash Metal. The feeling of this song is emotional. The tempo of song is similar to NWoBHM bands but the rhythms are very tight and I must say that "Frozen Soul" is an excellent example of Techno Thrash at the limit of Speed Metal. It is equally true that the songs are very dry and direct, the other thing that I appreciate very much in Mezzrow style. All these ingredients are mixed so that the parties fast (mostly with tight rhythms) seem twice fast as parts without tight. Interesting are the fast parts where the guitars are only more fast but not more aggressive. However I would not say that Mezzrow is a melodic band.

In definitive "Then Came The Killing" is a good album. It is a pity that Mezzrow didn't have other chances. They would have earned, also if "Then Came The Killing" is only an honest album with huge potential.

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