ORGY — Candyass

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ORGY - Candyass cover
3.00 | 2 ratings | 1 review
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Album · 1998

Filed under Metal Related
By ORGY

Tracklist

1. Social Enemies (4:05)
2. Stitches (3:18)
3. Dissention (3:31)
4. Platinum (3:42)
5. Fetisha (4:02)
6. Fiend (4:29)
7. Blue Monday (4:26)
8. Gender (4:27)
9. All the Same (4:05)
10. Pantomime (4:28)
11. Revival (4:09)
12. Dizzy (3:21)

Total Time 48:10

Line-up/Musicians

- Jay Gordon / vocals, programming, additional synthesizers
- Bobby Hewitt / drums
- Paige Haley / bass guitar
- Ryan Shuck / guitars
- Amir Derakh / guitars

Guests:
- Josh Abraham / programming, additional synthesizers
- Jonathan Davis / additional vocals on Revival
- Elijah Blue Allman / additional vocals on Revival, additional synthesizers
- Troy Van Leeuwen / additional guitars on Social Enemies and Dissention

About this release

Label: Elementree/Reprise Records
Release Date: August 18, 1998

Recorded at Donner Pass Cabin, Truckee, California; N.R.G. Studios, North Hollywood, California; Josh's Garage, Hollywood, California;
Westlake Audio, West Hollywood, California
Produced by Josh Abraham and Orgy.
Mastered by Tom Baker.
Mixed by Dave Ogilvie, David Kahne, Jay Baumgardner , and Chad Fridirici.
Additional engineering by Amir Derakh.
Assistant engineers: Brian Virtue, Cope Till, and Doug Trantow
Programming by Anthony Valcic.
Art direction and design by Steve Gerdes.
Photography by Joseph Cultice.

Thanks to Stooge for the addition

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Unitron
Orgy-Candyass

'Candyass' is the debut studio album by industrial/alternative rock band Orgy. It's hard to have very high hopes for an album when it has such a stunning title like 'Candyass', but when I saw this used for a few bucks I decided to give it a try. After listening it is industrial rock in the vein of Nine Inch Nails, albeit more dance-y.

The album begins with the very noisy 'Social Enemies' which has that Nine Inch Nails-esque electronic noise and distortion and nasal-y vocals from Jay Gordon. The first half of the album is very mediocre to be honest, but thankfully the album picks up a little bit with the second half. My favorite song on the album, 'Blue Monday', kicks off the second half. This song stands out the most because it has a really catchy beat, combining new wave-type music and metal in a surprisingly good mix. Gordon's vocals are really strong on this track, perfectly complimenting the 80's Rush-like synth work and heavy guitar. This 80's new wave feel is no surprise, seeing as it's a cover of the dance-rock hit from the band New Order. To be honest, the original is better, but Orgy still does a really good cover.

Overall, it's not a horrible album but nothing beyond 'Blue Monday' stand out to me. While I wouldn't say many of the songs are bad, there are quite a few that I would call mediocre. 'Blue Monday' shows me that Orgy's strong point is probably making dance-able industrial tracks rather than the edgy NIN-sound of most of the album. I recommend this to fans of Nine Inch Nails, and 'Blue Monday' would be a great song for a dance or something, but beyond that there isn't much special here. Hope you found this review helpful.

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