ORTHRELM — Iorxhscimtor

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ORTHRELM - Iorxhscimtor cover
3.00 | 1 rating | 1 review
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EP · 2001

Tracklist

1. 01 (1:17)
2. 02 (2:07)
3. 03 (0:23)
4. 04 (2:02)
5. 05 (1:08)
6. 06 (0:58)
7. 07 (1:40)
8. 08 (0:59)
9. 09 (1:45)
10. 10 (0:48)
11. 11 (0:55)
12. 12 (2:21)

Total Time: 16:28

Line-up/Musicians

Mick Barr / Guitar
Josh Blair / Drums

About this release

Millionraces Records 2001

Thanks to renkls, siLLy puPPy for the updates

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siLLy puPPy
ORTHRELM is one of the many side projects of Mick Barr who is probably best known for his work with the avant-black metal band Krallice but has a rather prolific output under different band names including Crom-Tech, M.N.D.L.B.L.S.T.N.G, Mossenek, Quix*o*tic and The Flying Luttenbachers just to know a few. ORTHRELM is basically a mere duo with Barr on guitar and Josh Blair on drums. The not so easy to pronounce debut IORXHSCIMTOR was their debut EP that showcased their most unorthodox avant-garde metal sound which not only displays Barr’s uncanny ability to shred up a storm on the guitar but also the highly experimental compositional styles that show no relationship to any form of classified musical style. This sonic assault seems to exist in its very own universe.

IORXHSCIMTOR is a short EP only lasting 16 minutes 28 seconds but packs in enough energy for 100 brutal death metal albums and a few hardcore punk albums on the side. While the shredding of guitars is incessant and every single note whizzes by at a million miles per second, the compositions are actually rooted in a very nerdy technical form of math rock with bizarre time signature changes and atonal chordal progressions. While Barr performs unthinkable guitar gymnastics on the guitar, Blair blows the roof off the house with his virtuoso percussive performances as well more than keeping up with Barr. In fact the duo pretty much play in sync with one another no matter how chaotic the noisefest becomes.

Despite the music being turned up to 11 almost all the time, there are moments of just plain math rock that do little dances in bizarre time sigs with peculiarly arranged notes juxtaposed next to one another. This is the epitome of extreme avant-garde metal as the tempo is about as quickly played as humanly possible while the noise factor is ratcheted up to extreme irritation mode. This will definitely bug your parents and it’s unlikely that anyone except the most hardcore adventurous music lovers who crave every aspect of the disparate strains of extreme music all in an orgy together will even remotely like this. Personally i am a glutton for punishment and find this appealing but fully admit that this is indeed extreme for the sake of extreme without much thought put into diversity amongst tracks.

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