PESTE NOIRE — L'ordure à L'état pur

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PESTE NOIRE - L'ordure à L'état pur cover
4.28 | 5 ratings | 1 review
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Album · 2011

Filed under Black Metal
By PESTE NOIRE

Tracklist

1. Casse, pêches, fractures et traditions (10:48)
2. Cochon carotte et les sœurs crotte (8:28)
3. J’avais rêvé du Nord (20:26)
4. Sale Famine Von Valfoutre (11:32)
5. La condi hu (9:09)

Total Time 60:23

Line-up/Musicians

- Name / guitars
- Name / drums

About this release

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PESTE NOIRE L'ORDURE À L'ÉTAT PUR reviews

Specialists/collaborators reviews

Wilytank
Peste Noire's 2011 album is pretty zany, but at the same time pretty good. Compared to the first two albums (I haven't checked out their third), this has a lot of experimentation in it. Song 1 (I don't want to type out all the long-ass French song titles) has some overbearing Oi! influence while Song 2 has electronic/dance influence, especially with the electronic drum kit used.

Song 3 is yet another milieu of weird ideas. It is twenty minutes long, but executed quite pleasantly. There's still some electronic influence in the intro along with the sounds of a gun being cocked. After that, we get a somber sounding acoustic segment with female French vocals. With some more legit black metal elements eventually coming in, the song goes forth in a mid to slow paced tempo. The mid paced tempo eventually picks up as the song goes on. More Oi! influence near the end.

Song 4 is the most black metal esque song here so far. It's dark and crushing. The biggest amount of experimentation is around the later end of the 6 minute area wear the guitars sound like they belong in an Agalloch song (in terms of tone) and some samples of a monkey screaming in the background at one point. Song 5 starts out with an atmospheric sounding guitar playing and stays slow paced and somber for some time. Electric instruments do come in, but so does a cello. Around the 3 minute mark, the pace picks up to make the song somewhat more interesting.

I don't know what Famine was smoking while he was writing some of these songs, but this album turned out to be worthwhile. Guitar work is nice and reminiscent to Agalloch. Drums (acoustic and electronic) are well played. And production is decently clean. Definitely an oddball, but worth picking up.

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