RHAPSODY OF FIRE — The Cold Embrace Of Fear

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3.21 | 5 ratings | 1 review
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EP · 2010

Tracklist

A Dark Romantic Symphony

1. Act I: The Pass Of Nair-Kaan (2:01)
2. Act II: Dark Mystic Vision (1:41)
3. Act III: The Ancient Fires Of Har-Kuun (14:56)
4. Act IV: The Betrayal (3:58)
5. Act V: Neve Rosso Sangue (4:41)
6. Act VI: Erian's Lost Secrets (4:28)
7. Act VII: The Angels' Dark Revelation (3:59)

Total Time 35:44

Line-up/Musicians

- Fabio Lione / vocals
- Luca Turilli / guitars
- Patrice Gers / bass
- Alex Staropoli / keyboards
- Alex Holzwarth / drums

Guest musicians:
- Olaf Reitmeier / acoustic guitar
- Sascha Paeth / guitars
- Fabio Lione, Herbie Langhans, Robert Hunecke, Simon Oberender, Thomas Rettke, Bridget Fogle and Previn Moore / vocals
- Bridget Fogle / Soprano Vocals (Solo)

The Narrators of Enchanted Lands:
- Christopher Lee / The Wizard King
- Toby Eddington / Iras Algor
- Stash Kirkbride / Dargor
- Christins Lee / Lothen
- Marcus D`Amico / Khaas
- Simon Fielding / Tarish

About this release

Release date: October 15, 2010
Label: Nuclear Blast (Mini CD)

Thanks to progshine for the addition

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RHAPSODY OF FIRE THE COLD EMBRACE OF FEAR reviews

Specialists/collaborators reviews

Warthur
Huh - this is an odd one. Recorded during the sessions for The Frozen Tears of Angels, this multi-part epic tells an important part of the story of the Dark Secret Saga - it's not a side-tale in the same way that Rain of a Thousand Flames was to the Emerald Sword Saga. On balance, I think the band made the right call in leaving this off that album, since it is a major departure from Rhapsody's usual compositional style which wouldn't fit well on that album, or indeed on any of Rhapsody's other releases.

The multi-act song here relies far more on sweeping orchestral sections and extended narrated portions than any other Rhapsody album, to the point where it includes full-blown radio play sections. On top of that, there's more or less none of the band's usual energetic power metal excursions to moderate the pace and aid the flow, to the point where it feels like an experiment in creating more purely symphonic metal than Rhapsody are known for - or just a symphonic soundtrack when the band don't play altogether and let the actors get on with it. It's an interesting attempt, but in all honesty I think they do a lot better when they sound like Rhapsody.

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