ROSETTA — Wake / Lift

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ROSETTA - Wake / Lift cover
4.22 | 5 ratings | 1 review
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Album · 2007

Tracklist


1. Red in Tooth and Claw (12:14)
2. Lift, Part 1 (05:06)
3. Lift, Part 2 (03:19)
4. Lift, Part 3 (06:08)
5. Wake (09:27)
6. (Temet Nosce) (14:55)
7. Monument (13:30)

Total Time 64:42

Line-up/Musicians


- David Grossman / bass
- Bruce McMurtrie Jr. / drums
- James Matthew Weed / guitar
- Mike Armine / vocals, sound manipulation

About this release

CD digipack released 2nd October 2007 on Translation Loss Records ‎(TL23-2).

Double coloured vinyl LP released 11th November 2008 on Translation Loss Records ‎(TL23-1), limited to 1000 copies:

- 100 - translucent purple with white spatter
- 400 - cokebottle blue with rainbow splatter
- 500 - navy blue and grey swirl

Double coloured vinyl LP released 26th July 2016 on Translation Loss Records ‎(TL23-1), limited to 1000 copies:

- 400 - metallic silver opaque
- 600 - aqua blue opaque

Drums recorded at Menegroth, Queens, NY.
Everything else recorded at Jane Doll, Philadelphia, PA.

Thanks to graphix, Bosh66 for the updates

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ROSETTA WAKE / LIFT reviews

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Members reviews

ed_the_dead
Philadelphia metal-astronauts Rosetta have managed to gather quite a rave, yet underground following (even by extreme metal standards) since their founding. After hearing Wake/Lift, I understand why. "Metal for astronouts" really is a terrific way to describe the noise these four dudes create. You could of course simple label them sludge or post-metal, but bare in mind this is not another Neurosis clone. Hardcore intensity and angst, post-rock build-ups and crescendos, dreamy, tranquil moments reminiscent of shoegaze, or dream pop even - It's all here, Folks. And it really does sound unique. Hell, even the production and mixing stray from typical genre standards. It's a bit rough, the vocals seem to get buried under the guitars/ambience. That may not be everyone's cup of tea, but it works perfectly - the "distant" screams really send chills down my spine. "Wake" is probably my favourite track, and it basically sounds like a Hollywood apocalypse, but in a good way. Sure, I could describe it, but if someone got this far in the review, then he already has a vague idea of what I'm writing about. Give these guys some of the attention they so righteously deserve. If the end of the world really is near, I want this baby to be the soundtrack accompanying it. That would be one hell of an epic apocalypse.

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  • spitf1r3
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